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CELTIC FOOTBALL CLUB; various items of club related memorabilia including programmes, books, a framed display of ticket stubs, framed posters, facsimile copy of Celtic vs Everton 1938 programme front, framed newspaper cuttings and souvenir programmes, etc.

CELTIC RANGERS; a large limited edition print numbered 1154 after Jim Scullion, depicting the 1998 team huddled together, overall 78.5 x 104cm, framed and glazed.

PAIR OF NINE CARAT GOLD EARRINGSof entwined Celtic knot design, approximately 2.7 grams

SELECTION OF SILVER JEWELLERYcomprising nine bangles including a Charles Rennie Mackintosh style example and another with entwined Celtic knot detail, three Christening bracelets, two mother of pearl set Mexican silver brooches, a marcasite set floral brooch, a Charles Rennie Mackintosh brooch, and a Scottish stone set thistle design brooch

SELECTION OF FOOTBALL SHIRTS,including Celtic, St Mirren, Barcelona, etc., mainly adult medium

SELECTION OF SILVER AND SILVER MOUNTED JEWELLERYcomprising six rings including a Celtic design band, and a sculptural twist example and a turquoise set solitaire, a pair of pearl drop earrings, other single earrings, bracelets and a neck chain

EIGHT VARIOUS SCOTTISH SILVER BROOCHESincluding four agate and stone set examples, one with entwined Celtic decoration by Malcolm Gray for Ortak; and a penannular brooch with entwined Celtic knot decoration (8)

GROUP OF FOLIO SOCIETY BOOKS, comprising The Great Game, William Russell Special Correspondent of the Times, Collected Ghost Stories, Irish Fairy and Folk Tales, Celtic Myths & Legends and Legends of the Grail

Autographed John Dixie Deans 16 X 12 Limited-Edition : Colorized, Depicting Celtic Manager Jock Stein Celebrating With Striker John 'Dixie' Deans During Pitch Side Celebration Scenes At Hampden Park After The 1972 Scottish Cup Final, Deans Scored A Memorable Hat-Trick In A 6-1 Victory Over Hibernian, Signed To The Lower Border In Fine Black Marker By Deans, Limited To Just 75 Editions. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Autographed Jim Craig 16 X 12 Limited-Edition : Colorized, Depicting Celtic Full-Back Jim Craig In Full Length Action During A 1-0 Victory Over Partick Thistle In A First Division Encounter At Celtic Park In 1969, Signed To The Lower Border In Fine Black Marker By Craig, Limited To Just 75 Editions. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Autographed Celtic 16 X 12 Limited-Edition : Colorized, Depicting Celtic's Lou Macari Celebrating With Team Mate John Dixie Deans After Scoring Celtic's Fifth Goal In A 6-1 Victory Over Hibernian In The 1972 Scottish Cup Final At Hampden Park, Signed To The Lower Border In Fine Black Marker By Macari And Deans, Limited To Just 75 Editions. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

An Irish woolen Dun Emer guild type Rug, the mustard ground with central Celtic motif, as a fabric, approx. 138cms long x 72cms wide (54" x 28"). (1)

A Victorian English silver floral embossed urn shaped Peppershaker (marks worn); a plain silver miniature Tankard, by William Egan, with S shaped floral handle; a modern Irish silver tubular shaped Shot Cup with Celtic motif; and two Victorian English silver shell design Caddy Spoons. (5)

A 9ct gold Ring with Celtic pattern scroll detail and engraved date, ring size P 1/2, approx 4.9gms

A selection of Silver and Unmarked White Metal Jewelleryto include; a vintage scottish silver John Hart Iona celtic brooch, a "925" stamped Rose flower design brooch, a "925S" stamped Royal Artillery Marcasite brooch, an unmarked white metal bracelet with silver heart shaped padlock, two "925" stamped Celtic design rings, a Kit Heath Celtic design pendant with matching earrings and a pair of "925" stamped faceted blue paste stone earrings, total gross weight of the silver jewellery excluding the bracelet is approx. 42 grams

Celtic Pewter, an Arts and Crafts pewter and Ruskin cabochon set mug, conical acorn form with heart shaped souffle plaques, on pierced bracket feet, open teardrop whiplash handle, 9.5cm high

