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Saxon Hanging Bowl Mount.Circa, 7th century AD. Copper-alloy, 9.29 grams. 36.20 mm. A nice example of this type formed of a plain hook and circular body decorated with champleve enamel cell work formed from alternating wide triangles and thin triangles. Recorded on the PAS database as: KENT-78BC77. Property of an Essex collector.Dicussion: "This piece was originally one of a set of hooked-mounts, normally three, attached by their plates around the body of a circular copper-alloy bowl and fixed below the rim so that each hook projected above it. Each hook held a metal ring with a cord or strap attached used to hang the bowl from a central point. Hanging-bowls are specialised luxury vessels with Roman-period origins, and were made in the early medieval period only in the so called 'celtic' areas of Britain and later Ireland. They were much prized in the new Anglo-Saxon cultures of eastern Britain and included in furnished burials, contexts that date them to the mid- sixth and to mid-seventh century, although later types were made and found more widely distributed in the Viking period."

Saxon Terminal. Circa, 7th century. Copper-alloy, 3.77 grams. 35.14 mm. An Anglo-Saxon terminal formed of a circular panel with a rectangular projection on one side. The face of the piece is decorated with four roundels between a rhythmic interlace pattern of insular style, forming a Celtic cross with trefoil terminals on each arm. This design resembles those seen on Silver sceattas of the same period. Ref: Tony Abramson, Sceattas List. 27-31, page 134. From an old English collection.

Celtic Strap-Junction. Circa, 100 BC - 100 AD. Copper-alloy, 97.81 grams. 75.21mm x 65.37mm. A magnificent piece of Celtic metal work of the highest quality. The main body formed of two large opposing crescents, which meet at their tips to form a broadly circular outer frame. These have themselves been ornamented ornately, with each crescent demonstrating two adjacent large circular cells or collets at their mid-points which project above the main body of the outer frame. Each of these was originally inlaid with a single domed insert of imported red coral, though now only three survive. Despite some cracking and degrading this coral is still preserved very well. From the outer edge of each cell running towards the tapering ends of the crescents, an arcing incised bisecting line is present in low relief, this feature itself being strongly reminiscent of La Téne decoration. On both edges of the frame either side of the point where the crescents conjoin, two thickset projecting circular lugs set perpendicular to the frame are visible. The outer circumferences of the lugs themselves are decorated with incised parallel lines either side of a raised central ridge on their outer edges, consisting the terminals that cap the offset rectangular sectioned strap-bar between them. Inside the outer frame four conjoined circular bosses are laid out in a lozengiform pattern (one at each cardinal point of the object), their rounded edges forming a central sub-rectangular aperture. These are each opposing pairs, with two located at the junctions of the outer frame and the other two arranged opposite each pair of collects, though interestingly each is of a slightly different size which serves to give this inner element of the object a slightly irregular appearance. Each of these bosses would originally have held a long copper-alloy rivet, though now only one of these survives complete with the other three being preserved only partially. The heads of these rivets have themselves been decorated with a series of minute raised circles, giving a dimpled appearance. Similarly to the outer collets, these rivets would originally have secured domed red coral inserts. Only one of these has been preserved. In contrast to the ornate decoration present on the upper surface of the object, the underside is completely plain. Preserved in extremely good condition with a dark green patina that in places lightens to a mid greenish brown. Recorded on the PAS database as: SUSS-F35BF5.Ref: Taylor and Brailsford's (1985) publication details a number of different strap unions, though this example can be broadly assigned to their Type 4- which is dated from the first century BC to the first century AD (Taylor and Brailsford 1985, 267). No exact parallel can be found, though an example they illustrate from Caister by Yarmouth, Norfolk (Taylor and Brailsford 1985, 268, fig. 13 no. 45) is the closest match for this piece, demonstrating an outer frame of crescents (though there are no collets) with centrally riveted internal circular 'bosses' in a lozengiform arrangement. A small number of similar strap unions are present on the PASdatabase (see records LIN-643B3D and SF-0A04F3), though none of them match this example insofar as its size and elaborate appearance are concerned. These objects were clearly designed to join two separate straps together at a junction point, though excavated examples are point to both use as horse-gear and for fastening garments (Taylor and Brailsford 1985, 267-268). The size and solidity of this example, however, suggests the former attribution is more appropriate.

