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A gilt framed watercolour seascape signed M.D. 2003, frame size 110 x 44cm.

Four 20thC and later watercolours, comprising town scene with houses and figures, 32cm x 22cm, unsigned, a bridge, river and mountain scene, 30cm x 29cm, unsigned, and a Seaward 19thC seascape, 22cm x 30cm, signed and dated 1885,all framed and glazed, and F Lightfoot. Arched cottage scene, signed and dated 1985, 19cm x 28cm, unmounted. (4)

Laura Lee, "Trace of Light", oil on linen canvas, 80 x 80cm, c. 2022. Capturing the trace of sunlight in this atmospheric sky/seascape. A palette of blues creating a tranquil piece. Painted in oils on deep gallery linen canvas. UK shipping £35.

ALEX. H. KIRK, BRITISH 1881-1950: MOORED BOAT UNDER REPAIR watercolour, signed and dated 1908, and another watercolour by F.N.J. Moody, depicting the quay at Honfleur (20th cent.) , Schubert: Seascape, signed, 20th century, oil on canvas 97 x 66cm (framed)

A gilt framed watercolour seascape, signed

JOHN JAMES WILSON 1818-1875 OIL ON CANVAS - SEASCAPE OFF ZUYDER ZEE HOLLAND - SIGNED - 82CM X 59CM

* Jeff Hoare (1923-2019)Seascapepastel43.5 x 59.5cm, unframedCondition ReportTaped to mount, overall in good condition.

* SARAH CARRINGTON (SCOTTISH b. 1977),EBBING TIDE, GULLANE BAYmixed media triptych on canvas, signed and dated 2001 verso, titled label versooverall size 122cm x 250cm together Unframed, as intended. Handwritten artist's label verso.Note: Sarah Carrington (b.1977) is an Edinburgh born landscape artist. She creates land and seascape paintings using acrylic, ink, emulsion, oil, sand and chalk to describe the variety of textures found at the seashore, and to evoke the mood and weather of the coastlines of Scotland and Ireland. Sarah Carrington graduated in 1999 with a sell-out degree show and an MA in Fine Art from the University of Edinburgh and Edinburgh College of Art. She began her career as a self-employed artist based in Edinburgh; her memories of childhood holidays to the west coast of Scotland and student sailing excursions around the Hebrides have a lasting influence on her sea and landscape paintings. Now based on the north coast of Ireland, she paints both the coastlines of Scotland and Ireland noting the similarities between these two Celtic lands. She has exhibited regularly throughout the UK and her works are held in public and private collections nationally. Sarah is represented by The Open Eye Gallery (Edinburgh) and the Roger Billcliffe Gallery (Glasgow). "Ebbing Tide, Gullane Bay" is unquestionably the largest and most impressive work by Carrington to be offered at auction, anywhere.

* SARAH CARRINGTON (SCOTTISH b. 1977)UNTITLEDmixed media on board, signedimage size 22cm x 30cm, overall size 36cm x 44cm Framed and under glass.Note: Sarah Carrington (b.1977) is an Edinburgh born landscape artist. She creates land and seascape paintings using acrylic, ink, emulsion, oil, sand and chalk to describe the variety of textures found at the seashore, and to evoke the mood and weather of the coastlines of Scotland and Ireland. Sarah Carrington graduated in 1999 with a sell-out degree show and an MA in Fine Art from the University of Edinburgh and Edinburgh College of Art. She began her career as a self-employed artist based in Edinburgh; her memories of childhood holidays to the west coast of Scotland and student sailing excursions around the Hebrides have a lasting influence on her sea and landscape paintings. Now based on the north coast of Ireland, she paints both the coastlines of Scotland and Ireland noting the similarities between these two Celtic lands. She has exhibited regularly throughout the UK and her works are held in public and private collections nationally. Sarah is represented by The Open Eye Gallery (Edinburgh) and the Roger Billcliffe Gallery (Glasgow).

