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R de Jong ? - Nocturnal Seascape with Sailing Boats in the Foreground - oil on canvas laid down on panel, framed, signed lower right, 29 by 24cms.

Late 19th century English school - Seascape with Fishing Smacks - watercolour, framed & glazed, 30 by 23cms; together with another 19th century watercolour, framed & glazed (2).

S' Waraishi (20th century)Mountain landscape with lake in foregroundSigned and dated 1953 oil on canvas; together with a seascape oil on canvas, signed Yaung Hoon Yoon, 70cm by 90cm, 61cm by 72cm (unframed) respectively (2)

Michael Fairclough (b.1940)Seascape Signed and numbered 139/150, etching, together with a collection of further etchings and wood engravings, including Alison McKenzie, "Ode to the Nativity: Milton", Anne Jope, "An Artist's Dreams", Blair Rowlands Hughes-Stanton (1902-1981), "The Throne", illustration for The Revelation of St John, artist's proof, engraving, Libby Carreck, "Hedgerow" etc... (7)

A COLLECTION OF FIVE FRAMED AND GLAZED NEEDLEWORK PICTURES TO INCLUDE A MALLARD IN FLIGHT, TOGETHER WITH A GILT FRAMED OIL PAINTING OF A SEASCAPE (6)

A SIGNED LIMITED EDITION PRINT SEASCAPE WITH FISHERMEN BY DINO, GARAVANO 98/350 - H 44CM BY 60 CM TOGETHER WITH A LARGE GILT FRAMED OIL ON CANVAS DEPICTING A MOUNTAINOUS SCENE SIGNED S LASSEK -H 60 CM BY W 96 CM

English School, late 18th centuryPromenading on Richmond Hillink and wash, 13.5 x 19.5cm;together with Edmund Morison Wimperis, Seascape, signed with initials, watercolour, 9 x 16.5cm;View of Tilbury Fort, signed with initials J N R, watercolour, 7.5 x 12.5cm; and a modern aquatint titled Oxford Road, Near Enstone, 1/50, signed 'Matthews' (4)

Pastel Seascape with Indistinct Signature

UNATTRIBUTED; oil, seascape, yachts on stormy seas, framed and glazed.

ORNATE GILT FRAMED WATERCOLOUR - SEASCAPE - CORNISH COAST BY FRITZ ALTHAUS

OIL ON CANVAS 'SEASCAPE' FRANZ FIT

Framed Chinese arboreal painting, oak framed portrait chrystoleum, pair small seascape oils, Durham Cathedral oil and medical chart (6).

An early 20th century watercolour seascape. Depicting various boats and ships at sea, including a steamer, indistinctly signed to bottom left, framed and glazed, 22cm x 13cm

A gilt framed oil on canvas, seascape, bearing signature J W Carmichael. 24cm x 34.5cm.

E Stirling Howard - watercolour cliffs and seascape dated 1860 framed and glazed

John Falconar Slater (1857-1937) - oil on board seascape with rocky shore signed in gilt frame 60 1/2cm x 48cm

* PAM CARTER DA PAI (SCOTTISH 1952 - 2022), HARBOUR LIGHTHOUSE gouache on paper, signed and dated '83, inscribed 'Porth Tywyn', titled label verso image size 32cm x 41cm, overall size 46cm x 54cm Mounted, framed and under glass. Exhibition label verso: February '85, The Torrance Gallery, Edinburgh (a rare early work by Pam Carter). Note 1: It was with great sadness that we learnt of the passing of Pam Carter in May after an illness which she wrote about to her database of buyers on 24th June 2021: "I feel at last I am retiring somewhat due to ill health. I am not painting very much these days as I am struggling with the daily regime of chemo tablets; it’s hard getting the balance of effective medication and quality of life". Note 2: Pam Carter was born in Tanganyika, East Africa to an Austrian mother and Scottish father. At the age of thirteen, she came to Scotland where she schooled at Bearsden Academy. She graduated from Glasgow School of Art in the seventies. "My main inspiration as an artist is in the Scottish landscape and seascape. I enjoy using colour to define contours, structure and changing light sequences. I search out specific viewpoints. I am equally inspired by the rugged isolation of the Western Isles and the dramatic viewpoints of the Eastern coastline. I work predominantly in oil". Pam Carter was unquestionably one of Scotland's most popular and successful contemporary artists. She won numerous awards and prizes, always received significant media attention, has been the subject of many magazine features and had several tv appearances. Her work is widely exhibited but rarely appears at auction. However, in The Scottish Contemporary Art Auction of 17th April 2022 lot 38 "Luskentyre Reflections" a 46 x 51cm oil by Pam Carter sold for £2000 (hammer) and in The Scottish Contemporary Art Auction of 10th July 2022 lot 230 "Gables Geary" sold for £2600 (hammer). Comment: Pam was a special artist and one who enjoyed wide popularity and substantial commercial success. In all our dealings with Pam over the years, she was always generous with her time and quick to provide the background to paintings we had received from private consignors and filling in gaps about locations, dates etc. Pam's work is instantly recognisable and she had that rare gift, even among the best artists, of being able to use the minimum of brushwork to create the maximum visual effect. Her "lines" were those of the natural environment but she knew exactly how to "see" them and portray them on canvas. Despite her commercial success, or perhaps even because of it, Pam's work probably hasn't yet reached the full audience that it so richly deserves. She exhibited frequently at numerous galleries in Scotland and gallery owners were inevitably in a queue to secure her work. Typically, Pam showed loyalty to those who were the first to support her when she was a relative unknown. Talented artists always wish to be remembered by their work and Pam Carter can be certain of that, but she'll also be remembered with great affection by all those who had the good fortune to meet her or know her.

