We found 32564 price guide item(s) matching your search

A boxed silver sugar shovel - sold with a pair of silver sugar tongs, two silver Celtic design brooches and a plated caddy spoon

Two Celtic Newlyn pottery cylindrical vases. Each painted with stylised birds, one with a label, height 21cm, together with a similarly decorated baluster vase (3).

A Celtic Newlyn Pottery Folksy dish. Length 17.5cm, together with a part Tintagel coffee service and a studio pottery teapot by Roger Stribley.

A large collection of Tremar pottery. To include four money boxes, two moddeled as trains, one a tuckshop, and a manor house, the largest is 20cm high, two small cars, a small watermill, a small train, a small hippo, two flagons 16cm high, a goblet with celtic decoration, a jug, a vase and a mug. (15)

An Arts and Crafts brass trinket box. Perhaps Glasgow, repousse decorated with entwined Celtic style decoration, height 9cm, width 8.5cm.There is a dent in the base, otherwise all good, the lid sits square and secure when closed.

A 9ct gold Celtic brooch, the pierced design of mythical serpent headed creatures within a sinuous oval shape, 7cm x 3.1cm with Edinburgh hallmarks to reverse, 16g

A small collection of silver jewellery, including a Celtic design circular target brooch, centred with blue Chalcedony, Glasgow 1959, and other items, 53g

A British Celtic gold stater coin, Gallo-Belgic stater, Ambianni, blank reverse, 6.13g

A collection of gold jewels, including a Celtic cross 9ct pendant and chain, an oval two colour gold locket, a topaz heat pendant and chain, a 9k marked Saxophone pendant and other items 10g

A collection of Scottish silver, including an Alexander Ritchie silver and enamel Iona target brooch dated Birmingham 1938, together with an Ola.M.Gorie Celtic cross pendant and chain, and an amethyst oval brooch, 30g

A collection of four silver brooches, including a Citrine Celtic pin, a carnelian oval bead example and two marcasite floral examples, 42g

Pair of Hancocks Ivory jugs, Carltonware jugs and dishes, Sylvac stork jug and Clarice Cliff Celtic Harvest pot

CELTIC, TWO SGNED PICTURES, Tony Ralston, Rio Hatate, these also with Moritz Jenz, also a signed Charlie Mulgrew picture

MAIK NAWROCKI SIGNED CELTIC SHIRT, framed

SET OF EIGHT SILVER COFFEE SPOONS AND TONGS, each with Celtic cross to terminal, boxed

COLLECTION OF SILVER PLATED ITEMS, comprising an early 20th century pair of sauceboats on a warming stand with spirit lamp, oval comport, square salver and entree dish each with embossed Celtic design borders, and a circular cakebasketQty: 5

ROD STEWART SIGNED CELTIC SHIRT, framed

CELTIC F.C., COMMEMORATIVE ITEMS, comprising three watches, a tankard and a Billy McNeill stature, also three racing statues, two boxed

CELTIC TREBBLE WINNERS 2003 SIGNED SHIRT, framed

CELTIC F.C., SIX LISBON LIONS CARDS, ALONG WITH OTHER ITEMS Billy McNeil, Jimmy Johnstone, Bobby Murdoch, John Clarke, Tommy Gemmell, and Bobby Lennox, framed and under glass, the other items including press cuttings

A collection of rings, comprising two blue stone and diamond dress rings, an 18ct gold dress ring, of Celtic design, a 22ct gold wedding band, an 18ct gold wedding band, and a further wedding band, stamped '12 .5', cluster ring size P (6)Approximate gross weights only: cluster ring (stamped 18CT) 4.3gm, half hoop ring (9ct gold mounted) 4gm, Celtic style ring 5.2gm, 22ct gold band 2.1gm, 18ct gold band 2.3gm, further band 1.1gm

Georg Jenson- A Henning Koppel design ( 1918-1981) silver abstract triangle brooch No:375, stamped 925, 20.49g together with a silver Celtic knotwork design brooch, 27.74g. Location:Cab

