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 SHEPARD ERNEST H.: (1879-1976) English Artist & Book Illustrator. A good original black pen and ink drawing by Shepard, on a 4.5 x 4 art board. The image is entitled The Story of Anthony - the boy who knew too much: The Party and depicts several young children, most seated, enjoying themselves. Signed by Shepard with his name alone to the lower edge. Professionally matted in cream and framed and glazed in a wooden frame to an overall size of 10 x 9.5. A printed label to the verso of the frame indicates that Shepard's drawing was published in The Modern Struwwelpeter by Jan Struther (Methuen, 1936) and exhibited at The Fine Art Society in December 2006. EX 

   FLEMING IAN: (1908-1964) British Author, creator of the secret agent James Bond. An extremely rare, early original pen and ink sketch drawn and signed by Fleming to an oblong small 8vo page contained in an autograph album, Fleming’s image depicting the cowboy actor Tom Mix standing in a full length pose, wearing a Stetson hat, chaps and cowboy boots with spurs, and holding a firing pistol in each hand. Extending from Mix’s belt is a rein which leads to his horse, the head of which Fleming has drawn at the side of the page. Fleming has entitled his drawing ‘Tom Mix Arrives’ at the head of the page, adding his signature (‘Ian L. Fleming’) and the place, Eton, in his hand beneath. The album bears an ownership inscription to Gerald Meyrick from Ruby Hardinge and also features over 30 other signatures and entries (including verses and other original drawings) from various individuals dating from 1917-23 including Meyrick’s sister, Honor, their aunt and uncle, Caryl Nicholas Charles Hardinge (younger brother of Ruby Hardinge) etc., a number of the entries signed and dated at Orchards Hall, Wetherby, being the Meyrick’s family home. Fleming’s drawing dates from the early 1920s and is an exceptionally rare and desirable early example. The album is bound in maroon leather and with the gilt stamped title Autographs to the centre of the cover. VG Ian Fleming entered Eton College in the Autumn term of 1921, following in the footsteps of his brother Peter who had started his education there a year earlier and was already demonstrating a reputation of academic brilliance. In contrast, Ian Fleming was not a gifted scholar although did show an aptitude for athletics, twice being awarded victor ludorum (champion of the games). In 1925 he was responsible for the co-editorship of an issue of the Eton school magazine The Wyvern, which also featured his first published short story, The Ordeal of Caryl St. George. Fleming was to leave Eton in 1926, having come into conflict with his housemaster, and subsequently gained entry to the Royal Military College at Sandhurst, but stayed less than a year, leaving without a commission (although having contracted gonorrhoea). The circumstances under which Fleming contributed his signed drawing to the present album whilst at Eton are certainly worthy of further research. The history of the album and its original owner, as far as has been revealed in our own research within the limited time available in preparing our catalogue, presents an interesting, albeit somewhat tragic story.  Gerald Meyrick (1902-1916) would have been given the present autograph album in the first half of 1916 by his friend Ruby Hardinge, possibly as a present for his birthday on 24th June 1916. However, it is almost certain that Meyrick never actually acquired a single signature or entry in the album himself. Meyrick tragically drowned on 22nd July 1916 near Broadstairs, aged just fourteen, when he went to bathe at Joss Bay accompanied by a party of eleven other boys. Although he could not swim, Meyrick entered the sea and encountered trouble when the tide began to come in. His friends raised an alarm, and a 26 year old former Navy serviceman, George Trice Hammond, who was picnicking with his sweetheart on the beach, made an attempt to rescue Meyrick but sadly also lost his own life in the process. Gerald Meyrick was the only son of Rowland Francis Meyrick (1867-1953) and his wife Eleanor Georgiana Nevill (c.1873-1966). Rowland Meyrick was a Justice of the Peace who also served as Clerk of the Course at Wetherby from 1920 and was a member of the Wetherby Race Company, an organisation formed to purchase the lease of the racecourse. The Rowland Meyrick Handicap Chase is named in his honour. The Meyricks resided at Orchards Hall in Wetherby, Yorkshire, where a number of the entries in the album were made. Although Gerald Meyrick most likely never met Ian Fleming, had life taken a different course for the schoolboy from Yorkshire, their paths would undoubtedly have crossed - at the time of his unfortunate death Meyrick was being educated at St. George’s in North Foreland, Kent, under tuition preparatory to going to Eton. Who was to inherit the album following Gerald Meyrick’s death is unclear, although it evidently did pass hands as all of the entries, where dated, were made after 1916. The signatures may have been collected by his only sibling, Honor Mary Meyrick (1907-1965), however she would obviously not have attended Eton College, and her own entry in the album, dated 9th March 1918, is not typical of one that would be made by the owner of the album and appears to be written with someone else in mind. Whoever the individual was that subsequently took custody of the album following Meyrick’s death, it is certain that they would have moved within the circles of the upper classes of the period – Gerald and Honor Meyrick were the grandchildren of Sir Thomas Charlton Meyrick (1837-1921) 1st Baronet and a Conservative Member of Parliament associated with Apley Castle in Shropshire. Ian Fleming was born into a wealthy family connected to the merchant bank Robert Fleming & Co and his father, Valentine Fleming, was also a Conservative Member of Parliament for Henley from 1910-17 and a close friend of Winston Churchill. The Meyricks were also clearly acquainted with the Hardinge family; the Hon. Ruby Hardinge (1897-1977) having originally presented the album to Gerald Meyrick. The album also features an original pen and ink drawing by her younger brother, Caryl Nicholas Charles Hardinge (1905-1979) 4th Viscount Hardinge of Lahore and Kings Newton who was educated at Harrow and later at the Royal Military College at Sandhurst, just as Fleming was. Could Hardinge be the link between Meyrick and Fleming? Is it just a coincidence that Fleming’s first published story in Eton’s school magazine incorporated the unusual forename Caryl, or was the Viscount an inspiration to Fleming?    

