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An antique bloodstone fob seal pendant, the heart shaped bloodstone matrix carved with the Gaelic inscription 'Cushla ma chree' above a floral motif, in a plain mount with a Celtic knot. Bloodstone tablet 9 x 9mm, 1.86gCondition ReportA few dents and cracks to mount. Some wear to bloodstone, carving still readable.

A group of vintage silver and costume jewellery, to include a banded agate anchor brooch, tested as silver, a base metal Celtic style hardstone brooch, a gilt metal orange paste cluster brooch, a cold enamelled butterfly brooch, a gilt metal serpent brooch, a paste set buckle, a gilt metal faux pearl floral spray brooch, and a group of jewellery including brooches, clips etc., 274.52g total (qty)Condition ReportA few pastes deficient.Tarnish to surfaces.Wear to gilt surfaces.Roller catch to one brooch broken.As found.

WENDY WOOD (ENGLISH 1892-1981)  CELTIC VILLAGE  Watercolour, signed lower right, 35 x 50cm  Together with a similar by the same hand (2) Condition Report:Available upon request

An Alexander Ritchie annular brooch bearing the Celtic inscription A H-uile Lat Ha Sona Dhut, Glasgow hallmarks for 1930, further stamped A.R.Iona, together with a Alexander Ritchie pattern annular brooch with embossed foliate pattern, with raised letterings A.E.R. IONA and Edinburgh hallmarks for 2003 with the makers mark MA. Diameters 5.2cm and 4.5cm. Condition Report:Available upon request

A pair of silver spoons, by Luckenbooth Brooch Company, Edinburgh, the handles modelled as Luckenbooths, and a silver celtic cross pendant by the same maker, two silver sovereign holders, silver-plated flatware, chamberstick, cruet set etc, weighable silver 86gms (qty) Condition Report:Available upon request

British Celtic coinage: Durotriges, silver stater, Apollo, rev. disjointed horse, 4.78g, very fine.20.14mm

British Celtic coinage: Durotriges, gold stater, Chute type, Apollo, rev. disjointed horse, 6.37g, very fine.17.3mm

A silver drinking horn, 1905, modelled on Viking or Celtic prototypes, the spot-hammered body with dolphin mask terminal and two supporting curved legs, the rim engraved with a black letter inscription, numbered ‘74350’, by Horace Woodward & Co., London hallmark, height 10cm. £400-£600 --- The inscription reads: “I have sought to live worthily the while I lived, and after my life to leave to the men that come after me a remembering of me in good works”. After the quotation from “Consolation of Philosophy” by Boethius, by tradition translated into early English by Alfred the Great. Condition Report Inscription a little rubbed. Weight 4.5 troy oz.

1979-1990 A.D. Briard, J., - The Bronze Age in Barbarian Europe - London, 1979, hardback with dustwrapper, 246 pp, line drawings, monochrome figures; H. Schutz - The Prehistory of Germanic Europe - London, 1983, hardback with dustwrapper, 421 pp, line drawings, colour and monochrome plates; Barry Raftery (ed.) - Celtic Art - Paris, 1990, hardback with dustwrapper, 171pp, colour and monochrome plates. 3.85 kg total, 25.2 x 19.5 - 28 x 26.5 cm (9 7/8 x 7 3/4 - 11 x 10 1/2 in.). [3, No Reserve]Property of a North London, UK, gentleman.

6th-3rd century B.C. Carved in the round granite figure comprising: a bulbous head with panel of hair to the rear; broad brow, incised scaphoid eyes, triangular nose and open mouth; barrel-shaped body with stubby bent arms and hands placed open on the chest and abdomen; vertical line to chest; lower body absent. Cf. Jackson, S., Celtic and Other Stone Heads, Shipley, 1973, for similar examples. 29.6 kg, 47 cm (18 1/2 in.). [No Reserve]Previously in the private collection of Mr Louis-Pierre Bresset (1902-1988), Castle Rochelambert, Haute-Loire. Thence by descent. Olivier Coutau-Bégarie, Paris, 23 February 2023, no.33 [€14,812.00]. Accompanied by French cultural passport no.242849. Accompanied by copies of a previous illustrated catalogue page and illustrated note on the provenance. Accompanied by a copy of a signed Art Loss Register declaration no.S00230440, dated 17th March 2023. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12433-225437.

