We found 9824 price guide item(s) matching your search

ARR * Glass (Margaret, 1950- ). 'Going to the mark', 1992, pastel on paper, depicting a seascape with yachts under a bright blustery sky,, initialled and dated lower left, 42.3 x 55.4 cm (16.5 x 21.75 ins), mounted, framed and glazed, verso with manuscript title label in the artist's handQty: (1)

* Goosen ( Frits Johan, 1943- ). "Balder", oil on board, seascape depicting 5 large sailing ships, signed lower right, additionally signed and titled on verso, 18 x 30 cm (7 x 11.75 ins), framed, together with a catalogue of the artist's workQty: (2)

* Goosen ( Frits Johan, 1943- ). Seascape with sailing ships, oil on bevel-edged board, depicting 4 large sailing vessels, signed lower right, verso with additional oil painting, comprising a riverscape with a man and his dog in a small motorised boat by the bank with trees, and sailing boats beyond, signed lower left, 18 x 30 cm (7 x 11.75 ins), framedQty: (1)

Thomas Bush Hardy framed and glazed watercolour of a seascape titled Off the Dutch Coast, signed and dated 1891 bottom right, 29 x 59cm

Terence Grundy: a framed oil on canvas, depicting a moonlit seascape - signed

Paulette Helleu (1904-2009) Seascape study with figures and boats by a dock, signed, oil on board, 32 x 40cm

Paulette Helleu (1904-2009) Seascape study with figures on a beach and boats beyond, indistinctly signed, oil on board, 37 x 53cm

Frank Watson Wood (Scottish 1862-1953) 'H.M.S. Southampton' seascape study, signed, titled and dated '1927', 21 x 33cm

Adolphus Knell (British, fl.1860-1890) Nocturnal seascape study with ships and fishermen, signed, oil on board, 14 x 22cm

Adolphus Knell (British, fl.1860-1890) Seascape study with fishermen and ships, signed, oil on board, 14 x 22cm

Brian Coole (b.1939) Ships in Portsmouth Harbour, signed, oil on canvas, 19 x 29cm, in gilt frame, together with two small, unsigned maritime oils and a seascape watercolour, signed with monogram 'WHB' (4)

A 19th century seascape study fisherman in boats on choppy waters, indistinctly signed and dated '1868', 62 x 87cm

A framed and glazed watercolour, The railway bridge at Kew and a seascape. 44x34cm

A FRENCH COMPTOISE CLOCK FEATURING GILT BIRD DECORATION ABOVE THE DIAL, the dial has Roman numeral markers and floral decoration with 'Haut-Jura' script, together with a large decorative pendulum with printed seascape to the centre

CLAIRE GROSE (BRITISH CONTEMPORARY) 'CHICHESTER HARBOUR, RAIN COMING' an impressionist coastal seascape, signed bottom right, oil on canvas, approximate sizes image 80cm x 120cm, frame 97cm x 137cm (A)

A maple framed pastel seascape study

* IONA A E MONTGOMERY RSW (SCOTTISH CONTEMPORARY),SEASCAPEoil on board, signed25cm x 30cmFramed and under glass

Four framed watercolours, town view, country view with sheep, seascape and one other (4)

An Oil on canvas of seascape in pink tones

Large Framed Print - Seascape

A 1960S OIL ON CANVAS depicting a stylised seascape scene, indistinctly signed, 21cm x 82cm, Swedish gallery label verso

Garman Morris (British, act. 1900-1930), seascape ships at sea on a cloudy day, signed, watercolour, 40 cm x 90 cm

A large later 20th Century Isle of Wight Seascape vase of ovoid form by Michael Harris, decorated with veined blue patches and whiplash lines over an opal and gold aventurine ground, retains original label, height 20cm.

Roland Stead, pair Seascape watercolours and two signed watercolours (4).

A pair of framed 19th century oils on canvas, riverscape and seascape, both indistinctly signed. 64x53cm

E. Hulther (Late 19th/Early 20th Century) British. A Rocky Seascape, Watercolour, Signed, in Gilt Composite Frame, 10" x 14".

Early 20th Century English School. Seascape, Oil on Board, Initialled H.S.T., 14" x 10".

Early 20th Century English School. Seascape, Oil on Board, Initialled H.S.T., 12" x 12".

