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Samuel John Lamorna BIRCH (1869-1955)The Cornish RivieraOil on canvasSigned122x152.5cmAn extract from the news publication "Truth" - Wednesday 18th May 1927.Art - The Royal Academy - "The most uplifting view of Mount's Bay from the hills a Mr. S.J. Lamorna Birch, A.R.A. entitled "The Cornish Riviera". The G.W.R. ought to have an eye on this picture".The painting was reproduced in the Illustrated London News - Saturday 07 May 1927 under the heading "Pictures of Outstanding Interest".Extract from the Western Morning News - Friday 18 March 1927THE CORNISH RIVIERA - "Though a Lancashire man, Mr Lamorna Birch practically makes his home Cornwall, which has brought him fame, culminating in the new honour of A.R.A. He shows several oils this year. "The Cornish Riviera" an exquisite combination landscape, and seascape. On the hills between Penzance and Gurnard's Head Mr Birch felt the beauty of springtime in Cornwall and, looking back over Mount's Bay, the Great Western Railway, and St Michael's Mount, was impressed with the magnificent view that so many thousands of people admire". Condition report: This impressive oil has been lined and restored with the lightest of touches, the lining seems to have had virtually no effect on the impasto, under UV light there is no sign of damage and very, very little re-touching

SIGNED OIL ON CANVAS OF A SEASCAPE AT SUNSET

A COLLECTION OF OIL PAINTINGS TO INCLUDE STILL LIFE STUDIES, PARISIAN SCENE SIGNED BURNETT, SEASCAPE ETC. (7)

A GILT FRAMED 19TH CENTURY OIL ON PANEL DEPICTING A STORMY SEASCAPE WITH SAIL BOATS SIGNED T VON BROCKMANN LOWER RIGHT PICTURE SIZE - 28CM X 23CM

SIX ASSORTED WATERCOLOURS AND OIL PAINTINGS TO INCLUDE AN OIL ON BOARD OF A SEASCAPE, WATERCOLOUR OF A VILLAGE SCENE WITH LIGHTHOUSE ETC.

A PAIR OF FRAMED AND GLAZED WATERCOLOURS OF LANDSCAPES WITH CATTLE INDISTINCTLY SIGNED MCKINLEY? TOGETHER WITH A WATERCOLOUR OF A SEASCAPE WITH BOATS BY THE SAME ARTIST (3)

WATERCOLOUR SEASCAPE SIGNED KERR

Follower of Franz Edmund Weirotter (Austrian, 1733-1771)A coastal scene with figures, boats and a ruined tower;A landscape with resting figures, a horse and a pillara pair, both bearing signature 'Veirotter', oil on panel15.5 x 21.5cm, irregular (2)Condition report: Both paintings are executed in oil on small wooden panels with bevelled edges at the reverse, both with an unusual slanted edge at one side. Both works have areas of loss at the edges, the seascape also has localised areas of raised paint along the lower edge. There appears to be some overpaint at the edges covering old wear and abrasion. The central areas of the paintings are in a good condition overall. The varnish layers are dull and yellowed and there is a smeary layer of surface dirt present. Both panels are poorly housed within the frames.

NIGEL KINGSTON, 'Seascape', oil on canvas, signed, 100cm x 150cm.

An L Munro signed black and white photographic print of a seascape scene, frame size 53cm x 43cm, printed on archival paper on acid free mount, in new condition

ATTRIBUTED TO WILLIAM ADOLPHUS KNELL (1801-1875), SEASCAPE AND NOCTURNE SEASCAPE, both signed, oils on board, framed. (2) 20cm by 17cm Provenance: Chosen Antiques, GloucestershireCONDITION REPORTFramed rubbing to edges. Sporadic retouching and infilling – particularly to areas of sky, cloud and all four edges. In overall good condition.