Silver Celtic brooch

A SELECTION OF JEWELLERY, to include a white metal curb link chain, suspending a silver Celtic foliage engraved crucifix, hallmarked Chester, two white metal snake chains and bracelet, two white metal pendants such as a St Christopher, a white metal ring set with a half polished shell, a gentleman's white metal signet ring etc

ORNATE LONDON SILVER CELTIC STYLE SPOON

Celtic vintage brooch with King George coin Centre together with large scottish brooch.

Large celtic fc picture.

A silver Rennie Mackintosh brooch and other silver Celtic style jewellery

Three pieces of Clarice Cliff celtic harvest ware, all generally good condition

A selection of silver tableware and accessories, to include a small Victorian silver bon-bon dish by G E Walton & Co Ltd, Birmingham 1896, 12cm x 8.5cm, a silver 'Little Miss Muffet' child's spoon by Levi & Salaman, Birmingham 1918, 9cm long, a white metal nurses belt buckle, 8.2cm wide, a silver posy vase, a Celtic design silver pendant, a Victorian silver mechanical pencil by Sampson Mordan & Co, a further silver mechanical pencil, a silver toothpick, five silver handled mother of pearl fruit knives, and thirteen mother-of-pearl gaming counters in the form of fish (26)

Subbuteo - A squad of 10 boxed Subbuteo football teams both Club and National sides. Lot includes Subbuteo #639 France; #025 Celtic / Shamrock Rovers; #619 Liverpool and similar. Items all have varying degrees of play wear but general appear to be in Good overall condition in Fair - Good boxes with some imperfections. Sets are unchecked for completeness.

JOHN GREIG 1969, football autographed 12 x 8 photo, a superb image depicting the Rangers captain and his counterpart from Celtic - Billy McNeill leading their respective sides out onto the field of play prior to the 1969 Scottish Cup Final at Hampden Park, signed (by Greig only) using a black marker. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.

Two Elizabeth II silver dishes and an Elizabeth II silver ashtray, the dishes London, 1973, in the from of an armada dish, 9.5cm diameter; and by Royal Irish Silver Co., Sheffield, 1973, circular and with fluted border, retailed by R. Freeman, Middlesbrough, 13.6cm diameter, the ashtray by J B Chatterley & Sons Ltd., Birmingham, 1977, with Celtic style decoration, 12.2cm diameter, 9oz 12dwt (3)

A collection of assorted silver plate, including: a salver, hot water jug and coffee pot, each with Celtic style border, a three-light candelabrum various dishes and flatware (one box)

9ct gold diamond set Celtic design ring, hallmarked - Condition Report Approx 3.3gm, size M-N

Silver commemorative Saxon drinking horn, the cornucopia inscribed in Celtic text with '1000 Years Of English Monarchy, Edgar to Elizabeth II AD 973-1973', dolphin head terminal and two claw supports by Albert Edward Jones, Birmingham 1973, H15cm - Condition Report Weight 16.5oz (possibly weighted)

A Scottish Arts & Crafts brass wall sconce, by J. & Co., circa 1905The backplate with Celtic interlaced strapwork and a large central flower, 30m high, together with a 19th century sheet brass spill holder, with rounded backplate with a circlet of bosses and pierced for hanging, 21cm high, (2)Footnotes:Provenance:The spill holder purchased Danny Robinson, Key Antiques, Chipping Norton, Oxfordshire, June 2000.For further information on this lot please visit Bonhams.com