Ronald Searle (1920-2011) Pen/Ink drawing, stamped on reverse of mount 'Ronald Searle Hope Leresche & Steele 11 Jubilee Place Chelsea London SW3 England', 8. 5 x 11 inches.Provenance: The vendors husband worked for a publishing company in London..

Annie Williams. Country Flowers water colour signed and titled in pencil, 40 x25cm; Philip Martin. Magdalen Tower. Oxford watercolour and ink drawing 17 x 12.5cm plus Valerie Potts Oxford watercolour 34 x 26cm and watercolour of brook and meadows by K.J. Messer 29 x 39cm

A Collection Of Framed Original Artworks And Prints Six items in total to include pencil and ink drawing of Don Quixote, acrylic painting inspired by Magritte, abstract entitled 'Building Crisis 1962 - 1983'. Also, blue and grey abstract print, handtinted print in gold mount entitled 'Cockington Village' and signed print of Monmatre. Please see accompanying image.

Bristol and Bath.- Collins (Capt. Greenville) Printed chart of the Bristol Channel from Chepstow and Bristol to Broad Haven and Boscastle, with vignette lower right showing the arrival of William III to 'King Road', compass rose and rhumb lines, and decorative coat of arms centre right, engraving, 430 x 560 mm. (17 x 22 in), central vertical folds, handling creases, laid onto antique paper support with early graphite drawing verso, unframed, c. 1693; together with a group of seven other maps and plans of Bristol and Bath, including a [?]19th century manuscript pen and brown ink map of Bristol and its surrounds, presumably intended as a book illustration, and with Mathew's 'New & Correct Plan of City and Suburbs of Bristol', 1815, Gibbs' 'A New and Correct Plan of the City of Bath', Barratt & Son's 'A New and Correct Plan of the City of Bath', 1817, and with Waterlow and Sons' 'Map of the Country & of the Railways Existing and Proposed in the Districts situated between Bristol, Exeter & Dorchester', engravings, lithographs, various sizes, largest 560 x 725 mm. (22 x 28 1/2 in), occasional handling creases, tears and surface dirt, all unframed, [mainly 18th and 19th century], (8).

REMBRANDT HARMENSZ. VAN RIJN (1606-1669) The Ringball player ('Het Klosbaantje'), etching, 1654, 9.4 x 13.9cm, on paper with countermark of double-wired letters D M (not recorded by Hinterding), the sheet 10.2 x 14.8cm. Notes: Bartsch 125; Hinterding & Rutgers (New Hollstein) 282, first state of two. Provenance: Naudet, Marchand d'Estampes au Louvre (Lugt 1937), ink inscription verso (very faded). With John Baskett, 173 New Bond Street, London The late Mrs Joan Beale; previously on loan to the Ashmolean Museum. A very good impression, probably contemporary (the second state is not). With margins and in good condition. This impression is also cited by Hinterding & Rutgers when on loan to the Ashmolean Museum, Oxford (L11056.1). Although the print used to be called 'The Golf Player' (from 'kolef'), the man in the foreground is sitting out his turn from the ringball alley in the background, where one man is playing while two others are probably laying bets. The sport was called 'Klossen' (it is still played today but called 'Beugelen'), the Dutch and Flemish word 'klos' being a ball for bowling, and the origin of the mediaeval French and English names of the game, Cloishe or Closh. There is a famous engraving of Louis XIV playing an early form of billiards with his courtiers, with an iron hoop to aim the balls through, rather than pockets, and with a cue with a scooped end, a refined version of the one seen in the etching; so billiards evolved, in fact, as a table-top adaptation of ringball.(Lots 158-170)A fine collection of etchings, drawings and watercolours until recently on loan to the Ashmolean Museum: This intriguing collection of etchings, drawings and watercolours was gathered together by Jean and Bill Beale.  They lived beside the Thames at Chelsea in London through the nineteen sixties and seventies while Bill worked in the Foreign Office. A birthday or a wedding anniversary meant a joyful trip to a central London art dealer to look, reflect and then purchase a drawing or watercolour. Many were bought from New Bond Street art galleries like Colnaghi’s, John Baskett and Richard Day, the renowned central London fine art specialists of this period.  This can be seen on the backing to the frames. In later life the Beales moved to a village in Oxfordshire.  The subject matter of their pictures reflected their interest in rural England, the Thames and the highest standard of British and European drawing and watercolour painting. In the 1990’s the collection was placed on loan to the Ashmolean Museum in Oxford, which has conserved their fine condition that makes them such a pleasure to look at today. All but two are unframed but professionally re-mounted to museum specification, however the frames with their labels have been preserved and are sold in their respective lots

