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TURNER J. M. W.: (1775-1851) English Painter. Two extremely rare, early ink signatures, William Turner, on a slim folio page removed from the Attendance Book of the Plaister Academy at the Royal Academy, London, n.d. (27th - 29th October 1790?). The fifteen year old Turner's bold signatures appear to the recto and verso of the page, which also bear 59 signatures of 42 other students (some signing their names twice) including Thomas Barrow, Charles Brome, William Chamberlain, James Chapman, George Chinnery, Robert Clamp, William Dixon (who entered the R.A. on the same day as Turner), James Earle, William Evans, John Fairbone, James Green, Thomas Hargreaves, William Hobday, Thomas Kearsley, Arthur Morris, Thomas Morris, John Mowson, Thomas Nugent, Peter Ogier, James Oliver, Stephen Ponder, Robert Porter, William Pyne, Thomas Roberts, Joseph Robinson, James John Russell, Robert Saunders, Alexander Scott, Martin Shee, John Tallent, Henry Thomson, Francis Charles Wingrave and John Wright. Several of these students became recognised artists in their own right and some suffered short and tragic lives. Some very light, extremely minor age wear and a neat horizontal split at the centre (repaired to the verso) and with very slight traces of former mounting to the right edge of the verso, otherwise VG Joseph Mallord William Turner, known within his family as William, entered the Royal Academy Schools as a promising student at the age of 14. The young Turner first worked in the Plaister Academy, drawing from casts of antique sculpture. In the biography Turner In His Time (1987) Andrew Wilton notes that Turner's 'name appears fairly frequently in the registers between 21st July 1790 (the earliest record extant) and 8th October 1793. Provenance: Some of the Attendance Books now in the Library of the Royal Academy were once the property of the renowned British collector Charles Fairfax Murray (1849-1919) and bear his Ex-Libris to the inside boards. Upon the dispersal of his large collections, the Registers, with a number of pages removed, were apparently re-acquired by the Royal Academy. The present, previously missing page, were re-discovered in Australia, tipped into an old Victorian album.

Unknown artist, a drawing depicting two figures. Ink and watercolour on paper, framed and glazed. 42X35cm. No Reserve. In-House Packing & Shipping Worldwide.

A late Victorian momento scrap album containing pen and ink and pencil sketches including a pen and ink drawing by Phil May, also text and poetry, circa 1900

17th Century School 'Two Cow Heads' 17th century ink drawing, 22 x 17cm

Debbie Gibbens, Pen and ink drawing of an Austrian chalet, ink and watercolour on paper, framed, signed 40 x 30cm

Takashi Murakami (b.1962) - Murakami the book, 2007, signed and dedicated with a drawing by the artist in black ink on the title-page, with essays by Dick Hebdige, Midori Matsui, Scott Rothkopf, Paul Schimmel, Mika Yoshitake and reproductions, published by the Museum of Contemporary Art, Los Angeles, and Rizzoli International Publications Inc., New York, bound as issued in the original boards and printed wrappers, overall size 325 x 250 mm (12 3/4 x 9 3/4 in)

Oriental Art - a pen and ink drawing of a Tiger, red seal mark

JOSH FISHER (1859-1943); pen and ink drawing of the Duke of Westminster, specially commissioned for the Echo Newspaper for the obituary of the Duke, signed lower left, 41 x 31cm, framed and glazed, also three vintage picture frames and six various prints and engravings, one framed and glazed (10).

LOUIS WAIN (1860 - 1939) PEN AND INK DRAWING Cats with garden hose 5 1/2" x 16 1/2" (14cm x 41.9cm)

H. JOHNSON PEN AND BLACK INK DRAWING Boer War scene of British foot soldiers repelling native warriors on horse back Signed 7 1/4" x 11 1/2" (18.5cm x 29cm)

JEAN-GEORGES SIMON (1894 - 1968) CHINESE INK DRAWING 'Man with Moustache, Paris 1925' Signed 12 1/4" x 8" (31 x 20.25cm)

Moses Haughton (1772-1818) "THE SHIP'S RETURN" pen and ink drawing 17 x 24cms; 6 1/4 x 9 1/2in.

