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A 17th century style oak coffer, the cleated plank top above three panels carved with geometric Celtic motifs over a lower lunette carved frieze, raised upon stile feet, 63cm H x 99cm W x 47cm D

A collection of x6 original vintage Subbuteo tabletop football team sets comprising; 752 West Ham, 635 Hungary, 732 Manchester Utd 2nd, 680 Scotland, 733 France and 25 Celtic Shamrock Rovers. All sets appearing complete within original boxes.

3 silver and white metal bracelets. A decorative silver bead and chain bracelet, a Rhona Sutton charm bracelet and a bangle with Celtic design panel set with black onyx.

ORDINANCE SURVEY MAP FEATURING CELTIC PARK

AN IRISH GEORGE II STYLE MAHOGANY SIDE TABLE BY HICKS OF DUBLIN, late 19th CENTURY, the moulded top over on a carved frieze with foliate swags issuing from eagle heads and centred with a mask, on foliate carved ‘broken’ cabriole legs and paw feet, stamped HICKS. 79.5cm high, 179cm wide, 70cm deep.Provenance: The Davey Family; sold Mealy's Co. Kilkenny, 30 July 1991, lot 476  The work of James Hicks, from Dublin, is the antithesis of modernism. Renowned for his use of exotic woods, astounding marquetry and a profound interest with Chippendale, Adams and Sheraton styles, Hicks opened his workshop in 1894. Worldwide royal patronage followed and the firm won many famous commissions.Early furniture reflected the 18th century Palladian style featuring decorative shells, acanthus leaves, laurel swags, and heavyset cabriole legs. Later work was classical in style and refined.Hicks won many awards - notably the Aonach Tailteann in 1928. This satinwood display cabinet won a silver medal at the Royal Dublin Society Spring show in 1934, and the satinwood table dating 1929 was one of several pieces, which represented Ireland’s craftsmanship at the New York World Trade Fair in 1939. The President and Chairman of the fair sent a certificate to the Hick’s firm conveying their appreciation of the substantial contribution which Hick’s exhibit had made towards the success of the fair. Hick sadly died in 1936, never gaining the opportunity to receive this accolade in person.This impressive side table is attributed to the celebrated Dublin cabinet-maker, James Hicks and Sons of 5 and 6 Lower Pembroke Street. James Hicks was born in 1886, the son of a chairmaker, Patrick Hicks. The family may have been associated with the Dublin cabinet-making firm of Michael Butler, by tradition living next door in Upper Abbey Street. Butler made some of the finest 18th century revival Irish mahogany furniture and dealt in antique furniture. James Hicks set up his own business in Lower Pembroke Street, in 1894, having worked in Tottenham Court Road, London. He described himself as ‘Cabinet Manufacturer, Collector and Restorer of Chippendale, Adam and Sheraton furniture’, and included among his clients, several members of the Royal family as well as the aristocracy. Hicks had many important patrons and President Cosgrave in 1928 gave the firm the big commission of fitting out the Dail and Senate in the new Parliament in Leinster House and work was done in the Four Courts. Sets of Chippendale style chairs were ordered for the President’s house - Aras an Uachtaráin - and the Irish Embassy in Berlin. Hicks died in 1936.James Levins Snr. was the finest carver at Hick’s workshop and was responsible for the Irish baroque style mahogany side table with its grotesque head that was sold by the McGrath family, Cabinteely House, Co. Dublin, Christie’s house sale, 5-6 November 1984, lot 18 (see introduction by The Knight of Glin, ‘The McGraths, Cabinteely and James Hicks and Sons’). That mask is very close to the mask on the present table, also being flanked by C-scrolls, so it is probably that Levins carved the present lot. The table draws heavily on Irish 18th century prototypes, with its deep carved drapery-swagged apron and Venus shell badges, but is clearly of the revival period in its exageration of some of the lines (for example the oversized feet and narrow legs). That the essentially conservative nature of the Irish collector is nothing new can be demonstrated by the