1925-1981 A.D. S.M. Nicholson - Catalogue of the Prehistoric Metalwork in Merseyside County Museums - Liverpool, 1980, card covers, line drawings, maps, cover torn; D.A. Roe - The Lower and Middle Palaeolithic Periods in Britain - London, 1981, hardback with dustwrapper, 324 pp, monochrome plates, maps, line drawings; M. MacGregor - Early Celtic Art in Britain Vol 1 - Leicester, 1976, hardback with cloth covers, 224 pp, monochrome plates; J.P. Bushe-Fox - Excavatio of the Late Celtic Urnfield at Swarling, Kent - London, 1925, rebound as hardback with cloth covers, 55 pp, monochrome plates, fold-out map. 2.55 kg total, 25.5 x 16 - 29.5 x 21 cm (10 x 6 1/4 - 11 5/8 x 8 1/4 in.). [4, No Reserve]Property of a North London, UK, gentleman.

2nd century B.C. Round in section with three plain segments dividing panels of La Tène Style spiral and comma-leaf ornament; mounted on a custom-made stand. Cf. Stead, I. & Rigby, V., The Morel Collection. Iron Age Antiquities from Champagne in the British Museum, London, 1999, item 2090, for type; Jope, E.M., Early Celtic Art in the British Isles, 2 vols, Oxford, 2000, pl.34(c). 149 grams, 10.1 cm wide (245 grams total, 97 cm high including stand) (4 in. (3 7/8 in.)).European private collection, 1980s. with ArtAncient Ltd, 2014. Private collection, London.

2nd-3rd century A.D. Each a D-section disc with central triskele and coiled arms, segmented detailing to the outer face. Cf. Barkoczi, L., ‘Deux Tombes de cheval à Brigetio (two horse graves at Brigetio, in Hungarian and French)’, in Archaeologiai Ertesito, series III, Vol.VII-VIII-IX, 1946-1947-1948, Budapest, 1948, pp.169-162, pls.XXVI-XXVII, XXIX, XXXIII, and figs.4-5, for identical mounts. 340 grams total, 10-10.2 cm (4 in.). [2, No Reserve]From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.The two mounts are elements of horse harness decorating the antilena and postilena of the horse, as intersection fittings of the main straps. According to Alfoldi, these horse harnesses were the product of a metallurgy that was the fruit of a Gallo-Roman revival, and not exclusively of military nature. The military adopted similar elements fruit of the revival of this Celtic-Roman decorative art, since such harnesses have also been discovered in border fortresses. But the large industrial centers, which worked for export, manufactured objects primarily for the Danubian regions where both the soldiers and the civilian population, without distinction of class, used them as habitual objects.

1st century B.C.-1st century A.D. Comprising a scooped grinder with eye to the broad end, and a U-section mortar with looped finial. Cf. Mills, N., Celtic & Roman Artefacts, Witham, 2000, item C290. 14.7 grams total, 52-66 mm (2 - 2 5/8 in.). [2, No Reserve]Found near Cirencester, Gloucestershire, UK. Ex old British collection. From a Leicestershire, UK, collection.

1st century B.C.-1st century A.D. Modelled in the round in a sturdy pose with fierce facial features and prominent ridge of bristles to the spine, stub tail; mounted on a custom-made stand. Cf. Rolland, H., Bronzes Antiques de Haute Provence, Paris, 1965, item 252, for type. 231 grams, 68 mm (2 5/8 in.). [No Reserve]From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.The small statuettes of boars found in the Roman Britain and in the Roman Gaul, were likely used as dedicatory ex-votos, votive figurines for the cult places. They were widespread in the Roman provinces of Celtic origin. However, one cannot exclude the fact that many boars found in Britain belong to the pre-conquest British figurines. One of the few types of bronze figurines that are known to precede the arrival of the Romans is in fact that of the boars.