** Eckhout (20th century), Seascape, signed, oil on canvas, laid on board, 100cm x 229cm.

K* Johns - impressionist seascape, gouache on board, 13.4" x 13.4", framed

WILLIAM THOMAS NICHOLAS BOYCE (1858-1911) REOWNED COLLECTABLE SEASCAPE PAINTER WATERCOLOUR SIGNED - SHIPPING IN A CHOPPY SEA 52CMS X 36CMS A SUPERB EXAMPLE

After Bon. Peeters, engraved by W. Hollar 17th Century Dutch Engraving: "Louuing in Irland," approx. 5 ¾" x 8 ¾", engraved seascape, v. good, Hogarth frame. (1)

A framed seascape watercolur of French barges loading glazed in gilt frame 42cm x 36cm

A pair of framed seascape watercolours 40cm x 34cm

A framed seascape watercolour of a Thames Barge in rough seas glazed in gilt frame 33.5cm x 40cm

Gouache Seascape of North Norfolk estuary with sail boats at low tide signed Cox glazed and gilt framed 46cm x 39cm

William H Bates seascape signed lower right, 50 x 61cm plus a further oil on canvas (A/F) signed lower left R Brunet

H NICHOLL "Hilly Landscape", watercolour, signed bottom right, approx 20.5 cm x 33 cm, including frame 43 cm x 57 cm, together with T W B "Seascape with Boat in Foreground and Rocky Outcrop in Background", watercolour , initialled and dated 1844 to the boat, approx 22.5 cm x 31.5 cm, including frame approx 34 cm x 42.5 cm and JEAN FAULKNER "Still Life Study" and five various other pictures

Thomas Sword Good, HRSA (1789-1872) Four sketchbooks containing landscape and seascape watercolours, pencil drawings and portrait studies in monochrome wash; two small unframed pencil drawings, three 19th Century photographs of the artist; together with a small archive of correspondence and research material relating to the artist; and a signed copy of P. Edwin Bowes' book In a strong light the art of Thomas Sword Good (2ty.)

SEASCAPE WITH GULLS, oil on canvas 20th century, indistinctly signed Riviera

An Emile Galle marquetry decorated occasional table, the rectangular top displaying a naturalistic scene of thistles beside a seascape, marquetry signed Galle, 27.5"h x 23"w x 15"d

Japanese cloisonne vase,Ando Jubei , bulbous body with silver rim to the neck and foot, mountain and seascape on pale turquoise, Ando Jubei mark on the base, approx. 10"h

A large oil on canvas seascape depicting sailing ships on rough seas.

Alfred De Breanski Sr. (United Kingdom/Scotland, 1852-1928) oil on canvas seascape titled en verso "A Pole in The Highlands" depicting two figures fishing center left, a rocky shoreline with waves foreground and mountains in the background. Titled, signed "Alfred De Breanski Sr." and possibly dated "1909" en verso with other illegible writing. Housed in a carved gilt and gesso frame. Sight - 23 3/4" H x 19 1/2" W. Framed - 29 3/4" H x 26" W. Biography: London-born painter Alfred De Breanski Sr. was a well known painter of Welsh and Scottish scenes who met with success during his lifetime. He exhibited at the Royal Academy in London from 1869-1918 and also exhibited at the Royal Society of British Artists and the Royal Institute of Oil Painters. Two of his sons also became painters. (Source: Askart). CONDITION: Canvas relined. Four areas of repair with patches en verso. Minor canvas separation noted to upper right corner. Frame with slight losses and old repairs, new gilt paint.

William Bradford (Massachusetts/California, 1823-1892) oil on board seascape painting depicting a coastline at sunrise or sunset, with partly cloudy sky overhead. Signed "W. Bradford" lower right. Housed in a wooden frame. Sight - 6 3/4" H x 10 1/2" W. Framed - 11" H x 14 1/2" W. Third quarter/late 19th century. Biography: William Bradford worked in the clothing business before becoming a full-time artist. His first studio was in Fairhaven, Massachusetts, where he created detailed paintings of the ships that came through the local harbor. He later traveled to the Atlantic coast of Labrador, Canada, and became famous for his paintings of ships in open arctic waters. One of these, commissioned by Queen Victoria, was exhibited at the Royal Academy in 1875. (source: The Smithsonian American Art Museum). CONDITION: Overall good condition. Few areas of age cracking, largest 3/4", top left of board. Two areas of errant paint marks, largest 1/8", top right of board. 1 1/4" x 3/4" area of surface scratching, top left. Scattered discoloration in varnish layer.

