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SILVER PLATED SERVING TRAYwith Celtic Revival scroll decorated rim33 x 33 cm.

IRISH STERLING SILVER PHOTO FRAMEwith Celtic design and millennium mark

A pair of Elizabeth II silver armada dishes, 8ins diameter, by Carr's of Sheffield Ltd, Sheffield 2000, (with presentation inscription), and an Elizabeth II silver cylindrical two-handled cup of Celtic design, with tapered body and on circular footrim, 5ins high, by I.L.J, Edinburgh 2000, (weight 33ozs)

9ct Yellow gold gentleman's Celtic design ring

William Percy French (1854-1920) SCRABO, COUNTY DOWN, 1905 watercolour signed and dated lower left 9½ x 21in. (24.13 x 53.34cm) Presented in the original pokerwork frame with Celtic interlaced knot design. A number of French's watercolours were effectively framed by the Arts and Crafts workshop known first as the Belfast School of Poker-Work and then as the Irish Decorative Art Association, run by Eta Lowry and Mina Robinson and their team of women in Belfast. By 1900 specialising in Celtic interlaced pokerwork patterns, their frequently exhibited work showed their application of "the ancient Celtic ornament to all the articles of use and beauty which furnish the modern home". Larmour records that, in 1904, almost all Percy French's paintings were exhibited with pokerwork frames decorated by the Association at its annual summer show in Portrush, Co. Antrim. (See footnote no. 2) Some of these were intricately delineated on the timber frame with competently rhythmic, inventive knotwork, ably balanced on all four sides with modulating triple spirals to denote a change of design in the middle of each side. These small circular devices recall the triskel, one of the main emblems of Celtic triadic paganism, perhaps symbolizing, appropriately, the three realms of land, sea and sky. They may be seen in somewhat fish-like forms, along with small interlaced crosses in the fine frame which French chose to set off the 1902 watercolour he painted to illustrate his immortal words, "Where Ever I go my heart turns back to the County Mayo" (sold by Whyte's in September 2005, lot 66) from the collection of Rupert Guinness, 2nd Earl of Iveagh. Nicola Gordon Bowe Associate Fellow, NCAD; Visiting Professor, University of Ulster FOOTNOTES: 2 Paul Larmour, 'The Irish Decorative Art Association', The Arts and Crafts Movement in Ireland (Belfast 1992)

CELTIC PATTERN CUTLERY + 4 PIECE TEA SET

Iron Age Celtic Enamelled MountA cast bronze hemispherical mount with La Tene style decoration, a series of circular and sub-triangular cells of red champleve enamel defining a central triskele design with double lobes at the end of each arm.Circa 1st Century BC 22mm x 16mm/13.95grms

A Celtic Bronze Wheel Amulet, 2nd - 1st Century BCA circular bronze wheel amulet of the late Iron Age. It has four spokes emanating from a central hub with five punched dots at the centre. The outer rim is decorated with a series of punched dots, numbering seven in each quadrant. The number of dots could be significant, possibly representing the number of days in a lunar month, whilst the quadrants themselves represent the four seasons.Wheels held great significance in Celtic society and were associated with the Thunder-God, Taranis. This remarkable, wearable piece has a deep chocolate brown patina consistent with its age, the condition is very fine with smooth surfaces. Four-spoked wheels appear on gold and silver coins of the Corieltavi tribe, the ancient inhabitants of the county of Lincolnshire where this piece was found.20mm/7.8grmsRecorded with Portable Antiquities Scheme : DENO-0BBA52

Corieltavi Gold Stater Blank A pre-struck Celtic coin blank flan, filed and polished, prior to striking into a Corieltavi South Ferriby type stater, 45 - 10 BC,16mm/ 5.8g Found in Lincolnshire, UK

Iron Age Celtic Bronze Horse Harness MountA cast bronze Iron age Celtic horse harness mount in the form of four conjoined rings, two large and two small, with the larger ones each containing a double scroll and being joined by moulded strapping, Similar harness mounts were found in the Stanwick (Yorkshire) Hoard 1845C.f. Jope, Early Celtic Art In The Britsh Isles, plate 285(m)1st Century BC - 1st Century AD71mm x 65mm/56g

A vintage pewter frame mirror of Celtic Knot design

A silver book mark having Celtic knot decoration, Edinburgh 1997, Orkney Inga silversmiths

A selection of white metal jewellery including Grecian key bangle stamped 925, another bangle having turquoise decoration stamped 925, a Celtic style bar brooch, filligree bracelet etc

A small selection of white metal and silver jewellery including marcasitte, brooches, earrings, pendant, HM silver Celtic style agate brooch by Robert Allison, and an HM silver brooch having Chester hallmarks