* PAM CARTER DA PAI (SCOTTISH 1952 - 2022),GABLES, GEARY (ISLE OF SKYE)oil on canvas, signed, titled label versoimage size 77cm x 77cm, overall size 97cm x 97cm Framed.Label verso: The Braemar Gallery, Braemar.(The typical gallery price for a 77 x 77cm Pam Carter oil would be a little over £6000) Note 1: It was with great sadness that we learnt of the passing of Pam Carter in May after an illness which she wrote about to her database of buyers on 24th June 2021: "I feel at last I am retiring somewhat due to ill health. I am not painting very much these days as I am struggling with the daily regime of chemo tablets; it’s hard getting the balance of effective medication and quality of life". Note 2: Pam Carter was born in Tanganyika, East Africa to an Austrian mother and Scottish father. At the age of thirteen, she came to Scotland where she schooled at Bearsden Academy. She graduated from Glasgow School of Art in the seventies. "My main inspiration as an artist is in the Scottish landscape and seascape. I enjoy using colour to define contours, structure and changing light sequences. I search out specific viewpoints. I am equally inspired by the rugged isolation of the Western Isles and the dramatic viewpoints of the Eastern coastline. I work predominantly in oil". Pam Carter was unquestionably one of Scotland's most popular and successful contemporary artists. She won numerous awards and prizes, always received significant media attention, has been the subject of many magazine features and had several tv appearances. Her work is widely exhibited but rarely appears at auction. In The Scottish Contemporary Art Auction of 17th April 2022 lot 38 "Luskentyre Reflections" a 46 x 51cm oil (smaller than half the size of "Gables Geary") by Pam Carter sold for £2000 (hammer). Comment: Pam was a special artist and one who enjoyed wide popularity and substantial commercial success. In all our dealings with Pam over the years, she was always generous with her time and quick to provide the background to paintings we had received from private consignors and filling in gaps about locations, dates etc. Pam's work is instantly recognisable and she had that rare gift, even among the best artists, of being able to use the minimum of brushwork to create the maximum visual effect. Her "lines" were those of the natural environment but she knew exactly how to "see" them and portray them on canvas. Despite her commercial success, or perhaps even because of it, Pam's work probably hasn't yet reached the full audience that it so richly deserves. She exhibited frequently at numerous galleries in Scotland and gallery owners were inevitably in a queue to secure her work. Typically, Pam showed loyalty to those who were the first to support her when she was a relative unknown. Talented artists always wish to be remembered by their work and Pam Carter can be certain of that, but she'll also be remembered with great affection by all those who had the good fortune to meet her or know her.Condition is good overall, with no visible signs of restoration, damage, or known issues.

* ALEXANDRA (SANDIE) GARDNER (SCOTTISH b. 1945),SEASCAPEoil on canvas, signedimage size 41cm x 46cm, overall size 49cm x 54cm Framed and under glass.Note: Alexandra (Sandie) Gardner studied at Glasgow School of Art under David Donaldson from 1963-1968 and lectured there until 1988. She has won many awards and her highly individual paintings encompass a remarkably wide range of subjects - still life, figure and portrait studies, the nude, landscape, moody bars, diners, restaurants and barber shops.

Five small seascape oil pictures and decorative bellows

19th Century French School, A Seascape, oil on canvas, 15" x 18" (38 x 46cm).

A Moorcroft pottery "Western Isles" twin handled vase designed by Sian Leeper, 2006, of ovoid form with tubeline decoration of a seascape through trees, the underside with impressed marks and signatures, 18.5 cm high, with original Moorcroft price tag

A Moorcroft pottery "Western Isles" baluster vase designed by Sian Leeper, 2006, with tubeline decoration of a seascape through trees, the underside with impressed marks and signatures, 20.5 cm highCondition report: in overall good condition, no breaks or cracks.