ANTHONIE WATERLOO (c.1610-1690) The outskirts of a village, pen, ink and grey wash drawing, 31.5 x 40cm Prov. With John Baskett, 173 New Bond Street, London Ex. Colln Richard Johnson c.1877 Inscribed verso 'MYM' probably by the artist(Lots 158-170)A fine collection of etchings, drawings and watercolours until recently on loan to the Ashmolean Museum: This intriguing collection of etchings, drawings and watercolours was gathered together by Jean and Bill Beale.  They lived beside the Thames at Chelsea in London through the nineteen sixties and seventies while Bill worked in the Foreign Office. A birthday or a wedding anniversary meant a joyful trip to a central London art dealer to look, reflect and then purchase a drawing or watercolour. Many were bought from New Bond Street art galleries like Colnaghi’s, John Baskett and Richard Day, the renowned central London fine art specialists of this period.  This can be seen on the backing to the frames. In later life the Beales moved to a village in Oxfordshire.  The subject matter of their pictures reflected their interest in rural England, the Thames and the highest standard of British and European drawing and watercolour painting. In the 1990’s the collection was placed on loan to the Ashmolean Museum in Oxford, which has conserved their fine condition that makes them such a pleasure to look at today. All but two are unframed but professionally re-mounted to museum specification, however the frames with their labels have been preserved and are sold in their respective lots

THOMAS HEARNE (1744-1817) A young girl milking a cow by a farm with distant view of a church, pen, ink and watercolour, 18.5 x 26cm Prov. With P & D Colnaghi & Co Ltd, 14 Old Bond Street, London(Lots 158-170)A fine collection of etchings, drawings and watercolours until recently on loan to the Ashmolean Museum: This intriguing collection of etchings, drawings and watercolours was gathered together by Jean and Bill Beale.  They lived beside the Thames at Chelsea in London through the nineteen sixties and seventies while Bill worked in the Foreign Office. A birthday or a wedding anniversary meant a joyful trip to a central London art dealer to look, reflect and then purchase a drawing or watercolour. Many were bought from New Bond Street art galleries like Colnaghi’s, John Baskett and Richard Day, the renowned central London fine art specialists of this period.  This can be seen on the backing to the frames. In later life the Beales moved to a village in Oxfordshire.  The subject matter of their pictures reflected their interest in rural England, the Thames and the highest standard of British and European drawing and watercolour painting. In the 1990’s the collection was placed on loan to the Ashmolean Museum in Oxford, which has conserved their fine condition that makes them such a pleasure to look at today. All but two are unframed but professionally re-mounted to museum specification, however the frames with their labels have been preserved and are sold in their respective lots

ATTRIBUTED TO GUIDO RENI (1575-1642) The Virgin Mary standing over the Infant Christ, pen, brown ink and brown wash, the paper joined at the centre, 21 x 16cm Prov. With Richard Day, 173 New Bond St., London Exh 'Italian Old Master Drawings November 16th - December 3rd 1971' (A leading specialist of works by Guido Reni has been consulted about this drawing. For further details please contact the Mallams saleroom)(Lots 158-170)A fine collection of etchings, drawings and watercolours until recently on loan to the Ashmolean Museum: This intriguing collection of etchings, drawings and watercolours was gathered together by Jean and Bill Beale.  They lived beside the Thames at Chelsea in London through the nineteen sixties and seventies while Bill worked in the Foreign Office. A birthday or a wedding anniversary meant a joyful trip to a central London art dealer to look, reflect and then purchase a drawing or watercolour. Many were bought from New Bond Street art galleries like Colnaghi’s, John Baskett and Richard Day, the renowned central London fine art specialists of this period.  This can be seen on the backing to the frames. In later life the Beales moved to a village in Oxfordshire.  The subject matter of their pictures reflected their interest in rural England, the Thames and the highest standard of British and European drawing and watercolour painting. In the 1990’s the collection was placed on loan to the Ashmolean Museum in Oxford, which has conserved their fine condition that makes them such a pleasure to look at today. All but two are unframed but professionally re-mounted to museum specification, however the frames with their labels have been preserved and are sold in their respective lots

GIACINTO GIMIGNANI (1611-1681) The Madonna and Child with S.S. Anthony of Padua and Anthony Abbot, brown ink drawing with grey washes and heightened in white, squared in pencil, 22.5 x 14cm Prov. With John Baskett Ltd, 173 New Bond Street, London(Lots 158-170)A fine collection of etchings, drawings and watercolours until recently on loan to the Ashmolean Museum: This intriguing collection of etchings, drawings and watercolours was gathered together by Jean and Bill Beale.  They lived beside the Thames at Chelsea in London through the nineteen sixties and seventies while Bill worked in the Foreign Office. A birthday or a wedding anniversary meant a joyful trip to a central London art dealer to look, reflect and then purchase a drawing or watercolour. Many were bought from New Bond Street art galleries like Colnaghi’s, John Baskett and Richard Day, the renowned central London fine art specialists of this period.  This can be seen on the backing to the frames. In later life the Beales moved to a village in Oxfordshire.  The subject matter of their pictures reflected their interest in rural England, the Thames and the highest standard of British and European drawing and watercolour painting. In the 1990’s the collection was placed on loan to the Ashmolean Museum in Oxford, which has conserved their fine condition that makes them such a pleasure to look at today. All but two are unframed but professionally re-mounted to museum specification, however the frames with their labels have been preserved and are sold in their respective lots