Three Iona Arts and Crafts silver caddy spoons, various makers and dates including J Cameron of Kilmarnock, Birmingham 1935 and Robert Allison, Glasgow 1936, each with planished pear shaped bowls, cast Celtic knot handles and finials, 10cm long, 1.41ozt

Charles Horner, an Arts and Crafts silver and enamelled pendant, Chester 1906, open Celtic knotted bean design, with drop below, blue turquoise enamel panels, 3cm wide, 8.8g

Murrle Bennett, an Arts and Crafts silver and enamelled brooch, lozenge form in the Celtic style with knotted tendrils between two panels of blue green enamel, 4.5cm long, 3.4g

Clogau: A Welsh 9ct rose gold and diamond dress ring Of pierced Celtic pattern, set with small round brilliant-cut diamonds, UK hallmark Ring size: J

A ROBERT ALLISON SILVER CELTIC AXE BROOCH

A SILVER NECKLACE WITH A CELTIC SILVER AND AGATE CROSS

A large Celtic? carved oak tea caddy box, with intricate knot cover, allover chipped carved decoration, and 2 interior fitted removeable box compartments, W38cm, H20cm, D23cm

Circa 1st century B.C.-1st century A.D. or later. Rectangular in section, obverse with three carved facing piriform masks, in low relief and inset; upper face dressed and chamfered, lateral faces crudely worked. See Henri de Gérin-Ricard Marseille, Le sanctuaire préromain de Roquepertuse à Velaux (Bouches-du-Rhône), Société de statistique d'histoire et d'archéologie de Marseille et de Provence, 1927; Green, M., The Gods of the Celts, London, 1993; Celtic Stone Sculptures, Rupert Wace Ancient Art, London, 1989. 6.14 kg, 31 cm (12 1/4 in.). Private Sussex, UK collection, acquired 1980s. Private collection, Hove, UK.The intended effect may have been to replicate the huge trilithon with niches for heads as seen at Roquepertuse, France.

La Tène B, 3rd century B.C. D-shaped in section, segmented on the outer face into a series of convex knobs, each separated by a groove. Cf. MacGregor, A., (ed.) Antiquities from Europe and the Near East in the Collection of Lord McAlpine of West Green, Oxford, 1987, item 14.12, for type. 116 grams, 57 mm (2 1/4 in.). [No Reserve] (For this specific lot, 5% import VAT is applicable on the hammer price.) with H.A.C.A.G., Basel, prior 1999. Accompanied by a copy of an Art Loss Register certificate no.S00103135.After the end of the Bronze Age, bronze was still extensively used for weapons and ornaments, which have usually survived far better than the rust-prone remains of early iron tools. From Celtic Europe, we have a great amount of small bracelets and bronze rings worn by people of modest means in the centuries leading up to the emergence of the classical period.

Celtic Gaul. Northeast, Ambiani AV Stater.. Circa 58-55 BC. Gallo-Belgic E Series. 'Gallic War Uniface' Issue. Plain bulge / Disjointed horse to right; charioteer's arm, pellets and 'coffee beans' above, pellet below. Van Arsdell 52-1; ABC 16; SCBC 11. 6.24gr, 17mm. Extremely Fine. Excellent example, sharply struck and well-centred.Found Bures St. Mary, Suffolk, UK, on 26th February 2024.Accompanied by copy of the British Museum's Portable Antiquities Scheme (PAS) report no. SF-4D92AF.From PAS: Known as the 'Gallic War uniface' stater, these coins were struck by the Ambiani in northern France almost certainly during the Gallic War [period] (c. 60-50 BC ) and imported into Britain during the late first century BC. These gold coins are frequently found in southern Britain where they circulated in large numbers, and where some [varieties] may also have been produced.

Celtic Britannia. Cantiaci, Thames Nipples Cast Potin.. 1st century BC. Class II. Outline head to right around large central nipple / Crude outline bull to left around large central nipple. ABC 174; BMC 715-723; SCBC 64. 1.33gr, 15mm. Very Fine.Found Tendring, Essex.Property of an Essex gentleman.

