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A silver Celtic knot brooch. Full hallmarks to back of brooch. Approx. 4cm x 4cm. Total weight approx. 8.4g.

A small 9ct gold band ring with Celtic pierced work design. Full hallmarks to inside of band. Ring size H, approx. 1.1g.

A 9ct gold St Christopher and a Celtic cross pendant,: the St Christopher with hallmarks for Sheffield, 2000, length ca. 2.5cm, the Celtic cross with hallmarks for London, length ca. 3.5cm, together with a 9ct gold flattened curb-link chain with hallmarks for London, length ca. 52cm, and a Prince of Wales link chain, stamped '9K', (a/f), length ca. 46cm, total weight ca. 8.7gms.

An Elizabeth II silver mug, maker Adie Brothers Ltd, Birmingham, 1956: of plain cylindrical outline, the loop handle with Celtic knot decoration, on a circular foot with Celtic dragon designs, 7cm high, 66gms, 2.13ozs.

15 x Vintage Official Football Programmes includes Scunthorpe United v Hartlepool 1969 (2 copies), St Mirren v Celtic 1966, Carlisle v Southport 1960, Southport v Oldham Athletic 1969, Swindon Town v Charlton Athletic 1969, Sunderland v Charlton Athletic 1976, Sunderland v Southampton 1968, Stockport County v Blackburn 1969, Southend United v Hartlepool 1969, Sheffield United v Middlesbrough 1968, Sheffield Wednesday v Ipswich Town 1968, Stoke City v QPR 1968, Southampton v Arsenal1968, Shrewsbury Town v Southport 1969, Southampton v West Ham United 1999, good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £9.99

Bronze Age, palstave, c. 1300-1100 BC, 15.8cm long by 4cm wide by 3cm thick, curved cutting edge with a central vertical rib, square butt with deep pocket, single side loop; together with a Celtic votive bronze axe head, 2cm long, socketed and looped [2]. Both fine with mottled green patina £100-£150 --- Provenance: From a UK collection

Celtic, bronze involute brooch, 3rd century BC, of La Tene style I, 6.1cm long by 2.2cm deep; two-piece spring coil with the foot return decorated with a disc. Complete with pin, olive green patina, a very rare type £100-£120 --- Provenance: Found at Stainmore (Cumbria), August 2021

Celtic, Aylesford type bronze bow brooch, c. 45 BC, one-piece construction with an expanded collared head, collared moulding dividing bow, back half flattened and decorated with punched dots along the middle, 6.5cm long by 2.7cm wide (cf. Hattatt 1449). Very fine with pin intact £40-£60 --- Provenance: Found at Ashwellthorpe (Norfolk)

Celtic, bronze toggles (2), 1st century BC-1st century AD, 2 x 1.3cm and 2 x 1.6cm, first of globular form with loop and a circular perforation through the body which is decorated with two triangular motifs with a central pellet all within a circular frame; in the field are faint incised lines suggesting late La Tene style; latter has a horizontal circular bar incised with lines, with a loop in the centre; together with assorted other artefacts (13), various types [15]. Varied state £160-£200 --- Provenance: First two found in Dunmow, Essex (PAS ESS-242938 & ESS-248CA3); the remainder all found in Essex

Celtic, enamelled bronze cheek piece or toggle, early 1st century AD, 9.4cm long by 1.7cm wide, circular in section, rod-like and flattened in the centre with a rectangular slot for receiving a strap; decorated along one face in La Tene style symmetrical cells with trumpet shapes, the fields originally inlaid with red enamel; an incised line connects the cells at each end. Very fine with dark brown patina £120-£150 --- Provenance: From a UK collection Cheek pieces were attached to each end of a bridle bit; they have been found in chieftain burials along with other grave goods

Celtic, open-work circular bronze harness mount, 1st century AD, 4.5cm diameter, decorated in the centre with two bosses flanking a double-ended petal motif; rectangular bar behind for attachment. Very fine with a brown patina £150-£200 --- Provenance: Found at Stainmore (Cumbria), 2020

