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A collection of various football programmes, including Celtic versus Real Madrid, Challenge Match 1962, Charity Football Match Showbiz versus Winchester 1963 featuring Tommy Steele and Sean Connery, etc., Drumcondra Football Club European Cup Tie versus Athletico Madrid 1958, and other programmes including Arsenal, Manchester City, etc.

A signed Celtic FC football autographed by over 20 of the team together with two vintage leather footballs

A LARGE IRISH ARDAGH CHALICE PATTERN SILVER REPLICA CHALICE BOWL, Dublin 1910, mark of West & Son, with bi-coloured glass studs and chased and embossed Celtic pattern banding, (c.1337g). 17cm high, 25.5cm wide over handles

A PAIR OF 19TH CENTURY PUGH GLASS CELERY VASES IN THE MANNER OF FRANZ TIEZE, of trumpet form decorated with wheel cut continuous landscapes of deer in woodland. 25.5cm tall In 1855 Thomas and Richard Pugh left the glassworks firm Irwin's of Potters' Alley to set up a small glassworks at Lower Liffey Street. The business expanded quickly and by 1863 the Pughs had taken over the historic premises at Potters' Alley where glass had been manufactured since the middle of the 18th Century. The firm produced a wide range of domestic and industrial glass and when it closed its doors in 1890 no led glass was manufactured in Ireland until the establishment of Waterford Glass in 1947. In an effort to meet the growing popularity of good quality table glass the Pughs recruited accomplished bohemian glass engravers, among them was Franz Tieze. Here Tieze developed an elegant, highly individual style focusing on naturalistic and Celtic revival motifs. He was one of the only engravers brought over by the firm who settled in Dublin, remaining here long after the Pugh's glassworks had closed.

An 18 carat gold clasp, with Celtic knot tag, stamped ‘750’, 3.8gms

An 18 carat white gold bangle by Lily Gabriella, with Celtic knot motif, stamped ‘750’, 4.3gms, in its original box

A CASED SILVER CELTIC DESIGN CHRISTENING TEASPOON and a collection of other silverwares, including two silver-topped bottles and a set of enamelled terminal sugar spoons

AN ARTS AND CRAFTS FRUITWOOD CELTIC DESIGN ARMCHAIR with lattice-effect back, outswept arms and leather seat

CELTIC STYLE BROOCH & 1 OTHER

NEWLYN CELTIC POTTERY JUG

A MIXED LOT:- An Edwardian Fiddle pattern soup ladle, Sheffield 1901, a set of six Victorian Princess No.1 pattern tea spoons, crested, by John James Whiting, London 1861, three Scottish table forks, initialled, a tea strainer & drip bowl, two other tea strainers, and a caddy spoon with a Celtic cross stem, maker's mark "WJ&S", Birmingham 1944; the latter 3.7" (9.2 cms) long; 24.6 oz (15)

TABLE SPOONS:- Two pairs of George III Scottish Celtic point table spoons, a bottom-marked Edinburgh table spoon, initialled, three George III bottom-marked table spoons, initialled and three Newcastle-made table spoons, also initialled; 22.1 oz (11)

Five storage jars by Celtic Ceramics and Sadler

RUNE STONES. Box of Rune stones and Celtic knot pendants

THATCHER MARGARET: (1925-2013) British Prime Minister 1979-90. T.L.S., Margaret Thatcher, with holograph salutation and subscription, one page, 8vo, 10 Downing Street, 5th March 1985, to Beata Brookes, on the printed stationery of the Prime Minister. Thatcher thanks her correspondent for the beautiful daffodils she sent on St. David's Day, remarking that they are lovely and adorn her sitting room and further adding, in holograph, 'I took them to Chequers at the weekend - they looked beautiful'. Together with a second T.L.S., Margaret Thatcher, with holograph salutation and subscription, one page, 4to, 10 Downing Street, London, 7th December 1989, also to Beata Brookes, on the printed stationery of the Prime Minister. Thatcher thanks her correspondent for some beautiful flowers which she received on her return from Brussels, remarking 'I was very touched by your kind thought and warm message of support'. The two letters are matted alongside each other and framed and glazed in a plain black frame to an overall size of 17 x 14. VG Beata Brookes (1931-2015) British Social Worker and Politician, Member of the European Parliament for North Wales 1979-89. Brookes has sometimes been described as the 'Celtic Iron Lady'.