Thomas Alexander Harrison (American, 1853-1930) oil on board seascape, depicting the light from a moon, partially shrouded by clouds, reflected in calm waters along a shoreline. Signed lower right "A. Harrison". Housed in a gilt carved frame and gilt wood liner with brass placard to lower edge with artist's name. Sight - 12 1/4" H x 15 1/4" W. Framed - 21" H x 24" W. Biography: Thomas Harrison was renowned for his nocturnal maritime paintings, a skill he honed while working for the U.S. Coastal Survey as a topographical draftsman in 1872. He also studied at the Pennsylvania Academy of Fine Arts and at the San Francisco School of Design. By 1879 he had settled in Paris, where he was introduced to plein-air painting and became the acknowledged leader of the artists' colony at Pont Aven, Brittany. The French government made him a Chevalier of Legion of Honor and Officer of Public Instruction. He continued to return to San Francisco, however, to exhibit and take part in activities of the Bohemian Club. He earned numerous awards including gold medals at the PAFA and the Paris Exposition, both in 1889. His work is in several major museums. Sources: John Davis, "Thomas Alexander Harriston," Paintings and Sculpture in the Collection of the National Academy of Design, Volume One, 1826-1925; Edan Hughes, "Artists in California, 1786-1940." Provenance: The estate of Joan Dearden, Johnson City, Tennessee. CONDITION: Rubbing along the lower left margin. A few pinprick losses to surface, mid-right quadrant. Minor abrasions to the frame.

Charles Kermit Ewing (Tennessee, 1910-1976) abstract oil on canvas seascape depicting waves crashing against a rocky shore scene under a cloudy sky, rendered in muted colors of blue, grey, white and brown. Signed and dated "C. Ewing '67" lower left. Additional marker inscription en verso regarding purchase in 1977. Housed in a carved painted wood frame. Sight - 17 1/2" H x 23 1/2" W. Framed - 21 7/8" H x 28" W. Biography: Charles Ewing was a Pennsylvania-born painter, teacher, and lithographer. He studied at Carnegie Mellon University, Harvard, and the University of Iowa with Jean Charlot. He was a member of art associations in Pittsburgh, Atlanta and New Rochelle, and in 1938, exhibited at the National Academy of Design. He served as art consultant for the Tennessee Valley Authority and, from 1948 until his retirement, was head of the art department at the University of Tennessee at Knoxville. (Source: Peter Falk, "Who Was Who in American Art"). CONDITION: Painting overall good condition. Minor scattered abrasions to the frame.

Peter A. Nisbet (New Mexico/Arizona/North Carolina, b. 1948) oil on board seascape painting titled "Pewter Shore" depicting sunlight shining through dark clouds and reflecting off the water. Titled and signed "Pewter Shore, 2008, PA Nisbet" en verso. Housed in giltwood frame. Sight - 8 3/4" H x 11 3/4" W. Framed - 13 3/4" H x 16 3/4" W. Biography: Peter A. Nisbet began studying art at age 10. He earned a liberal arts degree from the University of North Carolina Chapel Hill. During the Vietnam War, he served as the Director of Art Services for the Navy's Office of Information. After the war, Peter became a freelance artist in illustration and graphic design. He began painting landscapes in 1980 when he moved to the Southwest. (Source: Artist's website). Provenance: private Nashville, TN collection. CONDITION: Excellent condition.

Two (2) maritime seascape watercolor paintings, including William Dalglish. 1st item: William Dalglish (United Kingdom, 1860-1909) watercolor seascape painting depicting fishing ships out on a stormy sea. Signed "Dalglish 1884" lower left. Partial Label for W. Dalglish, Glasgow, en verso. Housed behind glass in a molded giltwood frame. Sight - 6 3/4" H x 9 3/4" W. Framed - 13 7/8" H x 16 3/4" W. 2nd item: Watercolor on board seascape painting depicting a rocky coastline with cliffs and ships in the background. Signed "H. Foster '13" lower right. Housed behind glass in an ebonized wood frame. Sight - 7" H x 10 1/4" W. Framed - 12 3/8" H x 15 5/8" W. Provenance: the estate of Victor T. Patterson, Franklin, TN. Note: born in Georgia and educated at the Parsons School of Design, Victor Patterson served as a cultural representative to Russia with Dwight D. Eisenhower's "People to People" program (prior to its privatization) before moving to the Nashville, Tennessee area to pursue a career in interior design. He was associated with Bradford's for many years before starting his own business. He decorated the Tennessee Governor's Mansion and the home of several country music stars in the 1970s, and filled his home on Franklin's historic Fourth Avenue with art and antiques from his frequent travels. CONDITION: 1st item: Some toning to paper. Overall good condition. Frame is fragile with lower left corner repair. 2nd item: Speck of debris to upper center, light toning.