Prints and Pictures - J Kerr, Dutch Seascape, signed, dated 1902, oil on canvas, 19cm x 28cm; a Chinese silk picture; a silhouette pictures; etc

SCOTTISH SCHOOL Coastal seascape, monogrammed, watercolour, 25 x 47cm and a print (2) Condition Report:Available upon request

JACKIE GARDINER (SCOTTISH CONTEMPORARY b.1958)  SEASCAPE Oil on board, signed lower left, 42 x 60cm Condition Report:Available upon request

Rachel Arif Himalayan Poppies, 2022 Oil on Paper Signed on Verrso 15 x 10cm (5¾ x 3¾ in.) About   Rachel is a Lancashire-born artist, known for her energetic seascape paintings as well as her landscape and figurative works. She is a member of the The Manchester Academy of Fine Art. Her weather filled seascapes, portray the relationship between the land, sea and the forces of nature, closely mirroring the way in which the land and weather can shape our emotions, hopes and aspirations as human beings. Her work is textured, magnetic and atmospheric.   Education   Early studies in Manchester, Art History then predominantly self taught.   Select Exhibitions/Awards   2022 Summer Exhibition at Thompsons Gallery Aldeburgh 2022 Two works selected for The Royal Society of British Artists Annual Exhibition 2022 Two works selected for The Pastel Society Annual Exhibition 2021 Exhibition at OXO London for Sketch for Survival initiative 2021 Two works donated to Sketch for Survival auction 2021 "All The Best" group exhibition with MAFA at Dean Clough 2021 Two paintings selected for The ING Discerning Eye Exhibition 2021 Selected as associate member of MAFA (Manchester Academy of Fine Arts) 2021 Restless Coast Exhibition at Gallery East Woodbridge 2021 RBA (Royal Society of British Artists) Two Selected Works Mall Galleries 2021 Three artist exhibition "Land, Sea and Sky at John Noott Gallery Cotswolds 2020/2021 Winter Exhibition at M1 Fine Art 2020 Christmas Exhibition at Wykeham Gallery 2020 The Autumn Hampshire Art Fair at Nadia Waterfield Fine Art 2020 Rye Art Gallery Turner Inspired 2020 Rye Art Gallery Seascapes 2020 Wyekham Gallery Summer Exhibition 2020 Thompsons Marylebone Summer Landscapes 2020 M1 Fine Art Landscape Exhibition 2020 M1 Fine Art Virtual Summer Exhibition 2020 Mall Galleries Curators Choice Online Exhibition 2020 M1 Fine Art Women in Art Spring Exhibition 2020 RBA (Royal Society of British Artists) Selected Works Mall Galleries 2019 Cambridge Contemporary Summer Show 2018 RBA (Royal Society of British Artists) Selected Works Mall Galleries 2018 Solo Exhibition at The Gallery Snape Maltings 2018 Talented Art Fair, Old Truman Brewery 2017 Art in Mind Exhibition, Brick Lane, London Gallery Representation The Pastel Society Mall Galleries and The Pastel Society online The RBA Exhibition Mall Galleries and the RBA online ING Discerning Eye Mall Galleries and ING Online Kairos Collective Manchester Academy of Fine Art Website Puckhaber Decorative Antiques (Fulham and Rye) Gallery East Woodbridge Nadia Waterfield Fine Art Mall Galleries Buy Art Online M1 Fine Art Gallery Soho M1 Fine Art Gallery Greenwich Thompsons Gallery Marylebone/Aldeburgh The Gallery Snape Maltings Rye Art Gallery John Nootts Gallery Wykeham Gallery ING Discerning Eye 2020 Exhibition (online)   Statement about AOAP Submitted Artwork   I've decided to include three figurative works this year. Mainly know to be a sea/landscape artist. I'm enjoying going back to my roots of drawing, sketching and playing around with floral and figure. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.    