A set of four silver ash traysOf shaped rectangular form, with applied Celtic knot pattern rims, by David Lawrence, Birmingham 1964, weight combined 6.9 troy oz, length 9cm

A lot to include two sets of rose gold cufflinks, one hallmarked Birmingham 1915, the other hallmarked Birmingham 1902, weight approx. 15.2g, a brooch depicting a leopard, stamped 9ct, weight approx. 6.6g, an unmarked yellow bar brooch, an Art Nouveau style enamel drop brooch, together with a collection of various brooches to include Egyptian revival and Celtic designs, a scarab ring, two pairs of earrings, a fish pendant and a stick pin, (15).

SQUIRE, CHARLES, CELTIC MYTH AND LEGEND cloth boards, n.d.; also Classic Myth and Legend by A.R. Hope Moncrieff, cloth boards (2)

Celtic 1967 Lisbon Lions Signed Shirt By Stevie Chalmers, Bobby Lennox Good condition. All items come with a Certificate of Authenticity and can be shipped worldwide.

Billy Mcneill Signed Large Celtic European Cup Kings 1967 Poster Good condition. All items come with a Certificate of Authenticity and can be shipped worldwide.

A Celtic white metal interlaced brooch set agates

Two Scottish silver Celtic brooches and an oval silver brooch set moss agate

A Victorian agate set bachelor button and a miniature silver Celtic brooch

A Scottish School brass framed wall mirror, the oval bevelled glass with brass frame embossed with celtic motifs 30 x 61½cm (12 x 24in)

A PAIR OF LOADED SILVER DESK CANDLESTICKS a single example; a silver cigarette box; two silver napkin rings; a silver ring tree with tray base; a silver bud vase; and a Celtic style silver brooch; all a/f

AN ARTS & CRAFTS TWO PIECE MOTHER OF PEARL BUCKLE the circular panels 1.2cm in diameter, to a mount with Celtic entrelac decoration, 6cm long by 1.5cm wide, unmarked.

A 9ct hallmarked gold celtic knot twist band ring of good size and weight. Birmingham hallmarks, makers SLD. Size S.5 / Weight 5.3g

[Kent, Rev. Charles]. By Celtic Waters. Holiday Jaunts with Rod, Camera & Paint Brush, J. Davey & Sons, Dryden Press, 1894, half-tone illustrations, advertisements front and rear, contemporary presentation inscription to title, original boards, spine and extremities a little rubbed and toned, 8vo, limited edition, 34/500, together with Natural History of British Fishes, by the Late Frank Buckland, 1891, illustrations, occasional spotting, original blue pictorial cloth gilt, edges a little rubbed, 8vo, with six others related including C. David Badham's Prose Halieutics or Ancient and Modern Fish Tattle, 1854, Gottlieb Boccius's A Treatise on the Management of Fresh-Water Fish, 1841 and William Radcliffe's Fishing From the Earliest Times, 1921 First book scarce as many were destroyed in a warehouse fire. (8)

Stoll (R.T. & Roubier, J.). Architecture And Sculpture in Early Britain, Celtic, Saxon, Norman, 1967, numerous black and white illustrations, original blue cloth in dust jacket, large 8vo, together with Berve (H. & Gruben, G.), Greek Temples, Theatres and Shrines, 1963, numerous colour and black and white illustrations, original blue cloth in price-clipped dust jacket and slipcase, large 8vo, plus Brown (R. Allen, et al), The History of the King's Works, volumes 1-2 plus 'Plans', HMSO, 1963, colour and black and white illustrations and folding plates, original red cloth and slipcase, spines slightly rubbed to head and foot, with other modern European architecture and historical reference, including Les Monuments de la France gothique, 14 volumes, by Yves Blomme et al, mostly original cloth in dust jackets, G/VG, 8vo/folio (6 shelves)