Celtic, a bronze oval terret ring, 1st century AD, 5cm wide by 5.8cm high; circular in section expanding at the sides ending in large flattened trumpet collars which enclose a flattened saddle type attachment bar. Very fine with a smooth brown patina £120-£140 --- Provenance: Found in Cumbria Terret rings in graduated sizes were used as rein guides on chariots

Celtic, bronze pin head, 1st century AD, 1.8cm by 1cm; moulded in the round with a stud below for attachment; male head with deeply-set indented lentoid eyes, straight mouth and crescent-shaped ears; hair is represented by very fine dotted punches. Fine £80-£100 --- Provenance: Found at Eccles (Kent), close to the site of a Roman villa

Celtic, bronze plate brooch, 1st century AD, 3.4cm diameter, open-work design with multiple conjoined trumpet motifs, probably Germanic in origin (cf. Hattatt 1621). About very fine with an olive green patina £60-£80 --- Provenance: Found at Bowes Moor (County Durham), 2021

Celtic, bronze toggles (3), 1st century AD, comprising boss and petal with blue enamel in the centre; single boss; double petal derived from a Celtic trumpet motif; all with triangular-shaped shanks projecting from the back [3]. Very fine £80-£100 --- Provenance: First found at Smardale, second at North Stainmore, third at West Stainmore (all Cumbria), 2017

Celtic and Roman, artefacts (32), 1st-3rd century AD, including patera handle decorated with a ram; steelyard weight in the form of a Janus head; enamelled military studs (4); key handles (2); lock fittings; scabbard chape (in two halves); dragonesque brooch (body); leaf-shaped repousée votive plaque; nail cleaner; penannular brooches (2); toggle [32]. All with green patina £80-£100 --- Provenance: All found in East Anglia; several recorded with the PAS

Roman and Celtic, bronze brooches (16), including crossbow; umbonate disc; fly; la tene; headstud; fantail; kraftig profilierte; disc with enamel; together with a Saxon strip one piece with pin [17]. Fine or better £260-£300 --- Provenance: All from a UK collection

Romano-British, bronze figure of Mercury, 2nd century AD, 8.3cm high by 3.6cm wide, moulded in the round, Mercury is shown standing naked with his weight on his right leg (missing), his left leg is set slightly back; his right arm is missing while his left arm is held sideways, a cloak is draped over his shoulder. Fine with uneven brown patina £150-£180 --- Mercury was the inventor of the arts and was adopted as a Celtic deity

DOBUNNI, Uninscribed series, silver Unit, moon head right, rev. triple-tailed horse right, flower motif below, crescent above, 0.81g (ABC 2015; S 377); together with another Celtic Unit and Halfpennies of Richard II and Henry VIII [4]. Fine and better £80-£100

Vale Press The Centaur. The Bacchante Translated from the French of Maurice de Guérin by T. S. Moore. London: printed at the Ballantyne Press, this book is published by Hacon & Ricketts, 1899. One of 150 copies, 8vo, original white cloth, spotting to top edge of text-block, endpapers browned; Old Stile Press. In the Margins of Shakespeare. George Mackay Brown. Wood-Engravings by Llewllyn Thomas, 1991. One of 220 copies signed by author and artist, narrow folio, original hand-painted boards, slipcase; St Dominic's Press. God's Book and Other Poems by Fr. Vincent McNabb, O.P., 1930. One of 430 copies, 8vo, original quarter cloth, manuscript poetry to rear endpapers; and some 27 others including Gregynog (Chosen Essays by Edward Thomas, 1926, one of 350 copies; Don Quixote. An Introductory Essay in Psychology by Salvador de Madariaga, 1934, one of 250 copies), Golden Cockerel (Doctor Heraclius Gloss by Guy de Maupassant, 1933, one of 150 copies), Embers Handpress (Federico Garcia Lorca, Sonnets of Dark Love, 1984, one of 50 copies on Charter Oak paper, signed by the translators, from the total edition of 126), and various works by minor presses (e.g. Enitharmon, Black Sparrow, Rampant Lions, Grabhorn, Aylesford, Celtic Cross, and similar) (approx. 30)

