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A DETAILED WATERLINE RECRUITING OFFICE MODEL OF THE SALVAGE AND RESCUE VESSEL R.M.A.S. SALMOOR BUILT FOR THE BRITISH GOVERNMENT BY HALL, RUSSELL & CO, ABERDEEN, 1985 by John Glossop Models, the carved hull paper plated and painted with designation number 'A185', grey painted decks with yellow superstructure and fittings including massive universal derrick with glazed cab, glazed bridge with comms towers over, fitted motor launch in davits, quick-release life raft cannisters and much other fine detail, set in a moulded painted seascape with maker's plate to edges within plexiglass cover. Overall measurements -- 14 x 43 x 19in. (36 x 109 x 48cm.); together with a small waterline model of the tug Joan by John Glossop, within plexiglass case with plate -- 7 x 15 x 9in. (18 x 38 x 23cm.) (2) One of three 'Sal Class' vessels, Salmoor displaced 2,200 tonnes, measured 252 x 49 x 13ft, had a complement of 19 and her diesel engines could produce 15 knots. Her duties included the laying and maintenance of underwater targets, navigation marks and moorings. Based at Great Harbour, Greenock for use at the Clyde Naval Base, she was run by the Royal Maritime Auxiliary Service until 2008 when she was transferred to Serco Marine Services and has been retired since 2013. This lot will be available for viewing at Imperial Road

Three oil paintings - horse and cart, seascape and an old mill, various sizes

Early 19th Century School - 'Seascape Study, boats at dawn'Oil on board, 11.5x14cm, set in a foliate moulded gilt frame, although unsigned to the reverse there is an old label marked Turner and a further label marked William Carleton Ormsby, according to the vendor's research it is believed that in 1827 the artist stayed at East Cowes Castle with his friend John Nash for quite a few months and painted and drew many seascapes, it has been confirmed that the boats pictured conform to those of the period Early 19th Century School - 'Seascape Study, boats at dawn'Oil on board, 11.5x14cm, set in a foliate moulded gilt frame, although unsigned to the reverse there is an old label marked Turner and a further label marked William Carleton Ormsby, according to the vendor's research it is believed that in 1827 the artist stayed at East Cowes Castle with his friend John Nash for quite a few months and painted and drew many seascapes, it has been confirmed that the boats pictured conform to those of the period

Bamburgh Castle, oil on canvas signed with initials by Angela McCall, Blue Seascape, oil on canvas signed verso by Sharon Morgan, Fishing Boats on the Shore, two oils on board max 37cm x 45cm (2) Condition Report Click here for further images, condition, auction times & delivery costs

Sailing Boat, oil on board signed, titled and dated 2017 verso by Alan King 24cm x 29cm and Seascape, contemporary oil on board signed verso by Andrew Cheetham 7cm x 10.5cm (2) Condition Report Click here for further images, condition, auction times & delivery costs

Seven crystoleums; two prints; pencil and watercolour titled ''Blood will Tell''; a watercolour of a seascape signed and dated 1898; and two mezzotints (qty)

Stephen Nowacki for Lynton Porcelain: a pair of silver gilt mounted porcelain scent bottles each painted with seascape vignettes on a gilt highlighted cobalt blue ground (each lacking stoppers)

Seascape watercolour

Blue and white bitong Chinese, Kangxi (1662-1722) of cylindrical form supported on tripod stud feet, the body decorated with a linear style seascape surrounded by mountain landscape islands upon which are scattered trees, houses and figures 10cm high x 12.5cm diameter

F.M'W...SEASCAPESigned with initials and dated '89-'96 l.r., oil on canvas36 x 54cm

G. Gordon (19th/20th century) An Italianate scene, with classically dressed mother and children on a terrace with quiet seascape beyond oil on canvas, signed lower right 89 x 69cm

A late 19th century crystoleum decorated with musicians and dog on a terrace with seascape beyond, 15 x 24cm

A quantity of pictures to inc a seascape watercolour, indistinctly signed, an 18th century map of Wiltshire, hunting prints etc

A quantity of pictures of a various subject to include landscape and seascape oils

Frank Leonard Allen (Massachusetts, Maine, 1884 - 1966) Coastal Seascape. Colored Pencil/Paper. Size: 8.75 x 11.5 inches. Allen studied at the School of the Museum of Fine Arts, Boston under Edmund Tarbell (1862-1938) and Frank Benson (1862-1951), the Art Students? League in New York and studied design with Denman Waldo Ross (1853-1935) at Harvard University.

20th C. European School Impressionist Coastal Seascape. Oil on board. Appears to be unsigned. Sight Size: 17.5 x 23 in. Overall Size: 22 x 28 in.

A framed Sepia toned watercolour painting signed indistinct, along with a horse racing print and a framed oil on canvas seascape.

A framed and mounted Watercolour of a Seascape with a moored fishing boat, signed lower left Brian Sharp.

19th Century School, Portrait of a young man, half length, standing before a seascape with lighthouse in the distance on rocks, oil on canvas (relined), 75cm x 63cm.

Peter Coslett (b, 1927) Oil on Canvas of Moonlit Seascape, 49cms x 40cms, Gilt Framed

Contemporary Oil Painting of Beach and Seascape signed Sue, 49cms x 39cms, contained in a Deep Gilt Frame and Glazed

W*** Scott Smith (Contemporary) Large coastal seascape, watercolour, framed and mounted under glass, 37 x 55 cm

W*** Scott Smith (Contemporary) Coastal seascape from the perspective of the rocky shore, watercolour, framed and mounted under glass, 27 x 37 cm

A gilt framed oil on board seascape.

An oil on board seascape.

