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ALBERT WAINWRIGHT (1898 - 1943) - A 1940s pen and ink life study drawing of seated female figure on blue paper, 22cm x 17cm, framed.

ALBERT WAINWRIGHT (1898 - 1943) - A 1940s pen and ink life study drawing of seated female figure on cream paper, 22cm x 17cm, framed.

ALBERT WAINWRIGHT (1898 - 1943) - A 1940s pen and ink life study drawing of seated female figure on green paper, 22cm x 17cm, framed.

ALBERT WAINWRIGHT (1898 - 1943) - A 1940s pen and ink double life study drawing of standing female figure on cream paper, 22cm x 17cm, framed.

ALBERT WAINWRIGHT (1898 - 1943) - A 1940s pen and ink double life study drawing of seated female figure on purple paper, 22cm x 17cm, framed.

ALBERT WAINWRIGHT (1898 - 1943) - A 1940s pen and ink double life study drawing of standing female figure on cream paper, 22cm x 17cm, framed.

ALBERT WAINWRIGHT (1898 - 1943) - A 1940s pen and ink double life study drawing of seated female figure on cream paper, 22cm x 17cm, framed.

ALBERT WAINWRIGHT (1898 - 1943) - A 1940s pen and ink double life study drawing of seated female figure reading a book on cream paper, 22cm x 17cm, framed.

BRUCE CHATWIN: ON THE BLACK HILL, 1982, 1st edn, uncorrected proof, orig wraps + LAURIE LEE: AS I WALKED OUT ONE MIDSUMMER MORNING, 1969, First Literary Guild edition, signed and inscribed orig cl d/w, + SEAMUS DEANE: READING IN THE DARK, 1996, 1st edn, signed, orig cl d/w + ALEXANDER KENT: SLOOP OF WAR, 1972, 1st edn, signed, orig cl d/w + H E BATES: THE VANISHED WORLD, ill John Ward 1969, 1st edn, signed and inscribed by artist with orig pen and ink drawing on ttle pge, signed and inscribed by artist postcard loosely inserted, orig cl d/w (5)

A framed & glazed pen & ink drawing of Gladstone titled in pencil 'The Reception at Portsmouth' signed FP - Fredrick Pegram RI (1870-1937). 38 x 31cm.

JOCK LEYDEN (1908 - 2000 cartoonist) - Pride of Possession, ink drawing, titled, signed and inscribed "To Gordon from Jock Oct 1936" 25cms x 35.5cms

H*** Gibson (19th Century) A MINIATURE PORTRAIT OF NAPOLEON BONAPARTE signed, inscribed and dated 1877 on a label matted with the drawing pen and ink 12 x 8.5cms; 4 3/4 x 3 3/8in.

WRIGHT ORVILLE: (1871-1948) American Aviator who, with his brother Wilbur, invented and built the world's first successful airplane and made the first controlled, powered and sustained heavier-than-air human flight on 17th December 1903. A good original 9.5 x 12 pencil drawing of Wright by an amateur artist, M. H. Herrin, the accomplished image depicting the aviator in a head and shoulders pose. Signed ('Orville Wright') in bold black fountain pen ink with his name alone to the lower border. Also signed in pencil by the artist to the lower right corner and dated 1935 in his hand. Neatly mounted. A few very minor, light creases, otherwise VG

CHAGALL MARC: (1887-1985) Russian-French Artist. Vintage signed Greetings card, the stiff white folding 8vo card with a printed greeting in French (‘Avec nos meilleurs Voeux de Bonheur’) to the inside. Chagall has penned a lengthy note to the inside, ‘We are spending a week together and quite happy. Am thinking of you and wishing you all the joy and happiness in 1957. It’s wonderful to see father with the children!’ Signed (‘Marc’) at the foot alongside a small original drawing of a heart and arrow. The card also bears the names of Chagall’s wife, Vava Brodsky, his daughter Ida, and two other relatives. The front cover of the card features what appears to be an original black pen and ink sketch by Chagall, the image depicting a pair of running legs with a single hand holding a wispy bouquet. VG