Celtic, Gallo Belgic, Quarter Stater, Series A (Ambiani), broad flan type, degraded head of Apollo, rev. horse right, ornaments around, 1.62g, (ABC 28 S. 6), about fine

Heavy Metal - A Group of LPs to include Kreator - Terrible Certainty (N 0086) - 1987 German release with inner lyric sleeve and merchandise sheet;  Municipal Waste - Waste 'Em All (6W-69) - 2003 US release on white vinyl, with insert; Celtic Frost - Into The Pandemonium (NOISE 065) - 1987 UK release with insert; Agent Steel - Unstoppable Force (MFN 66) - 1986 UK release plus others. Conditions are generally Very Good Plus to Excellent including sleeves (a couple of sleeves have slight wear to top edge). (10)

Celtic Frost - A Group of LPs to include (1) To Mega Therion (N 0031) - 1985 German release with gatefold sleeve; (2) Into The Pandemonium (N 0065) - 1987 German release with gatefold sleeve and (3) Morbid Tales (N 0017) -  late 1980s German mini-album (missing poster) - all with inner sleeves displaying the Noise range.  Conditions are generally Very Good to Very Good Plus including sleeves. (3)

Celtic F.C. - a limited edition print signed by Jimmy Johnstone and the artist Gary Brandham, no. 136 of 495, framed under glass and measuring approx. 52cm x 38cm externally, with accompanying certificate of authenticity Condition Report:Available upon request

A silver Sheila Fleet 'Seasons' pendant and chain in the spring colourway, together with a pink enamel Ortak pendant and  further pendant with a celtic theme Condition Report:No condition report available.

SCOTTISH FULL HIGHLANDER'S DRESS DIRK LATE 19TH/ EARLY 20TH CENTURY the basket weave carved handle set with orange paste to pommel, the leather-covered wooden scabbard with applied repousse thistle white metal mounts, set with bi knife and fork, 47cm long; together with an EDWARDIAN SILVER MOUNTED SGIAN DUBH, the acanthus and basket weave carved handle set with a pale yellow paste, the leather scabbard with interlaced Celtic design with beast heads, hallmarked Edinburgh 1900, 19.5cm longDimensions:larger 47cm long

Decorated Celtic bronze  4 way strap junction. H.56mm. W.45mm. Lovely example with a deep even patina with a small cross pattern cut out of the centre with corner cut outs surrounding the cross.

Celtic Dobunni gold Stater, cut in half, unInscribed- Horse obverse and Wheat head/Tree reverse. Approximately 2.3g, 20mm diameter.

Celtic Corieltauvi UnInscribed Silver Unit, horse & Sun Obv & Deer and Sun Rev. Approximately 1.4g, 13mm diameter.

Rare Celtic (English ) Woad Grinder 1st century BC-1st century AD A copper alloy grinder horn and mortar used to pulverise vegetable material called woad in the preparation of dyes or make up and skin tattoos. Mortar L48.9mm. Width6.7m. Grinder horn L56mm. These items are only found in UK and are rare to find in such good condition.

Three Celtic Silver Unit coins and a Cunobelin  Bronze coin.

An amethyst and silver celtic motif brooch by Murrle Bennett centrally set oval cut amethyst, stamped with Murrle Bennett maker's mark, stamped '950'total approx weight 5.1g, approx diameter 2cmCondition:

A collection of costume jewellery a silver and blue enamel pill box, London hallmarks; two cultured pearl necklaces, both with a 9ct gold clasps, stamped '375' and hallmarked; a silver Celtic pendant, hallmarked; an articulated fish pendant; a fan pendant; a lady's pocket watch, white enamel dial with black Roman numerals, minute markers, subsidiary seconds dial and blued steel hands and other items (qty)silver pendant approx weight 1.00ozt, pocket watch dial diameter 37mm, total approx weight of pocket watch 47gCondition:

4 pairs of silver and white metal drop style earrings. To include heart shaped Celtic design and flowers with natural pearls.