career of James Hicks. The most proficient and admired of this country’s cabinetmakers in the 20th century, Hicks enjoyed as much popularity during his life as he has posthumously.Pieces from his workshop come up regularly at auction and they always secure excellent prices, as buyers are confident of every item’s quality and durability. Hicks’s furniture, in addition to its impeccable craftmanship, is invariably graceful and easy to place in any home. However, while his high standards are consistent, so too is Hicks’s want of imagination and the essentially anachronistic character of his designs. When he first started his own business in 1894, the Celtic Revival movement was at its height, yet Hicks showed no interest in producing items with a distinctively “Irish” appearance. By the time he died in 1936, the modernist movement had permeated Ireland but evidence of this is non-existent in his work. Instead, Hicks was content to design and manufacture what might be called pastiche 18th-century English furniture.Except on a handful of pieces, he did not employ Irish motifs such as the lion’s claw foot or central mask on tables which had been so popular during the early and mid18th century. Hicks’s preference was for designs from a slightly later period, when neoclassicism had come into favour; Adam, Sheraton and Chippendale were his three muses.A specific influence has been traced to the late 18th-century cabinet-maker William Moore, who moved to Dublin in 1782 after training in London with the firm of Ince and Mayhew. The son of a chair-maker, James Hicks was born in Dublin and after serving an apprenticeship in London he returned to open premises in his native city on Lower Pembroke Street in 1894. His success appears to have been rapid; in 1903, Princess Victoria, daughter of Edward VII, bought a number of his pieces - the king himself is also supposed to have purchased a set of chairs - and two years later the newly-married Crown Princess of Sweden ordered Hicks’s furniture for her palace in Stockholm. In 1928, Hicks was commissioned to furnish the Dail and Seanad in Leinster House and he refurnished Cabinteely House after 1933 for Joe McGrath.In The Arts & Crafts Movements in Dublin and London, 1885-1925, published in the late 1990s, Nicola Gordon Bowe quotes Daisy, Lady Fingall as recalling that in 1904 Hugh Lane arranged for Hicks to make shelving and bookcases for her home, Killeen Castle. “His own high standard of art”, she remembered, would not allow him to produce anything unworthy of “the great tradition of cabinetmaking from which he was descended”.In her memoirs, Lady Fingall also referred to Hicks possessing “an untidy workshop in Pembroke Street, where many great people visited him”. His firm employed some 24 cabinet-makers and artisans, supervised by Hicks, who seems to have been particularly preoccupied with high standards.According to Desmond Fitzgerald, the Knight of Glin, Hicks’s marquetry was done to his designs by Harry Sherrard of Liffey Street, while carving was usually left to James Levins Snr and Jr; they would have been responsible for the rococo-style mirrors produced by Hicks and for the friezes featured on certain table fronts.Hicks’s nephew, Harry, was another member of staff, who worked on Titania’s Palace, the dolls’ house designed by Sir Neville Wilkinson, the framework of which was built of mahogany in eight sections in the Pembroke Street workshop. Mahogany was the most common material used, but his work also features a variety of imported woods such as satinwood, tulipwood and rosewood. Furniture by Hicks regularly won awards when exhibited at fairs, including the Gold Trophy at the 1928 Aonach.Although he found time to teach at craft schools in Dublin, Hicks, who died in 1936, seems to have had few successors and certainly none of his calibre. He was, in effect, this country’s last master cabinet-maker of the old school. His want of innovation, occasionally the subject of critical comments during Hicks’s lifetime, never deterred admiration either then or since.Condition Report: 178 x 71 x 80cm highIn excellent original condition - no damages to the carvingThe top could do with a wax polish