Drayton (Michael). Poly-Olbion, 2 parts bound in one, printed for M. Lownes, I. Browne, I. Helme, I. Busbie, [1612], [16]+303 pp., [8]+168+[8] pp., engraved title by William Hole, full-page engraving of Prince Henry by William Hole (titled within the image Henricus Princeps), lacking all 30 double-page engraved county maps, extensive marginal annotations and underlining in brown ink (principally to the first part), by Lewis Morris (with his signature to head of title dated 1755), extreme lower inner margin to second part with loss, not affecting text, otherwise generally in clean crisp condition, marbled endpapers with bookplate of Robert George Windsor-Clive, Earl of Plymouth to front pastedown, 19th century gilt-decorated full calf (by Toovey, Bookseller, with stamp to verso of front endpaper), rubbed to joints and extremities, with upper joint partly cracked, folio Provenance: Lewis Morris (1701-1765), Welsh surveyor, antiquary, poet and lexicographer, author of Plans of Harbours, Bays, and Roads in St. George's and the Bristol Channel (1748), Tlysau yr Hen Oesoedd (1753), Short History of the Manor of Creuthyn (1756) and Celtic Remains (1757, not published until 1878). Born in Anglesey, Morris spent most of his adult life in Cardiganshire (from 1746 as Deputy Steward of the Crown Manors in that county). One of the main promoters of the Celtic movement in the 18th century, he was regarded in both Welsh and English circles the authority on the Welsh language and its early literature and antiquities. His extensive notes to John Selden's own extensive printed notes (or 'Illustrations') provide important evidence of Morris's profound scholarship. Robert George Windsor-Clive, 1st Earl of Plymouth (1857-1923) Conservative politician, Mayor of Cardiff, and Lord Lieutenant of Glamorganshire. (1)

A Scottish silver quaich, the shallow circular bowl engraved with a Celtic cross and applied with a pair of flat tab handles engraved with foliate scrolls, Glasgow 1930 by George Muir Ltd, width across handles approx 17.7cm.

Four boxes of assorted books to include: 'The Works of Emerson'; 'Celtic Religion'; 'Greek Through Reading'; Latin Words of Common English'; 'History of the French Revolution', vol. 1 & 2 etc. (4)

ART REFERENCE. - E.M. JOPE. Early Celtic Art in the British Isles… Text. Oxford: Clarendon Press, 2000. Folio (310 x 232mm.) Original cloth, dust-jacket (slightly scuffed). - And a quantity of other volumes of art reference (a quantity).

A white metal and horse hair sporran, early 20th century, with Celtic engraving and two metal bound black tassels, with red leather purse to the rear, 26cm high.

MIXED LOT OF ELECTROPLATE TO INCLUDE; ROUNDED OBLONG TWO HANDLED ENTREE DISH and cover, with embossed Celtic border , TWO HANDLED SUGAR BOWL by Mappin and Webb, 66 piece PART SERVICE OF KINGS PATTERN TABLE CUTLERY AND SIX PIECES OF LOOSE CUTLERY

A 19th century Goanese carved hardwood and brass mounted box: with strapwork banding and stellar motifs, the hinged top with brass inlaid oval Celtic-type medallions and fleur de lys decorated spandrels, the front and side panels heavily carved with acanthus and with brass carrying handles, on lions claw feet, 58cm (1ft 10 3.4in) wide.

An Arts and Craft period copper tray: of rectangular outline, the border decorated with Celtic dragons and briar roses, 59cm. wide.

A gold belcher link guard chain, tested as approximately 9ct gold, together with a gold Celtic cross with chased and engraved decoration

A superb and highly unusual Victorian London made Khanjar hunting or expedition knife by Savigny & Co as featured in The London Knife Book and from the Ron Flook Collection, 23cm recurved blade stamped SAVIGNY & CO. 67 ST. JAMES'S STREET LONDON, the wooden hilt carved in the Scottish manner with entwined Celtic strapwork, the pommel carved in the form of a Camel's head, contained in its white metal mounted brown leather sheath. See Plate 143 on Page 144 of The London Knife Book by Ron Flook. Discussions have suggested that the camels head is representative of a family crest. There are two crests featuring a camels head listed in Fairbairn's Crests and taking the carving of the grip as being representative of a Scottish family the principal crest could be that of Fullarton or Fullerton, possibly linking it to Lt-Col James Alexander Fullerton who served in the Himalayas in 1845-47. However, a further crest featuring a crowned camels head emerging from a coronet points to the family of Pattison and Second Lieutenant John Robert Graham Pattison who served with the Ceylon Rifles circa 1840. Given that there are no engraved crests or initials this is all supposition.