An original drawing for his nurse PICASSO PABLO: (1881-1973) Spanish Painter. Book signed and inscribed, with an original drawing by Picasso, being a folio paperback edition from a series entitled Chefs-D'Oeuvre De L'Art Grands Peintres, Picasso, (premiere partie), published by Hachette, 1966. The French text edition features 16 colour plates of different works by the artist. Attractively signed and inscribed by Picasso in bold black ink to a clear area at the head of the first page, 'Pour Madame Boccard, Picasso' and dated 4th May 1969 in his hand. Immediately beneath his signature Picasso has drawn a sketch of a bearded man in a head and shoulders profile pose, wearing a hat, and with a flower held between his teeth. Some very light, minor age wear to the covers, otherwise VG The present book was apparently presented to Picasso's nurse and is accompanied by a certificate of authenticity signed by Claude Picasso, the artist's son, dated 19th March 2013.

ARTISTS: A good selection of A.Ls.S. etc., by various contemporary artists, many written on postcards or greetings cards featuring colour reproductions of the artist's work, including Dexter Dalwood (illustrated with an original pencil drawing), Grayson Perry (2; one an A.L.S., in part, 'You don't have to go to art school to be an artist but if you want a career as a contemporary artist you will struggle if you have not been to art school', and the other a simple original pen and ink drawing), Ciara Phillips, Laure Prouvost, Michael Raedecker, Philip Sutton, Eileen Cooper, Norman Ackroyd, Rineke Dijkstra, Cornelia Parker, Mona Hatoum, Sam Taylor-Wood, Antony Gormley, Michael Craig-Martin, Mike Nelson, Jeremy Deller, Ron Arad etc. Some of the letters have interesting content relating to art. VG to EX, 21

PLATH SYLVIA: (1932-1963) American Poet, wife of Ted Hughes from 1956 until her death. A fine, original black pen and ink drawing, unsigned, one page, oblong 8vo, n.p., n.d. Plath has drawn a well executed sketch of a tea kettle, the lid of which is slightly ajar. Annotated and signed to the verso in pencil 'By Sylvia Plath, Ted Hughes' by her husband, the English Poet Laureate. Any original item in the hand of Plath is extremely rare and desirable as a result of the poet's tragic suicide at the age of 30. EX The present drawing is one of just a small handful by Plath in existence, and most likely dates from the late 1950s, shortly after her marriage to Hughes. The poet was an artist of some talent, and Hughes wrote of her artistic nature in Birthday Letters - 'Drawing calmed you. Your poker infernal pen Was like a branding iron. Objects Suffered into their new presence, tortured Into final position. As you drew I felt released, calm. Time opened When you drew the market at Benidorm. I sat near you, scribbling something. Hours burned away. The stall-keepers Kept coming to see you had them properly. We sat on those steps in our rope-soles, And were happy…' -'Drawing'

ARTHUR HAMMOND ARTIST SIGNED ETCHING ON GREY PAPER Street scene with Greek neo classical building under construction signed in pencil. and dated '15, KENDALL ARTIST SIGNED PEN AND INK DRAWING 'Muckross Abbey, Killarney 6 1/2" x 5 1/2" (16.5cm x 14cm) (2)

James Hockey, sepia watercolour and ink, study of a horse and cart, signed and dated 1939, 10ins x 16ins, together with a pen and ink drawing by the same hand, landscape at Urbino, signed and dated 1960, 14ins x 10ins

Thomas MacQuoid, signed ink drawing, figures by a chalet inscribed on R.I. label verso ' Seewis Switzerland ', together with watercolour, river scene with stone bridge

XU BEIHONG [CHINESE, 1895-1953], INK DRAWING SCROLL, HORSE, 1943: 40 1/8" x 27 1/8" image, calligraphy H 12 1/4", W 27 1/8".

JOHN KNOWLITTLE (ARTHUR H PATTERSON) (1857-1935, BRITISH) Sea Birds pen and ink drawing, signed and dated 1928 lower right 10 x 7ins together with one further pen and ink drawing by the same artist (2)

WILLIAM BIRNIE (Scottish, 1929-2007) Fishing boat in Anstruther harbour, ink drawing, signed, 32cm x 61cm

* Julian DYSON (1936-2003) Ink drawing on ceramic tile ‘In the Park’ – playful dog Inscribed Dated 01/(19)99 Signed with monogramme 7.75” x 10” (19.7cm x 25.4cm)

* Eileen AGAR (1899-1991) Ink drawing on brown paper ‘Three Figures’ Inscribed on label to verso Signed 7.25” x 9.5” (18.4cm x 24.1cm)