Rachel Arif An Olive Branch, 2022 Oil on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About   Rachel is a Lancashire-born artist, known for her energetic seascape paintings as well as her landscape and figurative works. She is a member of the The Manchester Academy of Fine Art. Her weather filled seascapes, portray the relationship between the land, sea and the forces of nature, closely mirroring the way in which the land and weather can shape our emotions, hopes and aspirations as human beings. Her work is textured, magnetic and atmospheric.   Education   Early studies in Manchester, Art History then predominantly self taught.   Select Exhibitions/Awards   2022 Summer Exhibition at Thompsons Gallery Aldeburgh 2022 Two works selected for The Royal Society of British Artists Annual Exhibition 2022 Two works selected for The Pastel Society Annual Exhibition 2021 Exhibition at OXO London for Sketch for Survival initiative 2021 Two works donated to Sketch for Survival auction 2021 "All The Best" group exhibition with MAFA at Dean Clough 2021 Two paintings selected for The ING Discerning Eye Exhibition 2021 Selected as associate member of MAFA (Manchester Academy of Fine Arts) 2021 Restless Coast Exhibition at Gallery East Woodbridge 2021 RBA (Royal Society of British Artists) Two Selected Works Mall Galleries 2021 Three artist exhibition "Land, Sea and Sky at John Noott Gallery Cotswolds 2020/2021 Winter Exhibition at M1 Fine Art 2020 Christmas Exhibition at Wykeham Gallery 2020 The Autumn Hampshire Art Fair at Nadia Waterfield Fine Art 2020 Rye Art Gallery Turner Inspired 2020 Rye Art Gallery Seascapes 2020 Wyekham Gallery Summer Exhibition 2020 Thompsons Marylebone Summer Landscapes 2020 M1 Fine Art Landscape Exhibition 2020 M1 Fine Art Virtual Summer Exhibition 2020 Mall Galleries Curators Choice Online Exhibition 2020 M1 Fine Art Women in Art Spring Exhibition 2020 RBA (Royal Society of British Artists) Selected Works Mall Galleries 2019 Cambridge Contemporary Summer Show 2018 RBA (Royal Society of British Artists) Selected Works Mall Galleries 2018 Solo Exhibition at The Gallery Snape Maltings 2018 Talented Art Fair, Old Truman Brewery 2017 Art in Mind Exhibition, Brick Lane, London Gallery Representation The Pastel Society Mall Galleries and The Pastel Society online The RBA Exhibition Mall Galleries and the RBA online ING Discerning Eye Mall Galleries and ING Online Kairos Collective Manchester Academy of Fine Art Website Puckhaber Decorative Antiques (Fulham and Rye) Gallery East Woodbridge Nadia Waterfield Fine Art Mall Galleries Buy Art Online M1 Fine Art Gallery Soho M1 Fine Art Gallery Greenwich Thompsons Gallery Marylebone/Aldeburgh The Gallery Snape Maltings Rye Art Gallery John Nootts Gallery Wykeham Gallery ING Discerning Eye 2020 Exhibition (online)   Statement about AOAP Submitted Artwork   I've decided to include three figurative works this year. Mainly know to be a sea/landscape artist. I'm enjoying going back to my roots of drawing, sketching and playing around with floral and figure. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.    