A rare and documented Commonwealth joined oak canted livery cupboard, Cumbria, dated 1658The paired top boards and undertier boards all with narrow reeded edge unusually to all sides, the lunette and leafy-carved frieze centred by the carved initials 'T F' & 'E F', and dated '1658', presumably to commemorate a marriage, raised on Ionic capital carved and cup-and-cover turned end-columns, the recessed canted cupboard accessed by Celtic knot-pattern carved panelled door, each side carved with a leafy-filled lozenge, the open undertier with matching front supports, 124.5cm wide x 49cm deep x 117.5cm high, (49in wide x 19in deep x 46in high)Footnotes:Provenance:The Fry Family. Sir Theodore Fry, M.P., Bart., (1836-1912), Beechanger Court, Caterham, SurreySir John Pease Fry (1864-1957), Air Wilfred Fry, Cleveland Lodge, Great Ayton, North Yorkshire.Purchased Key Antiques, Chipping Norton, September 2002.illustrated:Percy Macquoid, The Age of Oak (1925), Vol. I, p. 156 &159, pl. 129. The author notes - 'The piece bears the initials T.F., E.F., 1658. It is in perfect condition, and has remained in the owner's family since that date'.Edwin Foley, The Book of Decorative Furniture (1910), p. 209-210, pl. XXVII, watercolour.William Bliss Sanders., Examples of Carved Oak Woodwork of the 16th & 17th Centuries (1883), Pl. VI, fine line drawing.For further information on this lot please visit Bonhams.com

Silver and other earrings and jewellery, to include a silver butterfly necklace and earring set, a pair of silver star drop earrings, two pairs of cluster earrings, a silver and amethyst set Celtic design necklace and earring set, and various loose earrings. (a quantity)

WILLIAM AND MAGGIE FISHER FOR CELTIC POTTERY; a hand painted model of a bull, height 12cm, length 23cm.Additional InformationGood overall condition, with minimal wear.

A hallmarked silver Scottish influence brooch, in the form of a Celtic knot

CELTIC POTTERY NEWLYN OAT COLOURED HORSE IN THE MEDALLION DESIGN

CELTIC POTTERY NEWLYN BLUE HORSE IN MEDALLION PATTERN

AN EDWARD VII SILVER SUGAR CASTER AND COVER IN THE FORM OF A CELTIC DRINKING HORN WITH GROTESQUE TERMINAL AND HANDLE, 11CM H, BY H. MATTHEWS, BIRMINGHAM 1909, CASED, 4OZS 15DWTSCondition report  Good condition, no engraving

§ JOHN BELLANY C.B.E., R.A. (SCOTTISH 1942-2013) FOUR CELTIC MAIDENS Signed (verso of each sketch), signed (to a label verso), four ink sketches framed together(14.5cm x 10cm (5.75in x 4in) each)Footnote: Provenance: Royal College of Art

Football Damien Duff 12x8 signed colour photo pictured in action for Republic of Ireland. Damien Anthony Duff (born 2 March 1979) is an Irish professional football coach and former player who played predominantly as a winger and is a former first team coach at Celtic. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.

A VICTORIAN PAPIER-MACHE TEA CADDY C.1860 with a serpentine front decorated with gilt lines and Celtic designs, the hinged lid painted with a titled view of 'Alameda at Cadiz and Convent of the Virgin del Carmen', revealing an interior with twin divisions 11.3cm high, 20cm wide, 13cm deep

5 pairs of silver and white metal earrings in both drop and stud styles. To include a pair of lapis lazuli set drops, onyx set openwork heart drops and a pair of Celtic style studs set with clear stones.

A selection of yellow metal bar brooches, comprising; a sword shaped bar brooch with 11 rose cut diamonds, dimensions of diamond approx 1.5 x 1.55 x 0.5mm, total weight estimated as 0.05 carats, length 63mm, gross weight 2.7g, stamped and tested as 14ct; a bar brooch with a centre four petal floral motif set with a round faceted sapphire, dimensions approx 3.5 x 2.6mm, weight estimated as 0.25 carats, length 48mm, gross weight 1.4g, stamped and tested as 9ct; a Celtic style bar brooch set with a round faceted amethyst, dimensions approx 3.0 x 2.0mm, weight estimated as 0.10 carats, length 45mm, gross weight 1.5g, stamped and tested as 9ct, with base metal pin; and a yellow metal cockle charm set with an eye, gross weight 0.9g, tested as approx 14ct (4)

Celtic Iceni, AR Unit, 1st century, obv; two opposed crescents, rev; horse. (1)

Three Scottish silver brooches of Celtic designs, a Norwegian silver and enamelled oval brooch, decorated with a yachting scene, three oval shell cameo brooches, designed as the portraits of ladies, a Victorian cameo brooch, carved in a classical design, three marcasite set brooches, an oval butterfly wing brooch and three further mostly paste set brooches, also a small lacquered Asian box, (16).