A 9ct yellow gold, opal and garnet Celtic style brooch, having a centre cluster of an oval cabochon opal and eight round garnets with scrollwork surround, opal dimensions approx 6.9 x 4.91 x 1.85mm, weight estimated as 0.32 carats, garnet dimensions each approx 3 x 2.25mm, total weight estimated as 1.28 carats, brooch length 30mm, gross weight 5.2g, hallmarked 9ct, London, no date, sponsor SJ

SILVER FILIGREE AND ENAMEL DOG BROOCH, SCOTTISH SILVER AGATE BROOCH AND SILVER CELTIC BROOCH

9 CARAT GOLD FOOTBALL MEDAL - COUNTY ANTRIM FOOTBALL ASSOCIATION QUALIFYING COMPETITION 1915 - INSCRIBED TO REAR B.C.F.C 2ND X1 J.MCKNIGHT MOST LIKELY BELFAST CELTIC

A Celtic Revival silver small Salver, by William Egan, Cork; three varied silver Napkin Rings; three bright cut Sugar Tongs; an attractive pair of silver Strainer Bowls, and three Salt Spoons, as a lot, approx. 12 ounces overall. (a lot)

A heavy modern silver Georgian style Sauceboat, with scroll handle on a square base; a silver Georgian style Cream Jug, a silver Sugar Castor and a Celtic Revival Spoon and Napkin Ring, and an Indian silver Letter Opener, as a lot, w.a.f., approx. 14 ounces (total). (8)

One of Only 15 Known Irish Coin:  A 1985 Halfpenny, the obverse with Celtic design bird (Book of Kells) and "1/2p", the reverse with central harp and "Eire", dated "1985", some toning. Uncirculated, Slabbed. (1) * Few Examples in such mint condition exist.

An attractive Scottish Dirk, by Kinloch Anderson (Scotland), the Celtic design resin handle with ornate silver mounts, with similarly decorated leather scabbard, in original presentation box. (1)

Circle of Augustus John (1878-1961)  "Portrait of Lady Gregory," O.O.B., c 1920, 38cms x 30cms (15" x 12"). (1) This small but impressive painting, dating from the period of the Celtic Revival, is traditionally held to be a portrait of Lady Gregory (1852-1932). Several factors support this identification, one being that the sitter is clearly in mourning, and Lady Gregory perpetually wore black in memory of her late husband William. In the National Portrait Gallery in London, there is a lithographed portrait of Lady Gregory, by Flora Lion, dating to 1913, that compares with the present work. Other features tie in with the identification, not least the frame of sawn timber, painted gold, with a fine moulding used as the inner slip. This style of framing is typical of the period around 1920, and is encountered in works by Lady Gregory's son Robert, George Russell "AE", and Edith Somerville. The portrait is finely executed, by an artist of high calibre, but the materials used seem crude. It is painted on a piece of board that, judging from the back, has been knocked about a bit before being pressed into service as a support. Although the face is painted with skill, with a tilt of the head suggesting a professional portraitist, there is an awkwardness about the outlining of the figure that is not characteristic of John Butler Yeats, one of the artists suggested as the author of the work. Also, the painting surface is rough, in a controlled way that suggests the artist preferred it so. The skin tones and eyes are superbly handled, with a confident and expressive use of paint. This is an interesting and authentic work of art, of the circle of the Yeats family and the Irish Literary Revival. However, while it fits into the oeuvre of artists of the Yeats circle, it is not necessarily by an Irish artist. Lady Gregory often welcomed visiting artists and poets as guests at her house, Coole Park, in Co. Galway, and this work may have been painted by an artist such as Augustus John, who stayed several times at Coole Park, and at Mount Vernon, the Gregory summer home in the Burren. Dr. Peter Murray, 2023