19th Century watercolour, landscape scene with castle, 16ins x 12ins together with a smaller pen and ink drawing, 5ins x 6ins

Mid 19th Century Continental school, watercolour, hunting scene, 8ins x 8ins and a small watercolour, pen and ink drawing

Pen and ink drawing of man and dog, in style of Kyffin Williams

Thomas Barker of Bath (1769-1847), Head study of a gentleman, chalks; an ink drawing of a horse and cartand a pen, ink and wash landscape, the largest 38cm x 25cm.(3)

ROLF HELLBERT "A Corner of Calvi" Ink and Wash drawing, signed, see labels verso and dated 1958, 31 x 23cm, in white glazed frame

COIA ARR "Field Day" Signed, Ink and wash drawing of Scottish Artistic and Literary figures, 40cm x 27cm First published in the Scottish Field December 1956

A pen and ink drawing, St. Mark's Square, Venice. 27 cm x 38 cm, framed.

Alfred Wainwright, original pen and ink drawing, "The Nantlle Ridge". 18 cm x 22.5 cm, framed, signed (see illustration). CONDITION REPORT: Generally good order. The picture is framed and glazed. There is slight discolouration to the edges of the image around the border and the pencil title beneath the green ink title is very faded. The image itself is crisp.

Alfred Wainwright, original pen and ink drawing, "Underley Hall". 14 cm x 21.5 cm, framed, signed. CONDITION REPORT: This is framed and glazed and in generally good order. There is slight yellowing to the paper around the margin by the mount but no significant issues.

Alfred Wainwright, original pen and ink drawing, "Confluence of The Ribble & Darwen". 14.5 cm x 21.5 cm, framed, signed. CONDITION REPORT: Framed and glazed and in generally good order with slight yellowing of the paper around the margin by the mount but no significant issues.

Len Roope, pen and ink drawing, "Foreshore, Maryport" . 17 cm x 23 cm, dated May '66, mounted.

Pen and ink drawing of a Georgian interior scene

James Ward (1769-1859) - Herd of deer resting beneath the shade of a cedar tree on a rise at Needwood Park, Staffordshire Oil on canvas Painted circa 1814 45 x 34 cm. (17 3/4 x 13 1/2 in) Provenance: Sale.: Sotheby's Olympia, 19th Century British, Continental & Sporting Art , 12th October 2005, lot 9 (as 'Attributed to') A signed and dated preliminary pen and ink drawing by Ward for the present painting was with Leggatt Brothers in the mid 1960s, and the composition and execution of the drawing validates with a degree of certainty that the painting is by Ward himself.[1] Besides the preliminary study, the handling of the paint and structure of the composition compares very closely with a number of other paintings by Ward, such as Landscape with Deer under an Oak Tree now in the Paul Mellon Collection (see Yale Center for British Art, acc.:B2014.5.7), and A Landscape Overlooking a Bay, formerly in the Roland Collection (illus. in Geoffrey Grigson, The Vision of the English Romantics, 1946, p. 7) . [1] Illustrated in an advert for Leggatt Brothers: Connoisseur, November 1966.

Follower of James Pollard (1792-1867) - North Country Mails at The Peacock, Islington; The Elephant and Castle on the Brighton Road A pair, oil on canvas Each c. 52 x 78.5 cm. (20 1/2 x 31 in) Literature: For Peacock Inn : cf. Selway, N.C., The Regency Road, The Coaching Prints of James Pollard, 1957, p. 72, no. 23. Engraved: The Peacock Inn, aquatint, circa 1823 Elephant and Castle , aquatint by or after[?] Thomas Fielding, circa 1826 A larger version (just more than twice the size of the present example) of the North Country Mails at the Peacock, Islington , was sold at Sotheby's, London, on the 30th November 1960 (see lot 175), which is now part of the Yale Center for British Art, Paul Mellon Collection (see acc.: B1981.25.506). One other variant version of The Peacock Inn scene has come to market over the last one hundred years, first offered at Sotheby's in 1937 (see Spicer Sale, 17th March 1937, lot 120), and then again in 1961 (see Parke-Bernet, 10th November 1961, lot 86). The Paul Mellon Collection also hold a prepartory pen and brown ink drawing by Pollard for North Country Mails at the Peacock, Islington , dated 1815 (see acc.: B2001.2.1101).

