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INDISTINCTLY SIGNED, PEN, INK AND WATERCOLOUR DRAWING, 'Tombland, Norwich', 7" x 10"

J JOYCE LAKEMAN, SIGNED PEN, INK AND WATERCOLOUR DRAWING, Anemones in a vase and S JONES, SIGNED AND DATED '86 WATERCOLOUR, Pansies in a vase, 10" x 11" and 13" x 10", (2)

NUTALL, SIGNED AND DATED '77, PEN, INK AND WASH DRAWING, A mythological horseman with bird, 19" x 13"

George Frederick Watts O.M., R.A., 1817-1904 A COLLECTION OF EARLY WORKS, INCLUDING: PORTRAIT OF ADMIRAL LORD LYONS; A BOY ON HORSEBACK (AFTER STUBBS); THE DEATH OF THE STAG (VERSO, STUDY OF A CLASSICAL HERO); STUDIES OF A GREYHOUND; TWO VARIANT STUDIES FOR THE GOOD SAMARITAN; LUCRETIA; APPROXIMATELY TWENTY-THREE COPIES AFTER OLD MASTERS (INCLUDING TITIAN, DEL SARTO, VAN DYCK, TINTORETTO); STUDY FOR JACOB AND ESAU; A RECLINING LADY, one inscribed l.r.: Admiral Lord Lyons; another signed and dated l.l.: Geo. F. Watts Del. Sep. 1831.; bears an inscription on an old label pasted to the reverse: A copy from a drawing/ by Stubbs made by Signor/ aged thirteen/ He remembered copying the print/ stroke for stroke, two pen and ink; another pen and ink with wash; one pencil and white chalk; approximately 26 watercolours; one oil on canvas; one pencil, sold with eight watercolour landscapes by Mary Watts, largest 14x33cm.; 5Ix13in. (39) Exhibited Laing Art Gallery, Newcastle-Upon-Tyne, George Frederick Watts Memorial Exhibition, August 1905 no.205 (Portrait of Admiral Lord Lyons 1850)

Louis-Francois Cassas, French 1756-1827 Vue de la tete colossale du Sphinx et de la 2eme Pyramide d'Egypte, signed and titled on the artist's prepared mount, pen and ink and watercolour on paper, 57x80.5cm., 22Ix31Nin. The drawing would appear to depict officers of the Napoleonic army encountering a Mameluke caravan at Gizeh.

German School 19th century- Front elevation of a manor house; pen and black ink and watercolour on laid, inscribed in pencil, 28.5x47.4cm: together with one other front elevation of a Classical facade and a pencil drawing of a landscaped garden vista, 46x57.7 and 38x52.2cm., (3)

English School 19th century- "The Cambat (sic) in Smithfield between the same John Deasley and Sr. Philip Boyle 30 Jan An. 1441"; pen and brown ink and wash, inscribed extensively, 22.7x37.5cm: together with one other similar drawing by the same hand, (2), (unframed)

CHARLES SIMPSON Clearing a ditch Ink drawing Initialled 10 x 8ins

EDWARD ARDIZZONE Child crawling Ink drawing 3 x 2ins

REX WHISTLER A pencil and crayon advertising drawing; together with two ink drawings each on the "That's Shell-That Is" theme Unframed

REX WHISTLE An ink drawing for Shell 11 x 7ins unframed

BRYAN PEARCE St. Ives harbour Ink drawing Signed 10 x 13 1/2ins unframed

BRYAN PEARCE The church St. Ives Ink drawing Signed 10 x 7ins

John Lennon A Christmas card printed with a drawing by John Lennon, 1964, signed and inscribed inside in John Lennon's hand in black ink To all ye Isherwoods, From some Lennons, with love xxx. The Isherwoods were the family of one of the accountants employed by The Beatles.

John Lennon Dancing Figures pen and ink drawing circa 1964 5 1/2x7in. (14.5x17.8cm.) all rights of reproduction reserved to the estate of the late John Lennon

John Lennon A rare autograph manuscript Daily Howl page; and a scarce watercolour, pen and ink cartoon sketch, circa 1957, the page from Lennon's unpublished comic strip the Daily Howl, the top section titled Readers Letters, the lower section titled Weather Report, annotated with an illustration in coloured crayon and black ink of a weather chart showing the UK, the humorous text and illustration headed Price = 1 body (dead) DAILY HOWL, on a page of lined paper taken from an exercise book -- 9x7in. (22.9x17.8cm.); and John Lennon Dad's just not awake until he's had his Shwedded Feet This is not Robert Mitchum watercolour, pen and ink sketch, circa 1957, 8x6 1/2in. (20.3x16.5cm.), on a page of drawing paper glued to the verso of the Daily Howl page.