A VERY FINE QUALITY MINTON PLATE, painted with a seascape of Dover Castle, under a blue and richly gilt border, especially made for Osler of Oxford Street, London, backstamped.

Walker & Hall, a set of enamelled tea spoons, each one painted with a land or seascape, silver gilt with coffee bean finial, Birmingham 1940 and a set of harlequin enamelled spoons, London 1935, both cased . Harlequin set - Blue spoon with damage to enamel stem on both sides; all with minor losses to enamel and loss of colour to the edges.Walker & Hall - no significant damage seen under naked eye.Not examined under UV light

Alan Cotton (b. 1936)Seascape - Stormsigned, titled to verso, dated 1974, oil on canvas, 77cm x 102cm

A Lynton porcelain cylindrical bough pot and cover, painted by Stefan Nowaki, signed with initials, with seascape with sailing galleons in choppy seas within leafy scroll cartouche, on a light blue ground, within gilt banded borders, domed pierced covers, three scroll feet, 9cm high, printed marks

A LARGE GILT FRAMED OIL ON BOARD DEPICTING A SEASCAPE WITH WAVES CRASHING AGAINST ROCKS SIGNED W.E.MELBOURN

An oil painting depicting a seascape and a watercolour

Three oil paintings - horse and cart, seascape and an old mill, various sizes

A Regency oak and mahogany cross banded longcase clock, the hood with swan neck cornice, broken arch painted dial with floral spandrels and seascape to the arch (now lacking rocking ship action) with eight day striking movement, subsidiary calendar and secondary dials by E Chambler, Newcastle

Margaret Harmsworth, oil on canvas, seascape with distant boats, dated '65, 24ins x 29ins

Margaret Harmsworth, oil on canvas, landscape with trees and distant mountains, together with another by the same hand, seascape, signed, 18ins x 22ins each

Unframed oil on canvas, seascape at sunset, signed Blaetter

K. Seaby, oil on canvas, seascape, together with a large oil, woodland scene with river, an oil on canvas, still life of flowers and another oil, landscape

A Gilboy (mid 20th century) - Study of a seascape, oil on canvas, signed and dated 48, 54 x 69 cm, framed

Ron Hennessey, 20th century British, seascape with sailing boat, oil on board, signed, 28 x 36 cm, together with an early 19th century coloured engraving of a busy marine scene with a fleet of sailing ships, rowing boats, etc, 34 x 42 cm, also together with an early 20th century crystolean of a violinist and companion, 24 x 16 cm, all framed

A large 19th century gilt framed oil on canvas seascape, rocky shores at sunset.

A large gilt framed oil on canvas, seascape rocky cost line and cliffs.

E. Holli*** - Seascape, watercolour, 39 x 65cm

Oil on canvas seascape with fishing vessels off the coast, in a gilt frame, the canvas 29cm x 21cm

Clarice Cliff - Gibraltar - A shape 463 cigarette and match strike circa 1932 hand painted in a stylised seascape with sailing boats and blue banding, Bizarre mark, height 7cm, S/D.

Clarice Cliff and John Butler - Foam (Syncopation) - A shape 362 vase circa 1929 hand painted with a flight of stylised geese over a seascape with sunrise, printed A.J.Wilkinson mark with hand painted Foam and Syncopation, height 21cm.

Michael Harris - Isle of Wight - A later 20th Century Seascape glass vase circa 1985, of tapering form, decorated with veined blue patches over an opal and aventurine ground, original label, height 13cm.

Michael Harris - Isle of Wight - A later 20th Century Seascape glass vase of footed rectangular form, decorated with veined blue patches over a opal and aventurine ground, original label, signed by Michael Harris, height 13.5cm.

Michael Harris - Isle of Wight - A large later 20th Century Seascape Bell vase of sleeve form, decorated with veined blue and green patches over an opal and aventurine ground, original label, signed by Michael Harris, height 21cm.

After Charles Napier Hemy - Coloured print - Life, being a stormy seascape with yacht, 54cm x 81cm, framed and glazed Condition:

Amelia J Walters (British, exh. 1880-1892), Seascape, oil on canvas, signed lower right, in the original ornate gilt frame and a cabinet photograph of the artist attached to the stretcher and inscribed to verso 'Aunt Minnie', 24 x 41.5 cm. The present picture could be identified with that which Amelia Walters exhibited at the Royal Academy under title 'A Bright Gleam from the West'.

LUIGI MANTOVANI (1880-1957) Seascape with sailing vessel, signed, dated 1920 and inscribed 'S Remo', oil on panel, 19 x 30cm

An Isle of Wight seascape design handmade glass vase, designed by Michael Harris, height 15cm

Carmen Morria, pair of seascape watercolours

A CONTINENTAL SEASCAPE OIL PAINTING DEPICTING BOATS SIGNED LOWER LEFT

WENDY CORBETT (BRITISH CONTEMPORARY) 'CALM WATERS', a limited edition print 186/495 of a seascape with a blue sky, signed and numbered in pencil, no certificate, mounted, framed and glazed, approximate size 36cm x 58cm (condition:- as new)

ANDRE BALYON (.1951) OIL PAINTING ON BOARD 'Homeward Bound', seascape with French sailing vessel Signed and dated (19)77 15 ½" x 19 ¾" (39.4cm x 50.2cm)

Early 20th century English School, oil, seascape, 27 x 52cm

A framed Sepia toned watercolour painting signed indistinct, along with a horse racing print and a framed oil on canvas seascape.

Early 20th century Framed and Glazed Oil Painting of Moonlight Seascape

Oil on canvas - seascape with gulls, indistinctly signed, 38 x 49cms