Henry Scott TUKE (1858-1929) Black ink drawing Head and shoulder portrait of a young man Unsigned 7” x 4.5” (17.8cm x 11.4cm) Provenance: Taken from a sketch book dated 1898, Christies, Abbott & Holder, Mallams Ltd November 2009 to the present owner

* Christopher James TATE (b.1982) Wash and ink line drawing ‘John Passmore Edwards 1893’ Miners & Mechanics Institute St Agnes Signed 9.5” x 13.75” (24.1cm x 34.9cm)

Alfred Wainwright, an original pen and ink drawing, "Gimmer Crag". 8 ins x 6.75 ins, framed, signed (see illustration).

Alfred Wainwright, original pen and ink drawing, "Croglin Church". 7.75 ins x 6.5 ins, framed, signed (see illustration).

Alfred Wainwright, pen and ink drawing, "the Monument, Bardsea Park". 7.5 ins x 6 ins, mounted, signed (see illustration).

Alfred Wainwright, pen and ink drawing, "Sheffield Pike". 12.5 cm x 17 cm (see illustration).

Edward Lyon, watercolour and ink drawing, "Whitehaven Harbour". 1.5 ins x 8.25 ins, mounted, signed.

A pen and ink profile drawing, "Mother Superior". 12 ins x 9 ins, framed, signed and dated '62.

A * B * The Conjuror, signed with initials, pen and ink drawing produced for the 'London Magazine', 29.5 x 23cm; together with assorted further similar, artists to include: J Harrison etc, all unframed, approximately ten in total and also including a watercolour - mountain landscape, signed R MacDonald Ross

A large framed set of nautical knots etc with a central clock feature, together with two yacht-related pictures, a small print of The Barbican, Plymouth, and an ink drawing by Francis Borcha dated 1938

A colour mezzotint signed proof by Arthur L. Cox; a pen and ink drawing by A.C. Bewick; a pair of pencil portraits by R.C. Bush; and two colour prints - Bird subjects, after Basil Ede. (6)

AN INK DRAWING BY WHITNEY - STUDY OF A HORSE.

Two etchings to include John Cameron - Craigmillar Castle and D.Y. Rose - A Street in Tunis, together with a pen and Ink drawing (3)

Two Pre-Raphaelite style pictures, a pencil drawing of Lizzie Siddle at the beginning of a letter, and an ink drawing of three men seated and two others

A quantity of pictures and prints to include original pen and ink architectural drawing, a photograph of Audrey Hepburn, a map of Killington Parish and its residents dated 2000, various empty frames, and an R. McPhail signed edition print of Grouse. (9)

An interesting collection of ephemera relating to John Rathbone, Brook House Academy, c.1849 to include a finely inscribed cash book, two albums "Specimens Written by John Rathbone at Brook House Academy, Christmas 1849", a pen and ink drawing for the plans of the Great Eastern Steamer, pencil sketches, etc.

A.W. DUXFIELD; ink and watercolour drawing, a Native American on an Indian motorcycle, signed and dated 1913 lower right, 34 x 36cm, framed and glazed. CONDITION REPORT: Postage within UK would be £22.50 + VAT. Not much fading, no tears, in pretty good condition overall.

Thomas Rowlandson (British, 1756-1827) A vessel being driven towards Lanherne Rocks, St Mawgan, Cornwall pen, sepia ink and watercolour 14½ x 23½cm (5 x 9in) Provenance: With Bernard Squire, London; With Leonard Duke; From the collection of Philip Goodman. A similar drawing is in the Huntington Library and Art Collection in San Marino, California Condition appears fine.

Catherine Dodgson (British, 1883-1954) Study of a head of King Charles II inscribed lower right "C Dodgson" red chalk, pen and ink on grey wash 37½ x 27½cm (14 x 11in) Provenance: With Sir Bruce Ingram (1877-1863); Abbott and Holder Ltd, Museum Street, London; From the collection of Philip Goodman. This drawing is taken from the portrait bust by Honore Pelle (French, 1641-1718) dated 1684, now in the Victoria and Albert Museum. A similar study is in the Fitzwilliam Museum, Cambridge.

