A George Bain Celtic pattern hunting rug, mid 20th Century On a red ground, the central octagonal panel with knotwork decoration enclosed by a field decorated with huntsmen on horseback with lances, hunting a stag, boars, hunting hounds etc. the whole surrounded by Celtic style decorative border, the rug is believed to be manufactured by Messrs Quayle & Tranter of Kidderminister, a related rug was exhibited in George Bain Master of Celtic Art, this was held at The Scottish National Gallery in January and February 2012, 185x120cm, bears label verso 'Authentic Celtic Art Hunting Carpet, designed by George Bain, also with this lot a booklet entitled 'Celtic Art The Methods of Construction' by George Bain, published by Constable London, 1990, similar rug illustrated on page 161 plate 38. (illustrated)
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THREE CELTIC INFLUENCE SILVER BROOCHES including a scrolling foliate brooch made by Alexander Ritchie for Iona Celtic Art dated 1937, a bar brooch with Celtic scrolling design with four birds heads at each of the corners with turquoise enamel made by A H Darby & Sons dated 1954 and a Celtic design round shield brooch with turquoise and blue enamel made by W H Barby & Sons dated 1957, largest 5.5cm long
GEORGE CONNELLY OF GLASGOW CELTIC F.C. MEDAL a Scottish Football League International gold and enamelled medal, inscribed verso "v L of I SEASON 1970-71 G.CONNOLLY" (The player's surname is misspelt on the medal). In nine years with the Celtic (from 1968-1976) Connelly made 254 first team appearances, scored 13 goals and won two Scotland caps, in 1974. Note: The Scottish League XI was a representative side of the Scottish Football League. The team regularly played against the (English) Football League and other national league select teams between 1892 and 1980.
# Eleven brooches, including; a chalcedony brooch, a white metal Celtic design brooch, a citrine brooch, a silver bird and ivy brooch, a knot brooch, a pietra dura brooch (a.f.), a white metal Maltese cross brooch, a white metal floral brooch, a plaque brooch and two paste set bar brooches (qty) CONDITION REPORT: Group lots should be viewed. CR 09.12.15
Europe, ca. 800 to 500 BCE. This is a hammered iron spear head with a tapered, leaf-shaped design, a slight ridge, and a slender conical socketed shaft for attaching to a piece of wood. Iron spear heads of this style have been found from Ireland to Romania, demonstrating the wide reach of the Celtic culture. You can see a similar object at the National Museum of Ireland. Size: 12.2" L x 1.4" W (31 cm x 3.6 cm). Provenance: Ex-Private PJ. Piscopo Collection, Ex M. Pedersen acquired before 1990. Condition: There is expected rust and patina; the socketed end has some damage and is missing a small portion; otherwise the piece is intact with its shape very clear. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #111767
Roman, ca. 0 to 450 CE. This is a hammered iron axe blade with a long, hooked blade, and an oval hole for a wood handle. Iron is very difficult to date, but we do know that the Romans admired the axe styles of the Germanic/Celtic people they encountered as their empire grew and adopted many of them as their own. Size: 7.3" L x 4.75" W x 1.7" H (18.5 cm x 12.1 cm x 4.3 cm). Provenance: Ex-Private PJ. Piscopo Collection, Ex M. Pedersen acquired before 1990. Condition: Heavy rust/patina, but shape is clear. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #111764
Roman Britain, ca. 43 to 410 CE. This is a pair of two beautiful bronze fibulas/brooches. These items were used to fasten the ubiquitous clothing item of cold, damp Roman Britain -- the cloak. Both show the particular influence of Celtic artwork on Roman British artifacts, especially the more delicate of the two which suggests an animal head in its shape. Size of largest: 2" L x 1.1" W (5.1 cm x 2.8 cm). Provenance: Ex-Estate of M. Reiniger, Chicago, IL Condition: Both have patinas; one is missing its pin; the other's hinge is frozen in place. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #111562
A Victorian gentleman's silver open faced, key wind pocket watch, enamel dial bearing Roman numerals, subsidiary seconds dial, movement by E Wise, Manchester 27469, Chester 1898, with key, a Victorian stick pin painted with a dog's head, gilt metal fob seal with a cornelian crested intaglio, silver Celtic scroll brooch, Masonic gold plated and bloodstone set double photo locket, RAF cap badge and wings brooch, RAOC cap badge, clear bakelite heart and wings, silver medallion, monogram engraved, and an East Midland Centre A.C.U. motorcycle medal 'Centre Rally 1953 D. Smith'. (11)
A Scottish silver mounted skean dhu, by Robb of Ballater, Edinburgh 1913, with carved ebony handle decorated Celtic interlaced knots to one side, the 11cm steel blade indistinctly signed, 20cm overall. Condition Report: general condition good, but one side of blade ( signed side ) has rusting and pitting which is quite bad.
