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Lot 20
A Collection of Assorted Silver, including: a pair of George III silver shoe buckles, maker's mark CH, Circa 1780; a Chinese silver buckle; two other buckles; a Celtic style pin; various items of flatware and small items, weighable silver 13oz 3dwt, 409gr; Together WIth: a small group of silver plate flatware (qty)
Lot 67
An Elizabeth II Silver Photograph-Frame and an Irish Silver Photograph-Frame, the first by Keyford Frames Ltd., London, 1985, oblong, the sides stamped with foliage, flowers and latticework and with a vacant cartouche, 22cm by 19.2cm, the second by Celtic Frames Ltd., Dublin, 2004, Retailed by Matty Ryan Tipperary, plain oblong, in fitted cardboard box, 20.5cm by 26cm, each with easel back (2)
Lot 70
A Collection of Assorted Silver, including: a sauceboat, by James Dixon and Sons, Sheffield, 1943; a Feather Edge pattern sauce-ladle; a three-piece condiment set with Celtic-style border; two pepper-grinders; a cigarette-box; a Victorian knive and a silver-mounted wood coaster, weighable silver 13oz 17dwt, 431gr (qty)
Lot 2
Music collection of signed CD sleeves complete with discs, 12 in total. Titles include Chris Deans Syd Lawrence Orchestra; Regeneration, Una Serata Romantica, Andy McKee; Art Of Motion, broken casing, Richard stark; Songs Without Frontiers, Nick Sellers; In Your Dreams, Brooks Aehron; Classical Treasures, Don Ross and Andy McKee; The Thing That Came From Somewhere, John Innes; Songs Of Romance, Pedro Barrientos; Para Siempre, The Mandeville Trio Proforms, Anthony Stuart Lloyd; Magnifico, The Comerford Celtic Classics. Each item is signed by the artist, either on the sleeve/ disc or both. Most are dedicated. All come in a plastic case, some cases hinges lose. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 424
CELTIC REVIVAL IONA SILVER CROSS PENDANT BY ALEXANDER RITCHIE,with stamped marks and hallmarked for Glasgow 1925, suspended on belcher link chain featuring Celtic motifs, the pendant 7cm long, the chain 56cm (open)26.6g gross; some light scratches and nicks but otherwise fine, image if marks available
Lot 87
George V Irish silver pedestal bowl with two loop handles standing on a spreading foot having bands of Celtic motifs set enamel roundels, a copy of the Ardagh Cup with presentation inscription to Samuel P. Boyd, pedestal bowl and with a band of Celtic motifs, sponsors mark of West & Son, Dublin 1914, 17cm high, 1330g gross approxOne roundel missing, dent to the bowl
Lot 55
ANCIENT CELTIC STONE HEAD UNITED KINGDOM, LIKELY 1ST CENTURY B.C. carved and weathered red sandstone, of powerful visage, with arched brows, deeply set eyes and broad triangular nose, the mouth bearing an enigmatic smile with a broad moustache covering the upper lip(24cm tall)Provenance: Originally uncovered during the digging of a wall at Sharpcliffe Hall, Staffordshire, United Kingdom. The site is situated in the immediate vicinity of prehistoric structures uncovered by men working in a gravel pit in 1910. Subsequently part of a private collection, United Kingdom. Note: Stone votive heads are perhaps the most enigmatic of all the art produced by the Iron Age peoples of Britain, Ireland and continental Europe, often termed “Celts”. Frequently found near bodies of water, their function is not clear, suggestions have included their use as surrogates in head hunting societies, cult foci, or as venerated objects of healing. The ubiquity of the head motif sculpted in stone or carved in metal suggests that the ancient Britons held it in special reverence, likely believing it to be the centre of the soul. The present example epitomises the simple lines imbued with great power that defines ancient Celtic art. The individual depicted, whether deity or human subject, has an undeniable presence. The style of the finely backcombed hair and moustache, well-groomed and reaching across much of the face, bears a strong similarity to those seen on three small copper alloy models of men's faces uncovered at two Late Iron Age burials (c. 50 – 20 B.C.) in Welwyn in 1906 and now housed at the British Museum (accession number 1911,1208.5). The facial character depicted in both the present piece and the Welwyn fittings is reflected in the contemporaneous record of the Greek writer Diodorus Siculus when discussing the physical appearance of the Gauls, the British Celts continental cousins in the 1st century B.C.: “The Gauls are tall of body with rippling muscles and white of skin and their hair is blond, and not only naturally so for they also make it their practice by artificial means to increase the distinguishing colour which nature has given it. For they are always washing their hair in limewater and they pull it back from the forehead to the nape of the neck, with the result that their appearance is like that of Satyrs and Pans since the treatment of their hair makes it so heavy and coarse that it differs in no respect from the mane of horses. Some of them shave the beard but others let it grow a little; and the nobles shave their cheeks, but they let the moustache grow until it covers the mouth.” His haunting smile is relatively unusual, with a thin slit mouth more common amongst Celtic sculpture of the period. One notable parallel is the Hendy Head (displayed at Oriel Môn), discovered in a field on Anglesey during the 1950’s. Carved of red sandstone and dating to the late Iron Age, it likely depicts a Celtic deity worshipped at a local shrine, the mouth has a drilled opening to one side for libations and is formed into a similarly unsettling smile. The power of ancient Celtic art lies in its ability to sit between the recognisable and the otherworldly. The fact that this piece’s exact its meaning is lost to us perhaps adds to this ethereal quality.