LORNA BAILEY FOR OLD ELLGREAVE POTTERY, A 'BEACH' JUG AND A PAIR OF SALT AND PEPPER SHAKERS, decorated with trees against a seascape, the jug with Old Ellgreave backstamp, all three signed 'Lorna Bailey'; together with A LORNA BAILEY OLD ELLGREAVE ARTWARE POTTERY ADVERTISING PLAQUE. (3) Jug 13.5cm high, shakers 9cm highCONDITION REPORTGood overall condition. 

CIRCLE OF WILLIAM CALCOTT KNELL (1830-1880), A MORNING BREAK IN A CALM, RIVER THAMES AND EXTENSIVE SEASCAPE WITH FISHING BOATS, both bear signature and date 1871, oils on canvas, framed. (2) 28.5cm by 59cm Provenance: The Talbot Gallery, LancasterCONDITION REPORTThames – Re-lined, cleaned and re-varnished. Some areas of dirt and discoloured varnish. Sporadic areas of retouching and infilling. Three small circular areas of retouching and cracking to centre of sky (visible to the naked eye). Seascape – Similar to the other example. Scattered but relatively consistent areas of retouching to the sky. 

Antique Oil painting on canvas rural seascape scene 'North Berwick' by William Barry , Leith 1865 within a stunning gilt frame dimension 20" c 15" ( purchased from SHAPES auctioneers!Approx 1 pieces

A framed unsigned watercolour of a seascape and an oil on canvas of a seascape with gulls, signed lower left.

A framed and mounted Watercolour of a seascape 'Brandy Cove', indistinctly signed lower left 23 1/2'' x 17 3/4'' including frame.

A large carved wood framed Oil on canvas of a continental seascape with sailing boats and figures with a pack horse on the strand, signed lower right B. Williams 1909, image size 24 1/4'' x 12 1/4''.

An unsigned oil on canvas of a seascape at sunset.

Phillip Raskin (Scottish b.1947) acrylic on canvas, seascape, in later contemporary frame, 60 x 150cm, signed l l

Two gilt framed coloured prints, one a seascape, the other a river landscape with watering cattle

F.H. Webster (20thC British School). St Giles Church Balderton, watercolour on paper, signed and dated 88, 20cm x 30cm, Elizabeth Willis, seascape, oil on board, signed, 24cm x 30cm, and Sandy Gore Custom House Quay Weymouth, watercolour on paper, signed and dated 1985, 34cm x 52cm. (3)

Maureen Minchin (born 1954) a large charger, painted to the well with three Razorbills and central roundel of two rabbits, the rim with puffin in a seascape, the reverse with a band of mackerel and seaweed impressed seal mark, 42cm. diam.

MIXED LOT COMPRISING A KOREAN NATIONAL DANCE CO FROM SEOUL SIGNED POSTER, TOGETHER WITH AN OIL ON BOARD STUDY OF A SEASCAPE, FURTHER OIL ON CANVAS STUDY OF A FEMALE FIGURE AND OTHER ASSORTED PICTURES

MODERN CONTINENTAL SCHOOL, OIL ON CANVAS, STUDY OF A SEASCAPE, INDISTINCTLY SIGNED, GILT FRAMED, 23CM WIDE

M Marchant (20th century school)Oil on boardCoastal seascape, signed lower left, 21cm x 30cm

A box of 20th century pictures and prints including oil on board seascape, embossed brass panel depicting figures in a tavern etc

J.D WATSON - oil on canvas of seascape 41cm x 55cm

A framed Pastel seascape signed and dated W.Edwards 1913

CHRIS HAGUE, SEASCAPE WITH BOATS, OIL ON BOARD, 69CM WIDE

David M Graham, Seascape at Sunset, oil, signed bottom right (34cm x 44cm)

Anthony Hedges - Seascape with clipper ship on fire, oil on canvas, signed lower right, 30x40cm

Mary Armour RSA RSW (British, 1902-2000)Seascape signed and dated ''66/Mary Armour' (lower right)oil on canvas45.7 x 60.9 cm. (18 x 24 in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Michael Harris - Isle of Wight - A later 20th Century Seascape vase of sleeve form decorated with stylised waves streaked in white and blue against the mottle white ground, engraved signature, height 17cm.