* JOHN MACKIE,EILEAN DONAN CASTLEpastel, signed and dated (20)1558cm x 82cm (23 x 32 inches)Framed and under glass.Note: John Mackie was born in Glasgow in 1953 and studied at the Glasgow School of Art between 1972-76. It was there that he was first introduced to the Scottish Colourists and the Glasgow Boys, admiring their bold use of colour and powerful draughtsmanship.He has exhibited widely for over 40 years at the Royal Scottish Academy as well as in the USA, Germany, London, Dublin and throughout Scotland.Eilean Donan (Scottish Gaelic: Eilean Donnain) is a small tidal island in Loch Duich in the western Highlands of Scotland; since the castle's restoration in the early 20th Century, a footbridge has connected the island to the mainland. A picturesque castle that frequently appears in photographs, film and television dominates the island, which lies about 1 kilometre (0.62 miles) from the village of Dornie. Eilean Donan is named after Donnán of Eigg, a Celtic saint martyred in 617. The castle was founded in the thirteenth century, and became a stronghold of the Clan Mackenzie and their allies the Clan Macrae. In the early eighteenth century the Mackenzie's involvement in the Jacobite rebellions led in 1719 to the castle's destruction by government ships. Lieutenant-Colonel John Macrae-Gilstrap's twentieth-century reconstruction of the ruins produced the present buildings.

A PAIR OF SILVER CELTIC REVIVAL PATTERN SAUCE BOATS, Birmingham 1922, mark of Adie Brothers Ltd., Irish import marks, of shaped oval helmet form, with applied 's' scroll serpent head handles and Celtic pattern banding to rim, raised on three grotesque mask feet; together with a Victorian silver sugar bowl, London 1895, mark of Charles Stuart Harris, with hinged lid, (c.964g). (3)

A COLLECTION OF SILVER ITEMS, comprising: A two handled porringer, Birmingham 1911, mark of S W Smith & Co, with applied 's' scroll handles in the form of serpents, engraved with initials and dated 13-7-53; A pin cushion in the form of an elephant, Birmingham 1906, mark of Adie & Lovekin Ltd; Another in the form of an open boot, Chester 1910, mark of Samuel M Levi; A pair of open salts in the form of flower heads, Chester 1910, mark of Male & Jones, with wavy rims, raised on three ball feet; And a commemorative Celtic Revival pattern napkin ring, Sheffield 1952, mark of Atkin Brothers. (6)

A set of six George III Scottish Provincial Celtic point silver table spoons, bearing makers marks for Edward Livingstone, Dundee, 22.5cm long, (6)

Vintage jewellery, including a silver and hardstone Celtic pendant cross, a filigree pendant cross, a substantial pair of white metal and garnet flower-head stud earrings, and two pairs of silver pendant earrings in the form of Charles I facsimile coins

A large quantity of vintage costume jewellery brooches, including marcasite, paste set and Celtic plaid brooches, early to mid 20th Century

A Scottish treen quaich carved to the exterior with Celtic knots, 10cm wide. Condition Report. To be used as a guide only. Good condition. No chips or cracks to the wood.

A Clarice Cliff Celtic Harvest bowl, a H.J. Woods Indian Tree jug and one other jug

Four Spode Celtic pattern plates, The Durrow Plate, Canterbury Pilgrim Plate, The Lindisfarne Plate and The St. Chad Plate, (4)

A silver Celtic cross pendant, a Victorian carved ivory floral brooch set in a jet mount and an Art Deco resin and paste cuff bangle (3)

FOOTBALL INTEREST: MAN OF THE MATCH CRYSTAL TROPHY BOWLthe diamond cut crystal with presentation inscription reading 'Man of the Match Award, Dundalt v Glasgow Celtic, Sponsored by Riverside LTD, 26 -7 -91', marked Tyrone to the base, 20cm diameter

Three pieces of Clarice Cliff 'Celtic Harvest' to include a preserve pot with electroplated cover, single handled dish and a smaller dish, the preserve pot 4.5" high (3)

A Collection of Miscellaneous Jewellery, including silver Celtic brooch, silver and agate bracelet, heart pin brooch, red stone filigree brooch together with a mother of pearl silver bladed pen knife, total wt of silver approx 44 gms.

A Newlyn 'Celtic pottery' Artware dish

A solid silver (925) celtic band ring, size U

Two Celtic brooches

A large vintage Celtic silver coloured metal brooch with orange centre stone

2 9ct gold diamond rings including Celtic design, both size R

2 multi-coloured Celtic style brooches

Pair of 9ct white gold stud earrings set in square Celtic knot shape with diamonds and white topaz

Hammered silver oval milk jug and sugar basin, Haseler Bros, London 1912; a silver coffee pot with celtic decoration and composite handle, Birmingham 1950, gross weight 22oz (3).

A SET OF FOUR SCOTTISH GEORGE III SILVER TABLESPOONS, PETER MATHIE, EDINBURGH, 1794 Celtic Point pattern, engraved with the crest and motto of the Clan Robertson; together with another matching silver spoon, similarly engraved, Robert Bowman, Edinburgh, 1797 23cm long, 328gr (10oz) (5)

ASSORTED IRISH TABLE SILVER, DUBLIN AND CORK, CIRCA 1800-1839 comprising: a Celtic point sauce ladle, Carden Terry & John Williams, Cork, circa 1800, four crested Fiddle pattern forks and a butter knife, John Power and Samuel Neville, Dublin, 1806/10/35, two Fiddle pattern toddy ladles, Richard Garde of Cork and James Le Bas, Dublin, 1812/28, a pair foliate cast sugar tongs, Fiddle pattern salt shovel and spoon and a bright-cut salt spoon; together with a pair of Scottish silver toddy ladles, Fiddle pattern, maker's mark F.R&S, Edinburgh, 1817; and a silver sauce ladle, Fiddle pattern, William Eaton, London, 1838 676gr (21oz 14dwt) (15)