Rachel Arif The Florist's Table, 2022 Oil on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About   Rachel is a Lancashire-born artist, known for her energetic seascape paintings as well as her landscape and figurative works. She is a member of the The Manchester Academy of Fine Art. Her weather filled seascapes, portray the relationship between the land, sea and the forces of nature, closely mirroring the way in which the land and weather can shape our emotions, hopes and aspirations as human beings. Her work is textured, magnetic and atmospheric.   Education   Early studies in Manchester, Art History then predominantly self taught.   Select Exhibitions/Awards   2022 Summer Exhibition at Thompsons Gallery Aldeburgh 2022 Two works selected for The Royal Society of British Artists Annual Exhibition 2022 Two works selected for The Pastel Society Annual Exhibition 2021 Exhibition at OXO London for Sketch for Survival initiative 2021 Two works donated to Sketch for Survival auction 2021 "All The Best" group exhibition with MAFA at Dean Clough 2021 Two paintings selected for The ING Discerning Eye Exhibition 2021 Selected as associate member of MAFA (Manchester Academy of Fine Arts) 2021 Restless Coast Exhibition at Gallery East Woodbridge 2021 RBA (Royal Society of British Artists) Two Selected Works Mall Galleries 2021 Three artist exhibition "Land, Sea and Sky at John Noott Gallery Cotswolds 2020/2021 Winter Exhibition at M1 Fine Art 2020 Christmas Exhibition at Wykeham Gallery 2020 The Autumn Hampshire Art Fair at Nadia Waterfield Fine Art 2020 Rye Art Gallery Turner Inspired 2020 Rye Art Gallery Seascapes 2020 Wyekham Gallery Summer Exhibition 2020 Thompsons Marylebone Summer Landscapes 2020 M1 Fine Art Landscape Exhibition 2020 M1 Fine Art Virtual Summer Exhibition 2020 Mall Galleries Curators Choice Online Exhibition 2020 M1 Fine Art Women in Art Spring Exhibition 2020 RBA (Royal Society of British Artists) Selected Works Mall Galleries 2019 Cambridge Contemporary Summer Show 2018 RBA (Royal Society of British Artists) Selected Works Mall Galleries 2018 Solo Exhibition at The Gallery Snape Maltings 2018 Talented Art Fair, Old Truman Brewery 2017 Art in Mind Exhibition, Brick Lane, London Gallery Representation The Pastel Society Mall Galleries and The Pastel Society online The RBA Exhibition Mall Galleries and the RBA online ING Discerning Eye Mall Galleries and ING Online Kairos Collective Manchester Academy of Fine Art Website Puckhaber Decorative Antiques (Fulham and Rye) Gallery East Woodbridge Nadia Waterfield Fine Art Mall Galleries Buy Art Online M1 Fine Art Gallery Soho M1 Fine Art Gallery Greenwich Thompsons Gallery Marylebone/Aldeburgh The Gallery Snape Maltings Rye Art Gallery John Nootts Gallery Wykeham Gallery ING Discerning Eye 2020 Exhibition (online)   Statement about AOAP Submitted Artwork   I've decided to include three figurative works this year. Mainly know to be a sea/landscape artist. I'm enjoying going back to my roots of drawing, sketching and playing around with floral and figure. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.    

Larry Ham (British, 1934-2007), 'Abstract'. watercolour, signed and dated (19)96 lower right, inscribed to fragment of purchase invoice pasted verso. 6 x 10 ¾in. (15.25 x 27.3cm.); together with two watercolour seascapes by the same artist, signed, the larger 7 x 10 ¾in. (17.75 x 27.3cm.). (3). * None have been examined out of frame. - Abstract: Good condition with no faults. - Seascape 1: Good condition with no faults. - Seascape 2 (smaller): Paper toned and cockled. Signature faded. Light foxing.

Four framed seascape and landscape oils and framed print.

An assortment of pictures and prints. To include a large battle seascape in gilt frame, 78cm x 50cm

Modern oil on canvas, Parisian street scene; and a framed and glazed print of a seascape in decorative frame

A framed and mounted Watercolour depicting a seascape, signed lower right Elizabeth Hann 1989, along with a framed print depicting moored boats, signed lower left Heuclin (Marie-Louise).

An oil on card of ships at sea, verso marked 'Norwich School' 28cm x 36cm plus an oil painting of a seascape signed WMB, 30cm x 34cm

G. Payne (British, 20th Century), a coastal landscape, signed l.l., gouache, 30 by 40cm, framed, together with a seascape oil signed M.S Goake, framed, (2)

Tivadar Kosztka Csontvary (1853-1919)-attributed, Costal seascape , oil on canvas, probably signed bottom right , carved wooden frame. 8X50 cm

Three prints of a football stadium, floral and seascape.

MATTHEW WALKER (XX). British school, seascape with American clipper High Flyer, owner Red Cross Packet Lines, signed lower right, watercolour, framed and glazed, 37 x 52 cm

(XIX-XX). Two scenic paintings, one attributed to JAMES BURRELL SMITH, figures before a cottage 'Nr Brougham Bridge', unsigned, watercolour, framed and glazed, 22 x 33 cm, the other a seascape with sailing vessels, unsigned, watercolour, framed and glazed, 9 x 17 cm (2)

Three framed and glazed watercolours. Two of sailing boats and a seascape. H.37 W.65cm.