A Chinese pen & ink drawing of a young lady in flowering robes standing by a fence, paper laid on silk, within a European chinoiserie decorated lacquer style frame, 45.5 x 58.5cm

ANNOUNCE THERE ARE ONLY TWO ITEMS IN THIS LOT AS CATALOGUED NOT THREE AS PRINTED (3) IN BRACKETS Carrosseria Caproni Vizzola - Alfa Romeo c1940s: coachbuilder’s original drawing design for a 40-seater Motor Coach on the Alfa-Romeo 110HP Chassis, indian-ink on drafting paper, mounted in glazed frame: together with a companion original drawing design for an Inter-Urban Motor Coach on the Alfa-Romeo ‘500’ Chassis, scale 1:20 signed by the designer and dated 18-6-1948, in glazed frame. Largest 44.5x77cm (3)

Sumpter (Peter), The Pioneers, all original pen and ink and wash drawing of a Humber engined Blériot type aircraft, 24.8cm x 33cm signed by the artist and dated 97, framed and glazed

Russell Brockbank “Alfa Romeo 1750 Gran Sport”: An original cartoon drawing believed for “The Autocar” c1950s, indian-ink with white opaque, signed lower right, ex-Autocar archive sale

*Ronald Searle (1920 - 2011), pen, ink and wash illustration, inscribed in pencil, artist's stamp verso, unframed, 36cm x 24.5cm CONDITION REPORT Unframed, dirt and grubby marks particularly to the margins, drawing pin top left and top right

*William Crozier (1930 - 2011), five Indian ink landscapes, each signed, two dated August '82, the other three 27.11.82, unframed, smallest 42cm x 60cm, largest 59.5cm x 84.5cm CONDITION REPORT From a local private collector. The two large images have torn pieces missing. Drawing- pin holes in corners and some scuffs to edges

Churchill - The British Gazette, Issues 1-8 [complete run] ( Sir Winston Spencer, editor ) The British Gazette , Issues 1-8 [ complete run ], 8 double-sided broadsheets chronicling the 1926 General Strike (browned and silked) , signed by Winston S. Churchill, Stanley Baldwin and J.C.C. Davidson on front free endpaper , original ms. ink notice captioned as "Original notice to the press of the General Strike May 12 1926. It was sent from 10 Downing Street to be reproduced on the Secretaries Typewriters and was handed by Mr Churchill to the British Gazette in place of a typewritten copy", mounted on rear free endpaper, printed letter to Vice Admiral Sir William Reginald Hall signed by the members of staff from the Morning Post and original T.L.s May 12 1926 relaying a message from Sir Andrew Caird to the Morning Post regarding the printing of an advertisement in the British Gazette announcing the new issue of the Morning Post for one penny signed by the Morning Post's editior H.A. Gwynne (both loosely inserted), original drawing by Leonard Raven-Hill ( mounted on rear free endpaper) and two contemporary prints of the same, attractive modern red half morocco, gilt, spine gilt in compartments, folio , 1926.

Edward Wesson RI, RBA, RSMA (1910-1983), pen and ink drawing, St. Pauls Cathedral, signed with stamp verso from the Gordon Gallery, London, 13" x 19", framed.

Steinberg, pen and ink cartoon drawing, 7.5" x 6", John, ink drawing, head studies, 6" x 4", and M K Rhodes, pair of watercolours, carnival figures, (4).