THOMAS ROWLANDSON (1756-1827) 'The Afternoon Visit', pen, ink and watercolour, 15 x 24cm Prov. With John Baskett Ltd, 173 New Bond Street, London Ex. Colln Gilbert Davis(Lots 158-170)A fine collection of etchings, drawings and watercolours until recently on loan to the Ashmolean Museum: This intriguing collection of etchings, drawings and watercolours was gathered together by Jean and Bill Beale.  They lived beside the Thames at Chelsea in London through the nineteen sixties and seventies while Bill worked in the Foreign Office. A birthday or a wedding anniversary meant a joyful trip to a central London art dealer to look, reflect and then purchase a drawing or watercolour. Many were bought from New Bond Street art galleries like Colnaghi’s, John Baskett and Richard Day, the renowned central London fine art specialists of this period.  This can be seen on the backing to the frames. In later life the Beales moved to a village in Oxfordshire.  The subject matter of their pictures reflected their interest in rural England, the Thames and the highest standard of British and European drawing and watercolour painting. In the 1990’s the collection was placed on loan to the Ashmolean Museum in Oxford, which has conserved their fine condition that makes them such a pleasure to look at today. All but two are unframed but professionally re-mounted to museum specification, however the frames with their labels have been preserved and are sold in their respective lots

ESIAS VAN DE VELDE (1587/91-c.1630) 'Sheep Shearing' and 'A Harvest Waggon', two brown ink drawings, 5.0 x 7.5cm (im), 12.5 x 18.5 (sh) (2) Prov. With John Baskett, 173 New Bond Street, London Ex Collns Dr Thomas Monro Alexander Monro We are advised that the two drawings attbuted to Esias Van De Velde were rejected in George Keyes catalogue raisonne where they were deemed to be follower of Jan Van De Velde II (c.1593 - 1641) Thrus they are sold as Follower of Jan Van De Velde II (Lots 158-170)A fine collection of etchings, drawings and watercolours until recently on loan to the Ashmolean Museum: This intriguing collection of etchings, drawings and watercolours was gathered together by Jean and Bill Beale.  They lived beside the Thames at Chelsea in London through the nineteen sixties and seventies while Bill worked in the Foreign Office. A birthday or a wedding anniversary meant a joyful trip to a central London art dealer to look, reflect and then purchase a drawing or watercolour. Many were bought from New Bond Street art galleries like Colnaghi’s, John Baskett and Richard Day, the renowned central London fine art specialists of this period.  This can be seen on the backing to the frames. In later life the Beales moved to a village in Oxfordshire.  The subject matter of their pictures reflected their interest in rural England, the Thames and the highest standard of British and European drawing and watercolour painting. In the 1990’s the collection was placed on loan to the Ashmolean Museum in Oxford, which has conserved their fine condition that makes them such a pleasure to look at today. All but two are unframed but professionally re-mounted to museum specification, however the frames with their labels have been preserved and are sold in their respective lots

EDWARD LEAR (1812-1888) 'Ithaca', inscribed with title and dated 1 May 1863 2.30pm, numbered '114', pen, ink and watercolour and inscribed with notes, 33 x 49cm The Department of Western Art, Ashmolean Museum Oxford label verso(Lots 158-170)A fine collection of etchings, drawings and watercolours until recently on loan to the Ashmolean Museum: This intriguing collection of etchings, drawings and watercolours was gathered together by Jean and Bill Beale.  They lived beside the Thames at Chelsea in London through the nineteen sixties and seventies while Bill worked in the Foreign Office. A birthday or a wedding anniversary meant a joyful trip to a central London art dealer to look, reflect and then purchase a drawing or watercolour. Many were bought from New Bond Street art galleries like Colnaghi’s, John Baskett and Richard Day, the renowned central London fine art specialists of this period.  This can be seen on the backing to the frames. In later life the Beales moved to a village in Oxfordshire.  The subject matter of their pictures reflected their interest in rural England, the Thames and the highest standard of British and European drawing and watercolour painting. In the 1990’s the collection was placed on loan to the Ashmolean Museum in Oxford, which has conserved their fine condition that makes them such a pleasure to look at today. All but two are unframed but professionally re-mounted to museum specification, however the frames with their labels have been preserved and are sold in their respective lots

ATTRIBUTED TO STEFANO DELLA BELLA (1610 - 1664) Sketch of a lady from behind, pencil and brown ink drawing, 8 x 5cm With printed label verso inscribed 'from the collection of Thomas Thomkins (1743 - 1816), sale Christie's London 18th March 1975. Thomkins nr. 100, auction lot 30'

Tracey Emin, C.B.E., R.A. (British, b. 1963):Study of a bird & dragonfly, original ink drawing on napkin, signed 'Love Tracey Emin x', H 24 x W 19 cm. Provenance: The Observer Newspaper, Food Monthly charity auction, 14th March 2004, where acquired by the present vendors. Please note that Artist's Resale Rights may apply to this lot.

Ronald Searle (British, 1920-2011):'Two cats discover that love is a many splendoured thing', ink drawing, signed & titled lower left, H 50 x W 65 cm. Please note that Artist's Resale Rights may apply to this lot.

