We found 32565 price guide item(s) matching your search

Football Roy Keane signed 16x12 mounted colour photo picture while playing for Celtic. Good condition Est.

Colorized Photo 12 X 8, Depicting A Montage Of Images Relating To Legendary Celtic Centre-Half And Captain Billy Mcneill, Signed Using A Black Marker. Good Condition Est.

Limited Edition, 16" X 12", Only 75 Issued, Depicting Celtic Captain Billy Mcneill And His Liverpool Counterpart Ron Yeats Exchanging Pennants Prior To The 1966 European Cup Winners Cup Semi-Final First Leg At Celtic Park, Signed By Both Players To The Lower Border Using A Fine Black Marker. Good Condition Est.

Football Jimmy Johnstone 24x20 mounted print by the artist Gary Brandham signed in pencil by the artist and the Celtic Legend Jimmy Johnstone. James Connelly Johnstone (30 September 1944 - 13 March 2006), nicknamed "Jinky", was a Scottish footballer who played as an outside right. Johnstone was best known for his time with Celtic, and was voted their best ever player by the club's fans in 2002. He scored 129 goals for Celtic in 515 appearances. Good condition Est.

Football Celtic FC 16x12 signed Lisbon Lions b/w photo signed by five members of the 1967 European Cup Final winners team signed by Jim Craig, Stevie Chalmers, Billy McNeil, Bertie Auld and Bobby Lennox. Good condition Est.

Football Celtic Lisbon Lions 12x16 b/w photo signed by Jim Greig, Billy McNeil, Stevie Chalmers and Bertie Auld. Good condition Est.

A VICTORIAN SILVER DOUBLE MEDICINE SPOON, maker Thomas Jenkinson, London 1866, the handle engraved with celtic motifs enclosing initials "FA", 5" long, 11dwts (Est. plus 21% premium inc. VAT) (Illustrated)

AN EDWARDIAN ARTS AND CRAFTS SILVER AND ENAMEL BROOCH, maker Charles Horner, Chester, probably 1907, the open Celtic knot type motif centred by a blue/green oval enamelled panel (Est. plus 21% premium inc. VAT)

Quantity of jewellery inc Jaeger necklace, dragonfly brooch, white metal bracelet, 2 silver enamel butterfly brooches and Celtic brooch

Silver & Moonstone 'Celtic Knot' Pendant & Chain

Alan Davie 1920-2014MONUMENT TO A CELTIC SPIRIT - NO 5 TAPESTRY DESIGNGouache on paper, 20" x 30" (51 x 76cm), signed and dated 2001Alan Davie is included in numerous public galleries including Fine Art Museum, San Francisco, Metropolitan Museum of Art, National Galleries of Scotland, Peggy Guggenheim Collection, The Tate, etc

A Clarice Cliff Newport Pottery 'Celtic Harvest' lidded biscuit pot

A silver salver, circular with raised Celtic design border, three dolphin feet, London 1934, 35.5cm diameter, weight approx. 39.5oz.

A pair of George VI silver oval sauce boats with cast Celtic pattern rims, high scroll handles with dragon head terminals, on three dragon head pattern feet, 3.25ins high, by Adie Brothers Ltd, Birmingham 1946, and with import mark for Dublin 1947 (weight 11ozs), and a matching six-piece condiment set of circular bulbous form, comprising - pair of salts, 2ins high, pair of pepper pots, 3.75ins high, and pair of mustard pots, 2.75ins high (weight 9ozs)

A pair of George VI silver circular waiters, the shaped and moulded rims cast with Celtic design, on three scroll pattern feet, 6.25ins diameter, by Adie Brothers Ltd, Birmingham 1947, and a matching oval dish, on four scroll feet, 7.25ins x 4.75ins (weight 20ozs)

A collection of Celtic and other costume jewellery, to include; a silver kilt pin with stone set terminal in retailers case, various silver, pewter and white metal stone set brooches, silver rings and other items including cameo brooches. (qty)

A Scottish silver Quaiche, by Francis Howard Ltd, assayed Edinburgh 1977, of typical form with shallow circular bowl and twin lugs, these with Celtic knot design, bowl diameter 9cm, together with a silver Armarda dish, by Royal Irish Silver Co, assayed Sheffield 1974, diameter 14.6cm, and a silver circular dish, by Cooper Brothers & Sons Ltd, assayed Sheffield 1977, having lobed side, diameter 11cm. (total weight 368.3g). (3) 

Two boxes of mostly 20th century ceramics including Shelly cabinet cups and saucers (Geisha 2466, Fuschia 0582), Gold Lustre by Do-Co Bavaria, Susie Cooper, Portmerion and a Clarice Cliff "Celtic Harvest" bowl.