AN IMPORTANT IRISH YEWWOOD LIBRARY TABLE, by Arthur Jones & Co. Dublin made for the Great Exhibition 1851, at the Crystal Palace, London. 150 x 80cmThe most widely referenced and prominently illustrated Irish exhibit of the 1851 Great Exhibition at the Crystal Palace in London, was an eighteen-piece bog yew suite designed and manufactured by Arthur Jones & Sons of Dublin. The suite is described and illustrated in a four-page entry.In 1853 Jones went on to publish a more extensive catalogue of the suite, which included an additional six pieces of furniture. He entitled the catalogue: ‘Description of a suite of sculptured decorative furniture, illustrative of Irish history and antiquities, manufactured of Irish bog yew /designed and executed by Arthur J. Jones, Son, and Co. ... 135, Stephen’s Green, Dublin.’There are four known surviving pieces of this suite today. They are listed in the Official Exhibition Catalogue as follows: No.4- A Teapoy, No.17 - A sarcophagus wine-cooler, or garde-vin, No. 9- Whist Table and No.2 - An Occasional Table - Lot 428 in this sale.The teapoy was sold at auction in Adam’s in 2014; the wine cooler was bequeathed to the National Trust of Australia (NSW) by Samuel Henry Ervin[1] and remains in the S.H. Ervin Gallery in Sydney to this day; and the whist table, or card table is in the Victoria & Albert Museum in London.Jones’ entire suite is composed of a type of bogwood called ‘bog yew’. A wood that derives from ancient fallen trees or stumps that have been submerged in bog land for thousands of years. Bogwood was increasingly used by craftspeople and cabinetmakers as a deliberate reference to Ancient Ireland in their work. Jones writes in the introduction pages of his independent catalogue:“The wood employed – the bog yew tree – resembles the subject it illustrates. As the details of Irish history have been disentombed from the oblivion which conquest entails upon the records of the vanquished, the bog yew timber of ancient Ireland has been exhumed from the depths of her peat formations…” (Jones, 1853)The integration of ancient animals emblematic of Ireland is omnipresent in this suite. The inclusion of creatures such as the extinct Great Irish Deer [Megaloceros Giganteus] and the Irish wolf, injects an element of drama and theatre.The Occasional Table was carved with a ferocious animal group of the Irish wolfhound killing a wolf to the cross-stretcher. This piece of the table is sadly no longer present but can be seen in the catalogue illustrations.The important role of music and poetry in the Irish culture is also represented in the design of the suite as can be seen above the pillars of this table – central to the carved apron is a Celtic harp, and each corner, a bard’s head.The large pillar supports of the table are raised on downswept legs carved with shamrocks, roses, thistles – emblems known as the ‘Union Flowers’. The top portion of the table is representative of Ancient Ireland while the lower half carved with ‘Union Flowers’ alongside symbols of Ancient Ireland places this piece firmly within the context of the ‘United Kingdom’ which would have been Jones inclination and his intended market.Condition Report: Very good condition Noticeable time split to top Stretcher underneath has lost the animal carving (compare with original design illustrations)Small losses to the carving underneath have been overpolished to conceal lossSee additional images

WILLIAM BOYDEN KIRK (1824-1990) A Belleek china first period figure of Erin otherwise titled ''Erin Awakening from Her Slumbers'', designed by H. William Boyden Kirk (1824-1900), matte glazed. This allegorical piece represents the unveiling or introduction of Belleek Pottery to the world. Erin personifies Eire with shamrocks laced through her hair and she is unveiling the inscribed urn which symbolises Belleek Pottery. She is standing in strap sandals on the Belleek flagstone, with the waves of Lough Erne splashing at her feet, and there is a harp and Celtic cross behind her flowing gown. 45cm highCondition Report: Excellent conditionNo issues to reportBelleek first period mark to the underside, rubbed See additional images

A 'CELTIC PATTERN' NEWBRIDGE CANTEEN OF SILVER CUTLERY,in a simulated mahogany case, comprising 24 knives with steel blades, 12 table forks, 24 dinner forks, 8 dessert forks, 4 serving spoons, 12 sour spoons, 12 table spoons, 12 dessert spoons, 12 teaspoons, 12 fish knives, 3 cheese knives, 2 butter knives, 2 cake servers, a carving knife and fork with sharpener (c.164 troy ozs excluding knives and other steel items)

An unusual Celtic pendant in the form of a stylised bird, marked KJOD, 925, silver belcher chain; a silver locket & necklace; a silver box chain & ball bracelet; a silver gilt box chain; a pair of gold-plated tear drop earrings; 31.8g gross

A 22ct gold open Celtic plait band 2.88g; a 22ct gold set with three round turquoise stones 4.43g