 Peter Deakin (1830-1899) watercolour depicting a wooded scene with a cart and horses crossing a bridge, approx 47 x 34 cms, unsigned, framed and glazed, together with an unattributed English school watercolour, early 19th century, seascape with a distant view to Hove, approx 30 x 20 cms.

French school, mid 20th century,'The little boat - Mediterranean Coast', impressionist seascape,indistinctly signed, oil on board, 34cm x 61cm.

Early 20th century school, oil on canvas, seascape with sailboats, signed 'W Elliott' to lower right, framed and glazed.

Chinese white metal (stamped sterling) cigarette case with engraved land/seascape decoration to both interior and exteriorWeight 4.5oz

MINTON TOPOGRAPHICAL DESSERT SERVICE MID 19TH CENTURY painted to the centre with pastoral landscapes or seascape scenes, with gilt and raised paste gilt decoration, enclosed within turquoise borders with gilt line rims; comprising twelve plates, two tall comports and three low comports; impressed marks and painted A7512Dimensions:plates 24cm diameter, tall comports 12.5cm high, low comports 6cm high

A Chines seascape vase in underglaze blue, 29cm tall

UNSIGNED OIL ON CANVAS CORNISH SEASCAPE 83x60cm

Frank Hider, early 20th century oil on canvas, seascape with waves breaking over rocks, with gulls, signed, 29 x 50 cm.

19th century Watercolour of a Figures in a Barn set in a Continental Landscape with Lake and Mountains, indistinctly signed and dated 1872, 47cm x 32cm together with 20th century Watercolour of a Rocky Outcrop within a Seascape, 63cm x 37cm, both framed and glazed

A gilt framed Victorian oil on canvas seascape with galleons and lifeboat, COLLECT ONLY.

Oil painting on canvas of a seascape with boats with details on reverse & signed Corneille Bender - 63cm x 47cm ~ in need of restoration & does have damage to canvas in several places

SCOTTISH SCHOOL,ROYAL TROON, 11TH TEE,oil on board,framed and under glass,39cm x 49cm overall, along with an oil on board, depicting a seascape, framed (2)

E.M. Prout: a gilt framed oil on canvas, depicting a choppy seascape - signed

A SIGNED LIMITED EDITION PRINT SEASCAPE WITH FISHERMEN BY DINO, GARAVANO 98/350 - H 44CM BY 60 CM

John Hewitt (British, Contmeporary) Seascape, oil on board entitled Newquay Headland. Signed lower left.

John William Schofield (1865-1944). Calm seascape, watercolour, signed, 13cm x 25cm.

W. Gibson (20thC). Seascape, watercolour, signed, various etchings, engravings, watercolours, pictures, collage, Dora Easterbrook Leman, watercolour, various others, How Goes it Bill? interior scene, figures, Acme Ringers, print, other pictures, etc. (a part folio various dimensions).

Ralph R. Stubbs (1824-1879). Seascape, boat on rough waters before cliffs, watercolour, signed, titled verso, 33cm x 80cm.

Chamanil (20thC School). Calm seascape from the coast, watercolour, signed, 19cm x 37cm.

Arthur Dib**** (20thC). Twilight seascape, calm waters before town, watercolour, indistinctly signed and dated 1922, 15cm x 27cm.

Wallace Bennetto (20thC). An English seascape, cliffs on a summer day, watercolour, signed and dated, 28cm x 46cm and another similar - pair.