A skeletal leaf collage; together with an ink drawing, Veronica Cottage, Cadgwith.

Martin Bloch - Pastel and ink drawing - Landscape, signed and dated '44, 18cm x 25cm

Martin Bloch - Pastel and ink drawing - Landscape, signed and dated '46, 27cm x 36cm

ARTHUR MORLAND Shepherd Market, Mayfair. Signed and dated 1932. Pen and Ink Drawing. 111/2 x 16ins.

Sir Hugh Casson (1910-) Ink and wash drawing 'Coniston', unframed (Purchased Royal Academy Summer Exhibition) 9cms x 13cms

William Lionel Wyllie, RA (1851-1931) Black ink and wash drawing Shipping and barges on an estuary 10.75cm x 21cm Letter on the reverse confirming the provenance from Fred B Farley dated Feb 1903.

PHIL MAY 'The Little Kitten', pen and ink drawing, signed and dated 1901 bottom left, 8in. x 6in. (20 x 15cms)

A Hannah Barlow pen and ink drawing 'To The Rescue', depicting a tethered dog, cat and mouse, initialled and dated April 12th 1870, 10.5ins x 7.5ins

Norman Thelwell 'I see you've kicked the toes out of them already' Ink drawing Signed Bears Chris Beetles label 9cm x 15cm

Jacobs (W.W.). Odd Craft, 1st ed., [1904], 5 pp. pubs. adverts to rear, b & w illusts. after Will Owen, owners inscription in ink, orig. pict. cloth, rubbed with a little fraying to head and foot of spine, 8vo. Includes an original pen and crayon drawing to the front free endpaper by Will Owen (1869 - 1957) entitled 'Leigh, Essex' showing a fisherman repairing his boat on a shore. (1)

IN THE MANNER OF J S COTMAN, MONOTONE WATERCOLOUR, inscribed 'Norwich', 8" x 8" and 18TH CENTURY PEN, INK AND PENCIL DRAWING, figure with dog in landscape, 6" x 10", (2)

INITIALLED RW, 18TH/19TH CENTURY ENGLISH SCHOOL, PEN, INK AND WASH DRAWING, figures, horse and cart in wooded lane, 6" x 7"; Together with two further framed Drawings and Watercolours, various sizes, (3)

EDWARD TENNYSON REED, MONOGRAMMED PEN AND INK DRAWING, 'An Assyrian Testament of an ordinary scene on the Esplanade at any summer resort...', 7 1/2" x 10"

Circle of Jan Toorop - Composite figure and portrait studies; pen and black ink and pencil, 20.5x28.5cm: together with a drawing of Pan in pen and green ink and a pencil study of a standing female nude by different hands (3) (unframed)

Stanislaus Brien- 'Hoar Frost'; oil on canvas, signed, 50.7x61cm: together with a crayon drawing of chimpanzees, a pencil and a pen and ink study of a tiger and a robin by the same hand, a watercolour of a landscape subject by Reginald Fautless, and an oil of a nocturnal street scene by a different hand, (6), (part unframed)

19TH CENTURY ENGLISH SCHOOL, Study of a St Bernard dog resting by the sea, signed with monogram, pen and ink drawing, 4" x 5 1/4".

DAVID MUIRHEAD BONE (1876-1953), 'St. Philip Neri, Arundel', signed, pen and ink drawing, 4 1/4" x 10 3/4". * Possibly a preparatory drawing for an etching. Ex Sanders 1976 Exhibition 1976 number 15.

19TH CENTURY SCHOOL, 'Ischia, from the Vomero', pen and ink drawing, 8" x 12".

EDWARD JACQUES DU FEU, A procession of Cardinals, pen and ink drawing , 6" x 4 1/2".