Celtic Britannia. Belgae, Unknown Ruler AV Stater.. Circa 60-20 BC. Uninscribed coinage; 'Cheesefoot Head' type (SO5-6). Wreath with pelleted bar intersecting, abstract hair and face around / Triple-tailed horse to right with beaded mane, charioteer's arm above; wheel below, large pelleted sun before and above head(?), annulets and pellet in field. ABC 761; Bean Q1-13; Van Arsdell -; SCBC -. 4.87gr, 17mm, 6h. Extremely Fine. Well-centred issue in rose gold with a beautiful smoke-grey toning. Extremely rare.Probably found Hampshire, UK.Property of the vendor's grandfather, Douglas Howle, Farnborough, UK; thence by descent.

Celtic Britannia. The Trinovantes AV Quarter Stater.. Circa 55-45 BC. Rowntree Fern Leaf type. Wreath crossed by spike with four pellets, crescents below, stylised hair above / Annulate horse to right with ‘leaf-like’ tail, fern-like symbol and ringed-pellet above, ‘cog-wheel’ radiant sun-sign below. ABC 2362; Van Arsdell -; BMC -; DK 442; SCBC -. 1.31gr, 13mm, 6h. Extremely Fine. Excessively rare, only a handful recorded.Found near Newmarket, Suffolk, UK.From Chris Rudd Auction 184, lot 25: This splendid coin is packed with detail. The ring-ended, leafy emblem above and in the tribal mare’s tail must be its author’s personal signature, (also on silver unit ABC 2380), while the little split symbol in front, here exceptionally clear, suggests a clan associate. Several dynasts north of the Thames had vegetal emblems as insignia, and we know the names of two who later worked exactly this leafy motif into their stater designs: Tasciovanos (ABC 2553) and Andoco (ABC 2715). Our man’s sons, perhaps? There’s a handsome little hidden face at 6 o’clock on the obverse. See Hidden faces on Celtic coins, Coin News, November 2019, pp.41-43. Not in VA, BMC nor Spink.

Celtic Britannia. Atrebates & Regni, Commius(?) AR Minim.. Circa 50-25 BC. Concave Square (Atrebatic A) type. Square with concave sides, pellet-in-ring at center / Horse leaping to left; wheel above, pellet-in-annulet below. Van Arsdell 482-1; ABC 1046; SCBC 59. 0.29gr, 7mm. Near Very Fine.Acquired on the UK art market before 2000;Property of an Essex, UK, gentleman.

Celtic Britannia. Catuvellauni, Cunobelin AV Quarter Stater.. AD 8-41. CAMVL in tablet over vertical wreath / Biga to left, branch above; wheel and CVNO below. Mack 202; BMC 1836-36a; ABC 2807; SCBC 290. 1.31gr, 11mm, 6h. Extremely Fine. Well-centred; rose tone. Rare.Found near Fyfield, Essex, UK, in 2021.

Celtic Britannia. Corieltauvi, Vepo(comes?) AV Stater.. Circa AD 15-40. [Wreath] / Lunate horse to left with triangular head, pellet rosette before, star below, VEP above. ABC 1851; Van Arsdell 905; BMC 3274-75; SCBC 407. 5.32gr, 21mm. Extremely Fine. Beautifully toned around the devices.Found Catterick, Yorkshire, UK.From a private Durham, UK, collection.For the ruler's full name see ABC note (p.96): Vepo- 'voice, word' is the first part of this ruler's name and -c[o]mes 'friend, companion, comrade?' could be the second part or it might - just might - be a Latinate honorific (see ABC 1869 note). The letter F for filius (Latin 'son') on many of his coins indicates that Vepo- was probably a son of Cor-, whose full name might be something like Corionos 'army chief' or Corrios 'the dwarf' (take your pick). Coins inscribed VEP directly followed the uninscribed South Ferriby series. Area date code: NE8-9.

Celtic Britannia. The Dobunni, Eisv AR Unit.. Circa AD 15-30. Oxo type (Dobunnic F). Head to right, pellet triads for hair, pellet-in-ring for eye, cross and pellet-in-ring below, pellet-in-arcs behind; four pellet-in ring before / Triple-tailed annulate horse to left; pellet and EI above, pellet and SV below. Van Arsdell 1110; ABC 2081; SCBC 382. 0.68gr, 13mm, 9h. Good Very Fine. Bent flan with associated crack.Acquired on the UK art market before 2000.Property of an Essex, UK, gentleman.

