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A late 19th/early 20th Century European School - seascape, oil on canvas, appears restored, relined, 31 1/2 x 19 1/2".

A selection of Royal Crown Derby Imari pattern items consisting of a pair of hexagon form vases, a plate, Royal Crown Derby twin handled urn shaped vase with a central painted seascape signed W. E. J. Dean and a Royal Crown Derby style cup and saucer . No damage or repair.

William Wardlow Laing (fl.1873-1898) A fallow field, together with a quantity of further pictures to include a 20th century seascape watercolour, a 20th century study of an Italian lady, Marianne Cox, 20th century rural landscape, three sporting prints after Alken, a print of Grayson's Colin, and two flower study watercolours by E.Miller Fowler (10)

Taxidermy: Victorian cased Common Gull (Larus canus), in naturalistic setting with grass and lichen, set against a painted seascape backdrop, encased within an ebonised three pane display case, H38cm L43cm D19cm - Condition Report

June BENNETT (1935-2013) oil on board of a seascape, 23" x 27"

British School (19th-20th Century) Seascape, signed Tunpins bottom left, oil on panel, measurements 19 x 25 cm, frame 33 x 39 cm Condition report: The painting is an oil on board, framed without glazing. The board appearing in good condition, no obvious signs of warping or splitting. The paint condition appears good, no obvious evidence for paint loss or deterioration. Black accretion present left lower edge. Frame appears good, solid joints.

Alexander Wishaw (British 1870-1946) A sea mist, watercolour, signed and dated 1909 bottom left, measurements 22 x 28 cm, frame 36 x 42 cm. Labels verso: Bradley and Co, London and Jackson and Sons, Liverpool.Together with a watercolour seascape by a different hand, signed indistinctly bottom right

JOHN McDOUGAL two watercolours - 1. Ogwen Valley river, signed, 17 x 26cms and 2. rocky coastal seascape with distant yachts, signed, 17 x 24cms Condition Report: extensive foxing

James Aumonier (1832-1911) Fisherfolk looking out over Runswick Bay Initialled, inscribed 'sketch' and dated 1879, watercolour, together with a further watercolour depicting an extensive seascape from a headland, possibly relatable to the Rowbotham family and a further watercolour depicting figures and laden donkey outside a rustic cottage by another hand, 27.5cm by 21cm, 36.5cm by 37cm & 25cm by 34.5cm respectively (3)

William Fleming Vallance RSA (1827-1904) Scottish Extensive seascape with boats in full sail and steam ships Oil on canvas, 34cm by 57cm Provenance: By descent through the artist's family See illustration . In original condition. Relatively light stretcher shadow. Most prominent across top and right and left side. Covered in a thick layer of dirt and discoloured varnish. Broadly spaced stable craquelure throughout surface. Some minor rubbing to edges. There is the odd small nick/loss along lower edge and a minor horizontal abrasion approx 4 cm in length and 10 cm right of lower left hand corner. Paint is more thinly applied within lower right hand corner. Otherwise in a broadly fair/good state of preservation. Not examined with a UV light.

LYNN PITT; oil on card, seascape of rolling waves against rocks with yachts in background and stormy skies, signed lower left, 30 x 46cm, framed and glazed. CONDITION REPORT Crackled Orange mark to middle right hand sidesmall are of paint loss to bottom left hand side

Robert Ixer (British, b. 1941). Stormy coastal seascape with cliffs, oil on canvas, signed, 49.5cm x 59cm.

Decamp, Signed Coastal Seascape Painting. Oil on canvas. Signed lower right. Depicting waves crashing along the shore. Sight Size: 12 x 24 in. Overall Framed Size: 17 x 29 in.

A gilt framed oil on canvas seascape.

A B Cull - Sun and Haze - seascape with steamship in the distance, signed lower left, watercolour, framed & glazed, 45 by 28cms (17.75 by 11ins).

A large Chinese baluster vase decorated with an Immortal in a seascape, blue seal mark to the underside, 45cm (17.75ins) high.Condition Reportheavily restored to the neck

Michael Harris - Isle Of Wight Glass - A 20th Century retro vintage English studio art glass bowl / small pot having an aventurine gold seascape with crashing foamy waves. Complete with label. Measures: 8.5cm. Condition: No visible damage.