Ryedale, North Yorkshire, 550-570 A.D. An excessively rare and almost complete copper-alloy hanging bowl and associated fittings, comprising: (i) the bowl with three attached matching hooked escutcheons and suspension rings; (ii) the basal disc with separate frame; (iii) a body fragment (or repair patch); (iv) a curved bronze fragment; (iv) a curved copper-alloy strip (v) four skeletal fragments from a sheep or similar; accompanied by a high quality custom-made display stand. Cf. Bruce-Mitford, R., The Sutton Hoo Ship-Burial. Vol. 3, London, 1983, p.206-239, for Sutton Hoo Mound 1 bowl; Bruce-Mitford, R., Ireland and the Hanging Bowls - A Review in Ryan, M., Ireland and Insular Art AD500-1200, Dublin, 1985, for discussion of types; Bruce-Mitford, R., The Corpus of Late Celtic Hanging-Bowls with An Account of the Bowls Found in Scandinavia, London, 2005, for full discussion of the type; Carver, M., Sutton Hoo. A Seventh Century Princely Burial Ground and its Context, London, 2005, p.261, for discussion of Sutton Hoo Mound 2 bowl and other finds. Old bucket turns out to be 'excessively rare' Anglo-Saxon Bowl, BBC News, 1 September 2023 (copy included). 303 grams, 19 cm (720 grams total, 23 cm including stand) (7 1/2 in. (9 in.)).Found whilst searching with a metal detector in Ryedale, North Yorkshire, UK, on Sunday 5th February 2023 by Chris Ulliott. Accompanied by a copy of the British Museum's Portable Antiquities Scheme report no.YORYM-59523A. Accompanied by a handwritten signed letter from the finder explaining the circumstances of finding. Accompanied by a copy of a signed Art Loss Register declaration no.S00236559, dated 18th September 2023, and an Interpol search certificate dated 3 October 2023. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12441-225438.Hanging-bowls are high-status vessels with origins in the Roman period which continued in use only in Britain and Ireland. They appear in burial contexts which date them to the sixth to late seventh century. The form of this example is paralleled by the bowl from Hadleigh Road, Ipswich, Suffolk (British Museum accession number 1984,0103.9) which has a similar shape and kite-shaped escutcheons secured by three rivets (Bruce-Mitford, 2005, Corpus No. 86).

3rd century A.D. Modelled nude, standing on an ellipsoid base with mantle to the left shoulder and caduceus supported by the left arm, item (perhaps a marsupium) in the right hand, winged petasos to the head with bird perched above the left ear; mounted on a custom-made stand. Cf. Rolland, H., Bronzes Antiques de Haute Provence, Paris, 1965, item 39, for type. 38.5 grams total, 82 mm including base (3 1/8 in.). [No Reserve]From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.The statuette belongs to Gallo-Roman glyptic tradition, whose geometric treatment of the drapery recalls that of a statuette in the Avignon museum and the statue of the seated god of Sommerécourt (Haute-Marne) of Celtic tradition. The winged petasos, as in many other statuettes, seems to be made of tortoise shell.

6th-8th century A.D. Slender in form and gently curved, formed as the head and neck of a crane with narrow beak and inset glass eyes; baluster to the rear and multilinear curved bands. Cf. Youngs, S. (ed.), The Work of Angels. Masterpieces of Celtic Metalwork, 6th-9th centuries AD, London, 1989, items 53, 54, for type. 11 grams, 43 mm (1 5/8 in.).[A video of this lot is available to view on Timeline Auctions Website]Found near Thetford, Norfolk, UK, circa 2018. Property of a private collector, West London, UK.

1st century B.C.-1st century A.D. Discoid with ribbed outer ring enclosing a La Tène triskele with central hub; mounting stud to rear. Cf. Bruce-Mitford, R., The Corpus of Late Celtic Hanging Bowls, Oxford, 2005, item 88, for type. 23.4 grams, 31 mm (1 1/4 in.). [No Reserve]Acquired on the European art market since the early 2000s. From the private Northern Ireland collection of R.M.

