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Three oil on canvas paintings by SS Holland, framed seascape, frame size 56.5cm x 82.5cm and mountain scene uframed, approx 51cm x 77cm - and one other, all in poor condition

An oil on canvas, seascape by SS Holland, signed, approx frame size, 53cm x 78.5cm, poor condition

Keith English, 20th century framed oil on canvas, seascape at sunset, signed, 51 x 76cm.

A pair of hand painted dishes, each depicting a seascape and signed W E J Dean, together with a pair of Aynsley cup & saucers, a Royal Doulton character jug and other related items Condition Report: The cups and saucers = okay. Vase and cover = okay. Derby dishes = okay.

Pictures and prints - watercolours, oils on canvas and board, prints, seascape and costal scenes **All lots in this sale are subject to a maximum of £2.50 plus VAT Buyers Premium**

A framed seascape oil painting signed Alexander and a framed oil painting of sailing ship and crew in rowing boat signed Robert O Jones?

Skilleter (Andrew, b.1948). Original artwork for Silver on the Tree , The Dark Is Rising Sequence, by Susan Cooper, 1992, acrylics on artist's board, depicting a seascape with fantastical golden palace being struck by lightening and being overcome by the roaring sea, and an arrow travelling towards Will and Bran escaping in a listing sailing ship at the base of a large swell, signed lower left, image size 35 x 46.5cm (13.75 x 18.25ins), sheet size 38.5 x 51cm (15.25 x 20.25ins), artist's printed label on verso (Qty: 1)Provenance: from the studio of the artist. Cover design for The Dark Is Rising Sequence by Susan Cooper, executed for an edition published by The Bodley Head in 1992; this work for the final title in the series of five.Andrew Skilleter b.1948 Andrew Skilleter studied at Bournemouth & Poole College of Art and maintained a busy career from the 1970s as a versatile illustrator producing hundreds of covers for adult, teenage and children’s books, including a large number for Puffin Books, across numerous genres. His work has also encompassed illustrations for many books, magazines, posters and multimedia publications. Ivanhoe, his first work as author and illustrator for children, was published as a deluxe hardback in 1997. Skilleter has had a long working relationship with the BBC. He is known all over the world for his prolific output of Doctor Who artwork for the BBC and other publishers, work which was showcased in a book published in 1995 entitled Blacklight: The Art of Andrew Skilleter. The artist regards as one of his greatest achievements the seven audio cassette covers for BBC Radio 4’s adaptation of C.S. Lewis’s The Chronicles of Narnia,dramatisedby Brian Sibley; four of these are being offered in this sale. In an online blog Brian Sibley writes of his delight in having Skilleter as illustrator, saying that the artist brought “an intelligence and a sympathy that complimented the telling of these much-loved tales, coupled with a sensibility as a designer for creating intriguing images that invited the listener to discover the story behind the pictures”. Also offered here are five original dust jacket designs for the classic series The Dark Is Rising  by Susan Cooper, published by The Bodley Head in 1992. In an article for ‘Folio Society Magazine’ the author described Skilleter’s dramatic illustration for Under Sea, Over Stone as showing “an evilly threatening Lord of the Dark in a swirling robe”, and praised the artwork for its immediate visual appeal and accurate representation of the text. Paintings by Andrew Skilleter have been exhibited in London and across the UK, including at The Association of Illustrators. Numerous pieces of his work are to be found in private collections in the UK as well as globally. The works of art offered here are being sold direct from the artist himself.

19th century seascape with two sailing ships, oil on canvas, 44.5cm x 54.5cm.

Continental oil on canvas, seascape with fishing vessels and figures close to the shore, unsigned, 17cm x 24.5cm.25 x 18cm.

Harold Well, seascape, signed watercolour, 25cm x 51cm .

TOM J NASH (Welsh born 1931), seascape with figures, signed in pencils, gouache, 47 x 34cm approx. (B.P. 24% incl. VAT) CONDITION REPORT: Good original condition. Mount a little grubby. Scuffs and wear to the frame.