George William Russell (“AE”) (1867-1935) 'Portrait of a Young Girl in a white Dress holding Flowers,' O.O.C., 62 cms x 51cms (24.5" x 20" ). (1) The term ‘Celtic Twilight’ accurately describes the art of George Russell, with many of his paintings depicting scenes of childhood. He delighted in creating a fantasy world, peopled with mythological beings. In such paintings, suffused with the glow of wistful nostalgia, his figures, generalized rather than specific portraits, are enveloped in a haze. This portrait of a young girl however is more formal, and depicts an actual rather than an imagined person. Dressed in a white muslin pinafore dress over a blue blouse, her dark hair tied with a bow, the girl sits in a chair looking out at the observer with a curiously determined expression. In her hands she holds a small spray of flowers. The background is a uniform brown deepening to a dark shadow behind the girl, and the initials of the painter ‘AE’ are painted the top right corner. The identity of the sitter is not known; it may be an early portrait of Kitsy Franklin, whose mother Victoria Franklin was the sister of the writer Susan Mitchell, who edited the Irish Statesman and was a close friend of Russell. Adopting the initials ‘AE’ as his signature or monogram, Russell is remembered today as one of the leading cultural figures of the Irish Literary Revival. In addition to being a painter, he was also an influential economist, editor, and promoter of rural development. Practical, and well versed in politics and economics, Russell nonetheless also believed in the existence of a spiritual world, inhabited by ethereal beings. Influenced by Symbolist artists such as Gustave Moreau and Puvis de Chavannes, he espoused Theosophy and esoteric religions, giving expression to this vision through a prolific output of paintings, novels, plays and poetry. Born in Lurgan, Co. Armagh, as a child Russell moved to Dublin with his family. After studying at the Metropolitan School of Art, in 1887 he began working for the Irish Agricultural Organisation Society, and edited the IAOS newspaper, the Irish Homestead. Alongside these practical concerns, he found time to study esoteric religions, joining the Dublin Theosophical Society in 1888, and later forming the ‘Hermetic Society’. He was also involved with drama, in 1902 becoming vice-president of the Irish National Theatre Society (later the Abbey Theatre Company). His plays include Deirdre, (1902), while his first book of poetry, Homeward: Songs by the Way, published in 1894, was followed by his 1913 Collected Poems. In addition to painting, plays and poetry, Russell wrote on agricultural policy and political theory, in The Building up of a Rural Civilisation (1910), and The National Being (1916). He was highly regarded as an artist, and, in 1913, with the support and encouragement of the lawyer John Quinn, his paintings were shown at the Armory Show in New York. Encouraged also by William Butler Yeats, Russell painted murals depicting his mystical visions, at 3 Upper Ely Place, headquarters of the Theosophical Society. He also painted portraits, of Yeats, Lady Gregory and others. Dr. Peter Murray, February 2022

A polychrome Celtic Revival wool Rug, with typical Celtic design, inside a brown border, 178cms x 94cms (70" x 37"). (1)

A square silver Salver, with Celtic edge and re-entrant corners on four scroll legs, Sheffield 1949, 23cms (9") 524grs. (1)

An important five piece Irish crested silver Tea and Coffee Service,  decorated in the Celtic Revival design comprising coffee, tea, cream and sugar with matching tray, by Weir and Sons, Dublin., c. 1915, approx. 303 ounces (total weight). (5) Provenance: Each with crest of Baron Kingsale (de Courcy) - Michael Constantine de Courcy, 33rd Baron (1855-1931).

A rectangular carved Celtic Revival wooden Tray, with gallery and two cut out handles, 58cms (23"), a carved Arts & Crafts Wall Bracket, with three bow fronted shelves, the centre panel carved with a stylized bird, 53cms (21"), and a fruit carved hardwood Picture Frame. (3)

Early Anglo-Saxon Period, Sceatta, Secondary series H, type 39, stylised peacock right, rev. Celtic cross, rosette in each angle, 0.83g (SCBI Abramson 354-6; Abramson 46-10; N 96; S 801). Green surface deposit below bird’s beak, otherwise very fine £240-£300