Brangwyn (Sir Frank, 1867 - 1956). View of and Italian hilltop town, pen, ink & watercolour wash, initialled, approx. 125 x 226 mm, mounted, with old typewritten label to verso, indicating that this watercolour drawing was part of a lot sold at Christie's, on July 18th, 1961, from the Count de Belleroche collection (1)

Lawrence (Sir Thomas P.R.A., 1769 - 1830). Figures seated on a bench beneath a tree, with food stall beyond, pencil, ink and wash sketch, with another sketch to verso, unsigned, approx. 10.5 x 16.5 cms, mounted, together with Webster (Thomas, R.A., 1800 - 86). Old buildings with figure by the waterside, watercolour drawing, signed, approx. 11.5 x 14 cms, mounted, plus Channel Islands, etc. La Hocque Bie, Jersey, by Renée Keiley, 19th c.pencil landscape, initialled, approx. 29 x 39 cm, plus The Entrance to Fort Regent, St. Helier, Jersey, late 19th c. pencil and watercolour, signed, titled and dated in pencil 20.9.80, approx. 10 x 17 cm, mounted, plus LeJeune (Charles), View of St. Malo Harbour, 1849, watercolour, signed and dated 24.5 x 34 cm, mounted, plus an early 20th c. watercolour view of Dinard landing, unsigned, approx. 9 x 22 cm, mounted, together with Donne (Benjamin John Merriefield), The White Cliff, Seaton, South Devon, watercolour, unsigned inscribed with title to reverse, approx. 13 x 17.5 cm, mounted, and A Wave Swept Rock, 1904, orig. watercolour, heightened with bodycolour, signed and dated, inscribed with title to reverse, and "E.M.A. Donne from B.J.D. Decr. 05", approx. 22 x 36.5 cm (6)

Windsor Castle. Bright (Henry, N.W.F., 1814 - 73), Windsor Castle, pen, ink & wash drawing, heightened with body colour, approx. 17.75 x 24.5cms (7" x 9.5"), gilt moulded frame, glazed together withWindsor Castle from the North, early 20th c. gouache, unsigned, approx. 16.5 x 24 cm (6.5" x 9.5"), framed and glazed (2)

English School. A 19th c. folio album of prints and drawings, c. 1840 - 70s, including twelve mounted b&w engs. from C. C. Henderson's Road Scrapings (1840), three etched plts. of animals by Edwin Landseer, seven orig. watercolour studies of Turkish costume, including two females, and one Greek soldier (each with pencil caption and dated 1854), a large pencil drawing of a hunting scene, attributed to Henry Alken, and dated 1822, a mid - 19th c. pencil study of a boy and dog, with watercolour detail to the face, two pen, ink & wash drawings of horses by Bourganoni, several watercolours and drawings of hunting scenes, each initialled 'B. B. R.', dated 1841 and 1871, four original sketches of hunting scenes by John Frederick Tayler, P. R. W. S. (1802 - 1889), etc, all mounted in contemp. morocco - backed album, rubbed and frayed, some wear to spine and outer corners, large folio (1)

Farington (Joseph, 1747 - 1821). South west view of St. Regulus Chapel, at St. Andrews, August 7th, 1788, pen, ink, & wash drawing, signed and titled, approx. 218 x 360 mm, mounted (1)

Farington (Joseph, 1747 - 1821). East end of the remains of the Cathedral at St. Andrews, August 8th, 1788, pen, ink & wash drawing, signed and dated, approx. 327 x 380 mm, mounted (1)

Farington (Joseph, 1747 - 1821). West view of the remains of the Castle at St. Andrews, August 8th, 1788, pen, ink & wash drawing, signed, dated and titled, approx. 240 x 490 mm, mounted (1)

Lawson Wood (Clarence, R. I., 1878 - 1957). A collection of seventeen original sketchbooks covering the years 1890 - 1920, containing numerous landscape sketches, figure studies, life drawing, animals, etc., mostly in pencil, but including one album of pen, ink and wash drawings (1892), and a few watercolour vignettes, mostly captioned and dated, many signed by Lawson Wood to upper cover or inside front cover, various sizes (from 85 x 135 mm to 250 x 370 mm) (17)

Owen (Samuel, 1768 - 1857). Lime Kilns at North Fleet, Kent, pen, ink & wash drawing, approx. 167 x 235 mm, mounted (1)

Oxford. Pen & ink caricature of the theological debates at Oxford, 1872, penk & ink caricature drawing, with portraits of Cardinal Newman, with quotation to left and right lower margin "Strange that such different should be/Twixt Tweedle - dum, and Tweedle - dee", and "Lacker and shams at nothing are too dear/So Jack move on, nor stop the way up here." with monogram and date to lower left hand corner, approx. 330 x 470 mm (1)

Ward (Johnm, 20th c.). 'Mahomed aged 4 years.', 1st August 1962, pen, ink and watercolour wash drawing of a grey - white stallion, signed, titled and dated, approx. 300 x 470 mm, framed and glazed, together with another similar drawing by the same artist (2)