Celtic Britannia. Dobunni AR Unit.. Circa 35-30 BC. (Dobunnic B) type. Uninscribed. Stylised head to right; large boss on chin, stalk lips / Triple-tailed horse leaping to left; flower motif below, stylised bird's head above. Van Arsdell 1042-1 (Corio); ABC 2015; SCBC 377. 0.78gr, 12mm, 4h. Very Fine.Found South Gloucestershire, UK.

Celtic Britannia. The Dobunni, Eisu Fourrée Unit.. AD 15-30. Celiticized head to right / Celticized horse with triple-tail to left. Cf. ABC 2081; cf. SCBC 382; cf. Van Arsdell 1110. 0.56gr, 12mm. Fair.Acquired on the UK art market before 2000.Property of an Essex, UK, gentleman.

Anglo-Saxon. Eclectic Sceattas AR Sceatt.. Circa 710-760. Series 2c; BM type 14. 'Celtic Cross' Group. +LVNDONIA(retrograde), diademed bust to left / Voided Celtic cross with central and terminal pellets; rosette in quarters. SCBI, 69 -; M427 II (IV, bust to right); SCBC 822. 0.86gr, 11mm, 11h. Fine. Very rare. No other examples on CoinArchives.Found Tendring, Essex.Property of an Essex gentleman.

Anglo-Saxon, Secondary Sceattas AR Sceatt.. Circa 720-735/50. Hamwic mint. Series H, type 39. Bird pecking to right, wing raised; beaded foliage (vine-scroll) around / Voided Celtic cross with central rosette and rosette-in-annulet in each quarter. Cf. SCBI 69 (Abramson), 356; North 96; SCBC 801. 0.92gr, 12mm. Good Very Fine.Acquired from the vendor's grandfather in the 1990s.Property of an Essex collector.

Celtic Coin Book Group [10]. 1963-2009 A.D. Comprising: Cunobelin, The Yearbook of the British Association of Numismatic Societies, Birmingham, 1963; Chris Rudd Lists 10 and 16; Allen, D.F., British Potin Coins: A Review; three copies of Glendining's, London, auction catalogues for The H.R. Mossop Collection - Celtic Coins of Britain and other English Hammered Coins, Wednesday 6 November 1991; Alen,D.F., The Coins of The Iceni, reprinted from Britannia, Vol. I, 1970; Allen, D.F. & Haselgrove, C., The Gold Coinage of Verica, reprinted from Britannia, Vol. X, 1979; Van Arsdell, R.D., The Forgery of the 'Haslemere Hoard', 1986; van Heesch, J. & Heeren, I. (eds.), Coinage in the Iron Age. Essays in honour of Simone Scheers, London, 2009. 3.01 kg total, 21 x 15 - 28.2 x 22.2 cm (8 1/4 x 5 7/8 - 11 x 8 3/4 in.). [10, No Reserve] Property of a UK gallery.

3rd-2nd century B.C. D-section bangle with one flat panel at juncture. Cf. fragment of a similar item in the British Museum under accession no.1934,1016.1.; cf. also Filarska, B., Szkla Starozytne (Ancient Glass), vol.I, Warszawa, 1972, cat.50, pl.XIV, for similar. 32.64 grams, 87 mm (3 3/8 in.). [No Reserve] (For this specific lot, 5% import VAT is applicable on the hammer price.) with François de Riqles Auction, Paris, 27 October 2000. Accompanied by a copy of an Art Loss Register certificate no.S00072881.This type of bracelet still reflects the old Celtic production technique of La Tène period, where the bracelets were formed by pressing two extremities to form a single body, giving the bracelet a brownish colour.