A spoon and fork set, hallmarked for Mappin and Webb, 1898 Sheffield, in original silk and velvet lined box together with a pair of plated salts with Celtic knot design, one spoon in original box (2)

Louis le Brocquy HRHA, 1916-2012IMAGE OF SEAN O'RIADA, 1987A set of four watercolours, each 24” x 18” (61 x 46cm), each signed and dated 1987Provenance: Taylor Galleries, Dublin (label verso)Sean O'Riada was an Irish music composer and broadcaster remembered particularly for his rousing film scores produced using traditional Celtic instruments. He campaigned energetically for the proper recognition and treatment of traditional music and succeeded in establishing a wide-spread public appreciation for Irelands musical heritage. O'Riada's musical scores for two films that took Ireland by storm in the ealy 60s - Mise Eire (1960) and the feature film version of J. M. Synge's 'The Playboy of the Western Worls' (1962), made him a household name.

John Cleal Workshop Wales, Fishguard: a coffee table, the leather covered oval top decorated with poppies and Celtic designs, 106cm wide

A hallmarked silver gilt hinged bangle, and 'standard' silver hinged buckle bangle, a gold plated sovereign case, a Celtic brooch, a Siamese sterling silver bracelet, a good quality 19th Century embossed white metal buckle, assorted costume jewellery.

A sterling silver hinged oval pendant locket, a .925 silver star of David pendant, a carved cameo brooch, a hallmarked silver Celtic knot pendant, a quantity of other decorative costume jewellery.

A collection of stylish contemporary jewellery, to include a Mexican silver bangle, a .925 silver dragonfly brooch, .925 silver brooch, .925 silver brooch in the style of Charles Renee Mackintosh, .925 silver leaf pendant necklace, a .925 silver fish skeleton brooch, another .925 silver dragonfly brooch, .925 silver Celtic knot brooch, a .925 silver violin brooch, two .925 silver musical note brooches, a .900 silver pill box and cover of circular form decorated in relief with stylised foliage, various silver bangles, and other similar pieces. (qty)

CELTIC PIN ETC. A Celtic inspired silver brooch, Chester 1952, one other brooch & a paste set necklace.

SCOTTISH SILVER. A Scottish silver flight of swallows necklace. Stamped Silver, Scotland & DB for Hamish Dawson-Bowman. Depth at front 4cm. One bird unattached.(Dawson-Bowman founded the Celtic Art Industries in 1945 & was inspired by Alexander Ritchie's work on Iona)

MARCASITE ETC. Two silver & marcasite brooches, a silver mask ring, a Celtic silver bracelet & other silver jewellery.

SILVER RING. A Celtic design silver ring.

HAND MADE BROOCH. A hand crafted, Celtic inspired brooch, set with turquoise & a clear stone drop. Width 3.4cm.

MALACHITE BROOCH. A silver Celtic cross brooch set with malachite.

COSTUME JEWELLERY. Including tiger's eye beads, a Celtic enamelled pin, a vulcanite book fob etc.

Norwegian silver hip flask with Celtic engravings

CELTIC STYLE RINGin nine carat gold, size S

CELTIC ART INDUSTRIES SILVER LUCKENBOOTH BROOCH43mm across and set with an oval cabochon cut stone, marked IONA CAI SCOTLAND STERLING; along with another silver luckenbooth, 42mm across, marked SILVER; a silver hardstone set luckenbooth, 34mm across and an unmarked Victorian luckenbooth with foliate motif engraving, 43mm across (4)

A three piece silver condiment set, with Celtic strapwork, Walker and Hall, Sheffield 1913, 9ozt

Celtic style brooches, a pendant marked Hollywood, etc.

A Clarice Cliff cake plate decorated in the Celtic Harvest pattern signed to the base, 6.5 cm (h) x 20 cm (d). Estimate £30 - £50

A Clarice Cliff Celtic Harvest jam pot, crocus plate plus a vase 56555 (cracked)

Celtic 1967, Colorized 12” X 8” Photo Depicting A Superb Image Of The Celtic Team Lining Up Prior To The 1967 European Cup Final, Signed By 7 Inc Mcneill, Chalmers, Gemmell, Lennox Etc. Good condition. All items come with a Certificate of Authenticity and can be shipped worldwide.

A PAIR OF GEORGE III SILVER OLD ENGLISH PATTERN SAUCE LADLES, 17.5cm long, London 1792 by Richard Crossley; and a silver Celtic point pattern toddy ladle, 14.5cm long, Scottish maker possibly MC, 3.5 troy

A THREE PIECE SILVER TEA SET, plain oval teapot with a Celtic designed border, wooden handle and finial, 15cm high, Birmingham 1994 by Payne & Son of Oxford, with matching sugar basin and jug, 37 troy oz total (3)