Brown, George Mackay 11 volumes, 5 signed comprising: The Storm and other Poems. The Orkney Press, 1974, original pictorial wrappers, title and following leaf detached, staining from staples to some inner margins; Hawkfall. 1974, signed on title 'Sheena.... George Mackay Brown, Stromness', dustwrapper worn; The Sun's Net. 1976, signed on title by author, inscribed on title 'Happy Birthday from John [?Broom], xxx 15/5/76' [birthday of Stella Cartwright]; Seven Poets. Glasgow: Third Eye Centre, 1981. Oblong 4to, number 9 of 100 clothbound copies signed by George Mackay Brown, Hugh Macdiarmid, Norman MacCaig, Iain Crichton Smith, Robert Garioch, Sorley Maclean & Edward Morgan, original cloth, dustwrapper; Orfeo, a Masque. The Celtic Cross Press, 1995. Number 168 of 175 copies signed by George Mackay Brown and Rosemary Roberts, the artist, original blue pictorial cloth, uncut; The Golden Bird. 1987; Vinland. 1992; Winter Tales, 1995; For the Islands I Sing. 1997, 2 copies; The Island of the Women and other Stories. 1998; dustwrappers (11)

Brown, George Mackay (1921-1996) Collection of autograph manuscripts poems, stories and articles, comprising: 1) [Two acrostic birthday poems for Stella Cartwright, George Mackay Brown's lover and muse], May 1978 and May 1980, each on a single sheet of handmade paper, poem for 1980 retaining original envelope; 2) 'Birthday Poem for Judith', 2 October 1979, acrostic poem for Judith Dixon, written on reverse of Decca Records royalty statement addressed to the author, signed 'G M B'; 3) 'Christmas Card Poem for Gordon Wright', 30 August - 2 September 1979, 3 ff., attached by paperclip, each containing separate draft of the same poem, signed 'G M B'; 4) 'Nora's Birthday', 3 December 1979, poem, on one side of single foolscap leaf headed 'Nora Kennedy, Jewellery and Enameling, 18 Dundas Street, Stromness, Orkney'; 5)'The Very Old Ugly Woman and the Mirror She Lost - A Cave Story, for Judy', 29 September 1977, written on both sides of an envelope addressed to Brown in Stromness, signed 'G M B', annotated at foot by the author, 'Copied into Judy Dixons birthday copy Pictures in the Cave'; 6) 'Groomi the Giant in Stromness, for David Dixon', 24 April 1977, written on reverse of Decca Records royalty statement addressed to the author, unsigned; 7) 'Vasty the Whale, Christmas story for David Dixon, 15 December 1977, single bifolium, written on two sides, unsigned; 8) 'The Rackwick Giant and the Midges. (A birthday story for Alan Grant), 17 November 1977, 4 ff., rectos only, stapled, signed 'G M B'; 9) 'Why the North Ronaldsay Sheep Eat Seaweed. (A Fairy Tale). Christmas Story for Judy Dixon', 16 December 1977, 7 ff., rectos only, stapled, signed 'G M B'; 10) 'St Magnus Festival', 22 June 1988, 3 ff., rectos only, stapled, signed 'George Mackay Brown', headed "Radio Times"; 11) 'Introduction: The Tryst on Egilsay (Celtic Cross Press: publ. 16 April 1989)', 5 ff., rectos only, stapled, evidently a fair copy, an earlier draft (6 pp.,), also autograph, attached by paperclip; 12) 'Foreword: Selected Stories (Vanguard Press, USA)', 9 July 1986, 5 ff., rectos only, stapled, signed 'G M B'; most items (excluding the poems for Stella) in draft, with associated autograph corrections (1 folder)Note: The relationship between George Mackay Brown and Stella Cartwright (1937-1985), who was also seriously involved with several other key figures in the Scottish Renaissance, was revealed only in a 2006 biography of the poet by Maggie Fergusson. The pair met in Edinburgh in 1957 and were briefly engaged; they corresponded until her death. David Dixon was Brown's nephew and the dedicatee of his Selected Poems (1992).