Lizzie Clarke-Hall (20thC). Calm seascape, cottages on a cliff face, oil on paper, signed, 18cm x 26cm.

M.C. Charlan R Pinntel (20thC). Calm seascape, oil on board, signed and inscribed, 41cm x 55cm.

WATERCOLOUR - SEASCAPE

A Bernard Leach (1887-1979) Studio pottery dish. Decorated with a seascape, sea gulls flying above the sea, painted BL to reverse and impressed seal mark, diam. 33cm Condition Report: The dish has a firing flaw to the well which indecates it is probably a second. No chips cracks or restoration.

JAMES HENRY C MILLAR, (1863-1929): Oil on panel, Trevone Bay, Cornwall "A fresh morning Trevone" a Cornish seascape signed lower left, title with accompanying signature in pencil verso, 20cm x 29cm

A gilt framed oil on board, seascape, signed

A COLLECTION OF LATE 20TH / EARLY 21ST CENTURY PAINTINGS, comprising of a Brian Cracknell oil on board depicting a view of a town, approximate size 37cm x 90cm, John Clements interior of a Spanish building 'Montserrat', an abstract seascape by Evelyn Wright, unsigned watercolour of a view of a garden through a window, John E Price landscape watercolour, a watercolour view of Bosham initialled AKG, five works by Margaret Whitehead to include still life and village views and an abstract landscape by Peter Garve Garvin

Russian School, oil on canvas, Seascape, inscribed verso, 47 x 59cm

19th century English school oil on canvas- seascape, 69cm x 51cm

* PAM CARTER DA PAI (SCOTTISH 1952 - 2022),GULLS, KILORAN BAY (Isle of Colonsay)oil on canvas, signed, titled versoimage size 50cm x 60cm, overall size 69cm x 79cm Framed and under glass. Note 1: It was with great sadness that we learnt of the passing of Pam Carter in May after an illness which she wrote about to her database of buyers on 24th June 2021: "I feel at last I am retiring somewhat due to ill health. I am not painting very much these days as I am struggling with the daily regime of chemo tablets; it’s hard getting the balance of effective medication and quality of life".Note 2: Pam Carter was born in Tanganyika, East Africa to an Austrian mother and Scottish father. At the age of thirteen, she came to Scotland where she schooled at Bearsden Academy. She graduated from Glasgow School of Art in the seventies. "My main inspiration as an artist is in the Scottish landscape and seascape. I enjoy using colour to define contours, structure and changing light sequences. I search out specific viewpoints. I am equally inspired by the rugged isolation of the Western Isles and the dramatic viewpoints of the Eastern coastline. I work predominantly in oil". Pam Carter was unquestionably one of Scotland's most popular and successful contemporary artists. She won numerous awards and prizes, always received significant media attention, has been the subject of many magazine features and had several tv appearances. Her work is widely exhibited but rarely appears at auction. However, in The Scottish Contemporary Art Auction of 17th April 2022 lot 38 "Luskentyre Reflections" a 46 x 51cm oil by Pam Carter sold for £2000 (hammer) and in The Scottish Contemporary Art Auction of 10th July 2022 lot 230 "Gables Geary" sold for £2600 (hammer).Comment: Pam was a special artist and one who enjoyed wide popularity and substantial commercial success. In all our dealings with Pam over the years, she was always generous with her time and quick to provide the background to paintings we had received from private consignors and filling in gaps about locations, dates etc. Pam's work is instantly recognisable and she had that rare gift, even among the best artists, of being able to use the minimum of brushwork to create the maximum visual effect. Her "lines" were those of the natural environment but she knew exactly how to "see" them and portray them on canvas. Despite her commercial success, or perhaps even because of it, Pam's work probably hasn't yet reached the full audience that it so richly deserves. She exhibited frequently at numerous galleries in Scotland and gallery owners were inevitably in a queue to secure her work. Typically, Pam showed loyalty to those who were the first to support her when she was a relative unknown. Talented artists always wish to be remembered by their work and Pam Carter can be certain of that, but she'll also be remembered with great affection by all those who had the good fortune to meet her or know her.