John Falconar Slater (1857 - 1937) : Seascape with Crashing Waves, oil on board, signed, 55 cm x 80 cm, framed.

Arthur Burgess (1879 - 1957), oil on canvas, An extensive seascape with a three masted barque, signed, in gilt frame. 50 x 76cm.

Two oil paintings contained in gilt frames depicting a seascape and a country path

An oil on board depicting a seascape

A collection of pictures and prints, to include signed seascape (Sythes) and framed print titled 'Budding Spring' (6).

Contemporary Oil on Canvas Seascape Painting - By renowned Cornish surrealist artist Jonathan Coudrille. In frame - 38 x 43cm. Painting - 20 x 20.5cm.

17½" X 21½" FRAMED OIL PAINTING - OUTGOING TIDE, PORT PATRICK SEA FRONT, BY ROSS MELVILLE & FRAMED SEASCAPE ON BOARD BY DAVID BRAYSHAW

23½" X 35½" GILT FRAMED OIL ON CANVAS - SEASCAPE, SIGNED PATIERNO

Artist: Tom Wesselmann (American, 1931 - 2004). Title: "Seascape with Cumulus Clouds and Sky ["Seascape 1991"]". Medium: Color silkscreen. Date: Composed 1992. Dimensions: Overall size: 18 5/8 x 35 13/16 in. (473 x 910 mm).Lot Note(s): Signed in pencil, center right. Edition size unspecified, presumed small. Light cream heavy wove paper. Full margins. Fine impression. Fine condition. Comment(s): Generally, posters by Wesselmann are uncommon and don't often come up at auction. This particular poster, based on an editioned print from 1991, is very scarce. Only one auction record located: sale at $893 (£561) at Bloomsbury Auctions, London, March 29, 2012, lot #530. Created for the Art Miami 1992 International Art Exposition at the Miami Beach onvention Center, January 8th to 12th, 1992. Design by Claire Wesselmann. Image copyright © Licensed by VAGA, New York, NY. [28411-5-600]

David Foggie, RSA RSW (SCOTTISH 1878 - 1948), Seascape watercolour, signed and dated 1908, framed, 35 x 25cm

Große Vase, 'Paysage Lacustre', Daum, Nancy, um 1910/15, hoher Glaskorpus mit gewölbtem runden Fuß, kurzer Schaft, leicht ausgestellte Kuppa, orange und dunkel überfangen, Zwischenglas mit gelben Pulvereinschmelzungen, umlaufende Seelandschaft und Abendrotstimmung, geschliffen, geschnitten und geätzt, signiert, H. ca. 49 cm, Lit. vgl. Daum Maitres Verriers, Noel Daum, S. 55 (Dekor)Large vase, 'Paysage Lacustre', Daum, Nancy, c. 1910/15, tall glass body with curved round foot, short shaft, slightly flared dome, orange and dark overlay, interlayer glass with yellow with yellow powder melting, surrounding seascape and evening red mood, cut, sliced and etched, signed, h. approx. 49 cm, see ref. Daum Maitres Verriers, Noel Daum, p. 55 (decoration)

British School (19th century): a seascape, with sailing boat approaching the beach, and several figures walking along the shoreline, bears indistinct initials lower left possibly GWY or GHY, oil on canvas, 49.5 by 76cm, in a gilt composition frame, 75.5 by 101cm.

Michael Gorstkin Wywiorski, 1861-1926, Kohlezeichnung auf braunem Papier, Seelandschaft mit Dorf im Hintergrund, signiert, li. ausgebessert, 54 x 68 cmMichael Gorstkin Wywiorski, 1861-1926, charcoal drawing on brown paper, seascape withvillage in the background, signed, left repaired, 54 x 68 cm

A mahogany framed seascape painting. COLLECT ONLY.

Charles Bentley (British, 1806-1854), seascape with fishing boat to foreground, watercolour, framed and glazed, bearing label to reverse of frame, 17 x 24cm.

Peter MacGregor Wilson RSW (Scottish, 1856-1928), seascape with rocks to foreground, watercolour, signed lower left, framed and glazed, bearing label to reverse of frame, 29 x 50cm.