A set of six George III Scottish silver Celtic-point pattern basting spoons, by Alexander Henderson, Edinburgh 1804, the terminals with an initial below a coronet, approx. weight 19oz. (6) The crest is that of Viscounts Dalrymple, Dillon, Doneraile, Dongan and others.

An Irish silver teapot, by Sharman D Neill, (of Belfast), Dublin 1910, circular bellied form, with Celtic strap-work decoration, scroll handle, pierced Celtic strap-work frieze, on a raised circular foot, length handle to handle 27.5cm, approx. weight 26.3oz.

A mixed lot, comprising silver items: an American silver overlay green glass scent bottle, a Scottish clan badge with a ship and Celtic border, by Peter Henderson, Glasgow 1938, a silver-gilt and enamel Freemason's badge, Wayfarers Lodge, a Girl Guides badge, six football medallions, a modern Brazil nut box, a shell box and another box, plus an electroplated and enamel vesta case, the front with a dog's head, a snuff box and other items including a nut pencil, approx. weighable 6oz. (qty)

A pair of modern silver goblets, by Barrowclift Silvercraft, Birmingham 1975, circular bowls, gilded interiors, on raised knopped stems with Celtic decoration and animal heads, on a circular foot, height 12.8cm, plus a pair of German parcel-gilt silver shipping beakers, by Goldemann of Hamburg, tapering circular form, gilded border and raised circular base, one engraved with a flag with an E in the centre, height 13.2cm, approx. weight 22.2oz. (4)

A 19TH CENTURY HAMILTON CLAN SCOTTISH BASKET HILTED BROADSWORD ENSEMBLE, 82cm double fullered blade etched with Celtic strapwork and a maker's panel for MEYER & MORTIMER, CONDUIT STREET LONDON, polished steel hilt composed of flattened rounded bars and wavy bars united by heart, foliate and scroll pierced junction plates, fluted dome pommel, wire bound fishskin grip, red velvet faced chamois liner, silk tassel, contained in its steel mounted leather scabbard complete with silver bullion decorated red leather shoulder belt and frog, the gilt mounts engraved with the crest of the Clan Hamilton. Tight in scabbard and with repair to scabbard.

A HALMARKED SILVER MOUNTED SGEANDUBH TO THE KING'S OWN SCOTTISH BORDERERS, 9.25cm fullered blade with faceted back edge, characteristic white metal mounted hilt decorated with Celtic strapwork, carved basketweave wooden grip applied with an enamelled regimental badge, contained in its silver mounted leather scabbard decorated with Celtic strapwork, the upper mount with Edinburgh silver hallmarks.

A 50-BORE PERCUSSION SCOTTISH NICKEL BELT PISTOL BY MURDOCH, 6.5inch two-stage barrel with ringturned muzzle, profusely decorated with scrolling foliage and Celtic strapwork, border and scroll engraved lock signed MURDOCH, ball trigger, nickel stock profusely decorated with Celtic strapwork and scrolling foliage, the grips decorated with oval panels of stands of arms to either side, ramshorn butt with ball pricker, belt hook mounted on the left side, ringturned steel ramrod. See lot 322 AMOSKEAG Auction Company sold for $3,100 6th May 2018.

AN ENORMOUS SCOTTISH DIRK IN THE 18TH CENTURY MANNER, 40.5cm multi fullered blade with partial brass spine, characteristic white metal mounted hilt, the collar and pommel cap with tramline decoration, carved Celtic knotwork wooden grip, contained in its tramline engraved white metal mounted leather scabbard decorated with geometric designs to the face, suspension strap.