SILVER BOWL 5.4OZ WITH CELTIC DESIGN BAND + 2 SILVER CUPS TOTAL WEIGHT 13 OZ

A selection of costume jewellery including diamante, woven bead necklace and bracelet, mosaic brooch, Celtic style brooches, gold plated locket brooch etc

A jewellery box containing a selection of white metal and HM silver brooches including Celtic, enamelled and Scandinavian style, a Celtic Beastie Heron Scottish silver brooch by Peter M Roberts, a graduated bead mottled blue necklace, white metal pendant and clip earrings

Eight white metal and HM silver brooches including Celtic by H Wright & Son, Iona brooch by John Hart, stylised flower by Viking Craft etc

A Scottish silver shield style brooch having Celtic knot design, Edinburgh 1959, Ward Brothers, an HM silver open work St Christopher pendant and a silver clip in the form of a cross

Three HM silver brooches by Charles Horner including Celtic thistles with carved citrines and an amethyst set knot, all Chester hallmarks

A George VI hallmarked silver twin handled oval tray of plain form with cast Celtic border, weight 51oz, length 55cm, Birmingham 1947, possibly A H Darby & Sons.

Four Celtic brooches

Silver Celtic Brooch, Six Chinese Plated Goblets plus Cake Slice and Coasters

SILVER QUAICHmaker Wakely & Wheeler, London 1959, handles with celtic dragon design, approximately 134g, 17cm long

Victorian and later silver buttons, including one cast and reticulated button, London, 1889, three Art Nouveau buttons in a scrolling foliate design, Birmingham, 1907, together with six Celtic shield shaped buttons, marked silver

Ionia, Ephesos (?) EL Stater. Circa 575-560 BC. Forepart of bridled horse left, sunburst before; lotus flower on its back / Rectangular incuse punch between two square incuse punches, all with roughly patterned surfaces. Weidauer 138 (these dies); Mitchiner 135; ACGC 56. 14.31g, 20mm. Extremely Fine. Very Rare. The lotus flower that appears upon the horse's back is an element common to several electrum staters from uncertain mints attributed to Lydia or Ionia, all struck on the Milesian standard: the recumbent lion type (Rosen 245; NAC 72, 16 May 2013, 369), bull kneeling with its head reverted (Rosen 148), and two rampant lions upright on their hind legs with heads reverted and paws extended (Rosen 149). On all of these coins the lotus flower may initially appear incidental, though its commonality to all types indicates otherwise – it is evidently to be seen as the key element of the obverse type that links the different animal designs together. The lotus flower appears only sporadically in Greek mythology, though it had a deep rooted use in Egyptian art and legend, where it was taken as a symbolic representation of the sun on account of its physical behaviour: it closes at night time and descends into the water, rising and flowering again at dawn. In Egyptian creation myth, the lotus was the first thing to spontaneously form from chaos, and it was from the lotus that the sun itself was born on the first day. The eastern coastal areas of the Mediterranean in the sixth century BC had been for a long time familiar with Egyptian religious beliefs that spread as a consequence of trade and population dispersal; the lotus' insinuation in its Egyptian meaning into Greek culture is evident in the lotus-tipped sceptre carried by Zeus on the coinages of Karia, Mysia and Kilikia (among others), being a legacy of the assimilation of an attribute of the major Egyptian solar deity Ra with the principal god of the Greek pantheon Zeus. The lotus' appearance here as a polyvalent symbol can best be understood then in the context of assimilated Egyptian beliefs, representing at once both a solar and divine aspect, as well as a clear allusion to the minting city's location. Interestingly however, the lotus is not the only solar element present on this coin – immediately before the horse's chest we can discern the presence of a sunburst similar in depiction to those found on the contemporary coinage of Alyattes. This element may have been included on account of its being more universally familiar, being well understood to signify what we now refer to as Anatolia, which comes from the Greek Aνατολή (Anatolē) meaning the 'East' or more literally 'sunrise', used to refer to the Ionian colonies on the west coast of Asia Minor. Moreover the horse was itself considered a solar symbol, not only throughout the East, but also among Celtic and Germanic tribes, suggesting a common ancient root to this association. Such preponderance of solar symbology is indeed only fitting for this metal, and is in fact an overt statement of the coin's composition: ἤλεκτρον, the Greek word for electrum, is derived from the word ἠλέκτωρ (ēlektōr) - 'shining sun'.