Silver caster modelled as a celtic horn with loop handle, by Henry Matthews, Birmingham 1898, 4oz, cased.

Celtic Art Industries silver brooch, Iona silver brooch, and two other silver brooches (4)

A Celtic style 9ct gold cross with plated chain, cross 4.4g

Two antique brass dishes / plaques of Celtic design, 23 cm

Three contemporary white metal (tests as silver) rings, of Celtic influence, 10.6g

A contemporary white-metal (tests as silver) and onyx brooch, of Celtic influence, and a similar bracelet (stamped '925'), 26.9g

A silver and Connemara marbled Celtic harp brooch, together with a cruciform brooch centred by a cane glass cabochon

Silver and white-metal (tests as silver) bracelets, including three bangles of Celtic influence, and four bracelets, one having amethyst cabochons, 60.1g total, in a Charles Rennie Mackintosh style jewellery box

Auty, Squire The National Orange and Protestant Minstrel. Bradford: Printed and published by Squire Auty, at the Orange and Blue Banner Office, Kirkgate, 1852. 12mo, leather backed boards; provenance: Francis Thompson, 1858 (owner's ink MSS signature to ffep). Billed as a 'Collection of Constitutional & Protestant Songs, Hymns, Toasts, Sentiments, and Recitations, Original and Select', this little volume seems curiously at odds with its own intent. The preface by Auty admits truth in the statement that 'Orangemen have ever been regarded as tyrannical, bloodthirsty, implacable bigots' - especially if one studies their songs. He hopes that there is no line in this collection that 'would offend the most moral and religious of the brotherhood'. This preface would seem to be advocating charitable and Christian songs in a sense of brotherhood as Orangemen, rather than in the position of an opposition in Ireland. This sense by no means carries over to the words, which complain about groaning under popery, laud the valiant death of the Duke Schomberg and sing of remembering the Gunpowder Plot to the tune of Auld lang Syne. It would seem Christian brotherhood stops at ecumenicism. The poems and songs vary in their quality and vehemence, but it is hard to be unimpressed by the combination of liturgical education and merry ballad in 'Popery A Novelty' This catchy song (to the tune of anti-Irish 'Croppies Lie Down') calls for Irish Catholics to return to Celtic Irish Christianity by advising them St Patrick knew nothing of Transubstantiation 'Or I'm certain he'd told us before he had flown;/Look to the fourth Latern council and there you shall see,/That in it they invented this necromancy.' A seemingly rare and definitely intriguing work.. Boards a little rubbed and bumped, variable foxing throughout, MSS ink note on upper pastedown,

SCOTTISH DIRK BY FERGUSON BROTHERS OF INVERNESS, with basket weave handle, together with a similar knife and fork, all contained in a scabbard with Celtic motif white metal mounts, 45cm long

ABERDEEN - CELTIC 53-4 Aberdeen home programme v Celtic , 2/1/54, "A" Division, fold, slight creasing. Fair-generally good

MAN UNITED / CELTIC Programme Manchester United v Celtic in Toronto played for the Toronto Cup 11th May 1970. Some marks on front with light folds. Fair to generally good

CELTIC AUTOGRAPHS A collection of 12 autographs of the 1949 Celtic team on a plain card to include Alex Boden, Jimmy Docherty , Bobby Collins and Bobby Evans. Fair to generally good

SCOTTISH A collection of 25 programmes featuring Scottish clubs 1952-2004 to include Arsenal v Hibernian 1952 and homes at Aberdeen , Celtic , Dundee United , Dunfermline , Falkirk , Hearts , Kilmarnock , Rangers (includes a ECWC away at Twente 1977) and St Mirren plus Scottish Cup Finals 1993 and 1999. There is a Champions League 2004 programme Celtic v AC Milan signed by 18 players on the cover. Generally good