Donald Hamilton Fraser R.A. (British, 1929-2009)Beach Seascape signed 'Fraser' (lower left)oil on canvas71.5 x 97cm (28 1/8 x 38 3/16in).Painted in 1957Footnotes:ProvenanceWith Paul Rosenberg & Co, New York, where acquired by the family of the present owner circa the late 1950s or early 1960s, and thence by descentPrivate Collection, CanadaThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Alexander BALLINGALL (c.1850-1910/11) seascape watercolour "Dutchmen Becalmed", signed,In an old thin gilt slip frame,The watercolour measures 50 x 75 cm

* Pictorialism. A group of 22 mounted exhibition photographs by various photographers, c. 1915, including a seascape study with three boats in sunlight through clouds by Alfred G. Buckham FRPS, 38 x 30 cm, signed in pencil on the mount, other photographs include botanical gardens, Napier, New Zealand by Sergeant S. Tanner, views in Dinant by J.E. Coates and Alice R. Naylor, plus pictorialist scenes by F.W. Cruttenden, G. Cumber, Albert H. Redman, P. Carslen, M.A. Smart, Arthur Beard, R.W. Staff, and others, mostly gelatin silver prints, various sizes, plus one older mounted albumen print of cloisters by A. Bedding, all loosely contained in a cloth portfolio, gilt-title 'W.M. Richardson, with all good wishes from the B.P.I.P.S', some wear, 55 x 41 cmQty: (23)NOTESAlfred George Buckham (1879-1956) was the first head of aerial reconnaissance for the Royal Navy in the First World War and later Captain in the Royal Naval Air Service. After crashing nine times and undergoing surgery he was discharged as disabled. While recovering from surgery Buckham started making photo-montages, combining two or three photographs to compose a single image, even adding tiny aircraft or perhaps, as here, three sailing vessels.

TWO FRAMED WATERCOLOURS, ONE A SEASCAPE SIGNED W. TAYLOR, THE OTHER A RIVERSIDE SCENE, SIGNATURE INDISTINCT (2)

ORIGINAL ARTWORK - OIL PAINTINGS, WATERCOLOURS ETC., to include a watercolour of a blue door showing signature R. Wintz with a pencilled signature under R. W. Moss, cottages signed L. Wilkins, a floral study signed A. Gurteiger (?), a continental view signed Cyril Bradshaw, a pierrot signed De Courcey, a seascape watercolour signed T. Castle and amateur paintings of Stafford Park by F. Guest 1971, etc.

Herbert Dalziel (1853-1941)Seascape unsigned with copy of Royal Exchange Art Gallery purchase receiptoil on paper19.5cm x 27.5cmandLandscape with cottagesoil on paper17cm x 22cm (2)Condition report: The paper is slightly billowed on the Landscape with cottages. No paint loss or other defects to either painting.

WATERCOLOUR SEASCAPE

An 18th century tortoiseshell and gold piqué snuff box the oval lid inlaid with a town and seascape with boats, birds, insects and sun rising in the background, simple foliate inlay to base, 9 x 7cm, typed card within, With Best Wishes from Queen Mary, ("Xmas 1950" in later biro). Provenance: By descent from vendor's grandfather, Sir Owen Morshead, Royal Librarian, 1926-1958.

JL? - Abstract seascape, oil on board, signed with initials lower right, 60 x 75 cm - condition good original although surface dirty

Zwei Wassertropfer. Korea. Joseon-Zeit (1392-1897), 18./19. Jh. Beide oben mit einem Luftloch. a) Blau-weißer Wassertropfer in Würfelform, auf vier L-förmigen Füßchen, mit kleiner zylindrischer Tülle, in Unterglasurblau bemalt auf der flachen Oberseite mit einer Seelandschaft mit Booten und Bergen, auf den Seiten mit stilisierten Blütenzweigen, die von vier kurzen Klammern und einer Umrisslinie eingefasst sind. b) In Form eines Karpfens, der mit seinem Maul seine Schwanzflosse berührt, bedeckt mit einer transparenten Glasur über blauem, wässrigem Email. (2)a) H 4,5 cm; b) L 7 cmProvenienzb) Weinmüller, München, 26.2.1976, Lot 394Privatsammlung, SüddeutschlandLiteratura) Vgl. Form und Dekor in: Nationalmuseum Korea, The Elegant Beauty of Choson Scholars' Studies, Seoul 1992, S. 138, Nr. 446-449 und British Museum London, Nr. 1992.0615.8; b) Vgl. ähnliche Wassertropfer: V & A , London, Nr. C341-1912 und Harvard Museums/Arthur M. Sackler Museum, Cambridge, Inv.Nr. 1992.257 Two Korean water-droppers. Joseon dynasty (1392-1897), 18th/19th century Each with an air hole at the top. a) A blue and white water dropper of square form, set on four short bracket feet and molded with a small cylindrical spout to one side, decorated on the flat top in underglaze blue with a seascape, each of the sides decorated with an abstract floral sprig framed by four short brackets and set within a thin blue outline. b) In the shape of a curled carp bringing its tail to meet its mouth, carved to depict his eye, scales and tail and covered with a clear glaze over cobalt-blue wash. (2)a) Height 4.5 cm; b) length 7 cmProvenanceb) Weinmüller, Munich, 26.2.1976, lot 394Private collection, Southern GermanyLiteraturea) Compare shape and decoration in: National Museum Korea, The Elegant Beauty of Choson Scholars' Studies, Seoul 1992, p. 138, no. 446-449 and British Museum London, no. 1992.0615.8; b) Compare similar water-droppers in the V & A , London, no. C341-1912 and Harvard Museums/Arthur M. Sackler Museum, Cambridge, acc. no. 1992.257