Dutch School (circa 1650) Christ and the Woman of Samaria at the Well pen and ink with sepia wash 24 x 28cm (9 x 11in) Provenance: With Nathaniel Hone, RA (1718-1784) [with Hone's collector's mark of an eye (L.2793)]; From the collection of Philip Goodman. The present drawing has previously been attributed to Leonaert Bramer (Dutch, 1596-1674) One small tear and a foxing/discolouration spot top left-hand corner and a fold in the paper 1/3 of the way along. Corners may be stuck down ?

Isaac Oliver (French, c. 1565-1617) A girl playing the virginals bears initials "ARH" lower right pen and brown ink with brown and grey washes 12 x 11cm (5 x 4in) Provenance: Richard Houlditch (Lugt 2214/4), see collector's stamp; Villiers David, his Sale, Christie's, 19th November, 1985, lot 199; with Colin Hunter; Sotheby's London, 11th July 1991, Lot 13, where acquired by the late owner. From the collection of the late Christopher Hogwood, CBE Literature: Jacket illustration for "The Keyboard in Baroque Europe", edited by Christopher Hogwood (pub 2003, Cambridge University Press) The present painting is thought to date from after Oliver's visit to Venice in 1596 - this drawing is considered to be the earliest such musical scene in English art. Condition appears fine, perhaps a little discolouration around the cream edges.

A watercolour sea and city scape, together with a pen and ink drawing of Brentford by Fenn, plus a Limited Edition print of Cornwall, framed and glazed (3)

Ink drawing by James Howe 1780 - 1836 A couple riding out with their dog signed

A pen and ink drawing titled "Not So Dumb Blonde"

20th century black ink drawing, stylised dancing figures, indistinctly signed, dated 1956, 22" x 27.5", framed.

Sergeant watercolour, Brighton Pavilion 1969, signed, 9" x 12", and a pen and ink drawing, Cox's Livery Stables, Cambridge, indistinctly signed, 9" x 7", framed, (2).

An oil painting on board - Provincial French landscape, artist unknown; together with an oil painting - Parisian street scene, unframed; and a watercolour pen and ink drawing - "Nicosia", indistinctly signed (J. Sabry?), inscribed with title and dated 1945.

A limited edition coloured print - "Spring Flight", after Benjamin Chee Chee; a small watercolour - Plant study, by M. Morris 1997; a pen and ink drawing of the Fourth Road Bridge, by **** Ascot; a small colour print - Boats at low tide; a miniature watercolour - Flower study, by Tim Nash - "In The Window"; a miniature watercolour, by Ray Jones - "Canal Loch"; and a pair of miniature watercolours, by M. Martin. (8)

A watercolour and ink drawing, - A rural landscape with cottage, possibly by MacNeill.

1951-1952 FA Cup Fixture Programmes: Newcastle United v Aston Villa, January 12th, good; Tottenham Hotspur v Newcastle United, 2nd February, written score; Swansea Town v Newcastle United, 23rd February, ink score, amendments and details, missing staple; Portsmouth v Newcastle United, March 8th, written score and tally; Blackburn Rovers v Newcastle United, March 29th, scribble to front; Blackburn Rovers v Newcastle United (Replay), April 2nd, stain to front; Newcastle United v Arsenal (Wembley Stadium), May 3rd, wear to spine, drawing on Churchill and players, some rust staining. (7)

ANDRE DUNOYER DE SEGONZAC (French, 1884-1974), 'The Rower', original drawing in pen, ink with wash on paper. 36cm x 59.5cm. (Please Note Clause 6 of Buyer's Conditions)

Southampton, original pen & ink artwork, a 1962 caricature picture of Ted Bates, colour, by P.Lucas, plus a later original drawing by OZ 'Saints Cup Draw' (players named, Knapp, Huxford, O'Brien, Paine & Sydenham).

A ebonised standish with two brass ink wells; two coffee grinders; a lantern; a drawing board; a T-square (6)

A pen ink drawing study of two Geisha, indistinctly signed, together with a study of a Jamaican couple dancing, indistinctly signed, 34cm x 21cm and 16cm x 12cm

*Paul Hogarth (1917 - 2001), pencil and ink drawing - The Great Wall of China, signed and dated '54, in glazed frame, 46.5cm x 35cm. This image was used in Patrick Wright's 2010 book 'Passport to Peking', plate 57, page 435