We found 9824 price guide item(s) matching your search

† PETER HODSON; acrylic, seascape, signed, 31 x 56cm, and two similar smaller examples by the artist, each framed and glazed (3)

THREE MODERN MONOCHROME FRAMED PRINTS TO INCLUDE TWO SEASCAPE SCENCE PLUS STAIRCASE

W.D.R. Daker(?) (20thC). Abstract seascape, watercolour, signed and dated July (19)80, 53cm x 68cm.

SIGNED WATERCOLOUR - SEASCAPE

J.KUCSAK - OIL ON BOARD - SEASCAPE 41CM X 29CM

H.CRANE - OIL ON BOARD - SEASCAPE

Late 18th/19th Century British School Oil on canvas Portrait of a gentleman, possibly John Wesley, 43.5cm x 59cm, together with a lithograph of Wesley, by Brumby & Clarke, Hull, the reverse mounted with a photographic print of a girl in seascape (2)

John Barrett (1822-1893) Oil on board Figures before woodland in seascape, signed lower right, 15.5cm x 30.5cm 

John Shapland (1865-1929) Untitled collection Watercolour paintings Largest measures 36cm x 68cm John Shapland was a seascape and landscape painter. He exhibited work at the RA, Paris Salon, and in the USA. Here is a collection of his pieces, two seascapes framed and glazed, accompanied by three unframed watercolours depicting towns and beaches against a seascape. 

John Shapland (1865-1929) Untitled Watercolour Painting Measures 34cm x 94cm John Shapland was a seascape and landscape painter. He exhibited work at the RA, Paris Salon, and in the USA. This piece depicts a seascape scene of crashing waves against rocky cliffs with seagulls above. Painting framed and glazed within a gilt frame. 

Oil on board, coastal seascape, signed H Ximona? in a giltwood frame. H.39 W.57cm.

AFTER SIMONDY, THE TRIUMPH OF APHRODITE, mythical stormy seascape with horses, nymphs, seagulls and other beasts of the water and air, an over painted print in oils, indistinctly signed and dated lower right 1897, 88cm x 128cm, in a gilt frame (Condition Report: an overpainted print, the surface has damp spots, would benefit from a professional clean)

Mary E Herdman Modern Impressionist Estuary scene Seascape with figures to foreground 62 x 50cm

John Hamilton Glass (Scottish, 1890-1925), A Dutch river landscape with windmill, and Seascape with Dutch fishing boats, a pair, watercolour, signed, 34cm x 24cm, framed and glazed (2)

British school (19th century), Fishermen at sea in a coastal seascape, oil on board, signed lower right, 38cm x 72cm, framed.

K Hammond, seascape with fishing vessels, signed oil on canvas, 29 x 39cm

George Graham RSW, RI, ROI (resigned), RBA (1881-1949) SeascapeSigned, oil on canvas board, 37cm by 54cm

Tom Lloyd (1849-1910)Family group before a seascape, with figure mending netsSigned, oil on canvas, 44.5cm by 24.5cm

Anthony Amos (British, 1950-2010) - An original 20th century oil on board maritime seascape painting depicting moored ships in the night. Unsigned. Mounted framed & glazed. Measures approx. 40cm x 47cm framed.

Anthony Amos (British, 1950-2010) - An original 20th century oil on board maritime seascape painting depicting ship in rough sea. Etched signature to bottom right. Mounted & framed. Measures approx. 65cm x 88cm framed. 

John Clarkson Isaac Uren (British 1845-1932): Seascape, watercolour signed 18cm x 36cm

George Frederick Gregory (British/Australian 1821-1887): Rough Seascape with Vessels, oil on board signed 39cm x 49cm

L. Barnard: a framed vintage oil on canvas seascape entitled 'Rain Coming' - signed, dated 1963 and inscribed verso

Three small oil paintings comprising Sheila Morley: a study of a barn owl, a gilt framed stormy seascape and sailing vessels on a waterway

†Ginn (local artist): a framed mixed media cartoon of two people in an interior with seascape beyond - signed and dated '97

Duncan MacGregor Whyte (Scottish 1866-1953), gilt framed oil on canvas, signed lower right, "Seascape" 44 cm x 59 cm

MICHAEL CORKREY (BRITISH, B. 1962) (2)Seascape, Diptych each signed and dated 'M. CORKREY 2006' (to backboard) oil and mixed media on canvas stretched over board each 100 x 100cm (2) ARR Provenance Private collection, UKCondition reportAppears in generally good condition.The blotches visible in the photos are original to the picture.

A 20th century three mast sailing ships with sails reefed at night, oil on canvas, signed indistinctly, 80 x 60 cm framed, and another seascape with fishing boats

Pair gilt framed seascape oils, framed map and seven various pictures including oils.

I Guy (unknown); two framed oil on canvas paintings depicting similar seascape scenes of fishing boats. Largest: 35cm x 25cm.

