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An Art Deco Walther & Sohne 'Rotterdam' table lamp, a German blue moulded satin glass base, depicts a Sea-siren on a rocky outcrop, holding aloft the light (this has an opaque white flame shade) c.1935, 40cm high overallCondition Report: A few small chips to base rim, the shade support is a bit dented, the flame shade has chip to tip and some chips to base rim, hidden when inside the metal housing.
QUENTIN BELL (1910-1996) FOR FULHAM POTTERY: A painted table lamp and shade the pottery lamp of gently tapering form, decorated with nude male and female figures diving into water, the base with incised signature "Fulham Pottery, Quentin Bell", impressed mark for Fulham Pottery and Bell's own stamp; the hand-painted shade contemporary with the base and by the same artist, the lamp base 37cm high (excluding fitments), 63cm high overallProvenance: Private family collection, Dorset, formed over generations, including pictures selected by Edward Wolfe RA (1897-1982), a family friend
§ Sir Peter Blake C.B.E. R.D.I. R.A. (British 1932-) for Aram Designs Limited Two 'Step' Lamps Finnish birch plywood(Taller lamp: 143cm high (56.25in high) (including shade); Smaller lamp: 110cm high (43.25in high) (including shade))Footnote: ‘When I was asked by Zeev Aram to design a piece of furniture for his exhibition, my first thought was, which is the ‘simplest’ furniture – a table. So I designed a table. I wanted it to be very basic, as though a child had drawn it, like a kitchen table. Then I chose to have it made from thick plywood, to make the legs from ply, and turn the ‘constructed’ surface to the front of the table, to show how it was made. The construction of the corners is always the same, as a table can be made to order by simply giving the size of the table top and the height. It can be plain wood, sealed, or stained white, black and primary colours, on their own or a combination – red, yellow and blue. Later I decided that a lamp which matched the table would be interesting, and designed that too.’ (Peter Blake, 1986 quoted in accompanying Aram Design Limited catalogue)
A Zsolnay pottery oil lamp with brass mounts, chimney and pink glass shade, and an Oriental carved hardwood figural lamp base (2)The oil lamp with slight rubbing to the decoration, shade with small scratches in parts the side clips appear to have been later soldered and repaired, the central body of the oil lamp with one small finial missing, and two of the small arms of the decoration are broken and missing, the wooden lamp base figure with cracks, the base with some pieces missing and other cracks to the base, small pieces of restoration in parts,
Poul Henningsen'Butterfly' ceiling light, type 2/2 shades, circa 1930Copper, patinated brass, fabric cord. Variable drop, 54 cm diameterManufactured by Louis Poulsen, Copenhagen, Denmark. Each shade fixture impressed P.H.-2 PATENTED.Footnotes:LiteratureTina Jørstian and Poul Erik Munk Nielsen, eds., Light Years Ahead: The Story of the PH Lamp, Copenhagen, 2000, p. 164This lot is subject to the following lot symbols: Ω TPΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Pair of late 19th century Bouillotte lamps.Gilt bronze. Pleated fabric shade. Opaline crystal lights.Measurements: 78 x 40 cm.A Bouillotte lamp is a table lamp that generally consists of two to four supports for candles (on this occasion three), which emerge from a moulded knot or macalla. These supports extend from the core of the lamp to form, in essence, a candelabra. Originally this typology was created to accompany the card game of the same name, invented in France in the 18th century. The lampshades of this pair of lamps are made of blue pleated fabric. On other occasions the lampshades were metallic, accommodating the heat of the candles inside.
PAIR OF LEAD CRYSTAL TABLE LAMPS,each of baluster form with diamond to flute moulded body, silvered base with beaded border, 80cm high including shadeThe bases are a simple thin base white metal which was gilded, this has worn off hence a silver/gold appearance under different lights, these bases are heavily worn, pitted and discoloured; the tops of the bases within the glass are gold coloured where they have been maintained in original condition; the mounts are chrome plated and have a silver colour but are heavily worn and pitted; one lamp has suffered particular damage at joint of column and foot, the other with nibbles all around this joint, both have possibly even been off the feet and reattached, otherwise general small flea bites, surface wear and accumulated dirt, additional images available
VICTORIAN PAINTED OPAQUE GLASS OIL LAMP,with etched glass shade, decorated with ribbons and foliage, with brass mounts, on a marble base, 62cm highCondition report: Shade with nibbles to upper rim interior, also fritting, lower rim which sits on base with typical small chips and abrasions, upper section quite loose in its location to base, base itself loosely fitted to the stone plinth, movement overall, column has been cracked with the damaged section loosely still in place, rubbing to painted decoration and scuffs, tarnish and nicks to metal mounts, nibbles to corners and scratches to stone base, additional images available

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