Mogul School: Study of a warrior on horseback, ink drawing, bears inscription, H 16 x W 18cm

Phyllis Ashby PottierSelling Primrosessigned, pen and ink drawing, 27.5cm x 20cm

* John Tunnard [1900-1971]- Abstract Form,:- watercolour, ink and pencil drawing with scratching-out 9 x 13cm. * Provenance. Gifted to the vendor's father by Peter Tunnard. * Notes A favourite drawing of the artist which hung in his house at Cadgwith.

* Rowland Suddaby [1912-1972]- Low Tide, Orwell Estuary, Suffolk:- signed and dated '47 bottom right watercolour, pen and ink drawing 25 x 40cm. * Provenance The Redfern Gallery 1948.

* Robert O. Lenkiewicz [1941-2002]- Peron in Hampstead:- signed, inscribed and dated c.1960 pen and ink drawing, 24 x 16.5cm, together with a signed, framed and mounted studio palette. [2]

John Martin (1789-1854) and othersAN IMPORTANT SCRAPBOOK OF ART AND MUSIC Abigail Cohen, who married William John Whyte* of Marleybone, 1844; Thence by descent through the Whyte family; Private collection, West of Scotland * William John Whyte is thought to be the grandson of Samuel Whyte, founder of the celebrated Whyte's Academy, Grafton Street, now home to Bewley's café. This lot comprises three separate scrapbooks/albums: The first compiled in the 1830s by a young Jewish woman, Abigail Cohen - who lived in London - and two later albums from c.1902 from her extended family including an Olive Anchoretta Whyte. The scrapbook includes watercolours, pencil drawings, sketches, poems and literary pieces and musical autographs within, and laid in. There are approximately 60 entries to Abigail's scrapbook and a further 20 to the later collection. Abigail Cohen was born in 1811, into a wealthy Jewish family at Leman Street, Goodmans Fields, London to Judah and Grace Cohen. Judah (1768-1838) was a slave trader, of the West India Merchants, and operated from H&J Cohen, 58 Mansell Street in London. At one point Abigail is thought to have lived at Nottingham Place, Marylebone. The Irish Connection (Fig. I) Among the album are several interesting entries from Irish personalities, including Daniel O'Connell (1775-1847) whose contribution comprises the second verse of Let Erin Remember the Days of Old from Thomas Moore's Irish Melodies. (Fig. II) Included is a musical autograph, titled Romanza, by Irish composer Michael William Balfe (1808-1870) best-remembered for his opera The Bohemian Girl. (Fig. III) Samuel Lover (1797-1868) Irish songwriter, composer, novelist, and a painter of portraits, chiefly miniatures is included with an interesting and hasty entry to "My Dear Miss Cohen" dated "London, August 1841". A lengthy inclusion by William Bayle Bernard - author of The Life of Samuel Lover (1874) - is dated "London, July 1836" (Fig. IV) An untitled musical autograph by Irish composer and pianist George Alexander Osborne (1806-1893) is captioned "my last eight minutes (?) in London" and is undated. He was a supporter of Frédéric François Chopin (1810-1849) during his tour of England in 1848. Richard Robert Madden (1798-1886) Irish doctor, writer and abolitionist, Dedication and autograph. (Fig. V) In the Vale of Avoca watercolour laid on card with blind stamp of Turnbulls Superfine Board, London. (5.5 by 3.75in) Artworks John Martin was a painter, engraver and illustrator and was one of the most popular painters of his day known for his melodramatic paintings of religious subjects and fantastic compositions. He had six children who survived to adulthood and whose work is inlcuded in this album. (Fig. VI) John Martin, Flight into Egypt dated 1834, Sepia wash (5.75 by 8.25in) Alfred Martin, Landscape with Classical Buildings and Mountains in the Distance dated 1834, sepia wash (7.75 by 5.25in) Zenobia (Zoe) Martin, View of a Castle with Two figures in the Foreground ink and watercolour (3.25 by 4.5in) & Portrait of a Lady Reading, July 1836, pencil (5 by 4.25in) Two contributions by Zenobia's husband Peter Cunningham, are also included, one a lengthy, rhyming, three verse poem dedicated to Abigail. (Fig. VII) C. John Mayle Whichelo (1784-1865), The Bay of Naples, 1830, watercolour (4.25 by 5.5in) (Fig. VIII) After William Charles Ross, Portrait of HRH Prince Albert, pencil (8 by 6in) (Fig. IX) Style of Joseph Mallord William Turner (1775-1851) Rüdesheim, sepia wash over pencil heightened with white with location inscribed at base right of centre Other contributors include: Théodore François Joseph Labarre (1805-1870) French harpist and composer. Barnard van Oven (1796-1860) English physician and communal worker. He practised in London and had an extensive clientele among the Jewish community. John Lucas Tupper (c.1824-1879). Early member of the Pre-Raphaelite circle. Two pencil drawings. (Fig. X) Pierre Paul Emmanuel De Pommayrac (1806-1880). Puerto Rico born French artist. Watercolour of French woman. Sir Michael Andrew Angus Costa (1808-1884) Italian-born conductor and composer who achieved success in England. Musical autograph score. The later albums contain approximately 20 entries including: an ink drawing by H.W. Armstead dated June 1902 illustrating tribal figures dancing in celebration on 31 May 1902, the day The Treaty of Vereeniging was signed, (fig. XI), an equestrian watercolour by E Bartlett dated 1902 and a copy in ink of a cartoon. Both also include various text entries and newspaper cuttings.

