We found 9209 price guide item(s) matching your search

OLYMPICS, Montreal 1976 football tournament selection, inc. programme covering all matches, match tickets, G to VG, 3

Rare Lladro Barcelona Olympics figurine, H: 24 cm, no cracks or chips. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)

Turf Cigarettes full set of fifty London Olympics cigarette cards 1948. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Olympics: An official commemorative, 1980 XIII Winter Olympic Games, Lake Placid, bronze medallion. '© 1980 Maco Bronze - Sporrong'. 78mm width, 290.7g approx. weight.

A QUANTITY OF COLLECTORS COINS TO INCLUDE 1980 MOSCOW OLYMPICS MEDAL COLLECTOR CARD, NAT WEST 'WORLD SAVERS' WITH ANIMALS, BRITAIN'S FIRST DECIMAL COINS, COMMEMORATIVE CROWNS, ETC

Olympic Games Collection, Centennial Olympic Games, Atlanta 1996, the set Zippo lighter Limited Edition set, 5936/10,000, depicting different Modern Olympic Games, including St Louis 1904, Los Angeles 1932, Lake Placid 1932 Winter Olympics, Squaw Valley Winter Olympics 1960, Lake Placid Winter Olympics 1980, Los Angeles 1984 and Atlanta 1996, two dated 1995, the others dated 1996, in original fitted retailer's display box, with original cardboard box, Unused, UK postal shipment only unused

*Gerald Spencer Pryse (1882-1956) oil on canvas - Tangier, 51cm x 76cm, apparently unsigned, framed. Gerald Spencer Pryse was born in Ashton and educated at Eton. He was largely self taught but with spells under artists in London and Paris. He won first prize at the Venice International Exhibition in 1907. Early in his career he contributed work to The Strand Magazine, The Graphic and Punch, he produced illustrations for E Nesbit, Henry Fielding and others. A staunch socialist and an active member of the Fabian Society, his work was often politically charged and with humanist themes, demonstrated in posters for various humanitarian relief agencies throughout the first world war and its aftermath. Pryse initially focussed on print-making and was well versed in the techniques of lithography by the outbreak of The Great War. He captured scenes from the battlefields from 1914 and ultimately became the most prolific lithographic artist of World War I. Working initially under the patronage of The Queen of Belgium as a dispatch rider on the Belgian front, his fine draughtsmanship and technical assurance permitted him the freedom to record his observations directly onto huge lithographic stones, which he carried around the Western front line in his Mercedes, commentators at the time described him as ‘’looking like he’d looted a graveyard’”. He later wrote a memoir of this time ‘Four Days: an account of a journey in France made between 28 and 31 August 1914’ published by John Lane in 1932. Pryse also worked with the Indian Army in France and several of his lithographs depict scenes of Indian troops (Indian colonial troops were otherwise almost entirely unreported in the visual records of the conflict). He subsequently served as a Captain in the Queen Victoria’s rifles, during the conflict he lost the sight in one eye and was shot in the hand. He won the Military Cross at Passchendaele, was awarded the Croix de Guerre and was Mentioned in Dispatches. He was, however, torn between his obligation as a soldier and his potential value as an artist in the propaganda unit. His repeated petitions to become an official war artist were protracted, largely due to his military successes and the reluctance of his superiors to release him, his socialist leanings were also a significant stumbling block. In 1917 he finally became an official war artist, one of just 26 British artists to have been awarded the honour during WWI. When his sketches were later exhibited in London they were said to have ‘a freshness and authenticity that were not always apparent in the work of official war artists’, unfortunately much of his work was destroyed during the 1918 German Offensive, and even more destroyed when the Spencer Pryse house was bombed in World War II. Pryse secured prestigious commissions during the war period, including poster designs for military recruitment, the British Red Cross, London Underground and The Labour Party. In 1924 he did a large series of work for the British Empire Exhibition at Wembley, working alongside Frank Brangwyn to produce the official accompanying publication and on a monumental series of posters covered ‘the whole of the Empire in 24 pictures’, designed to convey the extent and marvels of the British Empire. He also produced images for the 1928 and 1932 Olympics. In 1925 he travelled and worked extensively in Morocco where his brother was based. In 1928 he toured West Africa by car and river steamer to record scenes on the Gold Coast and Nigeria for The Empire Marketing Board and in 1930 was commissioned for further works by the Gold Coast Government. Throughout his career he exhibited widely including at the Alpine Gallery, Royal Academy, Royal Scottish Gallery, Leicester Galleries and the Royal Glasgow Institute of Art. His work was acquired by and is held by The British Museum, The Victoria and Albert Museum, The Louvre, The Uffizi, The National Portrait Gallery, The Royal Collection and others. He career was curtailed by the injuries he suffered in the Great War and by the outbreak of WWII he had ceased to paint. Gerald Spencer Pryse, MC died at Cranford House, Stourton, Worcestershire on 28 November 1956 aged 74.Original untouched condition, some water stains to rear, one area coinciding with an area of crazing and inconsistent finish, far left (see images) otherwise ok