ARTHUR GIARDELLI (British 1911-2009 lived and worked extensively in South Wales), seascape and coastal study, a near pair, signed with monogram, ink and watercolours. 37 x 57cm approx. (2)(B.P. 24% incl. VAT) CONDITION REPORT: One appears to be discoloured and with some foxing. The other appearing in good original condition. Framed and glazed.

A FRAMED AND GLAZED WATERCOLOUR SEASCAPE WITH BIRDS ON A ROCKY OUTCROP

Sale Item: OIL PAINTING SEASCAPE Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%

A Set of Four Peter Leath Seascape Prints

A collection of four artworks to include an oil painting of a young girl signed Kirsten Hom, a Continental mountainous seascape oil on collage paper, a pencil signed print of a prowling bear and one other of Cambodian dancers (4)

Large oil painting on board, 3 Needles, Seascape, 24" x 38" in gilt framed signed L Surfing?

Seascape, oil on board initialled, signed and dated Robert Watson 1880 verso 21cm x 29cm Condition Report Click here for further images, condition, auction times & delivery costs

Mae Taylor gilt framed oil on board of a seascape, size 39 cm x 49 cm

A monochrome seascape, unsigned 20th Century, a copy of a Dutch painting by Gary Booth 1990 and an 1832 coloured print, "The Troubadores" (3)

Oil on canvas seascape - indistinctly signed - possibly Douglas Hill

SARAH PERRY (XX). A collection of three matt glazed studio pottery vessels, comprising a grid eclipse, a seascape oval and a striped oval vessel, tallest H 20 cm (3)

HERBERT OSWALD LUMBY. Twentieth century British school, stormy coastal scene 'Coming Storm' see verso, signed lower right, oil on board, unframed, 46 x 70 cm, together with a seascape with sailing vessels 'Trawlers leaving Harbour', see verso, signed and dated 1950 lower right, oil on board, unframed, 40 x 55 cm, 'Harlech Castle' see verso, signed lower right, oil on board, unframed, 35 x 50 cm, and 'Winter Lakeland Scene', signed lower right, oil on board, unframed, 34 x 52 cm

LE NOORS. Twentieth century Continental school, stormy seascape with sailing vessel in a very heavy swell, signed lower left, oil on board, framed, 28 x 41 cm

DUTCH SCHOOL (LATE 18TH CENTURY). Stormy seascape with ships, oil on board, gilt framed, 27 x 33 cm

Bill Hawkes Artist - A 1970's oil on canvas Brixham trawlers seascape harbour scene in the original frame being signed to the corner, being painting expressively with a palette knife. 

William Lionel Wyllie, RA (British, 1851-1931) Seascape, Medway inscribed to the reverse in pencil "This is a drawing made by W L Wyllie RA near the mouth of the Medway / I was with him at the time" and indistinctly signed with initials watercolour on paper 26.50 x 45.50cm (10 x 18in) Provenance: Private collection, London Other Notes: Widely regarded as the leading British marine artist of his time, Wyllie excelled at watercolour painting - although he is much remembered for his mastery of the etching technique. Son of a genre painter and a singer, he grew up in London, but spent much time in Wimereux, a coastal village near Boulogne, France. It was there that he started making sketches and paintings of the French coast and local fisher-folk. Having settled down in London with his wife in 1879, he established his reputation as a marine painter - he had five solo shows at the Fine Art Society in 1883. A year later, he moved with his family to Gillingham House, near Chatham, but also rented a house in Rochester, Kent. Wyllie kept his boats on the foreshore of the Medway at the end of the garden and made frequent painting trips to Portsmouth, Northern France and Holland. It was at this time that he forged a good relationship with the Royal Navy at nearby Chatham. The present watercolour appears to be inscribed by one of Wyllie's friends who accompanied him on one such trip.