An Arts & Crafts style silver slip top spoon by Phillip and Angela Lowery of the Taena community, marked P&AL, London 1990, 14cm long, approximately 26g and two white metal cross pendants of Celtic design by Phillip Lowery, both on chains (3)/Note: All purchased from the Gloucestershire Guild of Craftsmen CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Keswick School of Industrial Arts, two large copper chargers, one embossed flowers within a scroll border, impressed mark, 57cm diameter, the other decorated scrolls and foliage, impressed mark and etched signature Mark Stanley 1895, 54cm diameter, a KSIA copper charger embossed hops, impressed mark, 34.5cm diameter and a copper charger embossed hearts and Celtic knots (unmarked), 30cm diameter (4) CONDITION REPORT: Some misshapenness, dinks and dents to both. Could benefit from a clean in areas. Scratches present, expected of age and use

A copper jardiniere, repousse decorated with band of Celtic motifs, 20cm diameter and a brass jardiniere on four feet with similar decoration, 20cm diameter CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Attributed to Margaret Gilmour (1863-1942), Glasgow School, a brass charger decorated Celtic designs, 48cm diameter, another similar, 44.5cm diameter, another embossed Judge A Tree By Its Fruit, signed to back A Needham, 36.5cm diameter and another brass charger (4) CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Pair Celtic design plated candlesticks

Football James McCarthy 16z12 overall Everton mounted signature piece includes a signed album page and a colour photo in action for Everton. James Patrick McCarthy (born 12 November 1990) is a professional footballer who plays as a central midfielder for Scottish Premiership club Celtic and the Republic of Ireland national team.

A 9ct gold Celtic style bracelet

A CLARICE CLIFF FOR NEWPORT POTTERY CELTIC HARVEST PRESERVE JAR AND COVER, moulded and printed marks, diameter 11cm, together with a Clarice Cliff for Wilkinson Pottery plate moulded with two Autumnal leaves, printed and impressed marks, diameter 22.5cm (2) (Condition report: both pieces have crazing in the glaze)

A SMALL QUANTITY OF JEWELLERY, to include an openwork circular link line bracelet with fold over clasp hallmarked Birmingham, length 170mm, a single napkin ring with an engine turned pattern hallmarked Birmingham, an amethyst set Celtic style bar brooch stamped 925, a single oval cut citrine set earring stamped 925, a tanzanite set ring stamped 925, a pair of polished domed stud earrings each stamped 925, a paste set buckle unmarked, a marcasite floral pendant broken from chain, a pair of heart shape colourless cubic zirconia set stud earrings with post and scroll backs, two white metal rings etc

Vintage Celtic Silver Bangle

Quantity of Epns wares to include toast rack, serving dishes, celtic pattern bowl, cutlery canteens, etc (a lot)

Scottish provincial silver toddy ladle, celtic point, William Ritchie, Perth, 15cm, a Dundee silver ladle by William Constable and an Aberdeen silver ladle by Rettie & Son (3)

Large Clarice Cliff Celtic Harvest table centre bowl with high arched handle, 33cm wide. In good condition with no obvious damage or restoration.

Jim Malone (b.1946): A Stoneware Jar and Cover, covered in a green ash glaze with combed decoration, impressed JM mark, 28cm high; and Alastair Hardie (b.1941): A Stoneware Jar, ash glaze, impressed seal and Alastair Hardie Northumberland, 23.5cm high; and A Celtic Pottery Vase, painted with two phoenix, labelled, 21.5cm high (3)All three are in good order.

Archibald Knox (1864-1933) for Liberty & Co.: A Cymric Silver and Enamel Vase, with two bands of Celtic decoration, stamped 5289, L & Co, Birmingham 1904, CYMRIC, 8.5cm high (lacking liner)Areas of enamel damage. Damage around the base. Misshapen. See extra images.