Sounds Magazine 1989 to 1991, approximately seventy copies of Sounds with approximately twenty from 1989 and the remainder from 1990 and 1991, all generally good condition, some duplicates and some front covers of Celtic Frost, Happy Mondays, The Farm, The Cramps and many more

A set of three cast reconstituted stone ornaments or planters in the form of a Celtic capitol decorated with figures, and on bases ornamented with mythical creatures each approximately, 30cm wide x 53cm highWeathered, with marks and minor losses due to age and use

A Celtic Agate Dough-Nut Brooch - Set in yellow metal.3.5cm.

A 1960's Edinburgh Michael Gill for Orvak Celtic Collection brooch

A Pinchbeck and purple stone brooch, a white metal Celtic design annular kilt pin marked 'silver', a white metal fleur de lis brooch, three yellow metal fronted lockets, one with miniature pocket knife.

Collection of Various Silver Necklaces, Snowdrop Brooch + a Celtic-style Jerusalem Ameythst Brooch

* SARAH CARRINGTON (SCOTTISH b. 1977),EBBING TIDE, GULLANE BAYmixed media triptych on canvas, signed and dated 2001 verso, titled label versooverall size 122cm x 250cm together Unframed, as intended. Handwritten artist's label verso.Note: Sarah Carrington (b.1977) is an Edinburgh born landscape artist. She creates land and seascape paintings using acrylic, ink, emulsion, oil, sand and chalk to describe the variety of textures found at the seashore, and to evoke the mood and weather of the coastlines of Scotland and Ireland. Sarah Carrington graduated in 1999 with a sell-out degree show and an MA in Fine Art from the University of Edinburgh and Edinburgh College of Art. She began her career as a self-employed artist based in Edinburgh; her memories of childhood holidays to the west coast of Scotland and student sailing excursions around the Hebrides have a lasting influence on her sea and landscape paintings. Now based on the north coast of Ireland, she paints both the coastlines of Scotland and Ireland noting the similarities between these two Celtic lands. She has exhibited regularly throughout the UK and her works are held in public and private collections nationally. Sarah is represented by The Open Eye Gallery (Edinburgh) and the Roger Billcliffe Gallery (Glasgow). "Ebbing Tide, Gullane Bay" is unquestionably the largest and most impressive work by Carrington to be offered at auction, anywhere.

* SARAH CARRINGTON (SCOTTISH b. 1977)UNTITLEDmixed media on board, signedimage size 22cm x 30cm, overall size 36cm x 44cm Framed and under glass.Note: Sarah Carrington (b.1977) is an Edinburgh born landscape artist. She creates land and seascape paintings using acrylic, ink, emulsion, oil, sand and chalk to describe the variety of textures found at the seashore, and to evoke the mood and weather of the coastlines of Scotland and Ireland. Sarah Carrington graduated in 1999 with a sell-out degree show and an MA in Fine Art from the University of Edinburgh and Edinburgh College of Art. She began her career as a self-employed artist based in Edinburgh; her memories of childhood holidays to the west coast of Scotland and student sailing excursions around the Hebrides have a lasting influence on her sea and landscape paintings. Now based on the north coast of Ireland, she paints both the coastlines of Scotland and Ireland noting the similarities between these two Celtic lands. She has exhibited regularly throughout the UK and her works are held in public and private collections nationally. Sarah is represented by The Open Eye Gallery (Edinburgh) and the Roger Billcliffe Gallery (Glasgow).