*Gerald Spencer Pryse (1882-1956) watercolour - Lokoja Market, 54cm x 78cm, titled verso, unframed.Gerald Spencer Pryse was born in Ashton and educated at Eton. He was largely self taught but with spells under artists in London and Paris. He won first prize at the Venice International Exhibition in 1907. Early in his career he contributed work to The Strand Magazine, The Graphic and Punch, he produced illustrations for E Nesbit, Henry Fielding and others. A staunch socialist and an active member of the Fabian Society, his work was often politically charged and with humanist themes, demonstrated in posters for various humanitarian relief agencies throughout the first world war and its aftermath. Pryse initially focussed on print-making and was well versed in the techniques of lithography by the outbreak of The Great War. He captured scenes from the battlefields from 1914 and ultimately became the most prolific lithographic artist of World War I. Working initially under the patronage of The Queen of Belgium as a dispatch rider on the Belgian front, his fine draughtsmanship and technical assurance permitted him the freedom to record his observations directly onto huge lithographic stones, which he carried around the Western front line in his Mercedes, commentators at the time described him as ‘’looking like he’d looted a graveyard’”. He later wrote a memoir of this time ‘Four Days: an account of a journey in France made between 28 and 31 August 1914’ published by John Lane in 1932. Pryse also worked with the Indian Army in France and several of his lithographs depict scenes of Indian troops (Indian colonial troops were otherwise almost entirely unreported in the visual records of the conflict). He subsequently served as a Captain in the Queen Victoria’s rifles, during the conflict he lost the sight in one eye and was shot in the hand. He won the Military Cross at Passchendaele, was awarded the Croix de Guerre and was Mentioned in Dispatches. He was, however, torn between his obligation as a soldier and his potential value as an artist in the propaganda unit. His repeated petitions to become an official war artist were protracted, largely due to his military successes and the reluctance of his superiors to release him, his socialist leanings were also a significant stumbling block. In 1917 he finally became an official war artist, one of just 26 British artists to have been awarded the honour during WWI. When his sketches were later exhibited in London they were said to have ‘a freshness and authenticity that were not always apparent in the work of official war artists’, unfortunately much of his work was destroyed during the 1918 German Offensive, and even more destroyed when the Spencer Pryse house was bombed in World War II. Pryse secured prestigious commissions during the war period, including poster designs for military recruitment, the British Red Cross, London Underground and The Labour Party. In 1924 he did a large series of work for the British Empire Exhibition at Wembley, working alongside Frank Brangwyn to produce the official accompanying publication and on a monumental series of posters covered ‘the whole of the Empire in 24 pictures’, designed to convey the extent and marvels of the British Empire. He also produced images for the 1928 and 1932 Olympics. In 1925 he travelled and worked extensively in Morocco where his brother was based. In 1928 he toured West Africa by car and river steamer to record scenes on the Gold Coast and Nigeria for The Empire Marketing Board and in 1930 was commissioned for further works by the Gold Coast Government. Throughout his career he exhibited widely including at the Alpine Gallery, Royal Academy, Royal Scottish Gallery, Leicester Galleries and the Royal Glasgow Institute of Art. His work was acquired by and is held by The British Museum, The Victoria and Albert Museum, The Louvre, The Uffizi, The National Portrait Gallery, The Royal Collection and others. He career was curtailed by the injuries he suffered in the Great War and by the outbreak of WWII he had ceased to paint. Gerald Spencer Pryse, MC died at Cranford House, Stourton, Worcestershire on 28 November 1956 aged 74.