CELTIC Ten autographed 12 x 8 photos, showing images of former Celtic players 1960s - 1980s including excellent examples of Billy McNeill, Danny McGrain, Bertie Auld, Joe McBride, John Hughes etc, all signed in permanent marker. Good

SCOTTISH A collection of 11 Scottish programmes from the 1960's. Home clubs are Hearts 1959/60, Berwick, Stirling Albion 1960/61, Aberdeen , Celtic , Clyde 1962/63, Rangers (includes v Real Madrid EC), Stirling Albion 1963/64 . Fair to generally good

SCHOLES SHIRT - MAN UTD Match worn 2000/2002 Manchester United Red Number 8 Paul Scholes short sleeved pre or post season friendly shirt , worn against either Real Madrid 4/8/2000 or Celtic 15/5/2001. The shirt is a replica version shirt which was worn throughout season 2001/02 due to United moving to new kit providers (Nike) from season 2002-03 with Umbro no longer manufacturing player version shirts. Therefore the shirt is more likely to have been worn against Celtic although Scholes wore a number 8 short sleeve shirt in both games. Comes with certificate relating to authenticity from mufccollection .co.uk which provides further details re the shirt and markings. Good

CELTIC - VAN DIJK Match worn signed Vergil van Dijk Celtic away shirt , worn by him away to Hibernian 26/1/2014. Celtic won 4-0 and van Dijk scored with a free kick from circa 30 yards. The shirt is yellow with green hoops, short sleeve, sponsor Magners, made by Nike with green "V" neck and border to sleeves, Celtic badge on left breast with black star above it, Nike swoosh to right breast and Magners in the middle. The reverse has a black number 5 with "Virgil" in black above it. On the reverse side, the shirt has written in black marker "To Andy Virgil 5". Each sleeve has SPFL flashings. Good

SCOTTISH FOOTBALL PROGRAMMES Thirty five Scottish related programmes 1954 - 1988 including Dundee v Anderlecht 62/3, Rangers homes v. Rapid Vienna 64/5, Dynamo Dresden 67/8, Eintracht Frankfurt 67/8, Vojvodina 68/9, Borussia Dortmund 66/7, Benfica 65/6, Gornik 69/70 and Steaua Bucharest 69/70, Scottish League v League of Ireland 54/5, Scotland v England 1960, Motherwell v San Jose Earthquakes 81/2 including George Best, Third Lanark v Dunfermline 62/3, Brentford v Kilmarnock 54/5, St Mirren v Third Lanark 58/9, Rangers v Motherwell 57/8, St Mirren v Celtic 58/9 and Stirling v Hamilton 60/1. Generally good

CELTIC - LIVERPOOL Celtic v Liverpool programme, Billy McNeill Testimonial, 12/8/74, the game ended 1-1. Slight creasing. Generally good

1940'S NON-LEAGUE FOOTBALL PROGRAMMES Fifteen programmes including Walthamstow Ave. v. Clapton FC 46/7, Leytonstone v Walthamstow Ave. 48/9, Barking v Zwolle 49/50 and v. Leyton 49/50, Chelmsford City v Colchester Utd. 49/50 SLC, Cheshunt v Edmonton Borough 49/50, Colchester Utd. V. Weymouth 49/50, Dulwich Hamlet v Clapton 47/8, Enfield v Hendon 47/8, Ilford v Tufnell Park 47/8, Stalybridge Celtic v Ashton United 47/8, Tooting & Mitcham v Finchley 47/8, Tufnell Park v St. Albans City 29/4/1944, Minehead v Barnstaple 48/9 and 1949 Army Cup Final at the Aldershot Military Stadium. Generally good

1970 EUROPEAN CUP FINAL Two Dutch publications covering Feyenoord's victory over Celtic in Milan. Voetbal International magazine. Pages 23/24 and 25/26 are missing. The coverage of the final starts on with pictures and articles through to page 14, therefore the pages relating to the final are complete. Plus a 4 page special edition of Rotterdamsch Nieuwsblad which is folded and slightly worn. Fair