Celtic style costume jewellery

CELTIC F.C. CHAMPIONS OF EUROPE 1967,printed on 'Pure Irish Linen', 51cm x 77cm, along with three 1970s Celtic posters

SCOTLAND VS. ENGLAND 1967 PROGRAMME,along with others comprising Celtic-Rangers XI v Moscow 1965, England v Scotland 10th April 1965, Scotland v Argentina 1979, England Scotland 1975, Scotland v Italy 1965, Scotland v FInalnd 1964, Manchester United v Aston Villa October 1957, v Wolves April 1958, v Fulham December 1961, v Sheffield Wednesday February 1962, v Villa March 1962 (12)

CELTIC FOOTBALL CLUB INTEREST - SIGNED PHOTO OF CHRIS SUTTON,scoring against FC Barcelona in the UEFA Champions League, framed, 37.5cm x 45cm

JOHN McCLELLAND RANGERS FOOTBALL CLUB LEAGUE CUP FINAL 1984/85 MATCH WORN HOME SHIRT,no. 3Note: Northern Irish International John McClelland signed for Rangers in 1981, making over 100 appearances for the club. When Derek Johnstone moved to Chelsea in the summer of 1983, John Greig made the decision to appoint McClelland as team captain, and the new skipper led the team to glory in the League Cup in March 1984 when Celtic were beaten in the Final thanks to an Ally McCoist hat-trick. The following season found McClelland embroiled in a dispute with the club, though he would still go on to win the League Cup again when the team beat Dundee United 1-0 in the final. This shirt was worn in that match. He was soon bought by Watford, having success with them south of the border, and eventually to Leeds United, with whom he would win the league in 1991-92.Condition generally good. No noticeable holes or bobbles. Some discolour to the sponsor. Creasing to shirt as per picture. Additional images now available.

CELTIC FOOTBALL CLUB SIGNED HOME SHIRT,a 2001-2003 home shirt bearing fourteen signatures including Henrik Larsson, John Hartson and Lubo Moravcik, framed and behind glass

SCOTTISH FOOTBALL LEAGUE CHAMPIONSHIP GOLD MEDAL 1935/36,awarded to James 'Jimmy' McMenemy of Celtic F.C., the obverse with central shield shaped cartouche with lion rampant motif, and inscribed 'SCOTTISH FOOTBALL LEAGUE', the reverse inscribed 'CHAMPIONSHIP won by CELTIC F.C. JAMES McMENEMY 1935-36', in nine carat gold, 5cm high including bale, approx. 24gNote: Jimmy McMenemy was a Scottish footballer who most notably played for Celtic between 1902 and 1920, later serving as assistant manager during the 1930s. He has been described by the club as "a true Celtic legend". During his time as a player he won the League 11 times, the Scottish Cup 6, the Glasgow Cup 8, and the Glasgow Charity Cup 10. After hanging up his boots, he spent many years away from football and some time as a publican. He came back to Partick Thistle as a coach, before returning to Celtic in 1934 as training assisting to Willie Maley, the same legendary manager who had brought him to the club as a player three decades before.This unusual medal (awarded not to a player or manager, but a coach) is a rare survivor from the 1935-36 season, when Celtic triumphed over city rivals Rangers by six points to win their eighteenth title, and first in a decade...

TWO CELTIC FOOTBALL CLUB DINNER MENUS, 1930s,the first a 'Complimentary Dinner... to celebrate their record performance by winning the Scottish Cup 13 times and also on the occasion of the team's departure on their American Tour', held on the 11th May 1931, team photograph verso, the second a 'Complimentary Dinner... to commemorate their winning the Scottish League Championship the Glasgow Charity Cup and the Second Eleven Scottish Cup 1935-36', held at the Bank Restaurant, 21st September 1936 (2)

CELTIC FOOTBALL CLUB DINNER MENU, 1908,printed by Maclure, Macdonald & Co., Glasgow, 'To commemorate the record achieved by the Celtic Team in Season 1907-08', held at the Tarbert Hotel on 30th December, printed with match results, courses and toasts, team photo verso

DAIZEN MAEDA OF CELTIC FOOTBALL CLUB EUROPA LEAGUE 2020/21 MATCH PREPARED HOME SHIRT,Celtic F.C. Foundation sponsor, Europa League and EUFA Foundation sleeve decal, DAIZEN 38 to the back, size SNote: Whilst we have no reason to doubt the authenticity of this shirt, we offer no guarantee in this respect.