*Gerald Spencer Pryse (1882-1956) watercolour - Latuwe, Ondo, 38.5cm x 54cm, titled verso, unframed. Gerald Spencer Pryse was born in Ashton and educated at Eton. He was largely self taught but with spells under artists in London and Paris. He won first prize at the Venice International Exhibition in 1907. Early in his career he contributed work to The Strand Magazine, The Graphic and Punch, he produced illustrations for E Nesbit, Henry Fielding and others. A staunch socialist and an active member of the Fabian Society, his work was often politically charged and with humanist themes, demonstrated in posters for various humanitarian relief agencies throughout the first world war and its aftermath. Pryse initially focussed on print-making and was well versed in the techniques of lithography by the outbreak of The Great War. He captured scenes from the battlefields from 1914 and ultimately became the most prolific lithographic artist of World War I. Working initially under the patronage of The Queen of Belgium as a dispatch rider on the Belgian front, his fine draughtsmanship and technical assurance permitted him the freedom to record his observations directly onto huge lithographic stones, which he carried around the Western front line in his Mercedes, commentators at the time described him as ‘’looking like he’d looted a graveyard’”. He later wrote a memoir of this time ‘Four Days: an account of a journey in France made between 28 and 31 August 1914’ published by John Lane in 1932. Pryse also worked with the Indian Army in France and several of his lithographs depict scenes of Indian troops (Indian colonial troops were otherwise almost entirely unreported in the visual records of the conflict). He subsequently served as a Captain in the Queen Victoria’s rifles, during the conflict he lost the sight in one eye and was shot in the hand. He won the Military Cross at Passchendaele, was awarded the Croix de Guerre and was Mentioned in Dispatches. He was, however, torn between his obligation as a soldier and his potential value as an artist in the propaganda unit. His repeated petitions to become an official war artist were protracted, largely due to his military successes and the reluctance of his superiors to release him, his socialist leanings were also a significant stumbling block. In 1917 he finally became an official war artist, one of just 26 British artists to have been awarded the honour during WWI. When his sketches were later exhibited in London they were said to have ‘a freshness and authenticity that were not always apparent in the work of official war artists’, unfortunately much of his work was destroyed during the 1918 German Offensive, and even more destroyed when the Spencer Pryse house was bombed in World War II. Pryse secured prestigious commissions during the war period, including poster designs for military recruitment, the British Red Cross, London Underground and The Labour Party. In 1924 he did a large series of work for the British Empire Exhibition at Wembley, working alongside Frank Brangwyn to produce the official accompanying publication and on a monumental series of posters covered ‘the whole of the Empire in 24 pictures’, designed to convey the extent and marvels of the British Empire. He also produced images for the 1928 and 1932 Olympics. In 1925 he travelled and worked extensively in Morocco where his brother was based. In 1928 he toured West Africa by car and river steamer to record scenes on the Gold Coast and Nigeria for The Empire Marketing Board and in 1930 was commissioned for further works by the Gold Coast Government. Throughout his career he exhibited widely including at the Alpine Gallery, Royal Academy, Royal Scottish Gallery, Leicester Galleries and the Royal Glasgow Institute of Art. His work was acquired by and is held by The British Museum, The Victoria and Albert Museum, The Louvre, The Uffizi, The National Portrait Gallery, The Royal Collection and others. He career was curtailed by the injuries he suffered in the Great War and by the outbreak of WWII he had ceased to paint. Gerald Spencer Pryse, MC died at Cranford House, Stourton, Worcestershire on 28 November 1956 aged 74.

*Gerald Spencer Pryse (1882-1956) colour lithograph - Tea Picking in Ceylon, issued by the Empire Marketing Board, 77cm x 51cm, unframed. Gerald Spencer Pryse was born in Ashton and educated at Eton. He was largely self taught but with spells under artists in London and Paris. He won first prize at the Venice International Exhibition in 1907. Early in his career he contributed work to The Strand Magazine, The Graphic and Punch, he produced illustrations for E Nesbit, Henry Fielding and others. A staunch socialist and an active member of the Fabian Society, his work was often politically charged and with humanist themes, demonstrated in posters for various humanitarian relief agencies throughout the first world war and its aftermath. Pryse initially focussed on print-making and was well versed in the techniques of lithography by the outbreak of The Great War. He captured scenes from the battlefields from 1914 and ultimately became the most prolific lithographic artist of World War I. Working initially under the patronage of The Queen of Belgium as a dispatch rider on the Belgian front, his fine draughtsmanship and technical assurance permitted him the freedom to record his observations directly onto huge lithographic stones, which he carried around the Western front line in his Mercedes, commentators at the time described him as ‘’looking like he’d looted a graveyard’”. He later wrote a memoir of this time ‘Four Days: an account of a journey in France made between 28 and 31 August 1914’ published by John Lane in 1932. Pryse also worked with the Indian Army in France and several of his lithographs depict scenes of Indian troops (Indian colonial troops were otherwise almost entirely unreported in the visual records of the conflict). He subsequently served as a Captain in the Queen Victoria’s rifles, during the conflict he lost the sight in one eye and was shot in the hand. He won the Military Cross at Passchendaele, was awarded the Croix de Guerre and was Mentioned in Dispatches. He was, however, torn between his obligation as a soldier and his potential value as an artist in the propaganda unit. His repeated petitions to become an official war artist were protracted, largely due to his military successes and the reluctance of his superiors to release him, his socialist leanings were also a significant stumbling block. In 1917 he finally became an official war artist, one of just 26 British artists to have been awarded the honour during WWI. When his sketches were later exhibited in London they were said to have ‘a freshness and authenticity that were not always apparent in the work of official war artists’, unfortunately much of his work was destroyed during the 1918 German Offensive, and even more destroyed when the Spencer Pryse house was bombed in World War II. Pryse secured prestigious commissions during the war period, including poster designs for military recruitment, the British Red Cross, London Underground and The Labour Party. In 1924 he did a large series of work for the British Empire Exhibition at Wembley, working alongside Frank Brangwyn to produce the official accompanying publication and on a monumental series of posters covered ‘the whole of the Empire in 24 pictures’, designed to convey the extent and marvels of the British Empire. He also produced images for the 1928 and 1932 Olympics. In 1925 he travelled and worked extensively in Morocco where his brother was based. In 1928 he toured West Africa by car and river steamer to record scenes on the Gold Coast and Nigeria for The Empire Marketing Board and in 1930 was commissioned for further works by the Gold Coast Government. Throughout his career he exhibited widely including at the Alpine Gallery, Royal Academy, Royal Scottish Gallery, Leicester Galleries and the Royal Glasgow Institute of Art. His work was acquired by and is held by The British Museum, The Victoria and Albert Museum, The Louvre, The Uffizi, The National Portrait Gallery, The Royal Collection and others. He career was curtailed by the injuries he suffered in the Great War and by the outbreak of WWII he had ceased to paint. Gerald Spencer Pryse, MC died at Cranford House, Stourton, Worcestershire on 28 November 1956 aged 74.