A silver powder compact, jewellery, and base metal guard chain, a silver powder compact, engine turned with scroll border, engraved initials, marked Metal Filling to inside; a white metal rectangular pendant with Celtic motif, marked 925/1000 Silver, on a white metal oval belcher link chain, bolt fastener, marked 925, 60cm; a silver filigree panel bracelet, tongue snap fastener with safety clasp, 19.5cm; a silver filigree orchid brooch; a white metal openwork brooch, indistinct marks; and a base metal guard chain with swivel fastener.Qty: 6

An Art Deco golden oak student's bureau, the fall front carved with Celtic design revealing pigeon holes above one drawer to frieze over a fielded panelled door, flanked by four open shelves, plinth base, made by Jenuque, 110cm x 91cm

Northern School - By and After Alison Douglas (Sheffield Artist) 'Celtic Clave' limited edition monochrome no. 4/6; By and after M.H.Jeffries 'Walkley Menagerie' monochrome drypoint etching, no.7/20; Unattributed impressionist study titled 'Muker, North Yorkshire' to verso, etc (4)

A George V Silver Twin Handled Bowl by E J Gallichan & Co. Ltd, with Scrolled Celtic Zoomorphic Style Handles, 98g, Sheffield Hallmark, 10cm Diameter and 15cm Handle to Handle

Topaz and 9ct gold bracelet, set with 4 oval topazes between Celtic knot style links. Length 20cm.

6cm blade engraved with a thistle and leaf motif to either side, characteristic carved basket weave wooden hilt set with brass studs, white metal mounts engraved with Celtic bands, the pommel set with a faceted orange stone, contained in its leather wrapped wooden scabbard with white metal mounts decorated with thistles. Split to side of scabbard.

the central faceted orange stone set in a pierced and engraved brooch decorated with Celtic, foliate and geometric designs, 9cm diameter.

5inch tapering white metal two-stage barrel engraved with scrolling foliage, border and scroll engraved signed lock, full white metal stock profusely engraved with scrolling foliage and panels of Celtic strapwork, the ram's horn butt decorated with scrolling foliage, the left grip further decorated with a panel of thistles, the right grip applied with a faceted stone set within a silver thistle mount, the pricker in the form of a thistle head, the back strap applied with a silver escutcheon engraved TM, turned steel ramrod.

10cm fullered blade with faceted back edge, characteristic white metal mounted hilt set with a faceted coloured stone, carved basket weave wooden grip set with white metal studs and a crest, in its white metal mounted leather sheath decorated in the Celtic fashion.

9.25cm fullered blade with faceted back edge, characteristic hilt with carved Celtic strapwork wooden grip, crown pommel set with a faceted orange stone, in its openwork Celtic serpent Edinburgh hallmarked silver mounted leather wrapped wooden scabbard.

28cm clean and bright fullered blade with faceted back edge, characteristic hilt with carved basket weave wooden grip set with white metal studs, white metal mounted pommel set with a faceted coloured stone, contained in its silver mounted leather wrapped wooden scabbard, the mounts decorated with Celtic strapwork and hallmarked Edinburgh 1893, complete with companion knife and fork decorated to match,

Scottish/Scottish provincial silver spoons: a Fiddle toddy ladle, by Rettie & Sons of Aberdeen (also with Edinburgh hallmarks for 1839); an Oar pattern dessert spoons by Robert Keay of Perth; a Fiddle dessert spoon, initialled ‘CR’, by Charles Fowler, of Elgin; a Fiddle sugar spoon, initialled ‘JB’, by Thomas Stewart of Elgin; a dessert spoon, with a celtic point, initialled ‘S’, by Alex Campbell of Greenock; a Hanoverian pattern tablespoon, by Patrick Robertson of Edinburgh 1769; four various ‘Scottish Fiddle’ teaspoons, all initialled; and an Old English pattern tablespoon, with three initialled, by Charles Jamieson Inverness (CJM dromedary, INS, J), the latter 22cms long – 9.65oz. (11)

A George VI silver mug with a tucked-in base and applied border of ‘Celtic’ knotwork with bosses below the rim, by Elkington & Co, Birmingham 1939 (with Irish import marks 1940), 12.5cms high – 12.6oz.