* LILLIAS BLACKIE (SCOTTISH CONTEMPORARY), SEASCAPE II oil on board, signed 45cm x 14cm Mounted, framed and under glass

CONTEMPORARY SCHOOL, SEASCAPE oil on canvas 40cm x 50cm Unframed

A Large Oil on Canvass Seascape - 87cm x 72cm with Frame

JAMES BARTHOLOMEW (BRITISH CONTEPMORARY) 'South West Wash', a coastal seascape, waves crashing over rocks, signed bottom right, pastel on paper, image size approximately 42cm x 68cm, frame 73cm x 99cm (condition:- small chips to frame) (A)

IN THE MANNER OF HENRY MOORE (BRITISH 1831-1895) 'Helioland Bight' seascape with outcrops of rocks and sea stacks, seagulls on the wing, boat to far distance, oil on canvas attribution to frame, modern handwritten biography to card backing verso, approximately 59cm x 90cm (condition:- patched repair to canvas, cleaned condition, unsigned)

* SARAH CARRINGTON (SCOTTISH b 1977), WHITE YACHT I mixed media, signed and dated 2000 78cm x 23cm Mounted, framed and under glass Note: Sarah Carrington (b.1977) is an Edinburgh born landscape artist. She creates land and seascape paintings using acrylic, ink, emulsion, oil, sand and chalk to describe the variety of textures found at the seashore, and to evoke the mood and weather of the coastlines of Scotland and Ireland. Sarah Carrington graduated in 1999 with a sell-out degree show and an MA in Fine Art from the University of Edinburgh and Edinburgh College of Art. She began her career as a self-employed artist based in Edinburgh; her memories of childhood holidays to the west coast of Scotland and student sailing excursions around the Hebrides have a lasting influence on her sea and landscape paintings. Now based on the north coast of Ireland, she paints both the coastlines of Scotland and Ireland noting the similarities between these two Celtic lands. She has exhibited regularly throughout the UK and her works are held in public and private collections nationally. Sarah is represented by The Open Eye Gallery (Edinburgh) and the Roger Billcliffe Gallery (Glasgow) and her work is exhibited by numerous front line galleries around the UK including Lime Tree Gallery.

Four Framed and Glazed Watercolours including Charles H Spiers Watercolour of a Cottage and Garden, R P Bonington Watercolour of Beach Scene, Harris Brett Watercolour of Cliff Seascape and another Watercolour of Child with Dogs

Louis Burleigh Bruhl watercolour seascape with yachts signed 28 x 37 cm together with five prints and paintings.

A BOX CONTAINING SIX CAMEOS and a small hand painted seascape, on a porcelain roundel

•Marion Cozens, oil on board, depicting a forest scene, signed and dated to bottm right framed and glazed, togehter with another oil on board depicting a moorland scene, signed Cozens to bottom right, and an oil on canvas, depicting a seascape, by Beth Cozens (3)

Armenian painter, Seascape at dusk, oil on board. The picture 31X39cm, framed 39X46cm.