Frederik Theodor Kloss (German-Danish, 1802-1876), seascape with battleships to foreground (1847), oil on canvas, signed and dated lower right, 27.5 x 39cm.

Manner of George Ramsey (1770-1838), seascape with steamship to foreground, oil on canvas, signed 'G. Ramsey' lower right, framed, 38.5 x 61cm.

G. Gianni (European, nineteenth century), seascape with waves crashing against cliffs (1886). Oil on canvas. Signed and dated lower right. Framed. Image size 50 x 90cm.Condition Report: Clear wear to artwork, including staining to canvas and a fairly prominent tear to canvas.

J. Nelson (twentieth century), seascape depicting the Battle of Trafalgar. Oil on canvas. Signed lower left. Framed. Image size 60.5 x 91cm.

Attributed to George Gregory (British, 1849-1938), 'In Tow', seascape with steam tug towing a naval frigate, oil on canvas, unsigned, framed, 32 x 47cm.

A limited edition print depicting Venice, signed and numbered in pencil by the artist, mounted and framed under glass, approximately 25 cm x 29 cm image size and a framed oil on board seascape. [2]

A 19th century framed and glazed watercolour, lakescape along with a 19th century oil of a seascape. H.49 W.50 (largest)

A seascape with sailing boats, oil on canvas 38x95cm, signed Brandon, framed.

