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Pearson, Blackburn, a mahogany moonphase longcase clock: the eight-day duration movement striking the hours on a bell and having a fourteen-inch break-arch Wilson painted dial with black Roman hour numerals and typical Wilson strawberry decoration to the four corners and birds to the centre, with seconds dial, date aperture and signed Pearson, Blackburn, with decorative brass hands, the arch having a moonphase disc painted with the moon along with a seascape and landscape, the dial rear and date disc both stamped for the dial maker Wilson of Birmingham, having a mahogany case, the trunk with double finned pillars, a triple lancet-shaped moulding to the door, and satinwood panels, the hood with two fluted pillars to each corner with cast-brass Corinthian capitals, a swan-neck pediment with shaped verre-eglise glass panels, the centre being decorated with the figure of a woman, the base with satinwood panels to the edge, canted corners and standing on bracket feet, height 230cm.* Biography William Pearson is recorded as working at 2 Astley Gate, Blackburn, Lancashire until 1828 and then Holme Street circa 1834.* Notes Reference Brian Loomes Lancashire Clocks and Clockmakers Pub. David & Charles 1975For details of Wilson see lot 1303
Rath, Burgess Hill, a rocking ship longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch breakarch brass dial having a raised silvered chapter ring engraved with black Roman numerals and Arabic five-minute numerals, the silvered centre engraved with c-scroll decoration and signed Rath, Burgess Hill, with blued-steel decorative hands and cast-brass c-scroll spandrels to the four corners, the arch having a rocking ship moving with the beat of the movement with a seascape behind and arched silvered surround engraved The Royal Oak, the oak case having two brass ball-and-spire finials to the break-arch top and fluted pillars with cast-brass capitals to the hood, height 188cm.
Simon Andrew Melting Snow 1, 2021 Watercolour on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) Since completing his MFA from Newcastle University in northeast England, painter Simon Andrew has exhibited his richly textured and emotive landscapes in 27 solo shows in the UK and Canada. He has received two Ontario Arts Council awards and has won landscape competitions including the Laing National Landscape Competition and the Lawrence Atwell Award both in the UK. He received first prize in Exposures, an exhibition judged by public museum curators in Canada. Andrew's work is held in corporate and private collections including that of actor Mel Gibson, Fidelity Investment, Glaxo Wellcome and Her Majesty The Queen in Right. His work was featured on the album cover of Day for Night by the Juno award winning and much loved Canadian band The Tragically Hip. "When painting, I concern myself with colour relationships, compositional structures and the physicality of the paint. I consider 'subject' the framework on which I hang the paint. My work is as much about the medium as the message... My paintings are a distilling process. They are often primed with an emotional charge, triggered by an event or a place. The intention is that they should conclude as authentic reconstructed experience." Education 1987 Newcastle University .U.K. B.A. (Hons.) Fine Art. 1987 1989 M.F.A. Newcastle University, U.K. Selected Solo Exhibitions 2017 Formulating Landscape, The Wallace Gallery, Calgary, AB 2016 Interior and Exterior Domains, The Mira Godard Gallery, Toronto, ON 2014 Mini Show, The Wallace Gallery, Calgary AB 2013 Studio 21, Halifax, NS 2012 The Mira Godard Gallery, Toronto, ON The Wallace Gallery, Calgary AB 2011 Great Atlantic Art Galleries, Cornwall, U.K. 2010 The Seascape Gallery, Godalming, U.K. 2008 Goldie Gallery, Montreal, QC The Art Gallery of Windsor, Windsor, ON 2001 The Edward Day Gallery, Kingston, ON 2000 Nancy Poole Gallery, Toronto, ON
Simon Andrew Melting Snow 2, 2021 Watercolour on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) Since completing his MFA from Newcastle University in northeast England, painter Simon Andrew has exhibited his richly textured and emotive landscapes in 27 solo shows in the UK and Canada. He has received two Ontario Arts Council awards and has won landscape competitions including the Laing National Landscape Competition and the Lawrence Atwell Award both in the UK. He received first prize in Exposures, an exhibition judged by public museum curators in Canada. Andrew's work is held in corporate and private collections including that of actor Mel Gibson, Fidelity Investment, Glaxo Wellcome and Her Majesty The Queen in Right. His work was featured on the album cover of Day for Night by the Juno award winning and much loved Canadian band The Tragically Hip. "When painting, I concern myself with colour relationships, compositional structures and the physicality of the paint. I consider 'subject' the framework on which I hang the paint. My work is as much about the medium as the message... My paintings are a distilling process. They are often primed with an emotional charge, triggered by an event or a place. The intention is that they should conclude as authentic reconstructed experience." Education 1987 Newcastle University .U.K. B.A. (Hons.) Fine Art. 1987 1989 M.F.A. Newcastle University, U.K. Selected Solo Exhibitions 2017 Formulating Landscape, The Wallace Gallery, Calgary, AB 2016 Interior and Exterior Domains, The Mira Godard Gallery, Toronto, ON 2014 Mini Show, The Wallace Gallery, Calgary AB 2013 Studio 21, Halifax, NS 2012 The Mira Godard Gallery, Toronto, ON The Wallace Gallery, Calgary AB 2011 Great Atlantic Art Galleries, Cornwall, U.K. 2010 The Seascape Gallery, Godalming, U.K. 2008 Goldie Gallery, Montreal, QC The Art Gallery of Windsor, Windsor, ON 2001 The Edward Day Gallery, Kingston, ON 2000 Nancy Poole Gallery, Toronto, ON
Albee (Edward) The American Dream, small patch of wear to foot of upper cover, light fading to covers, jacket with some chipping to head and foot, patch of abrasion to lower cover, [1961]; The Ballad of the Sad Café, ink ownership inscription, jacket price-clipped with light sunning to spine, light marking to lower panel, 1963; Tiny Alice, light fading to head and foot, jacket spine a little sunned, 1965; Malcolm, signed review slip loosely inserted, 1966; A Delicate Balance, presentation inscription to Paul Bartel, jacket with chipping to spine ends and corners, 1966; Everything in the Garden, signed by Beatrice Straight beneath her name in the cast list, 1968; Box and Quotations from Chairman Mao Tse-Tung, 1969; All Over, jacket with short closed tear to head of upper panel, 1971; Seascape, 1975; Counting the Ways and Listening, presentation inscription to Paul Bartel, publisher's review slip loosely inserted, 1977; The Lady from Dubuque, presentation inscription to Paul Bartel, 1980, first editions, all signed or with signed presentation inscriptions from the author, original cloth, dust-jackets, some with rubbing or creasing to tips of spine and corners, but excellent or near-fine generally, New York and Boston; and 5 others by Albee, also signed, 8vo (16)⁂ A superb group of works by the Tony and Pulitzer Prize-winning playwright.Paul Bartel (1938-2000) actor, writer and director.