BELFAST CELTIC / GLASGOW CELTIC Programme Newry Town Sponsored X1 composed of Ex Belfast Celtic players v Glasgow Celtic 17th May 1952 in Belfast on behalf of the De La Salle Orphan Boys' Home. Small split at top right hand corner. Fair to generally good

SCOTTISH BADGES Thirty five Scottish Football badges, metal pin badges, modern, includes Celtic, Hearts, Hibernian, St Mirren, Falkirk, Dumbarton, East Stirling, Stirling Albion, Ayr, Stenhousemuir, Stranraer, Forfar, Dundee Utd, Aberdeen, Inverness etc. Good

FRIENDLIES Approximately 39 programmes for friendlies, between 50s and 80s but mostly 60s. Includes Birmingham XI v London XI at Villa 11/11/63, Bedworth v Coventry 66, Blackpool v Aberdeen 61, Celtic v Real Madrid 62, Crewe v All -Stars 58,East Fife v Tranmere 73, Folkestone v Crewe 69, Man City v Torino 61, Reading v Ex Players 57, Aldershot v Aberdeen 84, Athenian League v Iceland FA XI 61, Brighton v Shef Utd 66 match. Some faults. fair-generally good

CELTIC - THIRD LANARK 65 Celtic home programme v Third Lanark, 3/4/65, photograph of |Billy McNeill on front cover, slight creasing. Fair

CELTIC - McNEILL 66 Celtic home programme v Stranraer, 5/2/66, Scottish Cup, cover picture of Billy McNeill and signed by him underneath. Slight fold. Generally good

CELTIC Three books, For Celtic & Scotland by Billy McNeill issued in 1968 by SBC, All The Way With Celtic by Bobby Murdoch 1970 and Celtic Triumphant A Souvenir of a Wonderful Year by Ian Peebles 1967. Good

[§] JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961)EASTRE (HYMN TO THE SUN) Bronze, inscribed with initials, dated 1991 and numbered 5/1040cm (15.75in) highNote:Fergusson carved the original in plaster in 1927, but kept it under his bed for three years before he found someone who could pay for it to be cast. It is believed only one lifetime cast was made, which is held in the collection of Aberdeen Art Gallery.A posthumous edition of 6 was cast in 1971 and a second posthumous edition of 10 in 1991, celebrating the Fergusson Gallery project, which opened in 1992. This bust is from the 1991 casting. In Eastre we see Fergusson bringing together three important strains of early twentieth Century art: Paganism, Primitivism and Modernism.Eastre is the Saxon Goddess of Spring and of the rising sun. An enthusiasm for Paganism amongst artists and musicians such as Stravinsky had emerged in the early twentieth century. Fergusson was particularly fascinated by Celtic culture and the observance of harmony and unity in nature and the concept of the female form as a symbol of fecundity, renewal and rhythm. In the South of France during the 1920s, the natural environment and bright sunlight resonated with both Fergusson and his partner, the dancer Margaret Morris, who was herself also involved in a ballet performance entitled Hymn to the Sun. The full lips of Eastre and the repeating curves forming the chest, neck and head convey her organic nature.Together with the revival of Paganism came an interest in non-Western 'Primitive' art which was widespread from around 1907. Fergusson sketched Cambodian and Indian sculpture in the Trocadéro Museum in Paris. The strong features and bold stare of masks made a particularly powerful impression on artists of the time. Here the deeply sculpted eye sockets of Eastre recall African and Oceanic wood carvings. Two years prior to creating Eastre, Fergusson had embarked on a motoring trip around the highlands. His landscapes from this journey convey the Vorticist movement's love of speed, as well as elements of Cubism in the way that the landscape is broken up into segments. Here, hints of Vorticism and an Art Deco sensibility are found in the polished finish and the bold lines running along the cheek bones, chin and eyebrows which create a dynamic composition. The warm tone of the bronze is evocative of strong sunshine, and a sense of the luxurious. Eastre represents the perfect homage to both primal nature and a celebration of modern style and energy. It is arguably the most significant sculptural work by a Scottish artist of the 20th Century; its scarcity further enhancing its iconic status.