Dame Barbara Hepworth (British, 1903-1975)Stringed Figure signed and dated 'Barbara Hepworth 1966' (lower right); further signed, titled and dated again 'Barbara Hepworth/Stringed Figure 1966' (verso)oil and pencil on board76.2 x 61 cm. (30 x 24 in.)Footnotes:ProvenanceWith Gimpel Fils Gallery, London, where acquired by the present ownerPrivate Collection, U.K.ExhibitedNew York, Marlborough-Gerson Gallery, Barbara Hepworth, April-May 1966, cat.no.39 (ill.)London, Gimpel Fils Gallery, Barbara Hepworth, May-July 1966LiteratureAlan Bowness, Drawings from a Sculptor's Landscape, Cory, Adams & Mackay Ltd, London, 1966, cat.no.71 (ill.b&w)Stringed Figure was created at a time when Hepworth was at the peak of her career. In 1964, her most important and famous commission was unveiled at the United Nations Secretariat in New York, the monumental sculpture Single Form. In 1965 she was made a Dame Commander of the British Empire and also appointed a Trustee of the Tate Gallery, while exhibitions both at home and abroad further celebrated her work, with shows in London and New York, the Netherlands and Scandinavia. It was also however, a time of personal difficulty: she was diagnosed with cancer of the tongue in 1965 and underwent a lengthy and painful treatment for this. She wrote to Ben Nicholson in 1966: 'the last six months have been trying. The treatment (radium) for cancer seems to sap one's vitality & give one terrible fatigue. Even worse I could not eat anything & so got very weak. But I am pulling up now & my surgeon is pleased with me. I have worked – meanwhile - & I think well' (Eleanor Clayton, Barbara Hepworth: Art and Life, Thames & Hudson, London, 2021, p.239). As this statement shows, Hepworth was not one to be deterred by these difficulties, and strove even harder to appreciate the world around her, reflecting that: 'through all these health troubles one learns to live each hour with gratitude & open eyes' (ibid., p. 239). Showing her undaunted spirit when later in June 1967 she broke her leg while climbing aboard a helicopter to visit the Isles of Scilly, she later recalled in 1969 that: 'even breaking my leg was a good thing because it made me extend my arms as far as I could' (ibid., p.239). Clearly, Hepworth was not one to allow her creative drive to be diminished.Stringed Figure was created, then, when Hepworth was battling even through personal health difficulties to continue her artistic practice. The Cornish landscape continued to be an evergreen source of inspiration for her, the light, stone and sea informing so much of her work. Since first moving down to Cornwall in 1939 with Ben Nicholson and their triplets, and after several moves within Carbis Bay, in 1949 Hepworth bought Trewyn Studio in St Ives, where she lived from December 1950 until her death in 1975. Many of the paintings and drawings from 1960 onwards were made in Hepworth's Barnaloft studio flat, which had a view of Porthmeor Beach and the Atlantic Ocean. Stringed Figure has a palette which directly references the landscape which she was surrounded by; the tawny light brown of wet sand, the white of pale sand or breaking surf, and the turquoise of the sea and sky, the visible strokes which make up these washes of colour reminiscent of the striations of cloud, the ripples of breaking waves and tide-marks left in the sand. These sweeps of Cornish sea and sand were something she was to write about particularly poetically: 'The incoming and receding tides made strange and wonderful calligraphy on the pale granite sand which sparkled with felspar and mica.' (Barbara Hepworth, Drawings From A Sculptor's Landscape, London, Cory Adams & Mackay, 1966, p.13). The circle in the top right is also a reference to the natural world, being either sun or moon, both of which featured prominently in her work of this time and relate also to the pierced form in her sculpture. Drawings were for Hepworth a means of capturing new ideas for sculpture, and also – as she was to write in Drawings From A Sculptor's Landscape in 1966, the very year this piece was made – it was a life-affirming act. The above book contained the memorable artistic statement A Sculptor's Landscape from Hepworth, in which she wrote: 'Whenever I am embraced by land and seascape I draw ideas for new sculptures: new forms to touch and walk around, new people to embrace, with an exactitude of form that those without sight can hold and realize. For me it is the same as the touch of a child in health, not in sickness. The feel of a loved person who is strong and fierce and not tired and bowed down. This is not an aesthetic doctrine, nor is it a mystical idea. It is essentially practical and passionate, and it is my whole life' (ibid., p.11). Her use of language at such a testing time is very insightful, and her desire to draw is thus the realisation of this vital spirit, which in her words is 'strong and fierce'. The medium of oil and pencil is one which Hepworth favoured and the contrast of strong, definite graphite over washes of colour something which she particularly enjoyed. Writing about her method, she noted: 'Abstract drawing has always been for me a particularly exciting adventure. First there is only one's mood; then the surface takes one's mood in colour and texture; then a line or curve which, made with a pencil on the hard surface of many coats of oil or gouaches, has a particular kind of 'bite' rather like on slate; then one is lost in a new world of a thousand possibilities' (ibid., p.19). The swing of curving lines is here contrasted with the twisting tension of the diagonal strings, suspended between two arcs. Hepworth has further worked into the surface of the board with light abrasions which show the white of the primed board beneath, echoing the rough rocky surfaces of the landscape. The present lot is a fine example of her very sculptural way of drawing, and how she used this technique to chart and configure three-dimensional space. Seen amid Hepworth's great achievements and writings around this time, Stringed Figure is a work by an artist at the height of her career but also one whose depth of feeling was as strong as ever. Able to look back at her achievements and write authoritatively on them as well as her creative ideals – thrown into sharp relief by her recent health difficulties – this work speaks of a freshness and vitality which was constantly renewed by the remarkable landscape around her, especially given that when inspiration struck her first desire was to put pencil and oil to board. As she wrote so evocatively in the year this piece was made: 'A sculptor's landscape is one of ever-changing space and light where forms reveal themselves in new aspects as the sun rises and sets, and the moon comes up. It is a primitive world; but a world of infinite and subtle meaning. Nothing we ever touch and feel, or see and love, is ever lost to us. From birth to old age it is retained like the warmth of rocks, the coolness of grass and the ever-flow of the sea.' (ibid., p.13). Stringed Figure captures this impassioned and timeless love for the elements perfectly.We are grateful to Jenna Lundin Aral and Sophie Bowness for their assistance in cataloguing the present lot.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

A Chinese blue and white Vase, decorated dragons and trees in a landscape, 13in H, and a Chinese blue and white baluster Vase, decorated seascape with dragons and fish, 10in H

WATERCOLOUR SEASCAPE B.MCDONAGH 20' X 14'