Aat Veldhoen, four pen and ink nude studies and a drawing of a woman at a sewing machine, largest 35 x 49cm

LOUIS ADOLPHE HERVIER (1818 - 1879) 'Studies of peasants', ink watercolour and bodycolour drawing, 1847, signed and inscribed 'retouché plus de 20 ans après 1864', 13cm x 10cm, framed.

Chasselat, an early 19th Century ink drawing, titled Donne-moi ton Anneau, Guerrier dome-le moi, signed and dated 1820, 7cm x 10.5cm excluding frame and mount

After Paul Cesar Helleu (1859-1927), head and shoulders portrait of a lady, print, A pen and ink drawing 'The Centaur' signed Frank Rowley; Elizabeth Dodman 'Industrial Landscape', Manchester, work on panel

SIR BERNARD PARTRIDGE (1861-1945) "Open House", signed lower right, pen and ink drawing, 14.5" x 10"

W WATKINSON MORRIS (1923-1997); ink drawing, 'Village Corner', signed to lower left, with details verso and on a label verso, 14 x 22cm, a 19th century hand coloured print of HMS Victoria signed to lower right, 16 x 22cm, sold with a magazine, and newspaper details of the sinking HMS Victoria in 1893 with the loss of 321 lives, A KUGEROV; pastel drawing, the Church on Spilled Blood, St Petersburg, initialled lower left with details on label verso, 19 x 25cm, and watercolour beach scene, all four pictures framed and glazed (4). (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Mid-Century Crayon & Ink Drawing. Signed Zachinson '59. Toning, rips, tears. Measures 9-1/4" x 7-1/4". Shipping $28.00 (estimate $100-$150)

Robert Lenkiewicz (1941-2002), early pen and ink drawing, 'Figure Running' sketch for Barbican Mural, with embossed Studio Sale seal, 28cm x 20cm.

Manner of Aert de Gelder (1645-1727) a pen and ink drawing of two figures, on laid paper, 7.5 x 6cm; After Rembrandt, self-portrait in a hat with feather, a reversed image etching, 12.5 x 10cm, and The Duke of Newcastle, mezzotint portrait by J. Bowles, 37 x 26cm (3)

Edward William Cooke, RA, FRS (British, 1811-1880) Coastal scene with sailing ship in choppy seas, oil on card, unframed, 11.5 x 18cm; and a two page pen and ink verse illustrated with a drawing of a coach struggling in a storm, and a ship at anchor under a large canopy titled 'A snug berth', paper watermarked 1853; also a 4 page letter to Cooke from Arthur **** illustrated with a comical scene of ladies cleaning pictures, and an unrelated marriage certificate dated 1791

General James Welsh (1775-1861) Madras Army, East India Company, manuscript sea chart and topographical watercolours. An early 19th Century album of poetry, journal extracts and religious compositions written in manuscript by Bellina Sophia Maxtone (James Welsh's daughter) containing a few prints and a pencil drawing by her of Bideford from Ford Wood, together with 12 pencil/ink/watercolour drawings mainly of views in India, including the beach at Waltair by Mrs Sarah Welsh and a group by James Welsh to include: The Antelope & Greyhound & other Boats on the Backwater (Vol.1 p.151), The Syrian Cathedral & Metropolitan's House at Cotyam in Travancore (Vol.2 p.229), Female Orphan Asylum at Calcutta, The Albatross & Pintadoes from the cabin window Robarts at sea off the Cape Dec.1836, Sketches from life of the Lioness & Royal Tiger in the fort of Marekherah belonging to the Mahaswanny Lingarajender Nadeem Rajah of Coorg March 24th 1811 (Vol.1 p.338), Yenklmurradee Fort (Vol.2 p.263) and The Ooplee Boorj (Vol.2 p.320), together with a signed manuscript sea chart by James Welsh documenting a ship wreck, inscribed 'Sketch in explanation of the loss of the I.C.Cos Extra Ship Travers on a Rock near Diamond Island at 5 am on the 7th Nov. 1808, in company with the Extra ships Monarch & Earl Spencer, Outward Bound', (Vol.2 p.286 'On the 7th of November the Travers ran upon a rock near Drowned island, off Negrais Point, on the Burmese shore, and was totally lost, with sixteen poor men on board; while we picked up one hundred and twenty-two persons in three boats and carried them all in our ship to Calcutta.'). The references in brackets relate to James Welsh's two-volume work 'Military Reminiscences; extracted from a journal of nearly forty years' service in the East Indies, published in 1830 by Smith, Elder and Co., Cornhill. The present Lot bears a later ownership inscription 'Maria Sutherland from M.A. Elder in memory of their Angel Sister June 16th 1867'. Several of the above mentioned drawings are reproduced (with some variance) as illustrations in these two-volumes. The watercolours of a Lioness and Royal Tiger have been drawn on a leaf from James Welsh's original journal and stitched into this album. To the verso of the same leaf he has written an account of his visit to the Rajah of Coorg and sketching of the Royal pets: 'The Lioness has a capital House in the Fort, with a boarded floor & glass windows & seems to be the greatest Pet. I could not get her to sit or stand a minute & have not therefore done her justice in my hasty sketch.' This Lot is offered with a two-volume reprint in paperback of James Welsh's original work.