Britannia, Corieltauvi AV Stater. Circa 40-10 BC. South Ferriby Type. Wreath motif with brick-like leaves facing inwards / Lunate Celtic horse left, anchor and pellet ornament above, eight pointed star below. ABC 1743; BMC 3148; VA 811; SCBC 390. 5.84g, 20mm. Good Extremely Fine.

MOSS, Fletcher, Folk-Lore Old Customs and Tales of my Neighbours. 1898. pub. by author. signed by author. cl. bd. Tog.with GORDON CUMMINGS, C.F. In The Hebrides, Chatto and Windus, 1883. A New ed. frontis of Iona. & plts. a.c.f. dec. bds. worn. Tog.with GORDON CUMMINGS, Constance. F. From the Hebrides to the Himalayas, Sampson Low, 1876 in 2 vols. glt. cl worn. Plus RHYS. John, Celtic Folklore, Welsh and Manx. Oxford, 1901. in 2 vols. lge. 8vo. ex. lib. cl. bds. Plus other Folk-Lore interest, particularly Scotland. c30

YEATS, W.B. The Celtic Twilight, Bullen, 1912. 1/4 cl. worn. Tog.with BEHAN, Brendan, Boarstal Boy, Hutchinson, 1958. cl. bds. Plus SYNGE, John, In Wicklow, West Kerry and Connemara, Maunsel, 1911. ill. Jack Bl. Yeats. 8vo. cl. bds. Plus similar interest. 16

Pair of silver square ashtrays with Celtic type bands, maker Turner & Simpson, Birmingham 1963, 3.75" long, 5.5oz approx

Five piece silver tea and coffee service in the Arts & Crafts manner, with Celtic type decoration, comprising teapot, coffee pot, water pot, milk jug and lidded sucrier, maker A Haviland-Nye, London 1983, 111oz approx

Spode Celtic complete set of seven cabinet plates, to include the kells plate, each 9.5" diameter (7)

A Victorian silver saucer ladle, John & Herry Lias, London 1842; a pair of sugar tongs, London 1869; a case pair of Celtic tea spoons, Sheffield 1926 (4)

With Fine Litho PlatesO'Neill (Henry) The Fine Arts and Civilization of Ancient Ireland, folio L. 1863. Sole Edn., hf. title, cold. frontis & 6 cold. plts. (1 fold.), text illus., orig. cloth with Celtic design gilt decor covers. V. good copy. (1)