A large framed and glazes seascape print. (collect only)

An Italian cigarette dispenser, the outer case with parquetry banding and applied top steel dial, and date, with central mirror layered design, and a shield in pewter marked with a seascape, 15cm high, 22cm wide, 12cm deep.

Limoges porcelain cake plate, centred with flowers within a gilt border, together with a Coalport plate, painted in gilt with a peacock on a navy blue ground, a milk glass goblet, painted with pink flowers, a Victorian porcelain plate, hand painted with a seascape, and a Camille Le Tallec porcelain dish, painted with flowers and a blue glass decanter, decorated with a cameo of a bearded gentleman (6)

A LARGE GILT FRAMED OIL ON CANVAS OF A SEASCAPE OF CRASHING WAVES SIGNED LOWER RIGHT SANGIO, SIZE - 100 CM X 69 CM

THREE ASSORTED FAMED OIL ON CANVASES COMPRISING OF A SEASCAPE SIGNED ROBERTSON, A STILL LIFE STUDY OF FLOWERS SIGNED CECIL, AND A MOUNTAINOUS LANDSCAPE WITH DEER INITIALLED F L 1908

A GILT FRAMED OIL ON BOARD OF A SEASCAPE AT SUNSET INDISTINCTLY SIGNED LOWER RIGHT SIZE - 63CM X 53CM

A GILT FRAMED OIL ON CANVAS OF A SEASCAPE SIGNED H GAILEY, SIZE - 75 CM X 49 CM

J R STURGEON: SEASCAPE, OIL ON CANVAS 1903, (in poor condition) and three other oil paintings, one a portrait of a girl (4)

Jean Marchand (French 1883-1941)Seascape, high tideOil on board Signed and inscribed a Edith (lower left)22 x 26.5cm (8½ x 10¼ in.)Provenance:Property sold to benefit a charitable trust created by the late William de GelseyCondition Report: Very fine craquelure throughout. Very light surface dirt throughout. Slight rubbing to extreme framing edges, most notable lower right. Inspection under UV reveals no obvious evidence of restoration or repair. Condition Report Disclaimer

Jean Marchand (French 1883-1940)Seascape, low tideOil on boardSigned and inscribed a Marie amicalement (lower left) 21 x 26.5cm (8¼ x 10¼ in.)Provenance:Property sold to benefit a charitable trust created by the late William de GelseyCondition Report: Board is slightly bowed. Light surface dirt throughout. Inspection under UV reveals light scattered retouching. Condition Report Disclaimer

20th Century School, Seascape, Oil on Canvas, depicting a group of people with a person holding balloons, signed 'Christopher Kohan' ? indistinctly to bottom left, 16in (40cm) x 20in (50cm), framed.

Harry Epworth Allen RBA, PS (1894-1958) ''Seascape'' Signed, pastel, together with a further nocturne landscape, 25cm by 34cm & 17.5cm by 25.5cm respectively (2) Literature: ''Harry Epworth Allen (1894-1958) Catalogue of his Works'', Basford John, Derwent-Wye Fine Art Limited, Private Collection I, p.154, no.148 Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration

An impressionist oil painting of a seascape.

AN INDISTINCTLY SIGNED SEASCAPE together with three gilt framed wall mirrors

J.B Fountain oil on canvas 'Sailing Boats on Rough Sea' framed, unsigned,  56 x 45cm, together with a John F. Bland oil on board seascape scene 60 x 45cm, a Herbert Christie, framed, oil on canvas 'Loch Awe', signed & dated 1948 bottom right, 58 x 48 cm, together with an oil on board 'The Garden Meadowcroft', signed Hardaker bottom left and an oil on canvas, Simon Robert 'Old Court House' signed bottom left 68 x 52cm (5)

Three antique Chinese porcelain vases. (1) 18th - 19th century vase with floral/bird, green glass, on brass foot, top edge glued. (2) 19th Century Cantonese Family Rose vase, top edge damaged. (3) 18th century vase, floral/seascape, damaged. Dimensions: H 18 - 25 cm. In moderate condition.