A George V silver four-piece tea service, art deco in style with applied ‘Celtic’ borders around the rims and bases, angular handles and mounted wooden finials on the teapot and hot water jug, by Duncan & Scobbie, Birmingham 1935, the hot water jug 23cms high – 50.6oz. (4)

Three different Elizabeth II silver goblets, each with a ‘Celtic’ knop, gilt interior, all by Barrowclift Silvercraft, hallmarked Sheffield/Birmingham 1977/78, the tallest one 15.2cms high - 13.4oz. (3)

Collection of decorative silver, white metal and costume jewellery to include ladies' silver dress rings, mostly marked 925, two ladies' silver chains, silver pendant, silver weight 32g gross, a Celtic-style pendant, filigree pendant and another, all on silver chains, paste brooch etc., also a cigar cutter and a propelling pencil holder fob.

Alexander Ritchie Iona silver pin in the form of a claymore, Iona silver brooch by Robert Allison, 28g gross, another Celtic brooch, pendant set with cabochon on chain marked Jensen, and a large white metal buckle brooch.

Two 9ct gold pendants, one designed as a Celtic cross and the other set with an opal, cross pendant hallmarked, opal pendant 9CT, length 39mm and 22mm respectively, gross weight 4.7 grams

A Solid Sterling silver Celtic love knot band ring, ring size P/Q

A vintage Celtic style Sterling silver and amethyst ring, ring size N/O

Silver Celtic brooch and necklet,41cm silver Byzantine necklace and silver chain with enamel bird and envelope.

Liberty & Co, Archibald Knox hammered pewter bowl with pedestal base and Celtic motifs, overall diameter 10" with later walnut turned liner, marked with 00129 design number and both Tudric and Solkets stamps.

A BOX OF ASSORTED ITEMS, to include a silver Celtic cross, hallmarked Birmingham, approximate gross weight 3.3 grams, together with an assortment of costume jewellery

AN ASSORTMENT SILVER AND WHITE METAL JEWELLERY, to include a Celtic cross pendant, a circular form locket, an oval form locket, a late Victorian bar brooch, a signet ring set with onyx, an AF bangle, all hallmarked silver, approximate gross weight 95.7 grams, together with a selection of white metal jewellery items including, earrings, brooches chains and rings, most stamped 925, approximate gross weight 51.6 grams, (condition report: general moderate wear, bangle is broken, hallmarked 925 + brass, no brass visible)

A BOX OF ASSORTED WHITE METAL WARE, to include a boxed pair of 'Harrods' silver sugar tongs with Celtic pattern, hallmarked 'Harrods Ltd' London, with fitted Harrods box, approximate gross weight 27.5 grams, together with an assortment of loose cutlery some pieces signed 'Arthur Price, John Lewis', a commemorative pie server with glass handle etc

A collection of football programmes to include Manchester United, Reading, Southampton, Celtic ...etc.. together with some international examples.

A 19th century Scottish silver Celtic cross brooch, a Connemara marble set cloak pin in the form of a Celtic axe and assorted 20th century costume jewellery including malachite, shell, gold plates and paste examples (3 boxes) CONDITION REPORTS & PAYMENT DETAILS IMPORTANT*  Descriptions do not include condition reports.  Please contact us to if you require further information or images.*  Please consider shipping costs before bidding as this may affect your decision to bid*  Please familiarise yourself with our payment methods.  All payments MUST be electronic

Assorted silver jewellery including a St. Martins cross pendant in the manner of Alexander Richie of Iona Celtic Arts, an enamelled brooch, a silver 1887 crown converted to a brooch and other items including chains, earrings and a ring, combined weight 2.66ozt, 82.8g gross CONDITION REPORTS & PAYMENT DETAILS IMPORTANT*  Descriptions do not include condition reports.  Please contact us to if you require further information or images.*  Please consider shipping costs before bidding as this may affect your decision to bid*  Please familiarise yourself with our payment methods.  All payments MUST be electronic