Keith Sutton (Blackpool Artist 1924-1991); a framed oil on board seascape of a fishing boat on choppy seas heading towards rocks. Signed lower right. Height: 53cm, Width: 78cm.

Reginald George HAGGAR (1905–1988) Coastal Seascape with buildings visible to the shore. Watercolour on paper, unmounted. Signed lower right 'Reginald G Haggar' Height: 29.2cm Width: 39.5cm

A.J.Cartmell Crossley, West Coast Seascape, print 170/200, signed, titled bellow, gallery stamp bottom left in a wooden mounted glazed frame. (33cmx48cm)

* BILL WRIGHT RSW RGI DA (SCOTTISH 1931 - 2016), THE INCOMING TIDE watercoloour on paper, signed mounted, framed and under glass image size 30cm x 43cm, overall size 54cm x 64cm Note: Bill Wright's talent first became evident when he was a boy, drawing endlessly for amusement while bedbound with illness. He went on to study painting at Glasgow School of Art and became an award-winning watercolourist, constantly inspired by was seascape and ever-changing sky on the Kintyre peninsula where he had a second home. Glasgow-born Wright, the son of a shipyard plater, was brought up in Partick and started his schooling at the city’s Dowanhill Primary before being evacuated to Dunoon during the Second World War. After returning home he attended Hyndland Senior Secondary and despite being discouraged by his parents, who would have preferred him to have a “proper job”, in 1949 he began his studies at Glasgow School of Art. They were interrupted by national service – a duty he felt hindered the progression of his art career. He served at Catterick army garrison but was a pacifist who abhorred war and dismissed the opportunity to be promoted to Sergeant as an army career held no interest. His first teaching post was at East Park School in Glasgow’s Maryhill. He then moved in 1965 to St Patrick’s High School in Dumbarton where he spent two years before becoming art adviser for the area at the age of 36. Over the next two decades he fostered the idea of instilling a cultural interest in art among pupils. He formed working groups to reform teaching of first and second-year students, encouraged forward-looking principal teachers and recruited many young teachers. His ethos was that teachers were not just there to create artists but to give all children a good art experience. He also established a residential art course for school children, at the Pirniehall residential educational facility at Croftamie in Dunbartonshire, where youngsters from different backgrounds could investigate the idea of furthering an art career through experiencing a range of different mediums in an art camp environment. And he is said to have been instrumental in encouraging the implementation of Scotland’s Standard Grade art and design qualification. However, he suffered from the chronic arthritic condition ankylosing spondylitis which, by the age of 55, forced him to take early retirement from his post in the education department of Strathclyde Regional Council. Meanwhile, as he had strived to enthuse youngsters with his own passion for art, he had been elected, in 1977, to the Royal Scottish Society of Painters in Watercolour. A member of the Glasgow Arts Club for many years, he was also an elected member of the Glasgow Institute of Fine Arts and Paisley Art Institute, served as president of the Scottish Artists’ Benevolent Association for 14 years and was a Scottish Arts Council lecturer, touring the country discussing art. But perhaps his own greatest inspiration was the view from a cottage he stumbled upon half a century ago, seven miles from Campbeltown on the Mull of Kintyre. He rented the property at Bellochantuy and set up a studio there where he drew on the vistas stretching 180 degrees, encompassing sea, beach, rocks and sky. He was utterly smitten by the area and was ultimately bequeathed the cottage by the owner who had become a close family friend. Over the years he came to know the area intimately and was fascinated by the constantly changing moods of the sea and light of the sky which formed the majority of his output. One large body of work, "Towards Islay", focused on the view from the back of the cottage. He captured the patterns and waves of the sea, sometimes adding a bird, limpit, mermaid’s purse, rock lines or some seaweed. But at times his works were very abstract and symbolic, concentrating on themes of nature and transience. He was hung in all the major shows in Scotland and in galleries across the country from Aberdeenshire to Edinburgh, Glasgow and south of the border. His work also features in public collections of Stirling and Strathclyde Universities, HRH The Duke of Edinburgh and the Educational Institute of Scotland. And he was recognised with The Laing Prize for Landscape and Seascape and the RSW’s Sir William Gillies Award.

Seascapes one signed, two oils on board 20 x 37cm (8in x 14.5in) & 26 x 47cm (10.5in x 18.5in) together with a further Seascape oil on board, signed J M Fitt (3).

A group of pictures, comprising Leslie Ford, seascape depicting sailing boat and coastal shore, pastel, signed, 26cm x 36cm, together with coastal study, watercolour, indistinctly signed and possibly titled Weymouth, 24cm x 34cm.

FRAN FIT - OIL ON BOARD - IRISH SEASCAPE 76CM X 51CM

J.CARABOH - OIL - SEASCAPE 54CM X 38CM

SPIN, Jacob (1806-1875). (Three-master with full sails, flying a Dutch flag). 1860. Watercolour on paper. 535 x 730 mm. Signed and dated in lower left corner. Framed and glazed. NOTE: Fine and very detailed seascape view. In the background a similar three-master is sailing, flying an American flag. Spin was famous for the exactness of his drawings, because he was probably a former sailor. - Scheen II, p. 376-7.