*Gerald Spencer Pryse (1882-1956) black and white lithograph - A Coursing Meeting, signed and titled below in pencil, 56cm x 78cm, unframed. Gerald Spencer Pryse was born in Ashton and educated at Eton. He was largely self taught but with spells under artists in London and Paris. He won first prize at the Venice International Exhibition in 1907. Early in his career he contributed work to The Strand Magazine, The Graphic and Punch, he produced illustrations for E Nesbit, Henry Fielding and others. A staunch socialist and an active member of the Fabian Society, his work was often politically charged and with humanist themes, demonstrated in posters for various humanitarian relief agencies throughout the first world war and its aftermath. Pryse initially focussed on print-making and was well versed in the techniques of lithography by the outbreak of The Great War. He captured scenes from the battlefields from 1914 and ultimately became the most prolific lithographic artist of World War I. Working initially under the patronage of The Queen of Belgium as a dispatch rider on the Belgian front, his fine draughtsmanship and technical assurance permitted him the freedom to record his observations directly onto huge lithographic stones, which he carried around the Western front line in his Mercedes, commentators at the time described him as ‘’looking like he’d looted a graveyard’”. He later wrote a memoir of this time ‘Four Days: an account of a journey in France made between 28 and 31 August 1914’ published by John Lane in 1932. Pryse also worked with the Indian Army in France and several of his lithographs depict scenes of Indian troops (Indian colonial troops were otherwise almost entirely unreported in the visual records of the conflict). He subsequently served as a Captain in the Queen Victoria’s rifles, during the conflict he lost the sight in one eye and was shot in the hand. He won the Military Cross at Passchendaele, was awarded the Croix de Guerre and was Mentioned in Dispatches. He was, however, torn between his obligation as a soldier and his potential value as an artist in the propaganda unit. His repeated petitions to become an official war artist were protracted, largely due to his military successes and the reluctance of his superiors to release him, his socialist leanings were also a significant stumbling block. In 1917 he finally became an official war artist, one of just 26 British artists to have been awarded the honour during WWI. When his sketches were later exhibited in London they were said to have ‘a freshness and authenticity that were not always apparent in the work of official war artists’, unfortunately much of his work was destroyed during the 1918 German Offensive, and even more destroyed when the Spencer Pryse house was bombed in World War II. Pryse secured prestigious commissions during the war period, including poster designs for military recruitment, the British Red Cross, London Underground and The Labour Party. In 1924 he did a large series of work for the British Empire Exhibition at Wembley, working alongside Frank Brangwyn to produce the official accompanying publication and on a monumental series of posters covered ‘the whole of the Empire in 24 pictures’, designed to convey the extent and marvels of the British Empire. He also produced images for the 1928 and 1932 Olympics. In 1925 he travelled and worked extensively in Morocco where his brother was based. In 1928 he toured West Africa by car and river steamer to record scenes on the Gold Coast and Nigeria for The Empire Marketing Board and in 1930 was commissioned for further works by the Gold Coast Government. Throughout his career he exhibited widely including at the Alpine Gallery, Royal Academy, Royal Scottish Gallery, Leicester Galleries and the Royal Glasgow Institute of Art. His work was acquired by and is held by The British Museum, The Victoria and Albert Museum, The Louvre, The Uffizi, The National Portrait Gallery, The Royal Collection and others. He career was curtailed by the injuries he suffered in the Great War and by the outbreak of WWII he had ceased to paint. Gerald Spencer Pryse, MC died at Cranford House, Stourton, Worcestershire on 28 November 1956 aged 74.