A Mackintosh style silver pendant on a silver coloured metal chain, a pair of Celtic knot earrings, and amethyst, mother of pearl, abalone, black enamel and garnet set jewellery CONDITION REPORTS & PAYMENT DETAILS IMPORTANT*  Descriptions do not include condition reports.  Please contact us to if you require further information or images.*  Please consider shipping costs before bidding as this may affect your decision to bid*  Please familiarise yourself with our payment methods.  All payments MUST be electronic

A Scottish Silver Lucken booth Brooch of Heart design with surmounted Coronet by Celtic Art Industries of Iona Scotland. 55mm in Length. 11.9g total weight

A small 9ct gold Celtic knot ring, 1.9g, E/F

A 9ct gold Celtic design ring, 1.1g, E

A Large collection of Bill Tait original newspaper pen sketches- War time comic stripes and Football players- Kavanagh- Celtic and others. [William Tait]

A Celtic silver penanular style brooch: d. x 5cm, an Edinburgh silver luckinbooth style brooch: h.x 4cm and a silver enamel Art Nouveau style brooch: l. x 4cm 27.6g 

TWO MINIATURE CELTIC QUAICHS, one with engraved Irish inscription to rim, the other with silver-plated rim, both approx. 11cms (diam.) (2)Provenance: the Karl Johansen (1937-2021) Collection, by family descent

The Celtic F.C. Opus Limited Edition Publication, Limited edition of 500 copies, 852 pages edged in silver leaf, 200,000 words, 1,200 images, contains a signature sheet signed by 1967 Lisbon Lions comprising John Fallon, Billy McNeill, John Clark, Jim Craig, Tommy Gemmell, Willie O'Neill, Bertie Auld, Charlie Gallagher, Bobby Lennox, Steve Chalmers, Joe McBride, Willie Wallace and John Hughes, three gatefolds, presented in bespoke clamshell adorned with club crest

CELTIC V RANGERS 1966 SCOTTISH LEAGUE CUP FINAL Programme for the Scottish League Cup Final at Hampden Park 29/10/1966. Folded in four, some markings. Fair

CELTIC V PARTICK THISTLE 1958 LEAGUE CUP Programme for the Scottish League Cup Semi Final at Ibrox 1/10/1958. Slightly creased, staples removed. Generally good

RESERVE AND YOUTH FOOTBALL PROGRAMMES Approx. 60 reserve and youth football programmes, including Blackpool v Barnsley 67/8, Brighton v Ipswich 60/61, Charlton Athletic v Southampton 60/61, Millwall 61/2, FA Youth Cup, Darlaston v Shrewsbury Town 66/67, Droylsden v Accrington Stanley 64/65, Ellesmere Port Town v Stockport 65/66, Guinness Exports v Tranmere Rovers 68/69, Hornchurch v Harlow Town 66/67, Ipswich Town v Mansfield Town 61/62, Leicester City v Ipswich Town 67/68, Long Eaton United v Lincoln City and Grimsby Town 66/67, Marine v Barrow 67/68, Met Police v Charlton Athletic 65/66, Nelson v Oldham Athletic 67/68, Northwich Victoria v Tranmere Rovers 66/67, Sheffield United v Bury 60/61, Stalbridge Celtic v Tranmere Rovers 64/65, Sutton United v Woking 63/64, Wellingborough Town v Northampton 67/68, Wolves v Newcastle United 60/61, 4 X 1970's, 22 X 1980's, 6 X 1990's and 6 X 2000's, some with creases, team changes and scores entered. Generally good

AIRDRIE Three home programmes from 1957/58 including league matches v Rangers 18/1/1958, St Mirren 1/3/1958 and Scottish league cup v Celtic 24/8/1957. All are slightly creased. Generally good

FALKIRK Nine home programmes: 3 X 1958/59, 4 X 1960/6, 2 X 1961/62 v Rangers 17/3/1962 and Celtic 30/9/1961. All are slightly creased, a couple have rusty staples, team changes and score entered. Generally good