H H Bingley: watercolours, seascape with boats and buoys, 9" x 15", in gilt frame, R Blossier: watercolour, boats, 7" x 10 1/2", and a smaller seascape

WJP: watercolours, boat at sea, 2" x 4 1/2", in gilt frame, a watercolour landscape, stream in a valley, indistinctly signed, 4 3/4" x 6 1/2", and a watercolour seascape, 3 1/4" x 5 1/4"

C. W. ADDERTON, SEASCAPE, SIGNED, WATERCOLOUR, 23 X 44CM

Attributed to Tom Robb, a contemporary seascape, unsigned, oil on board, 60 cm x 75 cm.

Peter Morgan, oil on board, copy of a seascape by J.W. Carmichael with gunboat to centre right. 28 cm x 39 cm, framed (see illustration).

*Michael Cadman, watercolour, bridge across a stream, signed and dated 1950, 48 x 33cm; another by the same hand, seascape, signed and dated 1961, 37 x 50cm

A large water Jug, (Dr Christopher Dresser - Old Hall) decorated with light blue landscape and seascape scenes, and having printed Excelsior mark alongside diamond registration mark (for 8th January 1880).

William Henry Earp (19th century) Coastal seascape with sailing boats navigating boulders at the shore, watercolour, framed and mounted under glass, signed lower left, 23 x 52 cm

A framed and glazed seascape print.

Gilt Framed Victorian Seascape signed Finn

Gilt Framed Seascape - Ship in a Storm

Oil Painting on Board - "First Home" Seascape

Oil on Canvas - Seascape

UNATTRIBUTED; two oils on canvas, seascape, stormy sea with castle on rocky outcrop in background, indistinctly signed, 49.5 x 75cm and unattributed; coastal scene with boat and figures in the foreground, 49 x 74.5cm (both af) (2).

AN INTERESTING IMPRESSIONIST STYLE PAINTING OF A SEASCAPE, produced in muted tones it features a house overlooking the sea with a sailing boat in the distance, unsigned, oil on board, framed, approximate size 91cm x 66cm

R. A. Lowe (British, 19th century): 'Seascape', a pair of watercolours, signed lower left, each labelled verso, 25.6 by 36.5cm, mounted, glazed and framed 41.5 by 53cm. (2)

A 19th century clock picture, scene depicting figures alongside a seascape with galleon, movement signed Thomas Brown Birmingham

Large oil on canvas of a seascape scene signed F Sanchis

William Thomas Nicholas Boyce (1858-1911), Sunset seascape watercolour, signed and dated 09 lower right, 27 x 23cms

19th century English School, oil on paper laid to panel, Seascape, 23 x 41cm, unframed

19th century English School oil on canvas, Seascape, 30 x 40cm

Attributed to Charles Martin Powell, oil on canvas, Seascape, 35 x 52cm

Henry Bright (1810-1873) Seascape, coloured chalks, 19 x 28cm

A Royal Crown Derby pedestal vase, painted with panoramic seascape by WEJ Dean

Margaret Simons, 'Sheringham, Norfolk', signed, watercolour, 17cm x 27cm together with other pictures to include watercolour seascape by D. Green, signed, 12.5cm x 18cm (6)

Quantity of unframed pictures and prints to include seascape signed N Leigh (6)

Teresa Jordà Vitó (Spanish Contemporary) ARRFramed watercolour, initialled, dated 1966'Seascape'12cm x 11cm

Assaf Frank, 'Golden Tide Panoramic', 3D effect seascape print, 48 x 98cm; two other large prints. (3)

Early 20th century gilt framed seascape watercolour painting by Garman Morris signed measures approx 69cm by 28cm

Early 20th century gilt framed seascape watercolour painting by Garman Morris signed measures approx 69cm by 28cm

A framed and glazed watercolour seascape initialed T.B.A.

A silver snuff box with enamel lid depicting seascape.

R Jenson 1902, oil painting on canvas of cattle watering in a meadow, 51 x 76cm (unframed), and a smaller seascape with boats, in oil (2)