*Gerald Spencer Pryse (1882-1956) black and white lithograph - Indians and motor buses near Poperinge, signed and titled below in pencil, 34cm x 50cm, unframed. Gerald Spencer Pryse was born in Ashton and educated at Eton. He was largely self taught but with spells under artists in London and Paris. He won first prize at the Venice International Exhibition in 1907. Early in his career he contributed work to The Strand Magazine, The Graphic and Punch, he produced illustrations for E Nesbit, Henry Fielding and others. A staunch socialist and an active member of the Fabian Society, his work was often politically charged and with humanist themes, demonstrated in posters for various humanitarian relief agencies throughout the first world war and its aftermath. Pryse initially focussed on print-making and was well versed in the techniques of lithography by the outbreak of The Great War. He captured scenes from the battlefields from 1914 and ultimately became the most prolific lithographic artist of World War I. Working initially under the patronage of The Queen of Belgium as a dispatch rider on the Belgian front, his fine draughtsmanship and technical assurance permitted him the freedom to record his observations directly onto huge lithographic stones, which he carried around the Western front line in his Mercedes, commentators at the time described him as ‘’looking like he’d looted a graveyard’”. He later wrote a memoir of this time ‘Four Days: an account of a journey in France made between 28 and 31 August 1914’ published by John Lane in 1932. Pryse also worked with the Indian Army in France and several of his lithographs depict scenes of Indian troops (Indian colonial troops were otherwise almost entirely unreported in the visual records of the conflict). He subsequently served as a Captain in the Queen Victoria’s rifles, during the conflict he lost the sight in one eye and was shot in the hand. He won the Military Cross at Passchendaele, was awarded the Croix de Guerre and was Mentioned in Dispatches. He was, however, torn between his obligation as a soldier and his potential value as an artist in the propaganda unit. His repeated petitions to become an official war artist were protracted, largely due to his military successes and the reluctance of his superiors to release him, his socialist leanings were also a significant stumbling block. In 1917 he finally became an official war artist, one of just 26 British artists to have been awarded the honour during WWI. When his sketches were later exhibited in London they were said to have ‘a freshness and authenticity that were not always apparent in the work of official war artists’, unfortunately much of his work was destroyed during the 1918 German Offensive, and even more destroyed when the Spencer Pryse house was bombed in World War II. Pryse secured prestigious commissions during the war period, including poster designs for military recruitment, the British Red Cross, London Underground and The Labour Party. In 1924 he did a large series of work for the British Empire Exhibition at Wembley, working alongside Frank Brangwyn to produce the official accompanying publication and on a monumental series of posters covered ‘the whole of the Empire in 24 pictures’, designed to convey the extent and marvels of the British Empire. He also produced images for the 1928 and 1932 Olympics. In 1925 he travelled and worked extensively in Morocco where his brother was based. In 1928 he toured West Africa by car and river steamer to record scenes on the Gold Coast and Nigeria for The Empire Marketing Board and in 1930 was commissioned for further works by the Gold Coast Government. Throughout his career he exhibited widely including at the Alpine Gallery, Royal Academy, Royal Scottish Gallery, Leicester Galleries and the Royal Glasgow Institute of Art. His work was acquired by and is held by The British Museum, The Victoria and Albert Museum, The Louvre, The Uffizi, The National Portrait Gallery, The Royal Collection and others. He career was curtailed by the injuries he suffered in the Great War and by the outbreak of WWII he had ceased to paint. Gerald Spencer Pryse, MC died at Cranford House, Stourton, Worcestershire on 28 November 1956 aged 74.

1936 Berlin Olympics, two Souvenir Olympia 1936 Volumes, with laid down photographs, for the preview of the Winter games in Berlin and the other for the XI Olympic games, marked 13 and 14 to the spines respectively

1936 Berlin Olympics, a reproduction 1939 Olympic Torch, with a the relay route from Olympia to Berlin on the shaft, approx. 26.5cm tall, 598g

1940 Helsinki Olympics - cancelled due to the outbreak of the War, an assortment of items, to include a set of three lepel pins in XII Olympia Helsinki 1940 box, four other lapel pins, a belt buckle, two 1938 Helsinki Olympic Bonds, Postal History, booklet and more (parcel)

1964 Innsbruck Winter Olympics Participation medal, by Weltz, with Innsbruck Olympic emblem, with German legend to front, and views of Innsbruck City and Alps to the reverse, 61mm, 78.1g, complete with original wallet

An assortment of Olympic paper ephemera, to include various tickets, from 1900 onwards, an entry ticket for Exposition Universelle De 1900, two from the 1932 Olympics for Lacrosse and Rowing, plus other small selection of other sporting ephemera (parcel)

Collection of coins inc a very good collection of commemorative fifty pence / two pounds / one pounds etc (IOM TT Races, Guernsey 2012, Olympics, Jeremiah Puddleduck, Trinity House, Jersey 20p etc), 2018 ten pence alphabetic collection with crown folder collection, 1965 Specimen cased set, Change Checker presentation coins, worldwide banknotes etc.

A 1936 Berlin Olympics visitors badge. Steel base metal with gilt finish and infilled with white enamel marked 'Paul Mann & Crone Ludenscheid Ges. Gesch' to the reverse side. (Generally good condition - some very minor enamel pitting and loss.) 