A Victorian album relating to the Leslie Family containing various photographs, watercolours and ephemera dating from c.1817-1917, to include eight watercolours by Caroline S. Leslie of which four show views of Warley Barracks (Essex Regiment) and four of various country houses, photographs of named family members, a whale washed up on the beach at St. Leonards-on-sea, a pen and ink calligraphy drawing by John Leslie aged 13 dated 27th February 1817, newspaper cuttings etc.

1940's/1950's/1960's International Footballers, Thirteen Outstanding Caricature/Cartoon Original & highly detailed 'Pen & Ink' Drawings, Approx 15"x 20", Players featured, Uwe Seeler [Germany], Eusbio [Benfica & Portugal], Alfredo Di Stefano [Real Madrid & Spain] (x 2 differing Images), Francisco Gento [Real Madrid & Spain], Ferenc Puskas [Real Madrid], Ernst Ocwick [Austria Vienna], Gunnar Nordahl [Sweden], John Charles [Juventus], Igor Netto [Spartak Moscow & Russia], Germano [Benfica & Portugal], Kurt Hamrin [Fiorentina & Sweden] & Juan Schiaffino [Roma & Uruguay], All players/clubs names are written/drew on each drawing

1940's/1950's/1960's Famous British Footballers, Fifteen Outstanding Caricature/Cartoon Original & highly detailed 'Pen & Ink' Drawings, Approx 15"x 20", Players featured, Bert Trautman [Manchester City], Johnny Carey [Manchester United & Eire], Sam Bartram [Charlton Athletic], Mike O'Grady [Huddersfield Town & England], George Young [Rangers & Scotland], Johnny Haynes [Fulham& England], John Charles [Leeds United & Wales], Billy Wright [Wolverhampton Wanderers & England], Tom Finney [Preston North End & England], Ronnie Burgess [Tottenham Hotspur & Wales], Peter Doherty [Derby County/Huddersfield Town & Ireland], Frank Swift [Manchester City & England], Willie Henderson [Rangers & Scotland], John Bond [West Ham United] & Stan Matthews [Stoke/Blackpool & England], All players/clubs names are written/drew on each drawing

1940's/1950's/1960's A collection of 26 Outstanding Football Caricature/Cartoon Original & highly detailed 'Pen & Ink' Style Drawings, Approx 8"x 13", To Include players from Sheffield Wednesday (5), Southend United (1), Stoke City (1), Sunderland (2), Swansea Town (1), Torquay United (1), Tottenham Hotspur (6), Watford (1), West Bromwich Albion (3), West Ham United (1), Wolverhampton Wanderers (4), All players/clubs names are written/drew at bottom of each drawing

1940's/1950's/1960's A collection of 21 Outstanding Caricature/Cartoon Original & highly detailed 'Pen & Ink' Style Drawings, Approx 8"x 13", To Include players from Newcastle United (3), Norwich City (1), Nottingham Forest (2), Oldham Athletic (1), Plymouth Argyle (1), Port Vale (1), Portsmouth (5), Preston North End (2), Queens Park Rangers (1), Sheffield United (4), All players/clubs names are written/drew at bottom of each drawing

1940's/1950's/1960's A collection of 27 Outstanding Football Caricature/Cartoon Original & highly detailed 'Pen & Ink' Style Drawings, Approx 8"x 13", To Include players from Derby County (2), Doncaster Rovers (1), East Fife (1), Everton (1), Exeter City (1), Fulham (1), Huddersfield Town (2), Hull City (1), Ipswich Town (1), Leeds United (1), Leicester City (1), Leyton Orient (1), Liverpool (1), Luton Town (1), Manchester City (2), Manchester United (3), Mansfield Town (1), Middlesbrough (1), Millwall (4), All players/clubs names are written/drew at bottom of each drawing

1940's/1950's/1960's A collection of 24 Outstanding Football Caricature/Cartoon Original & highly detailed 'Pen & Ink' Style Drawings, Approx 8"x 13", To Include players from Arsenal (2), Birmingham City (2), Blackburn Rovers (3), Blackpool (4), Bolton Wanderers (1), Brentford (1), Bristol Rovers (1), Burnley (1), Bury (1), Cardiff City (2), Charlton Athletic (2), Chelsea (5), All players/clubs names are written/drew at bottom of each drawing

ASCRIBED TO JOHN MORTIMER: An ink drawing of a classical nude, another 'Discobolus, Done at The British Museum, Thos. Cooley, 1812', other nude drawings and a pencil landscape drawing by Redmond

BLONDEAU PEN AND INK DRAWING Two boys about to steal a bottle from a sleeping drunk Signed and dated 1-11-02 5" X 4" (12.7cm x 10.2cm) AND a SMALL PRINT of comical frogs both mounted but unframed (2)

Aat Veldhoen, four pen and ink nude studies and a drawing of a woman at a sewing machine, largest 35 x 49cm