* PAM CARTER DA PAI (SCOTTISH 1952 - 2022),HARBOUR LIGHTHOUSEgouache on paper, signed and dated '83, inscribed 'Porth Tywyn', titled label versoimage size 32cm x 41cm, overall size 46cm x 54cm Mounted, framed and under glass.Exhibition label verso: February '85, The Torrance Gallery, Edinburgh (a rare early work by Pam Carter).Note 1: It was with great sadness that we learnt of the passing of Pam Carter in May after an illness which she wrote about to her database of buyers on 24th June 2021: "I feel at last I am retiring somewhat due to ill health. I am not painting very much these days as I am struggling with the daily regime of chemo tablets; it’s hard getting the balance of effective medication and quality of life".Note 2: Pam Carter was born in Tanganyika, East Africa to an Austrian mother and Scottish father. At the age of thirteen, she came to Scotland where she schooled at Bearsden Academy. She graduated from Glasgow School of Art in the seventies. "My main inspiration as an artist is in the Scottish landscape and seascape. I enjoy using colour to define contours, structure and changing light sequences. I search out specific viewpoints. I am equally inspired by the rugged isolation of the Western Isles and the dramatic viewpoints of the Eastern coastline. I work predominantly in oil". Pam Carter was unquestionably one of Scotland's most popular and successful contemporary artists. She won numerous awards and prizes, always received significant media attention, has been the subject of many magazine features and had several tv appearances. Her work is widely exhibited but rarely appears at auction. However, in The Scottish Contemporary Art Auction of 17th April 2022 lot 38 "Luskentyre Reflections" a 46 x 51cm oil by Pam Carter sold for £2000 (hammer) and in The Scottish Contemporary Art Auction of 10th July 2022 lot 230 "Gables Geary" sold for £2600 (hammer).Comment: Pam was a special artist and one who enjoyed wide popularity and substantial commercial success. In all our dealings with Pam over the years, she was always generous with her time and quick to provide the background to paintings we had received from private consignors and filling in gaps about locations, dates etc. Pam's work is instantly recognisable and she had that rare gift, even among the best artists, of being able to use the minimum of brushwork to create the maximum visual effect. Her "lines" were those of the natural environment but she knew exactly how to "see" them and portray them on canvas. Despite her commercial success, or perhaps even because of it, Pam's work probably hasn't yet reached the full audience that it so richly deserves. She exhibited frequently at numerous galleries in Scotland and gallery owners were inevitably in a queue to secure her work. Typically, Pam showed loyalty to those who were the first to support her when she was a relative unknown. Talented artists always wish to be remembered by their work and Pam Carter can be certain of that, but she'll also be remembered with great affection by all those who had the good fortune to meet her or know her.

Peggy Newell - Silhouette study of a child, signed and dated 1930, 32 x 10cm; Myles Birkett Foster (1825-1899) - Venice, colour engraving; M Dent - Seascape, sepia watercolour; and Heywood Hardy (1842-1933) - Huntsman with horse, monochrome engraving (4)

MASELLA. 20TH CENTURY SCHOOL Evening seascape with fishing boats. Signed. Oil on canvas 19½' x 27'

AB LulofsA 19th century seascape in an ebonised Dutch frameoil on board signed AB Lulofs36.5 x 44cm

An unframed 19th century oil on panel, seascape and a mid century framed oil painting, Continental town scene H.23 W.35cm. (Largest).

Oil on board, moored fishing boats in Mediterranean landscape, signed Day 94', 68 x 104cms, pastel portrait of a young girl, signed with monogram dated 67', 45 x 35cms, tropical seascape, 30 x 40cms, oil on board landscape, 39 x 49cms, over-painted print and a framed embroidery of birds (6)

Watercolours and other paintings to include John Hallam, seascape, watercolour, signed and dated '95 lower right, 25 x 35cm; Joyce Wretham, View of a village, oil on board, signed lower left, 28 x 37cm; R Cox, 'Before the Barge Match', watercolour, signed lower right, 18 x 24cm; R Cox, 'On the Orwell', watercolour, signed lower right, 23 x 24cm; Still life of poppies, oil on board, signed Devlin', 24 x 18cm; and George Horne, 'The Old Forge and Cottage, Branscombe, Devon', oil on board, signed lower right, 18 x 24cm (6)

W.Darton, watercolour 'Seascape' signed and dated 1898, 29cm x 45cm, framed and glazed, together with R.E.Pierson (Tavistock, Devon) AMRSP, five miniature paintings various views including 'Harford Bridge' each framed and glazed 8cm x 5cm together with a pair of small Dartmoor watercolours not signed, framed and glazed (7).

A contemporary oil-on-canvas seascape initialled 'GH'

A painted chest in the 18th century-style: with seascape decoration and motifs.

OWEN MEILIR oil on board - stormy seascape, signed in full, 49 x 69cms

D H Winder 1927 seascape 34 cm x 85 cm including frame