A FULL SET (29) ROYAL MINT UNCIRCULATED LONDON OLYMPICS FIFTY PENCE COINS, all the coins are in the original Royal Mint protective bubbles and housed in the RM folder

Cocos (Keeling) Islands, an album of mint stamps Pictorial Definitives 11th June 1963 - Shoreline Birds 17th June 2003, together with three albums of Australian First Day Covers to include 1947 Princess Elizabeth's Wedding Day, 1954 Visit of Her Majesty Queen Elizabeth and H.R.H. The Duke of Edinburgh, 1955 Centennial of World's Alliance of Y.M.C.A's and 1955 Melbourne Olympics etc. (4)

Boxed ltd edn Hornby OO gauge R2980 GWR London Olympics 1908 Train Pack, complete with certificate

Assorted cigarette cards to include 1936 Berlin Olympics albums band 1 and band 2 A/F Location:

A collection of vintage Olympics memorabilia from Smiths Crisps: - 1980s Moscow Olympics medal Collectors Card, with all medallions - A poster guide to the 1980 Moscow Olympics - Cardboard folio Commemoration of the History of The Olympics 1896 - 1984, lacking one medallion.

A collection of commemorative Team GB Olympics coins from the BP Legends Collection, together with a set of 2012 London Paralympic Games stamp postcards

A collectors silver proof 5 dollar coin produced for the 2000 Sydney Olympics. Complete with clear plastic case, original box and certificate. No. 034139/100,000. Produced by The Perth Mint & Royal Australian Mint.

A collection of two pound, one pound, and fifty pence coins, including Shakespeare Tragedies, Olympics Centenary, Mary Rose, Florence Nightingale, and Action Union two pounds, Kew Gardens, Beatrix Potter, Peace Prosperity and Friendship With All Nations fifty pence coins, Oak Tree, Menai Bridge, Edinburgh, and Crown Shield one pound coins, together with a Victoria Bicentenary Birth five pound coin 2019, in a Change Check lever arch file.

Three Royal Mint Countdown to London 2012 Olympics five pound coins 2011, together with a Royal Mint The Official Olympic five pound coin celebrating London 2012. (4)

Three Royal Mint Countdown to London 2012 Olympics five pound coins 2011, together with a Royal Mint The Official Olympic five pound coin celebrating London 2012. (4)

Three Royal Mint Countdown to London 2012 Olympics five pound coins 2011.

A group of collectable two pound, one pound, fifty pence, and ten pence coins, including Captain James Cooke, and Mayflower two pounds, The Last Round one pound, Battle of Britain, Sherlock Holmes, and Olympics fifty pence pieces, and Alphabet ten pence piece. (a quantity)

Two folders from 'Change Checker' with 50p, £2 and £5 coins, all different and generally uncirculated, completed £10 collection of the A-Z series, second folder duplicate 50p, Paddington, Olympics, generally uncirculated and some uncirculated pennies and tuppences 

All World - boxed accumulation of all world stamps in six albums, stockbook, packets/sleeves, mint and used, from QV period on, earlier Europe in two black albums and sets/part sets, mini-sheets and blocks, Libya and Swiss collection in sleeves, 1980 Olympics, cover collection in album and SG World catalogue 1982 

Miscellaneous books including works on 1948 Olympics together with tickets, further books on the French Foreign Legion, Topography, etc, 35 volumes etc

A 1996 SWATCH CENTENNIAL OLYMPIC GAMES COLLECTION 'Olympic Legends' collection, 1996 Summer Olympics in Atlanta, including Sebastian Cole, Nadia Comaneci etc. Box measures 36cm high Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

BATMAN #266, 267, 268, 269, 270, 271, 272, 273, 274, 275 (10 in Lot) - (1975/1976 - DC) - Includes the Underworld Olympics storyline + Catwoman appearance - Cover Art by Dick Giordano, Ernie Chan & Jose Luis Garcia-Lopez - Flat/Unfolded

WENLOCK OLYMPIAN GAMES INTEREST,a large presentation wrought iron padlock and key, possibly a winning entry for the industrial element of the Games later presented to founder William Penny Brookes, inscribed 'Presented to W. P. Brookes Esqr. by a Member of the Wenlock Olympian Class May 18th 1869', the slide catch enclosing keyhole also engraved 'WEN', the padlock 15.5cm high, 11cm wideFootnote: The Wenlock Games were a forerunner to the modern Olympics founded in 1850 by Dr. William Penny Brookes 'for the promotion of the moral, physical and intellectual improvement of the inhabitants of the town and neighbourhood of Wenlock and especially of the working classes, by the encouragement of outdoor recreation, and by the award of prizes annually at public meetings for skill in athletic exercise and proficiency in intellectual and industrial attainments' (source: Wikipedia). Baron Pierre de Coubertin visited the Wenlock Games in 1890 and founded the International Olympic Committee four years later with his obvservations of the Wenlock Games fundamental in his vision for a modern Olympics, later writing 'If the Olympic Games that Modern Greece has not yet been able to revive still survives there today, it is due, not to a Greek, but to Dr W P Brookes' (source: Wikipedia); sadly Dr. Brookes died just four months before the first modern Summer Olympic Games held in Athens in 1896 but his influence lived on, not least in the naming of Wenlock, one of the mascots of the 2012 London Games.Condition is generally good to fair. It is subject to typical age related wear as evident in images, including some minor pitting and gouges to inscribed side (noticeable around the date). Soldered areas evident to front, also a minor (stable) split. Functions well.