A contemporary full hunter pocket watch with visible movement and Celtic knot design to front, (5cm d), a Pierre Nicoll fob watch, two ladies wrist watches and a pair of stud earrings, (a lot)

SHAMROCK ROVERS Fifteen home programmes in European competition v Nice 59/60, Botev Plovdiv 62/3, Valencia 63/4, Real Zaragoza 65/6, Shalke 04 69/70, Banik Ostrava 78/9, Apoel 78/9, Universitatae Craiova 82/3, Linfield 84/5, Fram 82/3, Honved 85/6, Celtic 86/7, Gornik 94/5, Djurgardens 2002/3 and Slovan Liberec 2003/4. Good

SHAMROCK ROVERS Six away programmes in European competition v Fram 82/3, Honved 85/6, Celtic 86/7, Djurgardens 2002/3, Slovan Liberec 2003/4 and Flora 2011/12. Good

RANGERS / AUTOGRAPHS A 12 X 8 photo of Willie Henderson and Alex MacDonald arm in arm as they celebrate a memorable 1-0 victory over Celtic in the 1970 League Cup Final at Hampden Park, signed by both players in fine blue marker. Good

CELTIC Seventeen large issue home programmes v Sparta Rotterdam 59/60, Real Madrid 62/3, Valencia 62/3, Basel 63/4, Dinamo Zagreb 63/4 and 66/7, Slovan Bratislava 63/4, Barcelona 64/5, Go Ahead 65/6, Aarhus 65/6, Dinamo Kiev 65/6, Penarol 67/8, Racing Buenos Aires 67/8 X 2, St. Etienne 68/9, Red Star Belgrade 68/9 plus Celtic / Rangers XI v Moscow Dynamo 65/6. Good

CELTIC V REAL MADRID 1962 / RANGERS AUTOGRAPHS Ticket for the Friendly at Celtic 10/9/1962 signed on the back by 3 Glasgow Rangers players, Jim Baxter, Davy Wilson and Jock Weir, folded, minor tears and slightly worn. Fair to generally good

1970 EUROPEAN CUP FINAL CELTIC v FEYENOORD Match played 6/5/1970 at the San Siro, Milan.  Issue of the Milan daily football paper ''La Gazzetta dello Sport'' dated 6/5/1970  previewing the Final, includes headline front page coverage with full team line-ups to the front cover and further extensive match previews inside. No official programme was produced for the Final. Generally good

1972 UEFA CUP SEMI FINAL AC MILAN V TOTTENHAM HOTSPUR Match played 19/4/1972 at the San Siro, Milan. Issue of the Milan daily football paper ''La Gazzetta dello Sport'' dated 19/4/1972 previewing the match, includes headline front page coverage with full team line-ups to the front cover and further match previews inside. No programme was issued. This issue also previews the European Cup Semi Final Glasgow Celtic v Inter Milan played the same day in Glasgow with full team line-ups and extensive match previews. Generally good

BOBBY LENNOX / AUTOGRAPHS Four 12 X 8 photos of Lennox during his time with Celtic in the 1960's and 1970's, including a superb image showing Lennox sporting the controversial 'Political' shirt in 1964, all 4 photos signed in black marker. Good

SCOTTISH FOOTBALL PRESS PHOTOS Twenty two original b/w Press photos, 11 of which have stamps on the reverse from the late 1940's and early 1950's, mostly 10" X 8" featuring action from Rangers, Celtic, Partick Thistle and St. Mirren. Some have writing on the back and some are plain. Generally good

SHAMROCK ROVERS V CELTIC 1955 Programme for the Friendly at Dalymount Park, Dublin 13/5/1955. Good

BELFAST CELTIC V BALLYMENA 1938 Programme for the home match for Belfast Celtic v Ballymena 16/4/1938, creased. Generally good

MASTERS CUP 2010 Programme, 64 pages, for the Tournament including Arsenal, Tottenham, Chelsea West Ham, Fulham and QPR, Man. City, Man. Utd., Rangers, Celtic, Leeds United, Liverpool, Everton, Newcastle and Sunderland. Good