*Napoleon I (Emperor of France). An original pencil drawing of Napoleon on his deathbed, attributed to Captain Ward at St Helena, c. 5th-7th May 1821, an amateur outline pencil sketch on tracing paper, showing Napoleon lying dead with two pillows under his head, dressed in full military uniform, with helmet, medals and cape, some spotting and sl. creasing, approx. 11.5 x 20 cm, glued at corners to a later album leaf, with an old ink inscription beneath, 'Taken by Captain Ward, who was quartered at St. Helena at the time'. Provenance: Believed to be from Marie Wragg de Winton, a South Wales or Midlands artist (fl. 1839-60), and since handed down through the family. The implication is that Captain Ward was Captain of the Guards responsible for guarding the dead Emperor before his funeral, and that subsequently Captain Ward gave the sketch to his friend Madame Marie Wragg de Winton. (1)

PAIR PEN AND INK DRAWING HEIGHTENED IN WHITE "FISHING AND CATTLE WATERING" (19TH.CENT. ENGLISH) MONOGRAM W.H.S. DATED 1878 20 X 48CM.

BURNE-JONES, Sir EDWARD. (1833-98). Four autograph letters to Lucy Clifford, one signed in full, 1893, 2 signed with initials, n.d. (c. 1895), and one signed with self portrait (envelope postmarked 1895). 11 1/2 pp, 8vo. In the illustrated letter he thanks Lucy for sending him a copy of her book, “In a most unfair way – a most dishonourable way, I looked at the end to see if they married & were happy ever after…” – is it kind though to want to make me weep?”, with an ink drawing of a fat-cheeked baby in profile. With an A.L.S. from Sir Philip Burne-Jones, 1897, illustrated with self portrait at the easel, and two A.Ls.S. from Lady (Georgina) Burne-Jones, 1898 and 1905.

SIR WILLIAM RUSSELL FLINT, RA, PRWS (1880-1969) Five letters to Bradbury, October 1952-April 1969, thanking him for birthday wishes and presents, a gift of old papers for drawing and apologies for being unable to meet him, each in elegant ink script and fully signed; two letters from Francis Russell Flint to Bradbury, Jan.1970-Sept.1972; and "More Than Shadows", biography of Flint by A. Palmer, 1943 (a lot)

PENRY WILLIAMS Merthyr signed and inscribed, pen, pencil, ink and grey wash, 11.5 x 19cm; and a late 19th c pen and ink drawing by a naive hand of a busy street scene at Merthyr Tydfil, 28 x 45cm (2) The drawing by Penry Williams executed circa 1819. In excellent condition in an early 20th century mount and gilt frame. The naive pen and ink sketch with two closed pairs and light sporadic foxing

GEORGE CHINNERY View of a Ghat inscribed in the artist's shorthand and dated 1822, pen and ink, 15 x 22cm. In good condition, in plain lined oak frames, the backboards affected by damp but the drawing not so. A fine example of the artist's rapid technique, with numerous figures bathing etc

Carroll (Lewis & the Rossetti family). A fine album of approx. eighty (mostly albumen print) photographs on fifty leaves, of the Rossetti family and friends, plus art works by Dante Gabriel Rossetti and other Pre?Raphaelite artists, etc., c. 1850s to 1900, including six photographs by Lewis Carroll (i.e. Charles L. Dodgson) seven images of William Rossetti's first fiancee Henrietta Rintoul from the 1850s, images of other Rintoul family members, Marie Stillman, two unidentified girls, images of art works photographed by William E. Gray and Naya [many of the latter of paintings from the first Venice Biennale of 1895 of which William Rossetti was chairman of the judging jury], the first twenty images (all art works) pasted in, the remaining images corner?mounted, most images on rectos with ink captions on facing page in William Rossetti's hand, William Rossetti's ownership signature, dated 1898, orig. half morocco with William Rossetti's printed label to upper cover (numbered 24: Gabriel, Family, Miscellaneous), spine damaged and covers near detached, folio Full contents description available. The Lewis Carroll albumen prints are: 1) Drawing of the late Mrs D.G. Rossetti by Dante Gabriel Rossetti, with head resting on a pillow [Carroll's image number 1147], 158 x 146 mm; 2) Drawing of Mrs. Morris in an armchair, full?length, by Dante Gabriel Rossetti [image number 1152], 154 x 130 mm; 3) Alphonse Legros, [image number 1128], 122 x 101 mm; 4) Maria Francesca Rossetti, with her mother Frances Mary Lavinia (nee Polidori) and brother Dante Gabriel playing chess [image number 1134, also with Christina Rossetti to left of image], 124 x 158 mm; 5) Christina, Dante Gabriel, Mrs. Frances Rossetti, William and Maria (splash?marked on photographic plate) [image number 1133?, slightly wider], 150 x 177 mm; 6) Frances Mary Lavinia Rossetti with her son William Michael (almost trimmed out) [image number 1132, also with Dante Gabriel and Christina], 94 x 48 mm. The first two photographs are pasted in, the remaining four corner?mounted. All were taken 6?8 October 1863 at Dante Gabriel Rossetti's home at 16 Cheyne Walk, Chelsea, London. (1)