FRANCIS E. JAMIESON. BRITISH 1895-1950 A rugged coastal seascape. Signed. Oil on canvas 20' x 30'

Cornish interest - George III mahogany-cased eight day brass dial longcase clock with rocking ship automaton, Roger Wearne, St. Earth (St. Erth, Cornwall), (1748-1820), the 12-inch dial with Roman hours and Arabic minutes framing seconds dial, engraved lighthouse and tall-masted sailing ship, and shells flanking terrestrial calendar crescent, the signed arch framing demi-lune seascape with rocking ship automaton, the knopped four pillar movement striking on a bell, the case with pagoda surmount over moulded dentil cornice and blind fret work, plain turned trunk columns with brass capitals, shaped throat moulding and broad break-arch trunk door with ebonised cock beading on conforming base, 235cm high Condition: Dial has brown spot between I & II. Signature strip to arch is a separate section, break through H of Earth. Some bubbling to seascape. Movement appears sound but is untested and sold as seen. Case has minor losses to dentil mounding, very slight crack to blind fret work, a couple of tight veneer cracks to hood door and some shrinkage to trunk door and surround but is otherwise sound. Sold with two iron weights, two crank winders, trunk door key, hood door key, and pendulum - **General condition consistent with age

An oil on canvas, seascape with rough waters, rocks, lighthouse and ship, 19ins x 30ins

Adolphus Knell (British, act. c. 1860 - c.1890), seascape with ships in sail, signed, oil on board, 14cm x 22.5cm, Small chip to picture surface towards lower left hand corner.

Arnold Beardsley, Moonlight seascape, oil on canvas, signed lower left, 60 x 90cm

H Griffin, oil on canvas, seascape, signed with monogram, dated 1895, 10" x 20", framedVery good condition

Three framed and glazed prints to include: La Toilette 1890 after Edgar Degas 48 x 37cm; Modernist Seascape; Venice, The Grand Canal 1854 after William Callow 1812-1908

A pair of small gilt framed oil landscapes on board; one depicting a moorland scene, the other a seascape. Monogrammed 'FP' to bottom left. Est. £30 - £50.

An early 20thC English School. Seascape, crashing waves before cliffs with clouds gathering, oil on canvas, unsigned, 35cm x 45cm.

W Temple (20thC). Twilight seascape with seagulls, probably acrylic on paper, signed 32cm x 40cm.

Edward Keebles (20th Century), 'Sheringham 1980', a seascape with sea birds, signed, watercolours. Framed and glazed.(B.P. 21% + VAT) Good condition.

Paul ThekOhne Titel (Seascape with Rowboat) Aquarell und Pastell auf Papier 46 x 61 cm. Unter Glas gerahmt. - Mit Atelierspuren.ProvenienzAlexander and Bonin Gallery, New York; Mai 36 Galerie, Zürich (jeweils mit rückseitigem Aufkleber) Paul ThekUntitled (Seascape with Rowboat) Watercolour and pastel on paper 46 x 61 cm. Framed under glass. - Traces of studio.ProvenanceAlexander and Bonin Gallery, New York; Mai 36 Galerie, Zurich (each label verso)

DAVID WESTON oil on board - peaceful seascape, Red Wharf Bay with boats and figures, signed, 24 x 34cms

FRAMED OIL ON CANVAS OF SEASCAPE

John Rogers Herbert (1810-1890) British, A study of people picnicking in the shade of a derelict building with seascape in the background, Watercolour, signed and dated. '1849', unframed, 9" x 13".

A late VIctorian Royal Crown Derby blue and white ewer, unsigned, in the manner of WEJ Dean, typically painted seascape with boats and lighthouse, approx 20cm high, date mark for 1894; together with a shaped square blue and white plaque, painted with boats and figures, numbered to base 713/1710, approx 20cm x 20cm (2)Condition report: ewer in good condition; plaque has been restored 

A framed seascape watercolour by Thomas Sidney - Lantern Hill, Ilfracombe, signed - (24x17cm).

Pair of early 20th seascape watercolours signed by Bolton artist Sydney P Winder. 28 x 34 cm with frame

20th Century seascape, sailing vessels in choppy seas, print, housed in a dark stained frame, the seascape 55cm x 24cm

A watercolour, HMC, lake scene monogrammed, 24 x 17cm, framed and glazed, and three prints, inc George Sheffield, seascape, 19 x 26cm, framed and glazed

A L Dogely, late 19th century, seascape with a dinghy and a yacht off a rocky coast, signed, oil on canvas, 30 x 60cm

A framed and mounted Watercolour of a River landscape with open valley and hills in the distance, unsigned, a framed and mounted Country landscape with hills in the distance, unsigned and a framed print of a Seascape.