ARSENAL Menu for the Shareholders' Luncheon 18/7/2006, being the first event at the new Ashburton Grove Stadium, signed Paul David Testimonial Brochure on the form cover and Celtic match insert and programme for an Audience With Arsene Wenger and David Dein 8/11/2021 at the London Palladium. Good

SHAMROCK ROVERS V CELTIC 1955 Programme for the Friendly at Dalymount Park 13/5/1955. Very good

STALYBRIDGE CELTIC V DARWEN 1951 FA CUP Programme for the Qualifying tie at Stalybridge 15/9/1951, slightly creased. Generally good

1930's Carlton Ware biscuit barrel, blue colour way, 'Oak Tree Pattern. The barrel embossed with oak trees with acorn side knob and finial and a basket-weave handle, stamped 1166, approx 16.5 cms h together with a Clarice Cliff 'Celtic Harvest' jam jar and chrome-plated cover and a Victorian Staffordshire figural spill vase, 'Before Darwin', approx 15 cms h and a Rosenthal cockerel figurine approx 18 cms in length. 

Large Quantity of Lledo die-cast vehicles: Lledo Promotional Models with various decals, including Moorgreen Colliery, Moorgreen National Workshops, Toronto Canadian Travel Show & Business Exposition, Scarley's Bicycles, Bestwood National Workshops, Basset's Liquorice Allsorts (black and yellow), Stevenson's, Non-Stop Service, Burt's Ales x 2, Stevenson's, Plymouth Argyle, Clayton High School, BJCC Cables Limited, Buckland Bus Services, Towncrier, together with another mushroom tray of Lledo Models of Days Gone die-cast vehicles with various decal including Robert McAlpine & Sons, Sneiders Quality Meats, Swan Vesta's DD bus (lime green), Walls Ice Cream, Radio Times van, Auld Scotch Ginger, Typhoo, Terry's Gymnasium (lilac blue), Millbank Books, Hamley's horsedrawn carriage, Bird's Custard, Sneiders Quality Meat, His Masters Voice, White Rolls, Walls Ice Cream, Butlin's Bognor, The Winchester Club, John Smith. Plus quantity of Lledo Days Gone, including Magasin du Nord x 2, Halls Wine DD, three Coca-Cola, Battalion Chief of the Fire Service, Harry Ramsden Fish & Chips, Yorkshire Evening Post, Stroh's America Fire Brew, Barton, Ford T (grey livery), Pepperidge Farm, 21st Anniversary IPMS, Echo Centenary, 2nd Illinois Miniature Toy Show, 2 x Coca-Cola vintage truck, Evening News, Fine Lady Bakeries, Union Free School, Marcol Products Cardiff, Days Gone Collector's Club 1 million sold anniversary, Brighton Bell Touring vehicle, Bermuda, Celtic Dairies, Luckhurst County Fire Brigade, Aeroplane Jelly Company, Tartan Tours, L.S.W.R Parcels, all in very good condition, boxed. 

Jorgen Jensen pewter brooch signed and numbered No.986, together with a quantity of Celtic and Viking-style silver and white metal jewellery, including hardstone-set pendants, etc

A collection of Belleek Pottery giftware all having blue stamp (8th mark 1993-1997), comprising of Devenish Ireland round tower ornament; Larry the Lep; Celtic High Cross; Quizzical Cat; Peace plate; Photograph frame; vase, measuring 10 3/8in. (26.4cm.) high. (7)

A large metal circular Celtic design brooch/cloak pin. Makers mark to back. Approx 5.5cm diameter.

3 silver and white metal bracelets. A decorative silver bead and chain bracelet, a Rhona Sutton charm bracelet and a bangle with Celtic design panel set with black onyx.

A pair of unmarked 9ct yellow gold stud earrings in the shape of Celtic knots. One butterfly back missing. Total weight approx. 0.6g, test as 9ct gold. Approx. 7.5mm diameter.

A collection of vintage Scottish and Celtic style costume jewellery to include stone set examples. Lot includes: pin back brooches, kilt pins, pendant necklace, scarf clips and pendant.

Contemporary silver six-piece cruet set decorated with Scottish Celtic style bosses, having four matching salt spoons, all by David Lawrence Silverware, Birmingham 1966, 244g gross without the liners.