Group of three (3) Asian porcelain items, 4 items total, including one (1) blue and white ginger jar with seascape decoration and a carved and pierced hardwood lid, one (1) lozenge shaped and footed fruit dish with bat, flower, peach, and shou symbol decoration and red seal to the base, and one (1) Famille Rose bowl with vignette of figures on a blue and white decorated background. Lot also includes a hardstone seal with carved and scrimshaw decoration including a band of dragon decoration to the top and landscape with fish and inscription decoration to the body. Porcelain ranging in size from 1 7/8" H x 10 1/2" W x 7 3/4" H to 7" H. Seal - 5 5/8" H. All items late 19th/early 20th century. CONDITION: All porcelain items overall good condition. Bowl and fruit dish with some slight wear to decoration. Seal overall good condition.

A quantity of Victorian and later unframed watercolour paintings, mostly signed.Condition ReportCanada Geese initialled 'WE', Wagtail is signed David Andrews and seascape with birds looks like 'Vaiser'.

Early 20th century school - Seascape - watercolour, 18 by 9cm (7 by 3.5ins); together with another watercolour painting depicting a fisherman sat next to a rock, (2).

Joseph Galea (?) (Maltese 1904-1985) - Seascape - signed & dated 1929 lower right, oil on canvas, framed, 66 by 51cms (26 by 20ins).

Anthony Amies (British 1945-2000) - Beach Seascape - signed & dated '73 lower left, oil on textile, framed, 91 by 71cms (35.75 by 28ins).

Contemporary European School - St Marks Square, Venice, oil on canvas, 61 x 91cm; together with another contemporary school - 18th century seascape battle scene, oil on canvas (2)

A large circa 1900 French electroplated circular shallow dish, the raised and chased decoration depicting Greek mythological seascape, the central Venus with attendant sea-nymphs, centaurs, winged putti and fish, within raised thumb-moulded border, to claw feet, signed Poux, dia.38.5cm

William Calcott Knell, (1830-1880), seascape with boats sailing, signed and dated 1876, oil on board, 20 x 25cm

20TH CENTURY CHINESE GILT MODEL OF AN EAGLE, modelled upon a gilt seascape scene, on a tapered, stepped base with red presentation plaque, 68cm high

Newton Blades Seascape L, 2020 Inkjet print on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Newton Blades is a a collaboration between husband and wife, Edd Pearman and Ceal Warnants both known for their 'borrowed' and 'reimagined' artworks. Graduates from the Royal College of Art, The 'Newton Blades' aesthetic is wide and varied, encompassing the old and the new through innovative interactions with found art. Taking existing works, Blades alters and accentuates, blurring sections or adding elements, until the originals only dimly resemble themselves. The result is often haunting, a spectral trace of the historical image, abstracted to unsettling but beautiful effect. In other works, Blades incorporates text and graphics, exploiting linguistic humour to accentuate visual wit through minimal compositions. Whether abstract of pictorial, Blades' work possesses an enchanting quality.

Newton Blades Seascape F, 2020 Inkjet print on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Newton Blades is a a collaboration between husband and wife, Edd Pearman and Ceal Warnants both known for their 'borrowed' and 'reimagined' artworks. Graduates from the Royal College of Art, The 'Newton Blades' aesthetic is wide and varied, encompassing the old and the new through innovative interactions with found art. Taking existing works, Blades alters and accentuates, blurring sections or adding elements, until the originals only dimly resemble themselves. The result is often haunting, a spectral trace of the historical image, abstracted to unsettling but beautiful effect. In other works, Blades incorporates text and graphics, exploiting linguistic humour to accentuate visual wit through minimal compositions. Whether abstract of pictorial, Blades' work possesses an enchanting quality.