SCHOUMAN, Martinus (1770-1848). (Seascape). N.d. Drawing in pen and grey ink wash on paper. 305 x 460 mm. Signed in lower left corner. Recently framed, glazed and under (acid free) passepartout. NOTE: Fine maritime sight by Schouman - famous for his seascapes - depicting fishermen in the foreground hoisting nets, several ships anchored in the roadstead, including two three masters, of which one seems to be practicing its cannons. In very good condition.

Frederick Henry Partridge (British, 1849-1929), Watercolour North Norfolk seascape depicting flock of seagulls on the beach, framed and glazed 52cm x 26cm, sign lower right  

ALLAN MORGAN - SEASCAPE, OIL ON BOARD 555 x 545 mm

Harry ArmytageOil on boards Rocky seascape, signed.[50x70cm]

Two Artworks;Watercolour seascape, signed and dated 1917.Tricia Brown - Watercolour of a tree and greenery, signed.

(Signature Faded)Oil on canvas of a seascape, signed and within a moulded frame.[Frame 39x44cm]

Three Artworks:Stanley Smith (A.R.C.A)Watercolour titled 'Wallflowers', signed.Walter HallcottWatercolour village scene, signed and dated 1919.Mixed media seascape with a castle in view, unsigned.

Tom Wesselmann, Seascape Tit with Scribble. 1991. Ex. 84/100Tom Wesselmann, (1931-2004)1991Seascape Tit with Scribble. 1991. Siebdruck auf Arches 88 Papier. Motiv: 61 x 45,5 cm / Blatt: 88 x 76,5 cm. Unten links mit Bleistift signiert und nummeriert: Wesselmann 84/100. Hrsg. International Images, Inc. in Putney, Vermont (Blindstempel unten rechts).Hier eins von 68 übriggebliebenen Exemplaren, 32 aus der Auflage von 100 Exemplaren wurden zerstört, außerdem gab es 12 artist's proof.

A quantity of pictures including a Vernon Ward print of a seascape, an oriental picture, a Margaret Ross nursery print, a water colour of a woodland stream and a Continental oil painting of boats moored outside buildings.

M & J Barton Choppy Coastal Seascape, oil on canvas, 50 x 101cm, signed lower right.

M Dixon oil seascape  on canvas 50x40cm

Frederick Henry Partridge (British, 1849-1929), Watercolour North Norfolk seascape depicting flock of seagulls on the beach, framed and glazed 52cm x 26cm, sign lower right  

Andrew Giddens - oil on canvasCornish seascape, signed, 18" x 27"

20TH CENTURY ENGLISH SCHOOL; charcoal, grey tones, possibly seascape, unsigned, 50 x 74cm, framed and glazed.Condition Report: From the estate of actor Dean Sullivan, most known for playing Jimmy Corkhill in the TV series Brookside.good condition

† GUIDO ODIERNA (Italian, 1913-1991); oil on canvas, stormy seascape with waves crashing against rocks, signed lower left, 60 x 90cm, framed.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.orgOverall good condition, slightly loose in frame and has been taped back in. In my opinion it appears slightly washed out in colour. No reaction to black light.

† JIM NICHOLSON; watercolour, 'Luskintyre, Harris', signed and dated 1983 lower right, signed dated and titled to label verso, 19 x 24cm, and two Julia Duerden watercolours, 'Dee Estuary' and a seascape, and a 20th century English school watercolour, beach scene, indistinctly signed, 30 x 42cm, all framed and glazed (4).Condition Report: From the estate of actor Dean Sullivan, most known for playing Jimmy Corkhill in the TV series Brookside.

English School (19thC). Seascape with mountain beyond, oil on canvas, 19.5cm x 35cm, together with highland landscape with cattle, oil on canvas, signed indistinctly, 34cm x 24cm, and a moorland landscape, watercolour, signed indistinctly, 17cm x 23.5cm. (3)

HELEN OHARA - PENCIL - SEASCAPE 25CM X 16CM

F/G WATERCOLOUR OF A TREE & SEASCAPE SCENE & 3 OTHERS POSSIBLY OIL ON CANVAS & BOARD

A 19th century French musical rocking ship automaton, with a painted cardboard castle turret and rocky encasement with wind and watermill, the crepe paper sea with three mast sailing ship, pull cord mechanism to play two aires, the ship to rock, the mills to turn and a lead soldier to turn, under a glass dome with painted land and seascape —20in. (51cm.) approximate height (dome broken and glue front right and mechanism in operative)

20th Century Continental School, seascape study with waves crashing over rocks, oil on canvas, 10.5" x 14" (27 x 36cm).