A mixed lot including a rosewater bottle, measures 26cm high, a phrenology bust / head, an octagonal dish with fish interest decoration with segmented smaller dish to interior and polished pewter lidded box with Celtic knot (a lot)

A 9ct white gold Celtic knot decorated wedding band, 4.2g, size L

TWO SCOTTISH SILVER BRACELETScomprising a John Hart Iona silver bracelet, the circular links with alternating decoration of Viking ships and Celtic motifs; and a Malcolm Gray silver bracelet with pierced swallow decoration (2)

A collection of Celtic design costume jewellery, together with a silver plated box and a small chandelier

A group of books on Ancient Bronze Including: G. Faider-Feytmans, Les Bronzes Romains de Belgique, Vol. I, Text, 1979; G. Faider-Feytmans, Les Bronzes Romains de Belgique, Vol. II, Plates, 1979; H. Menzel, Die Römischen Bronzen Aus Deutschland, Vol. II, Trier, 1966; H. Menzel, Die Römischen Bronzen Aus Deutschland, Vol. III, Bonn, Text, 1986; H. Menzel, Die Römischen Bronzen Aus Deutschland, Vol. III, Bonn, Plates, 1986; A. Kaufmann-Heinimann, Die Römishen Bronzen Der Schwiez, Vol. I, Augst, 1977; A. Leibundgut, Die Römischen Bronzen Der Schweiz, Vol. II, Avenches, 1976; A. Leibundgut, Die Römischen Bronzen Der Schweiz, Vol. III, Westschweiz Bern und Wallis, Text, 1980; A. Leibundgut, Die Römischen Bronzen Der Schweiz, Vol. III, Westschweiz Bern und Wallis, Plates, 1980; G. Faider-Feytmans, Recueil des Bronzes de Bavai, 1957; R. Rolland, Bronzes Antiques de Haute Provance, 1965; H. Menzel et al., Römische Bronzen aus Bayern, 1969; Kestner-Museums Hannover, Römsche Bronzen, 1964; B. Popovic et al., Antiča Bronza u Jugoslaviji, 1969; S. Boucher, Intentaire des Collections Publiques Francaises, 17, Vienne, Bronzes Antiques, 1971; J. Petit, Bronzes Antiques de la Collection Dutuit: Grecs, Hellénistiques, Romains ed de l'Antiquité Tardive, 1980; S. Boucher, Bronzes: Grec Hellénistices et Étrusques des Musées de Lyon, Vol. II, 1970; S. Boucher, Bronzes Romains Figurés du Musée des Beaux-Arts de Lyon, Vol. IV, 1973; S. Boucher and S. Tassinari, Bronzes Antiques du Musée de la Civilisation Gallo-Romaine a Lyon, Vol. I, 1976; Prof. Dr. J. Sieveking, Antike Metallgeräte, 1925; R. Pirling, Römer und Franken am Niederrhein, 1986; A. Fol et al., The New Thracian Treasure: from Rogozen, Bulgaria, 1986; G. Nicolini, Les Bronzes Figurés des Sanctuaires Ibériques, 1969; Exhibition Catalogue, Trésors des Princes Celtes, Galeries Nationales du Grand Palais, October 1987-February 1988; A. Kosloff and D Mitten, The Gods Delight: The Human Figure in Classical Bronze, 1988; M. Cristofani, I Bronzi degli Etruschi, 1985; A. Busignani, The Bronzes of Raice, 1981; G. Colonna, Bronzi Votivi Umbro Sabellici a Figura Umana, I-Periodo 'Arcaico', 1970; F. Johansen, Reliefs en Bronze D'Étrurie, Glyptothèque Ny Carlsberg, 1971; R. O'Driscoll ed., The Celtic Consciousness, 1981 (31)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Moorcroft Celtic Web patterned vase: Height 10cm, boxed

A quantity of mainly British coins to include one penny 1876, 1884, 1892, half penny 1895, threepence 1883, pre 1947 silver coins, £5 coins (2), old design £2 coins (7), £1 coin first day of issue 1983St Michaels mount gold plated medallion, Celtic Durotriges reproduction coin, Brothers Kennedy medallion, Readers Digest token etc