1st-2nd century A.D. With a wide, grooved hoop expanding at the shoulders, rectangular plaque with ropework border enclosing amuletic inscription 'ToT, an abbreviation for the name of the Celtic god Toutatis. 5.02 grams, 23.37 mm overall, 19.65 mm internal diameter (approximate size British P, USA 7 1/2, Europe 16.23, Japan 15) (1 in.). Ex private collection, 1970s. Property of a Nottinghamshire gentleman.A number of rings have been found in eastern Roman Britain inscribed with the word TOT. It is thought that they refer to the Celtic deity Toutatis, later associated by the Romans with Mars and Mercury. The rings have been found mainly in the area corresponding to the native British tribe of the Corieltauvi who may have worshipped Toutatis as their primary tribal deity. The likelihood of the presence of his cult is strengthened by several inscriptions found in Britain mentioning this deity. However, his origin may be sought in the religion of the Continental Celtae, as the Roman writer Lucan in the 1st century AD mentioned the worship of 'Teutatis' together with two other deities, Esus and Taranis.

3rd-4th century A.D. Modelled in the round as a facing female, semi-naturalistic facial detailing and dressed hair; mounted on a custom-made display stand. Cf. Cool, H.E.M., 'Roman Metal Hair Pins from Southern Britain' in Archaeological Journal, 1990, pp.148-182, fig.10, nos.7, 11, for similar. 31.4 grams total, 55 mm including stand (2 1/8 in.). [No Reserve] (For this specific lot, 5% import VAT is applicable on the hammer price.) with Arte Classica, Lugano, prior 2000. Accompanied by a copy of an Art Loss Register certificate no.S00043014.Some Roman metal hair pins had human figures as finials (Cool, sub-group A, p.168). Bone pin finials carved as female busts were relatively common in Britannia (see for example finds from Londinium or Rutupiae). Metal pins with human figures were rare, though where they occur they tended to be made in the late Roman period, such a similar example recovered in the Vermand area. The treatment of figures varied greatly, including 'Celtic' looking faces and 'Venus' types. This great diversity of treatment clearly suggests that these pins were the occasional products of a wide variety of workshops.

1st-2nd century A.D. Matched pair of drop-handles for a situla or other large vessel, each an arched rod with curved and returned ends attached to a looped bar and leaf-shaped panel with an applied mask or gorgoneion below (one absent). 180 grams total, 9.5-10.3 cm wide (3 3/4 - 4 in.). [2, No Reserve] Found North Hampshire near the Roman town of Calleva (Silchester), the Iron Age Celtic capital of the Attrabates tribe. Recorded with Reading Museum, in the 1970s. From an old Hampshire, UK, collection. Ex Ancient & Gothic, UK. Accompanied by copies of two typed and hand illustrated previous information sheets including provenance.

Geoffrey Bellamy for George Tarratt - a seahorse brooch, and three other brooches, Geoffrey Bellamy for George Tarratt - a silver seahorse brooch, oval frame 45mm x 29mm, hallmarked Birmingham 1959, signed Geoffrey G Bellamy and numbered No. 155; a 43mm circular white metal Celtic brooch, stamped DS; Catherine Popesco - a paste set enamel brooch, 49x29mm oval frame with reed and ribbon border; and an unmarked white metal brooch depicting pigs walking under foliage.Qty: 4

A Norwegian yellow enamel butterfly brooch, green onyx ring and earclips, Celtic brooch, a 28mm Norwegian yellow enamel butterfly brooch; a two stone cabochon cut green onyx white metal ring size R; a pair of cabochon cut green onyx earclips; and a 45mm diameter silver Celtic brooch.Qty: 4Condition report:The Celtic brooch has silver import marks for Dublin 1958. The maker's mark is HG&S.

A COLLECTION OF OLD ENGLISH FLATWARE To include, a basting spoon, Christopher & Thomas Wilkes Barker, London 1804, a matched set of six tablespoons, mainly Stephen Adams, London 1784; a set of six table forks, John Round & Son Ltd, Sheffield 1895; together with five coffee spoons, Walker & Hall, Sheffield and another spoon, Adie Bros, Birmingham of Celtic Point pattern and a christening set, J B Chatterley & Sons Ltd, Birmingham 1941, of Celtic Point pattern, engraved A.V.M to terminal (21) 32.5oz (combined)