Lot 266
A Swiza Coquet Swiss made brass cased mantel clock or bedside clock as a chamberstick with lit candle, the dial with Arabic numerals to the quarters, 13 cm high, a Vega marble cased mantel clock with metal surround, the circular dial with Arabic numerals inscribed "Vega 14 Jewels Made in USSR", 18 cm high, a baluster shaped serpentine vase bearing label to base "Quality Serpentine D & CA Pitman... The Lizard Cornwall...", 15.2 cm high, an embossed brass and enamel box in the Art Nouveau style, the top with a portrait medallion of "Young girl in green bonnet" within a green enamel band, 10 cm x 8 cm x 2.5 cm high and a Celtic beehive pottery and metal mounted four piece tea set on tray
Lot 172
Three Scottish hallmarked silver brooches comprising a luckenbooth "Iona" silver brooch set with an oval cut amethyst by John Hart, a Celtic style target brooch by Robert Allison and a Celtic cross brooch set with a millefiori cabochon by Caithness, together with a hard stone set kilt pin modelled as a sword marked 'Sterling'. Condition - generally very good, general wear including Caithness brooch with bent pin, hallmarks circa 1950s/60s.
Lot 141
AN EDWARDIAN BACHELOR'S THREE PIECE SILVER TEA SERVICE, maker's mark HM, Birmingham 1908, of rounded flared oblong form with cast and applied Celtic knot and motif band, raised upon four bun feet, comprising teapot with flat hinged domed cover, ebony knop and earred angular handle, two handled sugar basin and milk jug, teapot 8 1/2" wide, 16ozs 19dwts total gross (Est. plus 21% premium inc. VAT)Very good, marks worn but readable, no engraving
Lot 70
A ROYAL LANCASTRIAN POTTERY STEM VASE, early 20th century, with elongated slightly tapering neck and squat globular body, painted by Gladys Rogers in silver lustre with seed heads on tall stems issuing from a Celtic knot style border on an iridescent blue ground, monogrammed, impressed mark, shape 2792, 8 1/4" high (Est. plus 21% premium inc. VAT)Rim broken in to four which do fit back together with only very minor loss
Lot 704
A pair of 9ct gold and diamond earrings in a curved design, length 1.3cm, a 9ct gold bangle with open heart shaped terminals and a 9ct gold ring, pierced in a Celtic design, total weight 7.8g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 682
A 9ct gold, sapphire and colourless gem set seven stone ring, ring size approx M1/2, a 9ct gold, garnet and colourless gem set cluster ring and four 9ct gold rings in a variety of designs, including one with Celtic inspired pierced decoration, total weight 10.7g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 224
An assortment of silver jewellery to include a hallmarked Celtic pendant necklace, a Native American eagle bangle bracelet set with a turquoise cabochon, necklaces to include box chains, flat curb link chains and snake chains, an inlaid butterfly brooch and an engraved locket. Measures 46cm length. Total weight 74g.
Lot 95
A collection of silver and white metal jewellery to include a windmill charm necklace four silver bangles, two silver gate link bracelets, and silver necklace, a pair of angel wings earrings, a broken curb link signet bracelet, sleeper earrings, malachite and lapis lazuli bracelet, hematite and celtic pendant necklaces, a midnight sun silver and gold plated medallion 32.13g, John Pinches silver mother medallion 17.32g, valentines silver ingot necklace 35.41g. Total weight approx 220g. Measurement guide Valentines silver ingot approx 4cm inc bale.
Lot 267
Autographed Willie Wallace 12 X 8 Photo B/W, Depicting Wallace And His Celtic Team Mate Bobby Lennox Embracing One Another Following Victory Over Inter Milan In The 1967 European Cup Final, The Hoops Defeated Inter Milan 2 1 With Goals From Gemmell And Chalmers, Signed (By Wallace Only) In Fine Green Marker. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 902
An octagonal white metal dish impressed to base, 'Santiago 97.5% Portugal', diameter 20cm, a hallmarked silver mustard pot, marks rubbed, with plated spoon and blue liner, a tie pin in the form of a flying duck, an Ortak Scotland silver circular flower pendant and matching small drop earrings, and a Celtic Iona sterling silver Celtic shield brooch (5).
Lot 200
Autographed Celtic 12 X 8 Photo - B/W, Depicting A Wonderful Image Showing Celtic Players Parading The European Cup Around A Packed Celtic Park During Homecoming Celebration Scenes Following A Memorable 2-1 Victory Over Inter Milan In The 1967 Final In Lisbon, Signed By Mcneill, Chalmers, Gemmell, Lennox, Auld, Craig And Clark In Silver Marker. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 239
A COLLECTION OF FIVE BUCKLES AND TWO SASH PINS comprising: a Victorian silver buckle, of openwork scrolling berried tendrils, John Edward Wilmot, Birmingham, 1900; another cast and openworked in silver with Rococo style foliage surrounding eagles, Deakin & Francis, Birmingham, 1956, two enamelled gilt-metal examples; a small gilt-metal and green composite buckle; and two Scottish silver sash pins, Celtic pattern, one shield like, the other tubular, the former Edinburgh, 1989, the latter unmarked, probably late 19th/early 20th century; together with a silver Claddagh ring (7)
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32564 item(s)/page