A Silver Brooch Stamped Sterling by Hamish Dawson Bowman Former of Celtic Art Industries in the Form of Viking Long Ship

A PAIR OF GEORGE III SCOTTISH PROVINCIAL DESSERT SPOONS with Celtic points, initialled "J", by William Clarke of Greenock (WC, anchor, c, greenoak), c.1815-20; 1.9 oz (2)

Silver plated butter dish with swing handle and glass liner, octagonal two handled fruit dish with Celtic design rim and a small quantity of flatware

4 Celtic brooches

A group of post-war Clarice Cliff including a My Garden vase and jug, Water Lily bowl, 21cm wide, Celtic Harvest jug and two 1930s jugs

A SMALL QUANTITY OF JEWELLLERY, to include a floral engraved silver hinged bangle, hallmarked Birmingham, a Celtic pendant necklace, stamped 925, five white metal rings, such as three marcasite rings, a cubic zirconia ring etc, a pair of bar drop earrings, stamped 925, a rectangular cut cubic zirconia pendant, six pence, purple paste fob etc, approximate gross weight 49.0 grams

A 9CT GOLD CELTIC RING, designed with a central green stone cabochon assessed as emerald within an openwork Celtic design surround, hallmarked 9ct gold Sheffield, ring size K, approximate gross weight 2.7 grams

An Epns four piece Celtic style bordered tea and coffee service (coffee pot: h.21cm)

A 1970's Earthenware Lamp Base, of triangular form, mottled green glaze with turquoise glazed Celtic motifs, incised ER, 44cm

A Celtic style brooch, in original box. 5 cm high.

A large reconstituted stone garden pot, with celtic design, on a pedestal base, 80cm high overall

Celtic size Harp by Morley early 20th century.

A Celtic beehive "Stay Hot" 4 piece tea service with plated covers

A UK Quad poster for KEVIN ROWLAND AND DEXYS MIDNIGHT RUNNERS featuring their new single 'The Celtic Soul Brothers' - folded

Herbert E. Butler original pen and ink of a Celtic Warrior, probably created for a book illustration on card, 37 cm x 27 cm. H E Butler (1861-1931) illustrated editions of 'The Heart of Midlothian' and 'Grimms Fairy Tales' etc and also exhibited at the R.A.

A large mid-century West German cylinder Vase, 16" tall plus together with two hand-made West German plates and two large mugs with Cymru Celtic design.

COPPER FRAMED MIRROR, with Celtic decoration, 30cm wide

FOOTBALL PROGRAMMES 1960'S & 1970'S Approximately 110 programmes inc. Celtic v Sunderland 6/8/73, Barnstaple v George Best All Stars XI 12/12/82, Gillingham v Arsenal 21/9/66 LC, Blackburn Rovers XI v Eckersley's XI 24/4/61, Preston NE v Aarhus 6/3/1972 and Linfield v Moscow Dynamo 20/11/1978. Generally good

NON-LEAGUE FOOTBALL PROGRAMMES Approximately 170 from 1960's - 1980's with a variety of clubs with the majority from the South and London areas inc. Hendon v Leytonstone 62/3, Dulwich Hamlet v Banstead 65/6, Northwich Vic. V Valetta 79/80, Ilford v Southend 74/5 FA Cup and Stalybridge Celtic v Accrington Stanley 85/6 NWC League. Generally good

FOREST A collection of Nottingham Forest items. Official Handbooks 1958/59, 1959/60, 1960/61, 1961/62 (signed by Gerry Baker),1962/63, 1963/64 plus 2 "The Forester Magazines" from 1967 and 1968. Home programmes to include v Torquay United 1950/51 (tape at centre spine) , Notts County 1956/57, Sunderland, Gillingham (FAC) 1957/58 , Arsenal 1957/58, 1958/59,1959/60 and Tottenham , West Bromwich Albion 1958/59. Aways Torquay United 1950/51, Blackpool , Tottenham FA Cup Semi Final 1966/67, Werder Bremen (Fr) 1968/69 plus aways from the European Cup runs of 1979 and 1980 at CSKA Sofia , Pitesti , Osters , Ajax , FC Köln plus the 3 versions of the 1979 European Cup Final plus further aways in the UEFA Cup from 1983/84 and 1984/85 v PSV Eindhoven , Vorwarets , Celtic , Brugge and Sturm Graz. Comes with a Breedon (complete record 1865-1991) and unopened Subbuteo box of Forest players. Some duplication. Generally good