IONA - A SET OF FOUR SCOTTISH PROVINCIAL 'NUNNERY PATTERN' PICKLE FORKS ALEXANDER RITCHIE/ IONA CELTIC ARTS, BIRMINGHAM 1937 The stem set with a mask and abstract lozenge detail, with bud finial and three prongs; together with a pair of two-pronged pickle forks, stamped IONA, Gilmour & Watson (of Glasgow), Birmingham, the terminal set with a long boat (6) 15cm, 11.2cm long, 92g (combined) Born in Tobermory on Mull, Alexander Ritchie had his roots firmly in the Scottish islands, surrounded by the sea. Originally training as a marine engineer, the first twenty years of his adult life took him across the world with the British India Steam Shipping Company. Even at this time, it is recounted that Ritchie was a keen woodworker and took inspiration from his marine environment.It would be fair to assume that the Celtic wares produced in Iona at the turn of the 20th century were made to capitalise on the passing tourist trade, but the legacy Alexander Ritchie and his wife Euphemia Catherine Ritchie left is far beyond that of tourist souvenirs.  A Creative PartnershipBoth makers were at the heart of the Arts & Crafts movement in Scotland. They were influenced by the Glasgow School of Art and at the forefront of the Celtic Revival movement. This melting pot and the history and art of Iona, combined with the skill of these two individuals created a legacy unique to this Scottish Island.It was not until he was in his 40s in the mid-1890s that he decided to take a break and enrol at the Glasgow School of Art. It was at the School that he met his future wife Euphemia Catherine Thomson. Both were immersed in the Glasgow Style, with contemporaries such as Jessie M. King, Charles Rennie Mackintosh and Francis Newbery.An Island of InfluenceCatherine and Alec moved to Iona shortly after they married in Glasgow. Their home at Shuna Cottage welcomed all those who visited the island. The Scottish Colourist Francis Campbell Boileau Cadell was a frequent visitor to their home and took inspiration from the island for some of his most seminal works. Ritchie was immersed in all artistic aspects; their shop Iona Celtic Art offered jewellery and other metalwork, leather tooling and embroidery, along with engraving and enamelling learnt at Glasgow. The earliest examples are in wood, a medium in which Ritchie felt most confident in the early days.Contemporary images of the shop show delight for the eyes in all corners; mirrors with zoomorphic corners, Celtic crosses hanging from all four walls, galleon ship pendants and penannular brooches covering door frames. As their business grew, the requirement to outsource is seen with the range of punches and hallmarks on the reverse of their wares. Various Assay centres such as Glasgow, Birmingham, and Chester appear on jewellery, and this reflects the popular enthusiasm for the Arts and Crafts movement.The Celtic RevivalThe Celtic Revival helped re-invigorate the Celtic identity, looking to the early Medieval Celtic culture in art, music, poetry and literature. In Ireland, the Book of Kells and the Tara brooch were key objects for this identity. Similarly in Scotland items of National significance such as the Hunterston brooch, housed within the National Museums Scotland collection, helped to illuminate the past and inspire artists and craftsmen who had been subjected to the mass industrialisation of the Victorian era.For the Ritchies, the Celtic Revival was more than a dissemination of history. Along with individuals such as Lady Victoria Campbell, the daughter of the 8th Duke of Argyll, they also sought to encourage Celtic Christianity. Alexander or Alec, as he was known, was made custodian of Iona Abbey in 1900.Later LifeThe Ritchie’s were part of a larger artistic community with an interest in Celtic art. John McGilvray, also of Iona, had for example been selling silver items from at least 1887 and was regarded as a local rival, but it is the skill of the Ritchie’s work and their understanding of Celtic culture that has created a particular appreciation for their works of art 100 years later. Individuals such as Robert Allison continued to produce their designs 50 years later in the mid-20th century, and their legacy is still apparent in Iona as the Iona Heritage Centre houses a permanent display of their work.Alexander Ritchie died in 1941, two days after his wife Euphemia. They were both buried together on the same day in the nearby Reilig Odhrain, the burial grounds of the Kings. These forks take inspiration from archaeological excavations at the Iona nunnery in 1922 and 1923. 

AN IRISH GEORGE V TWIN-HANDLED CUP GEORGE EDWARD & SONS (OF GLASGOW), DUBLIN 1917 Of traditional form, Celtic Beast border, circular cartouche with engraved initials to one side, the twin-handles each modelled as mythical beast heads, raised on a circular foot of similar detail  10.5cm high, 8oz

A small group of silver and jewellery. Including an engraved silver napkin ring, silver and one 9ct gold small earrings, a stone set Celtic style brooch, yellow metal mounted cameo brooch, etc.