THREE ROYAL MINT SILVER PROOF FIFTY PENCE COINS, including 2018 Paddington At the Palace, 2018 Paddington At the Station, lt edn 60000, and 2016 Olympics Swimming coin, ltd edn 4000, all boxed with COAs (3)

Steiff Beijing Olympics Panda bear, white tag 036538, LE 2008, black and white alpaca, holding a bamboo shoot made from felt, with chest tag, MISSING certificate and box, Excellent Plus to Near Mint, 10"/25cm.

Elizabeth II (1952- ), Decimal issues, Proof Two Pounds, 2008, in gold, London Olympics centenary (S LO30). Light clouding, otherwise about as struck; in case of issue with certificate of authenticity (no. 1020) £700-£900

A White Metal Brooch, Tokyo Olympics? with Original Box

Assorted souvenir pins, badges and cufflinks inc. Bowling, Olympics 1992, Yorkshire, charity etc.

Collection of GB Coin Memorial Packs including year packs for 2003, 2004, 2006, 2007, two types 2008, 2009, 2010, 2011, 2012, 200th anniversary Nelson Trafalgar two crown set, Diamond Weddding crown, London Olympics £5, two 1953-1990 crown collection, two 2016 HM 90th birthday crowns and others

A collection of boxed GB Olympics related die cast vehicles.

Early Edition of Riefenstahl's 1936 Berlin Olympics Book - dust jacket a little torn

Original vintage sport poster promoting the 1972 Summer Olympic Games in Germany featuring a great minimalist design by a Swiss architect, artist, painter and graphic designer Max Bill (1908-1994) depicting harmonic triangular and rectangular shades of blue, green, purple, orange and red with the Olympics rings and logo below. Good condition, staining, foxing, creasing, minor tear. Country of issue: Germany, designer: Max Bill, size (cm): 101x64, year of printing: 1972.

Original vintage sports poster for the 1972 Summer Olympics in Munich (Olympische Spiele Munchen) designed by artist Horst Antes (b. 1936) - one of the series of posters by various popular artists of the period (Peter Phillips, Horst Antes, Otl Aicher, David Hockney among others) commissioned to design the 1972 Olympic Games posters in Germany for their advertising campaign, which aimed to "represent the intertwining of sports and art worldwide. The 1972 Summer Olympics, officially known as the Games of the XX Olympiad, was an international multi-sport event held in Munich, West Germany, from 26 August to 11 September 1972. The sporting nature of the event was largely overshadowed by the Munich massacre in the second week, in which eleven Israeli athletes and coaches and a West German police officer at Olympic village were killed by Black September terrorists. The 1972 Summer Olympics were the second Summer Olympics to be held in Germany, after the 1936 Games in Berlin, which had taken place under the Nazi regime. The West German Government had been eager to have the Munich Olympics present a democratic and optimistic Germany to the world, as shown by the Games' official motto, "Die Heiteren Spiele", or "the cheerful Games". The logo of the Games was a blue solar logo (the "Bright Sun") by Otl Aicher, the designer and director of the visual conception commission. The Olympic mascot, the dachshund "Waldi", was the first officially named Olympic mascot. The Olympic Fanfare was composed by Herbert Rehbein. The Olympic Park (Olympiapark) is based on Frei Otto's plans and after the Games became a Munich landmark. The competition sites, designed by architect Günther Behnisch, included the Olympic swimming hall, the Olympics Hall (Olympiahalle, a multipurpose facility) and the Olympic Stadium (Olympiastadion), and an Olympic village very close to the park. The design of the stadium was considered revolutionary, with sweeping canopies of acrylic glass stabilized by metal ropes, used on such a large scale for the first time. Very good condition, minor staining. Country of issue: Germany, designer: Horst Antes, size (cm): 102x64, year of printing: 1970.