A Collection of Miscellaneous Jewellery and other items including a pair of gentleman's cuff links (tiger's eye and orange stone), blue john and butterfly wing brooches, sterling silver Celtic brooch, silver bracelet and hand painted cold cast bronze robin and sterlling silver and citrine pin brooch and bangle.
FOOTBAL INTEREST - CELTIC CAPTAIN'S SELECTION IRISH WHISKEY Distilled matured & bottled in Ireland by Cooley Distillery plc, Riversstown, Dundalk, Co. Louth. Exemplar bottle of a brand never launched. Signed by the late Celtic manager Tommy Burns. Viewing recommended. CONDITION REPORT: Good.
SILVER GOLFING INTEREST SCOTTISH SILVER LIDDED TROPHY CUP maker's mark double struck, probably Lawson & Co, Glasgow 1935, twin handles and body embossed and chased with Celtic scroll work, lid with 'Spirit of Ecstasy' figural finial, engraved 'Troon Golf Club, Blackrock Cup, Won by F.C Comery, 1938', approximately 232g, 16cm high; together with a golfing intertest silver lidded trophy vase, maker Mappin & Webb Ltd., Sheffield 1959, engraved 'The Dormer Cup 1960', approximately 103g, 13.5cm high and a silver ash tray, maker Adie Brothers Ltd., Birmingham 1939, engraved 'Troon Golf Club' with crest and motto, approximately 47g, 9.5cm long (3)
GLASGOW COMEDY INTEREST SCOTTISH SILVER SALVER maker J B Chatterley & Sons Ltd., Edinburgh 1969, with Celtic themed serpentine rim, engraved with presentation inscription 'To Lex McLean, in appreciation of 13 Happy Summer Shows at the Pavillion Theatre, Glasgow, 1958-70, Presented by Glasgow Pavilion Limited, 17th October 1970', approximately 526g, 25.5cm in diameter Note: This lot as well as Lot 1000A & 1010A in the Furniture & Works of Art Auction (15th December Pm) are part of a large collection of memorabilia for Glasgow Comedian Lex McLean (b1908-1975). Lot 1000A is the collection of Lex McLean's personal photographs, letters, newspaper cuttings and Lot 1010A is Lex McLean's personal accordian, also part of this collection.
KING, Richard J. THE CHILD OF EIRE. A finely-worked original coloured drawing (or cartoon) for a stained glass window, ink and gouache on paper, 21 ins x 7 ¾ ins, showing the Holy Child over figures of St. Patrick and St. Brigid, above him a torch-bearer (St. John the Baptist?), flanked by panels featuring music, the arts, learning and sports, above a phoenix rising from the flames, a circular device enclosing the name 'ÉIRE', the symbols of the four provinces and the words of the Four Masters, 'Do chum Glóire Dé agus Onóra na hÉireann', with figures of monks, prelates, Celtic symbols etc., possibly intended for an institution of learning. An elaborately worked drawing, showing a superb range and orchestration of colours. This fine drawing hung in King's own home for much of his life. It is unrecorded, and apparently has not been executed in stained glass. * This work was originally intended for a window at U.C.D., however, the idea was shelved in favour of the Kevin Barry Window, which was commissioned during King's time as manager of the Harry Clarke Studios. (1)
Mac Alister (R.A.S.) The Archaeology of Ireland, L. 1928, First Edn., illus. cloth & d.w.; together with Second Edn. of same; also Ireland in Pre-Celtic Times, roy 8vo D. n.d.; Wakeman (W.F.) A Hand-Book of Irish Antiquities, D. 1891; Caffey (Geo.) Guide to the Celtic Antiquities of the Christian Period, D. 1909; & one other sim. (6)

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32564 item(s)/page