CELTIC B/w 16 x 12 photo of the Lisbon Lions parading the European Cup around Celtic Park following their memorable victory over Inter Milan in the 1967 Final, signed in green marker by 8 of the team ; McNeill, Chalmers, Gemmell, Wallace, Lennox, Auld, Craig and Clark. Good

CELTIC Eight b/w 16 x 12 photos, 3 of which are colourized, of former players to include Billy McNeill being chaired after victory in the 1965 Scottish Cup Final, Danny McGrain throwing the Scottish Cup in celebration in 1980, Tommy Gemmell lashing a penalty past a Hearts goalkeeper and Steve Chalmers heading a goal in the 1967 League Cup Final, all signed in blue / black marker. Good

EUROPEAN CUP FINAL 1967 Programme Celtic v Inter Milan European Cup Final in Lisbon 25/5/1967. No writing. Good

EUROPEAN SEMI FINALS / DUKLA PRAGUE V CELTIC 1967     A collection of 43 European Semi Finals programmes including Dukla Prague v Celtic 25/4/1967 in good condition. European Cup 1963 ( Dundee ), 1967 (Dukla Prague), 1968 (2) ( Benfica ) ,1968 ( Real Madrid / Manchester United), 1969 (Manchester United), 1970 ( Celtic ) (2), 1975 ( Leeds ), 1977 ( Liverpool / FC Zurich ), 1979 (FC Koeln ) 1980 ( Dynamo Berlin ), 1981 (Liverpool). European Cup Winners' Cup 1961 ( Rangers ) (2) & Wolves , 1965 ( West Ham ),1966 (West Ham) (2),1966 (Celtic), 1968 ( Cardiff ), 1971 ( Chelsea ), 1976 ( West Ham ) (5) , 1995 ( Sampdoria ). Fairs Cup /UEFA Cup 1961 (Birmingham City), 1966 (Chelsea), 1968 ( Leeds ) (2) & Dundee , 1971 (Leeds), 1973 (Liverpool), 1974 (both Legs), 1981 ( Ipswich ) and 1987 ( Dundee United ). Generally good

BRITISH TEAMS IN EUROPE A collection of 40 programmes of British teams playing in Europe to include Barcelona v Wolves (EC), Sparta Rotterdam v Rangers (EC) (detached covers) 1959/60, Hamburg v Burnley (EC) (covers detached) 1960/61 , Morton v Chelsea (ICFC) 1968/69, Vittoria Setubal v Newcastle United (Fairs Cup) 1968/69, Anderlecht v Newcastle United (ICFC) 1969/70 , Magdeburg v West Ham (ECWC) 1965/66, FC Nurenberg v Everton (Fairs Cup)1965/66, Panathanaikos v Everton (EC) 1970/71, DWS Amsterdam v Leeds (Fairs Cup ) 1966/67, Ajax v Celtic (EC) 1970/71, B 1903 v Celtic 1971/72, Lokomotive Leipzig v Wolves (UEFA) 1974/75 , Servette v Derby County (UEFA) 1974/75, Jeuness Esch v Celtic 1977/78, Valencia v Rangers (ECWC) 1979/80. Fair to generally good

SCOTTISH CUP FINAL Programme for the Scottish Coronation Cup Final Celtic v Hibernian 20/5/1953. No writing . Fair to generally good

GEORGE BEST Programme for the Scotland XI v Rangers / Celtic Select 27/1/1971 at Hampden Park. Best and Bobby Charlton appeared on the line-up page for the select team. Very slight vertical crease. Generally good

FOOTBALL 1905/6 Nine 9" X 6" B/W team group pictures from 1905/6 including Celtic, Scotland 1906, Hearts, Rangers, Stoke, Newcastle United 1905 Cup Final, Middlesbrough, Manchester United and Manchester City. Original panels which we believe would have been issued as magazine inserts.  Good