A group of seven artworks in various media to include indistinctly signed; a Continental mountainous landscape scene in the Impressionist style, 43 x 58cm, framed, unattributed; seascape with 19th century sailing ships to foreground on calm seas, blue skies and scurrying clouds, 52 x 62cm, framed, G W Worboys; two scenic views of Canada 'The Three Sisters', titled and signed verso and dated April 6th 1921 and signed and dated lower right, both 43 x 63cm, both framed and glazed, indistinctly signed; a French farmyard scene with outbuildings and trees in the foreground, 50 x 65cm, framed and W F Giles; acrylic, country scene with flowing rivers and trees, signed and dated 1973 lower right, 92 x 24cm, framed (7).
Ten scenic artworks in various media to include M Schmidt; oil on board, moody seascape with rocks and trees to foreground, signed and dated 1946 lower right, 28 x 39cm, unattributed; a small oil in the French Impressionist style, flowing rivers with trees in the background, 20 x 28cm, framed, Barton; watercolour and pencil 'Gatehouse - Thornton Manor - Wirral', 20 x 27cm, two other unattributed scenic watercolours, a pair of early 20th century scenic prints with figures, cottages and sea in the foreground and after Pierre Jean Llado; a print 'Le Jardin de Sophie', all framed and glazed (10).
ALAN THORPE (20TH CENTURY), ROSEDALE FROM ROSEDALE HEAD, signed lower right, watercolour, framed, 18cm by 35.5cm; together with JOHN CARTMEL-CROSSLEY, SEASCAPE, signed lower left, oil on board, framed, 14cm by 18.5cm; NOEL BRAY, "GUILE POINT", signed, titled and dated 1989, watercolour, 9.5cm by 7cm, framed; JOHN E. PARKIN, "SANTA MARIA", signed, pencil, framed, 19cm by 15cm; and STEPHEN BROADBENT, SEASCAPE II, APPROACHING WHITBY, signed lower left, watercolour, framed, 15cm by 24.5cm. (5)
Stefan Nowacki for Lynton- a porcelain coffee can and saucer, showing a tall ship in an arctic seascape with seed pearl surround and dark blue ground with gilt bands, gilt cypher marks to both, cup 6cm high Stefan Nowacki was employed as a painter and gilder at the Royal Crown Derby works and in 1980 he left to establish his own company, Lynton Porcelain Company, in Derby. Condition Report: saucer with radiating flaw- visible to reverse Condition Report Disclaimer
A FRAMED CHINESE SILKWORK DEPICTING BIRDS (50 X 34 CM), ANOTHER EASTERN PICTURE, AN EGYPTIAN EXAMPLE, A COLLECTION OF ORIENTAL PICTURES AND PRINT, A FRAMED AND GLAZED JIGSAW PUZZLE, AND TWO MODERN FRAMED AND GLAZED PHOTOGRAPHS OF A SEASCAPE WITH PIER, AND A BIRD. BOTH SIGNED R J WILEY TO MOUNT (QTY)
MARINEMALERFrankreich, Mitte 20.Jh. Hafen von Saint Tropez. Öl/Lwd., undeutl. signiert. 33x41cm, ohne Rahmen SEASCAPE PAINTER France, mid-20th century Port of Saint Tropez. Oil on canvas,indistinctly signed. 33 x 41 cm, without frame. Keywords: paintings, images, art, artworks, pictures, Gemalde, French, Francais, lakescape, sea scape, lake scene
Four 18th century continental porcelain cups, various marks including crossed swords and interlaced L's, one cup finely painted with a landscape and seascape on a cobalt ground, another with birds and the other two with flowersCondition report: All cups have overall age related wear, with some minor surface scratching and wear to gilding. Tall floral cup has a chip to the rim and a star crack to the base. Shallow floral cup has a chip to the underside of the foot rim.
Four framed watercolour on paper to include stone house and bridge before hilly landscape with gallery label verso inscribed John Callow 1822-1878, Moorland Landscape, seascape signed by S. Stidaton, woman and dog in woodland, rural scene with church to background. IMPORTANT: Online viewing and bidding only. Collection by appointment via our website or arrange with Mailboxes Etc couriers ONLY. Restrictions apply to ensure social distancing.

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9824 item(s)/page