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A Vitascope Industries Ltd bakelite Art Deco style electric ship automata clock the cream painted case with a curved front and glazed seascape with a moving masted galleon, the skeletonized chrome chapter ring and Arabic quarter markings enclosing pierced hands - stamped number 05755, - various labels to the reverse CONDITION REPORT: Sold as seen electrically untested, none of the clocks and watches are sold as working, the paint finish is not brilliant to the back and base, ship moves when the knob is turned on the back
Seascape, mixed media signed Sylvia Clegg 30cm x 30cm, Country Path and Houses, 20th century charcoal drawing indistinctly signed, Still Life of Fruit and Jug and Fairyland Scene, two 20th century watercolours unsigned max 52cm x 76cm (4) Condition Report Click here for further images, condition, auction times & delivery costs
William Henry Innes (1905 - 1999) Oil On Canvas Gurnards Head Zennor Cornwall Original early 20th century oil on canvas depicting a rocky seascape, the clouds and sea highlighted in white impasto. Signed Innes to bottom left. Restoration label to verso 'FJ. Harris And Son, 1940'. Good overall condition, housed in later frame. 21.5 x 14 inches.
A George III mahogany cased eight day longcase clock The hood with a twin swan neck pediment above a pair of tapering cylindrical columns flanking the 13" painted break arch dial, the seascape painted break arch panel with a rocking masted vessel mechanism above the dial enclosed by rose painted spandrels and centred with a subsidiary second dial, the dial indistinctly signed, the case with quarter reeded columns flanking a shaped door above a conforming inlaid lower panel raised on bracket feet, 224cm high. CONDITION REPORT: Hood split left hand side, Hood glass replaced but broken, Hood has been reconstructed, Beading on left hand side and right hand side of case missing, Feet/plinth missing, Dial discoloured, stained and faded, Movement board replaced, Movement looks clean and well maintained, No guarantee of working order.
A late 18th to early 19th Century shallow bowl decorated with two crabs, flowers and foliage, unmarked, diameter 23.5cm, together with two 19th Century tea bowls, the first enamel decorated with a stylised dragon dog in a landscape, the second with a hand painted black and white seascape with buildings and rocks in the foreground, unmarked (3)
William Henry Innes (1905 - 1999) Oil On Canvas Gurnards Head Zennor Cornwall Original early 20th century oil on canvas depicting a rocky seascape, the clouds and sea highlighted in white impasto. Signed Innes to bottom left. Restoration label to verso 'FJ. Harris And Son, 1940'. Good overall condition, housed in later frame. 21.5 x 14 inches.
Nikolaos OTHONEOS Greek, 1877-1949 Seaside landscape signed lower right oil on panel 31 x 43 cm PROVENANCE private collection, Athens Othoneos studied at The School of Fine Art, Athens under Nikiforos Lytras and Constantinos Volanakis. After his graduation in 1901, he continued his studies at The Royal Academy of Fine Arts, Munich in the studio of H. von Zugel. In 1908, he moved to London where he lived for a period of two years before finally returning to Athens. Othoneos worked mainly on landscape, seascape and war subject from the wars of 1912-1913 and 1940. He is one of the last representatives of the ‘Munich School’, but most importantly one that surpassed its restrictions and depicted Greek nature and its atmospheric variations with poetic feeling, with influences from impressionist, post-impressionist and expressionistic movements. In 1917, together with Constantinos Parthenis, Konstantinos Maleas and Nikolaos Lytras, was a founding member of the avant-garde, art group ‘Ομάδα ΤÎχνης’ that introduced the international contemporary art movements to Greece. Othoneos held a number of solo exhibitions in Athens and participated in a number of prestigious group exhibitions such as the 1918 and 1919 ‘Ομάδα ΤÎχνης’ and the 1934 and 1936 Venice Biennale. His work is found in many public and private collections, notably: The National Gallery, Athens, The Athens Municipal Gallery, The Leventis Gallery, Nicosia, The Averoff Gallery, The Koutlides Collection and The National Bank of Greece collection.
modelled by John R. Haynes with a bespoke pre-formed dazzle-finished hull with pennant number 'K18' to bow and stern, lined and painted decks and superstructure complete with fittings and armament as appropriate, set in a moulded and painted seascape with brass detail plaque on display base with glazed wooden cover. Measurements overall - 5½ x 17¼ x 4½in. (14 x 44 x 11.5cm.)As the threat of War with Germany became ever more likely the Royal Navy urgently needed a class of escort vessels to counter the U-boats they knew would harry convoys. In the end 145 'Flower Class' corvettes were built by various Allied yards between 1939-45, displacing less than 1000 tons, each was lightly armed with a single 4in. gun (and four machine guns) and depth charges in twin racks. Campanula was built by Fleming & Fergusson Ltd, Paisley, was commissioned in May 1940, and she saved many lives from torpedoed merchantmen during the hostilities. Her most famous officer was the successful and prolific author Nicholas Monserrat R.N.V.R. (1910-79) who recalled his time aboard in his novel The Cruel Sea in which Campanula became H.M.S. Compass Rose. Campanula was broken up in 1947.
Three Unusual sized Wood-mounted Magic Lantern Slides, one large curtain slide stamped 'Yeates & Son, Dublin', 205mm x 128mm, P, curtain torn; one mechanical of seascape, 210mm x 110mm, P, needs complete repair; and chromotrope of acrobat on central pivot with hand-painted background of firework display, 310mm x 120mm, P, lacks pulley mechanism, handle and string, (3),

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