Early Anglo-Saxon Period, Sceatta, Eclectic issue, Celtic Cross group, Celtic cross with rosette in each angle, rev. standing figure holding long cross, 0.80g (SCBI Abramson 518; Abramson 28-20; S 822). Rough surfaces, fine, very rare £60-£80

29.5cm double fullered blade with faceted back edge by Brook & Son, etched with scrolling foliage and thistle, regimental crests, crowned GVR cypher and maker's panel, the white metal mounted hilt decorated with Celtic strapwork, carved Celtic knotwork wooden grip set with white metal studs, the pommel set with a faceted pale orange stone, contained in its hallmarked silver mounted leather scabbard, the mounts with Edinburgh hallmarks, dated to 1932 and with maker's stamps, finely decorated with Celtic dragons and the regimental crests, the upper mount with owner's initials WBD, complete with its graduated companion knife and fork decorated to match. Spring clips lacking from knife and fork.

the first with 10.5cm blade with faceted back edge, etched to one side with battle honours and maker's panel for PILLIN, the other side etched within scrolls SERGT MAJOR ROBERTSON GORDON HLDS AUG 1897 FROM CAPT BUCKINGHAM LSRV, characteristic hilt with chevron engraved white metal mounts, Celtic knot carved wooden grip set with white metal studs, contained in its white metal mounted leather scabbard decorated with a thistle and geometric designs, the second with 11cm fullered blade with faceted back edge, some staining, characteristic hilt with white metal mounts, the guard chased with thistles, the pommel of openwork form supported on acanthus leaves and set with a faceted stone, contained in its white metal mounted leather scabbard, the upper mount engraved with two crests, both contained in their blue velvet lined red leather covered box, the top set with a white metal plaque chased with flowers and with a centred crown.Lieutenant Colonel William Robertson V.C. O.B.E. C.B.E. (1865-1949). He won his Victoria Cross as a Sergeant Major at the battle of Elandslaagte on 21st October 1899, leading successive assaults on the Boers and then commanding a group who captured General Kock's camp which they held under heavy crossfire with Robertson being wounded twice. Colonel Ian Hamilton declared "No better VC was ever won than William Robertson's. There was no vainglory about it, but the danger was incurred in a cool and reasoned spirit for a military end of real importance."

Celtic Britain, Iceni gold stater (c.45-40 BC), Norfolk Wolf type, obv: wreath, cloak and crescents, stylised head of Apollo, rev: Wolf standing left with open jaws, bird on rump, pellets and crescent above, pellet triad and large pellet below. (1)

Iceni, Celtic silver unit, Bury type, obv: diademed female bust left, rev: horse prancing left, large pellet below. (1)

Clarice Cliff Celtic Harvest jug, bowl and 2 lidded pots 

European Cup: A 1967 European Cup Final match programme, Inter Milan v. Celtic, 25th May 1967, played at Estadio Nacional, Lisbon. Celtic won the final 2-1 becoming the first British team to win the European Cup. The Lisbon Lions, captained by Billy McNeill won the final with goals scored by Tommy Gemmell and Stevie Chalmers. Programme generally in good order, some creasing as expected with age, small pen mark to front cover. Please assess photographs. 

The Mythology of The British Islands - Celtic Myth & Legend Poetry & Romance by Charles Squire 1910 Hardback Book New Edition with 446 pages published by Blackie and Son Ltd London, good condition. Sold on behalf of Michael Sobell Cancer Charity. We combine shipping on all lots. Single book £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which will take approx. 40 books in UK £12, EUROPE £39.99, ROW, £59.99

Mixed lot of antique and vintage jewellery to include a fox mask stock pin stamped 'A.J.H. 9ct & Sil', an Aesthetic Movement silver Celtic cross pendant by 'T&Co', a single 18ct dress stud, 0.8g, a 9ct brooch, 2.5g and 9ct stick pin, 1g, a yellow metal mourning brooch containing woven hair, 4.7g and further costume

A run of four weathered cast composition stone planters of square cut form with Celtic knot panels 32 cm square x 30 cm high