The Joe Barrett G.A.A. Medal CollectionThe Man Who Saved Kerry G.A.A.Medals: G.A.A., Football, Co. Kerry [Mr. Joe Barrett], an impressive and unique collection of Sporting Medals awarded in Gaelic Football to include:1.All Ireland Winners Medals(A)All-Ireland Senior Football Championship 1924 - won by Kerry.·Kerry beat Dublin 0.4 to 0.3(B)Craobh na hEireann sa Pheil Sinnsear 1929Ciarraidhe a Buaidh (Captain)·Kerry beat Kildare 1.8 to 1.5 First Time to win the Sam Maguire (J. Barrett Captain)First Kerry man to lift the Sam Maguire(C)Craobh Peil na hEireann Sinnesear 1930, (Mis inscription)Ciaraidhe a buaidh.·Kerry beat Monaghan 3.11 to 0.2(D)Craobh Peile na hEireann Sinnesear 1931, Ciarradh a buaidh.·Kerry beat Kildare 1.11 to 0.8 (handed his captaincy to Con Brosnan, a wonderful show of solidarity to mend wounds caused during the Civil War.)Each Medals design has the obverse with Celtic Cross design; pierced centre inscribed on surround "Cumanna na gcleas - Luith Gaedealach", "Eire" across the centre and harp overlay accordingly inscribed on reverse of each as above, hall marked H & H (Hopkins & Hopkins) or J.M. (John Miller), each medal is 9ct gold.2. Munster Senior Title Medals(A)"Peil na Sinnsear 1924 - Ciarraighe do Bhuaidh" First Inter County Medal)(B)"Laochar Peile na Mumhan (Sen. Peil) 1925 Ciarraide do Buaidh;"(C)"Laochar Peile na Mumhan (Seisir) 1926 Ciarraidhe do Buaidh";(D)"1927 Peil na Sinnsear - Ciarraighe Do Buaidh";(E)"Ceannais Peile na Mumhan, Sinnsear Ciarraide do Buaidh, 1931;Each Medal design of circular shape with pierced centre, the obverse with typical G.A.A. motifs and Celtic design with shield shaped Provincial arms in centre, all inscribed accordingly as above, each hallmarked J.M. (John Miller) or Roche (Cork), each medal is 9ct gold.3.National League(A)"An Connradh Naisiunta um Peil 1929, Foireann Ciarraighe do Bhuaidh," the medal of Celtic type cross form, the obverse with enamel decorated Provincial coats of arms and central engraving and typical Irish motifs, hallmarked H. & H. (Hopkins & Hopkins), 9ct gold.4.Inter Provincial (The Railway Cup)(A)"Inter Provincial Football C'ship 1926 - won by (Munster) not inscribed";(B)"Inter Provincial F'ball C'ship 1931 Mumhan a bhuaidh,"Each Medals design, the obverse of Celtic Cross design, the obverse with enamel decorated Provincial coats of arms and a central engraving of a train and a football, hallmarked H. & H. (Hopkins & Hopkins) both 9ct gold.5.The Tailteann Games Medals(A)"An Aonach Tailteann - Baile Atha Cliath 1928 - Football First."(B)"Aonach Tailteann - Baile Atha Cliath 1932 - Football"Each medal, the obverse with side profile of a Queen and inscribed "An Bainriogan Tailte,"Both hallmarked, 9ct gold.Joe Barrett was Ireland's Captain on Both Occasions.6.Memorial Tournament Fund Raiser"Fitzgerald Memorial Kerry V. Mayo, October 25th, 1931" (organised to raise funds to build the New Stadium in Killarney)The Medals design of Celtic Cross design, the obverse with engraved Irish Celtic design, with circular centre, hall marked "Roche, Cork" 9ct gold, and inscribed as above.·Kerry beat Mayo.7.Inter County Football & Hurling (Co. Kerry)(A)"Craobh Ciarraige 1928/30, S.F. (Senior Football) Sraid na Carraig (Rock Street) now Austin Stacks G.A.A. [awarded for two titles), the obverse with engraved Celtic Cross design, hall marked J.M. (John Miller) 9ct gold.(B)"Tralee Division All League Senior Hurling won by Rock Street," the medal with shield shaped obverse, pierced centre surround by shamrocks with harp centre, hallmarked J.M. (John Miller) 9ct gold.(C)"Craobh Ciarraige 1931 -S.H. & F.C. Senior Hurling & football, Sraid na Carraige," the shield shaped Medal, the obvese with shamrock and central overlay and pierced., hallmarked J.M. (John Miller) 9ct gold.Joe Barrett played both codes for his club and captained the historic teams of 1931 which triumphed in both Football and Hurling, the only Club in Kerry to have been successful in both sports. The above was awarded to dual stars.8.Other G.A.A. Sporting Medals(A)Three variously designed Medals, awarded to Joe Barrett, uninscribed, hallmarked, two gold and one silver.9.Political Medal (Civil War)(A)A War of Independence bronze Medal, with black and tan ribbon and Celtic design clasp, the obverse with embossed design of armed soldier, Provincial arms, inscribed "Eire" across centre and "Cogadh na Saoirse" across the bottom. Scarce.·At the age of 15 Barrett became a member of the Irish Volunteers, with a hope to be instrumental in the establishment of independence for Ireland. Following the signing of the Anglo-Irish Treaty he took to the Republican side in the subsequent Civil War. He was arrested and interned in September of 1922 where he suffered severe hardship. He embarked on a 22 day Hunger Strike whilst imprisoned. He did however upon release go on to become a Kerry and Gaelic Football Legend. He died at the young age of 49 on the 2nd June 1952.A Truly unique Collection of Medals directly linked to an icon and stalwart of the G.A.A. in the early years.A Collection of a Lifetime .Joe Barrett, Family Man, Business Man, Sportsman, Revolutionary and an Irish Sporting Legend.