A 9ct Rose Gold Celtic Style Band, of pierced design; A 9ct Gold Five Stone Opal Ring, claw set; a modern 9ct gold ring, of abstract design, claw set. (3)

A COLLECTION OF FOUR GOLD AND GEM-SET RINGS AND A BAND RING comprising; a tiny diamond single stone illusion ring, stamped '18ct', size J, 1.6g gross; a 9ct gold cultured-half-pearl and red-coral cabochon two-row ring, London 1996, size L; a 6.2mm round cultured-pearl single stone ring, unmarked, size J+; a Continental oval blue topaz single stone ring, marks obscured, size J; and a 9ct gold 'Celtic woven knot' band ring, marks obscured, size O, the four rings 6.9g gross

GROUP OF VICTORIAN AND LATER BROOCHES, including two Victorian purple gem set bar brooches, one with pierced decoration, the other with celtic motifs, both approximately 47mm long and unmarked

SCOTTISH HARDSTONE AND GEM SET BRACELET, formed by sections of gems including moss agate, amethyst and carnelian, each approximately 17mm long, interspaced by oval faceted yellow gems, probably citrine, each approximately 12mm long, the fittings with celtic motifs, with safety chain, unmarked, very approximately 18cm long

A collection of jewellery to include three Victorian gem set bar brooches, a diamond set tie pin, a silver Celtic style kilt-pin, stamped RA; four miscellaneous collar studs and a single 9ct gold cufflink (10)

A single stone diamond ring claw set with an old cushion cut diamond, to an unmarked white metal shank; together with two three-stone diamond set rings; a 22ct gold wedding band and a white metal wedding band stamped PLAT; together with a collection of miscellaneous jewellery, to include a paste revolving locket; two gemset rings; a Celtic brooch stamped IONA; a 9ct gold wrist watch, a collection of costume jewellery and two Indian horn boxes (qty) Ring size: N

A collection of citrine jewellery to include; a circular wire frame brooch with central round cut citrine; a pendant necklace with pearl drop to a tapering gold mount and drop of cushion cut citrine; a large Celtic style gold mounted brooch, open work frame and central citrine; a small quartz brooch and a 9ct gold Victorian fob in shape of a trumpet (qty)

A cased condiment set Adie Brothers Ltd, Birmingham 1937, with Celtic border; together with a cased matched set of four berry spoons, various Georgian marks, later decoration, crest to terminal and a cased set of two berry spoons and sifter, various marks one with Russian marks, AR/ 180*, later decoration (qty) Weighable silver: 20.3oz

A pair of Scottish communion pattens Brook & Sons, Edinburgh 1934, circular form, Celtic raised border, presentation engraving to flat (2) Diameter: 35cm, weight: 76.4oz

A modern Celtic style bowl Hamilton & Inches, Edinburgh 1912, of circular form, planished finish, raised on three dolphin legs; together with an Ottoman style wine ewer, Glasgow 1914; a modern quaich; to include cased tea and coffee spoons, two napkin rings, and a mustard (qty) Diameter: 10cm, Weighable silver: 27.9oz

Cymru metal Celtic design 9ct gold ring. (B.P. 24% incl. VAT) CONDITION REPORT: 2.6g approximately.

Collection of vintage handbags (20's-60's) to include; various colour leather bags including; a black clutch bag with Celtic knot design and matching purse and two leather bags with Egyptian designs, various black suede bags including; a clutch bag, a handbag by Swan & Edgar, and a 20's/30's bag with bone clasp and patterned silk lining, a faux suede clutch bag with a crocodile design on the clasp, a striped multicolour snakeskin clutch bag by Jane Shilton, a small green snakeskin bucket bag, two lizard skin bags (one a brown clutch and a light brown handbag), two small brown crocodile skin handbags, three beaded bags (two patterned on cream ground and one navy and black drawstring), a cream floral design beaded small purse and a black striped fabric bag by Jane Shilton etc.(B.P. 24% incl. VAT)

Six various stick pins: to include a Celtic cross stick pin; a stick pin set with a round seed; an oval citrine stick pin; a coral topped sword stick pin; a shell topped sword stick pin; a shell bead stick pin; (all unmarked, 16.6g gross)