Various Oriental ceramics to include a late 19th century large Japanese Satsuma bowl decorated with central panel of four Samurai on dirt track, with hatched panelled border filled with white enamelled jewels and patterns, the external border depicting mountain peaks filled with various enamelled and coloured patterns, 12.5 x 31cm, a 20th century Satsuma-style bowl decorated with an image of two academics within pagoda, in filled white enamelled jewelled and patterned border, external has a border of enamelled fans, double red ring to base painted red character mark, 9 x 23cm, a modern Japanese blue and white porcelain lidded box with split interior all-over pattern of pagoda, trees, seascape and hills, marked to underside of lid with printed blue square seal mark, 19 x 10cm, and a modern Japanese black teapot with dragon head finial to the lid, dragon tail handle, dragon head and neck spout, decorated with an applied and moulded dragon scene, 19 x 24cm (4). CONDITION REPORT Japanese Satsuma bowl - large rim chip to outside, signs of some firing cracks, wear to decoration20th century Satsuma - some chips to foot rim, wear to enamel decoration, pitting to glazeBlack teapot - some wear to gilt, minor rim chips, unmarked

Collection of prints and pictures, to include a chalk and pencil portrait of a young lady, 24 x 18cm, printed engraving portrait of Lieutenant General Talmash, hand-coloured print of a viaduct, print of an Elizabethan lady, still life watercolour on board, signed Bob Eckersley, a watercolour of a seascape, signed Ariel Madden and dated 1995, a print of a leaf, signed Anne Ravenscroft, and an embroidered picture after Lowry (8)

Indistinctly signed seascape. Large oil on canvas, signed lower right. 58 x 85cm. Framed.

A 19th century, oil on board, seascape of a rough sea, signed Edward J Ellis (1841-1895)

A SMALL GROUP OF MISCELLANEOUS, comprising a wall clock (pendulum and key), a copper coaching horn, a Singer sewing machine and two seascape pictures (one watercolour signed Worsley, missing glass, size 41cm x 31.5cm)

LYNNE TIMMINGTON (BRITISH CONTEMPORARY) 'SMORUMNEDRE', a stormy seascape, signed bottom right, titled verso, oil on canvas, approximate sizes: image 76cm x 101cm, frame 89cm x 116cm (Condition: small scuff to top left corner of the painting) (ARR)

A mid century print of a seascape.

William F Piper (British c1900-1967): Seascape near Kynance Cornwall, watercolour signed 26cm x 36cm

L.W. Pocock, Seascape, oil on canvas signed lower left, 39.5 x 49cm, unsigned Valley Scene with Bridge in Foreground, oil on canvas. (2)

A retro vintage 1960's oil on board abstract painting entitled 'Seascape. Composed in various shades of blue. Framed. Artist unknown. Measures approx; 63cm x 78cm.

Lot No: 40 - Ref No: 026 Future Guardians By Vanessa Worrall - Halt Studios ''The inspiration behind this piece is the natural beauty of Dartmoor. The sculpture highlights the flora, fauna and some of the endangered species within Dartmoor, Barbastelle Bats, Blue Ground Beetle, Marsh Fritillary Butterflies. It is to remind future generations the importance of looking after the environment and local habitat. The sun sets on the proud mother otter protecting her pup and looking towards the future. Dawn breaks on the pup and with it comes new beginnings and a new generation to protect Dartmoor life. This sculpture is a wonderful project to be part of and I hope it brings many visitors the same joy I experienced when painting it.'' Vanessa Worrall paints at Halt Studios situated at her home within the Blackdown Hills, an area of outstanding natural beauty. Inspired by land and seascape, Vanessa's oil paintings respond to the balance of light between day and night, the silhouettes, textures and colours of her locality are a constant inspiration. Vanessa's work has been shortlisted for the Royal Academy Summer Show, London 2020 and she also exhibits her work locally at Talent Gallery, Wellington, Somerset.