Rossetti (William Michael, 1829?1919). Five photos of William Michael Rossetti, 1890s?1900s, including one at Lucy''s grave, San Remo, 1907: gelatin silver print, upper margin and lower left corner near detached, verso initialled M.E.M.R., 270 x 200mm (see fig. 114 in Angela Thirlwell, 'William and Lucy, The Other Rossettis', 2003); Platinotype by J. Russell & Sons,142 x 103mm, mounted with photographer's printed details below, inscribed in pencil on verso, 'Platinotype Free. I like this the best of the 3 ? Suppose (but am not quite sure) that it has been taken for the Literary Series', in ink beneath [William's hand]: 'Taken 15/6/5' and beneath that the ink initials of his daughter M.E.M.R; Albumen print cabinet card by Elliott & Fry, 167 x 109mm, with ink inscription to verso, 'To my daughter Mary, W.M. Rossetti, Novr. '94'; Albumen print with arched top, mounted on remains of album leaf with ink inscription beneath, 'Papa, San Remo, 1895'; William Rossetti and a young girl [?Imogen, his granddaugter] wearing a straw hat and polka dot dress, c. early 1900s: positive black and white contact print on stiff plastic, 82 x 70mm; together with glass black and white negative of a drawing of Gabriele Rossetti by his son Dante Gabriel Rossetti; postcard with two portraits of Gabriele Rossetti after Marsegli and DGR; two pencil drawings of Gabriel Arthur Madox Rossetti, 6.1.1923 and another of Gabriel[?], by H[elen] R[ossetti] A[ngeli], dated 20? September 1932; pen and ink and pencil drawing of two cats and on the verso a neat pen, ink and pencil drawing of a monk at prayer in a chapel, no date or signature; three daguerrotypes of unidentified people (13)

Wain (Louis). Mr and Mrs Duck and family, orig. pen and ink drawing, signed (twice), approx. 49 x 38 cm. Captioned in pencil by Louis Wain, 'Oh dear, what a big egg! You did not lay that Mrs Cackle surely. Yes I did, Mr Cackle, but it's grown up of it's own accord in the night. What a big duckling we shall have. Oh dear, there is whole brood of ducklings coming out of one egg. Mrs Cackle you must have laid an easter egg by mistake.' (1)

Mozley (Charles b.1915). Collection of twenty?nine original preparatory book illustrations, c.1960's, pen & ink, pencil & charcoal drawings on paper, some heightened with white, majority laid down on card, includes images of Vulcan, Athena, Hercules, Isis & Horus, Perseus, Poseidon, Cupid & Psyche etc., dimensions approx. 120 x 140mm to 215 x 140mm, contained in modern plastic ring binder Charles Mozley was born in Sheffield. He studied at Sheffield School of Art and at the Royal College of Art (1933?37). He taught anatomy and life drawing at Camberwell School of Art (1938?39) before army service in WWII. He illustrated many books, dust jackets, theatre & film posters. He was also responsible for several murals for the Festival of Britain in 1951. (1)

Disney (Walt). Mickey Mouse Annual, pub. Dean & Son, [1930], four col. plts. (complete) and b&w illusts. throughout, owner ink inscription to front free endpaper, orig. col. pictorial boards showing Mickey drawing in a book with a quill, some minor edge wear but generally in bright condition, 4to A very good copy of the first ever Mickey Mouse annual. (1)

Drawing Office Ink Bows by J Halden & Co Ltd, Manchester, (box of issue)

Adrian Ryan - Mousehole, Cornwall, in the spring, 7ins x 9.5ins (Provenance: The Greenwich Gallery, 22/23 Nelson Road, London SE10), and 19th Century English School - Ink and wash drawing of a woman seated in a chair, 9.5ins x 7.25ins, both in gilt frames and glazed

20th Century School - Pen, ink and wash drawing depicting a theatrical tenement, with numerous figures on balconies, and figures promenading to foreground, laid on canvas 39ins x 27ins, indistinctly signed and dated '56, in painted and gilt flat frame