Lot comprising of 4 different items includes Royal Doulton pitcher jug “coachman” together with Napoleon bust, Celtic art pottery plate & hand painted blue glass cobalt vase

A Collection Of Silver Items (10) Comprising, Sterling Silver Snake Bracelet, Sterling Silver Pencil Holder, Three Sterling Silver Rings, Antique Magnifying Glass, Celtic Design Brooch Etc

THREE BRACELETS Comprising a stamped 9KT MADE IN ITALY Figaro chain bracelet, length 17cm, weight 2.3g, a marked 925 celtic style torq bangle, width 1.7cm, diameter approx. 6.3cm, a white metal black stone set circular panel bracelet with toggle clasp, length 17cm

A large silver caster of baluster form with celtic knotwork banding, by Wakely & Wheeler, London 1927, and another similar, of tapering cylindrical form, by David Lawrence, Birmingham 1967, 445gms (2) Condition Report:Available upon request

A sterling silver sgian dubh, in the lomond design, the black leather sheath with silver celtic knotwork casing, the textured leather hilt with an emerald coloured stone top, with box, by The Sgian Dubh Company, Edinburgh 2017, stamped to silver tip Condition Report:Available upon request

SUBBUTEO TABLE SOCCER circa 1970  With red and blue teams, boxed, together with thirteen boxed teams; including, West Germany, Uruguay, A.C. Milan, Inter Milan, Ajax, Celtic, Brazil with numbers on shirts, Brazil with no numbers on shirts, Real Madrid etc, three statuettes Celtic, Brazil and Inter Milan, World Cup and European Cup, 6 ball boys and photographers and trainer manager (all boxed) Condition Report:Available upon request

Celtic Football Club, Scottish Football Association football bearing signatures Pat Bonner, David Moyes, Charlie Nicholas, Murdo MacLeod, Mark Reid, Roy Aitken etc and penciled1982 together with pennants  and match programmes Celtic vs Dynamo Kiev September 20 1967 etc Condition Report:Available upon request

A colourful vintage Celtic Football Club 1967 European Champions, League Flag, Scottish Cup, League Cup, European Cup fireside rug 68 X 129cm Condition Report:Available upon request

A colourful vintage Celtic 1970 European Cup finalists, League Flag, Scottish Cup, League Cup, European Cup fireside rug 68 X 129cm Condition Report:Available upon request

A silver citrine and amethyst butterfly brooch, with Birmingham hallmarks for 1885, makers mark AJC, a collection of Scottish themes silver and white metal items to include a luckenbooth, citrine necklace, agate necklace etc Condition Report:S & Co Celtic ship brooch has no pin.

A MIXED LOT TO INCLUDE DENBY AND WEDGWOOD TEAPOTS, RINGTONS TEAPOT, PRICE'S BLUE AND WHITE JUG, CELTIC BEEHIVE TEAPOT, CROWN DEVON COW CREAMER, ETC

Victorian jet jewellery comprising a Celtic cross , another cross, a pendant locket and a brooch.

A contemporary carved Lake District stone sculpture of triangular form, the face of a man and the word 'Joy' to the bottom, height 48cm, carved by Thomas Howard who studied with the Lake District sculptor Danny Clahane, with predominantly Celtic influence, but also reminiscent of the styles of Josefina De Vasconcelles, all stones locally sourced.

A contemporary carved Lake District stone sculpture of triangular form, a tall figure of a man's face over the word 'Love', height 51cm, carved by Thomas Howard who studied with the Lake District sculptor Danny Clahane, with predominantly Celtic influence, but also reminiscent of the styles of Josefina De Vasconcelles, all stones locally sourced.

A contemporary carved Lake District stone sculpture of triangular form, a man's face over the word 'Peace', height 45cm, carved by Thomas Howard who studied with the Lake District sculptor Danny Clahane, with predominantly Celtic influence, but also reminiscent of the styles of Josefina De Vasconcelles, all stones locally sourced.