An original seventies concert poster promoting performances by The Who, The Alex Harvey Band and others at Charlton Athletic Football Club, London on the 31st May, Celtic Football Club, Glasgow on the 5th June and Swansea City Football Club, Swansea on the 12th June 1976. The poster measures 56cm x 76cm (22 inches x 29.9 inches). It is folded with several vertical and horizontal crease lines. There is wear and creasing to the edges and a corner has torn. The condition is very good.

Green and white Belfast Celtic long-sleeved shirt, Umbro, 38, with button-up collar, stained collar, front and back and another green and white shirt with later reproduction badge (2)

A Belfast Celtic Minute Book from 2nd July 1940 to 10th August 1976 and a framed display of Belfast Celtic cards, 1913-14, (2)

Jose Cobos blue, red and white Paris St-Germain v. Celtic match worn short-sleeved shirt, 1995, Nike, XL, with v-neck collar and embroidered badge, in common-mount with photograph of Cobos during the match, framed and glazed, 77 x 65cm overall  The above shirt was worn by Cobos in the match against Celtic played on 19th October 1995 

1953 Coronation Cup, Celtic or Arsenal  v Rangers or Manchester United Semi Final ticket, South (West) Stand, turnstile F for the game that took place on Saturday May 16th at Hampden Park, Glasgow, in excellent condition. 

Giuseppe Rossi red and white No.42 Manchester United Roy Keane Testimonial short-sleeved shirt, 2006, Nike, L, with v-neck collar and embroidered badge inscribed MANCHESTER UNITED Roy Keane Testimonial 9th May 2006 In the match played on 9th May 2006 United defeated Celtic 1-0 Provenance: Formerly the Ray Adler Collection 

Liverpool Boys v. Bradford Boys/Everton Reserve v. Stalybridge Celtic combined match programme, 21st January 1920, ex bound volume and a collection of Liverpool Boys programmes from 1936 to 1949-50

Limited edition Lisbon Lion autographed print, No.21 of 500, the margin autographed by the Celtic European-Cup winning team, 107 x 90cm overall, framed and glazed

IMEX - Italeri - 12 boxed mainly 1:72 scale plastic soldiers. Lot includes Italeri #6001 Scots Greys; Italeri #6029 Celtic Cavalry; IMEX 1:32 American Civil War Confederate Cannon Set and similar. Seven of the figures sets are presumed to be in Mint condition, being in factory sealed boxes, the other five appear Mint mostly on sprues - one set sits loose in box. Boxes appear Fair Plus - Very Good with some general storage wear. All sets are unchecked for completeness. (This does not constitute a guarantee) (K)

POOLE POTTERY; three Delphis dishes and an African Sky purse vase, together with a Celtic pottery model of a seated cat, height 20cm (5).

A VICTORIAN SILVER NUN'S LOCKET, HUNT & ROSKELL, LONDON, 1864 probably for a member of the French order The Sisters of the Good Shepherd, of two heart-shaped sections joined on a hinged ring, one side with the Good Shepherd and surrounding motto 'VIVE JESUS ET MARIE', the other with the Virgin and Child flanked by rose and Madonna lily sprays, 67mm long; together with an Irish silver seal box and cover, John Smyth for West & Son, Dublin, 1869, oval, the cover engraved with a Celtic revival interlace band surrounding the initials GO, with cut down rims top and bottom for a ribbon, 83mm long; 107g (2)Locket with some wear to details

Archibald Knox (1864-1933) for Liberty & Co., London: An Arts & Crafts Silver and Enamel Vase, Birmingham, 1901, centrally waisted tapering and applied with three loop handles, each handle enamelled with vari-coloured Celtic knots, hallmarked Birmingham, 1901, maker's mark L&Co, further stamped 'Cymric', 17cm highProvenance: Lyon and Turnbull, Edinburgh, 13 November 2013, lot 148. The Lion Collection.Fully marked underneath and further stamped 'Cymric'. There is some wear to the marks but each is generally legible. There is some overall very minor surface scratching and wear, consistent with age and use