Original vintage sports poster for the 1972 Summer Olympics in Munich (Olympische Spiele Munchen) designed by artist Fritz Winter (1905-1976) - one of the series of posters by various popular artists of the period (Peter Phillips, Horst Antes, Otl Aicher, David Hockney among others) commissioned to design the 1972 Olympic Games posters in Germany for their advertising campaign, which aimed to "represent the intertwining of sports and art worldwide. The 1972 Summer Olympics, officially known as the Games of the XX Olympiad, was an international multi-sport event held in Munich, West Germany, from 26 August to 11 September 1972. The sporting nature of the event was largely overshadowed by the Munich massacre in the second week, in which eleven Israeli athletes and coaches and a West German police officer at Olympic village were killed by Black September terrorists. The 1972 Summer Olympics were the second Summer Olympics to be held in Germany, after the 1936 Games in Berlin, which had taken place under the Nazi regime. The West German Government had been eager to have the Munich Olympics present a democratic and optimistic Germany to the world, as shown by the Games' official motto, "Die Heiteren Spiele", or "the cheerful Games". The logo of the Games was a blue solar logo (the "Bright Sun") by Otl Aicher, the designer and director of the visual conception commission. The Olympic mascot, the dachshund "Waldi", was the first officially named Olympic mascot. The Olympic Fanfare was composed by Herbert Rehbein. The Olympic Park (Olympiapark) is based on Frei Otto's plans and after the Games became a Munich landmark. The competition sites, designed by architect Günther Behnisch, included the Olympic swimming hall, the Olympics Hall (Olympiahalle, a multipurpose facility) and the Olympic Stadium (Olympiastadion), and an Olympic village very close to the park. The design of the stadium was considered revolutionary, with sweeping canopies of acrylic glass stabilized by metal ropes, used on such a large scale for the first time. Good condition, tears. Country of issue: Germany, designer: Fritz Winter, size (cm): 102x64, year of printing: 1970.

Original vintage sports poster for the 1972 Summer Olympics in Munich (Olympische Spiele Munchen) designed by artist Kitaj (Ronald Brooks) - one of the series of posters by various popular artists of the period (Peter Phillips, Horst Antes, Otl Aicher, David Hockney among others) commissioned to design the 1972 Olympic Games posters in Germany for their advertising campaign, which aimed to "represent the intertwining of sports and art worldwide. The 1972 Summer Olympics, officially known as the Games of the XX Olympiad, was an international multi-sport event held in Munich, West Germany, from 26 August to 11 September 1972. The sporting nature of the event was largely overshadowed by the Munich massacre in the second week, in which eleven Israeli athletes and coaches and a West German police officer at Olympic village were killed by Black September terrorists. The 1972 Summer Olympics were the second Summer Olympics to be held in Germany, after the 1936 Games in Berlin, which had taken place under the Nazi regime. The West German Government had been eager to have the Munich Olympics present a democratic and optimistic Germany to the world, as shown by the Games' official motto, "Die Heiteren Spiele", or "the cheerful Games". The logo of the Games was a blue solar logo (the "Bright Sun") by Otl Aicher, the designer and director of the visual conception commission. The Olympic mascot, the dachshund "Waldi", was the first officially named Olympic mascot. The Olympic Fanfare was composed by Herbert Rehbein. The Olympic Park (Olympiapark) is based on Frei Otto's plans and after the Games became a Munich landmark. The competition sites, designed by architect Günther Behnisch, included the Olympic swimming hall, the Olympics Hall (Olympiahalle, a multipurpose facility) and the Olympic Stadium (Olympiastadion), and an Olympic village very close to the park. The design of the stadium was considered revolutionary, with sweeping canopies of acrylic glass stabilized by metal ropes, used on such a large scale for the first time. Very good condition, minor creasing, small tears on edges. Country of issue: Germany, designer: Kitaj (Ronald Brooks), size (cm): 102x64, year of printing: 1970.

A set of 29 2012 London Olympics un-circulated commemorative first class stamp multiples, and a set of 29 conforming First Day Covers, together with an official Royal Mail binder

Eleven Wedgwood collectors' plates including Sir Winston Churchill , 1976 Olympics etc

1948 OLYMPICS AT ARSENAL Programme for Great Britain v Holland 31/7/1948 at Highbury, team filled in with pencil and scores entered in pen. Generally good

NETHERLANDS Eighteen home programmes v Belgium 1959, 1963, 1985, 1987, Norway 1959, Mexico 1961, France 1963, Malta 1983, Poland 1986, Greece 1987, Italy 1990, 2 different, West Germany 1989, Finland 1989, Belarus 1995, Cyprus 1999 Olympics, Cameroon 2006, paper loss from back cover and U-17 Euro 2011-12 joint issue v Albania / Republic of Ireland and Serbia. Generally good

London 2012 Olympics winners First Class stamp booklets

German covers & FDCs (100+), GB 2012 Olympics Royal Mail framed cards numbered out of 2012 (7), "Our World" pack, etc.

2012 Olympics & Paralympics Gold Medal Winners sets U/M. (63 + 2 M/S)

2012 Olympics Gold Medal Winners sheetlets of 6 U/M. Face value £684 (120 sheetlets) (720)

2005 Frankenstein & 2012 Olympics sheets of 10, also folder of Post Office Posters 1980s-90s. (2 sheets & approx 50 posters)

2012 Olympics sheetlets complete on Royal Mail FDCs in album (29 covers)

Modern 50p coins incl. 2012 Olympics, Peter Rabbit, etc., many different (43)