William Curtis Green RA 1875 - 1960. Original Pen & Ink Drawing Of A Shop Front Building For Thomas Hesketh Esq. Business Premises, Warrington. Signed W Curtis Green Delt. Gilt Mounted And Framed, 9 x 20 Inches, Overall Size 26 x 16 Inches.English Architect Born In Alton, Hampshire, Studied Engineering At Technical school West Bromwich And Architecture At Birmingham School Of Art, Articled To John Belcher From 1895. He Studied At The royal Academy In 1897 And Joined The Staff At The Builder As The Draughtsman. He Joined The Art Workers Guild And Founded His Own Architectural Practice in 1898, First Commissions Included Several power Stations And Famous Hotels In London And Leeds. In 1910 He Formed The Partnership With Dunn And Watson. In 1942 Green Was Awarded The Royal Gold Medal Of The Royal Institute Of British Architects.

Harold Riley (1934-), "Street Dog", signed, ink drawing, 8 x 5cm.; 3.25 x 2in. Artists' Resale Right ("droit de suite") may apply to this lot.

'Mickey's 25th Anniversary' reproduction of original celluloid drawing, the mount inscribed 'Walt Disney' in black crayon and 'Mickey Mouse's 25th Anniversary' in ink, with Walt Disney Productions label to verso of frame. 37cm x 42cm (including frame).

NO RESERVE Dickens (Charles) The Haunted Man and The Ghost's Bargain, first edition, advertisement leaf at beginning with ink signature of Mrs. Sydney Smith, wood-engraved frontispiece and additional vignette title after Tenniel, illustrations after Leech and others, pencil drawing to vignette title, some light soiling, a few small stains, upper hinge broken and first couple of gatherings becoming loose, bookplate of Rev. Sydney Smith, original red cloth, gilt, rubbed, small stain to upper cover, slight wear to spine ends, 1848; American Notes for General Circulation, 2 vol., second edition, half-titles, 6pp. catalogue at end of vol.2, contemporary signature of N.Hibbert and long critical note ?by him in pencil on verso of initial advertisement leaf in vol.1, original blind-stamped cloth, lightly rubbed and stained, spines faded, a little cocked, 1842, 8vo (3)⁂ Hibbert's note in the second describes it as, "The work of a moralist outré in all its descriptions, continually straining after the moral picturesque...and deserves no other praise than belongs to a cockney philosopher."Rev. Sydney Smith (1771-1845), author, wit and friend of the Holland family of Munden House in Hertfordshire, was a progressive clergyman who was one of the founders of the Edinburgh Review. He knew and corresponded with Dickens, supported both the education of women and the abolition of slavery.

Phyllis Ashby PottierSelling Primrosessigned, pen and ink drawing, 27.5cm x 20cm

Persian illusionary hand-painted hunting scenes,a Persian pen and ink drawing with watercolour highlighting on an ivory base, it depicts a human head, but on closer inspection it can be seen that the features are actually composed of animals, 13.5 x 9.5cm,together with a Persian book leaf, mid-19th century, depicting an hand-painted horseback hunting scene,21 x 30cm (2)

Follower of Kyffin Williams, Pen and ink drawing of a farm, 15.5cm x 23cm, Framed and glazed, with eight prints / etchings of the same scene in various states (Qty)

Three 19th century designs for coaches Each an ink drawing finished with watercolours, signed Adams Hopper, possible Hooper of Victoria Street, London (Coach traders), 24cm x 19cm (3)

Jose Mario Ansalone, Argentine (1943 - ) Ink on paper drawing. Signed and dated '05 lower right. Label En Verso. Affixed to cardboard and mat or in good condition. Measures 26" x 32" overall. Shipping: Third party. (estimate $450-$650)

Framed Chinese hanging scroll - ink drawing of bamboo

***Ernest Howard Shepard (1879-1976) - Ink and pencil drawing - "Trains With Michael 3. During the Rewinding Process There was a Quiet but Ominous Click", 10.25ins x 9.25ins, monogrammed, in ebonised frame and glazed

***Ernest Howard Shepard (1879-1976) - Ink drawing highlighted in white - "The Lady. Where's yer manners, Brown, Blowin' on yer tea - If its too 'ot take and wave yer 'at over it", 9.75ins x 13.25ins, signed in ink in full and dated 1913 in pencil, in ebonised frame and glazed

***Ernest Howard Shepard (1879-1976) - Ink drawing - "Quarrelling Through the Ages" - The unhappy results of unresolved disputes, 13.25ins x 19.75ins, signed twice and with faint pencil set out marks for publications, in silvered frame and glazed

***Ernest Howard Shepard (1879-1976) - Ink and pencil drawing - A man frantically trying to swat wasps during a picnic, 9.75ins x 14ins, signed in full and with faint pencil title crossed through, in ebonised frame and glazed

George Price Boyce (1826-1897) - Pencil and ink drawing - "Profile Study of a Girls Head", with ancillary drawings of birds and rabbit, 5.75ins x 3.25ins, in gilt frame and glazed Provenance: Maas & Co Ltd, 15a Clifford Street, London, W1S 4JZ

Poster - appears to be drawn in ink and laid down on parchment. Ecclesiastical drawing with words from the Prophet Micah ( one of the twelve minor prophets of the Tanakh/Bible).It has wear, is chipped and splitting, 100 x 76 cms approx.