AMELIA LONG (LADY FARNBOROUGH) (1762-1837) A village with figures, pen, ink and grey wash drawing, 20 x 31cm

19TH CENTURY ENGLISH SCHOOL Tintern Abbey, Monmouthshire, pen, ink and grey wash drawing, 11 x 16cm

Oriental Art - a pen and ink drawing of a Tiger, red seal mark

A Pen & Ink Drawing of a Spanish Bullfighter, 20th Century, 60 x 48cm.

A small watercolour portrait of Henry Shorland wearing a green coat within a square gilt frame, a painted and gilt coat of arms for Hellier, 25 x 20cm and a pen and ink drawing of The Church of St Michael, Dundry, Somerset, in burr wood frame, 15 x 11cm, 30 x 25cm overall, (3).

SIR KYFFIN WILLIAMS RA ink on paper - Grand Tour theme cartoon drawing with self-portrait, entitled 'Artistic Freedom', 17x 13cms Provenance: gifted by the artist to his friend Sir Alex Gordon

SIR KYFFIN WILLIAMS RA ink on paper - caricature drawing self-portrait, entitled 'Nude with Violin', 17x 13cms Provenance: gifted by the artist to his friend Sir Alex Gordon

SIR KYFFIN WILLIAMS RA ink on paper - caricature drawing self-portrait working 'en plein air', inscribed verso 'Painting at Llanddwyn 1955', 17x 13cms Provenance: gifted by the artist to his friend Sir Alex Gordon

N. McISAAC (CONTEMPORARY) - Girl in a landscape, ink and wash drawing, signed, framed, 37cm x 44cm also a pair of watercolours signed Veber (3)

GEORGE CUNNINGHAM (1931-1996) - 'Mrs. Gumson's Wrath', ink and wash drawing, signed, framed, 15cm x 16.5cm

ALBERT WAINWRIGHT (1898-1943) - A pen and ink drawing with colour wash of a rustic cottage by a canal side, titled Bad-Liebenzell, unsigned 25cm x 18cm.

ALBERT WAINWRIGHT (1898-1943) - A pen and ink drawing with colour wash of a street scene, titled Marienfest - Braubach, unsigned 25cm x 18cm.

WINSLOW HOMER [US 1836-1910], PENCIL DRAWING ON PAPER, C. 1885, IMAGE SIZE: H 4", W 6 5/16", "SKETCH FOR GULF STREAM": Unsigned; framed. Provenance: Mrs. Lois Homer Graham, Poughkeepsie, NY; Joan Michelman, Ltd., NY. Literature reference: "The Life and Work of Winslow Homer" by Gordon Hendricks, Abrams, NY, 1979, p. 196, illustration #299; "Drawings from the Sketchbook of Winslow Homer, cover, Steven Straw Co., Inc., Winter 1979. Unsigned ink drawing of a house and floor plan, 2 7/8" x 5 1/8", on the reverse.

Scrapbook. Japanese scrapbook, circa 1880s, approximately twenty leaves, rectos and versos with mounted woodblock prints and a few original drawings of flowers, birds and animals, patterns, figures, etc., including hand-coloured woodblock prints of an early steam locomotive, an otter, water birds (captioned in manuscript), and an aubergine plant (with manuscript annotations), and a pen, ink, and watercolour drawing of a blue & white vase, original blue card covers (somewhat soiled), bound concertina-style, o-obon, large 4to (33 x 24cm/13 x 9.5ins) (1)

Dartmoor Army Manoeuvres. Reminiscences of the Autumn Manoeuvres 1873 (Dartmoor), manuscript title and 20 leaves with pen and ink drawing to rectos only, some full page and some vignettes, a few initialled W.C.H. and dated [18]73, showing departure for Dartmoor on the train, camp scenes and army manoeuvres, one drawing with some additional monochrome watercolour and one further leaf with pencil sketch, remaining leaves blank, some leaves excised from rear and now missing, plus 3 pen and ink sketches loosely inserted (2 related), contemporary cloth, rubbed and soiled, 4to (28.5 x 23cm) A modern military presence on Dartmoor is usually dated back to August 1873, when national manoeuvres involving thousands of men and horses, were held in poor weather. Drawings similar to these, by the unidentified soldier/artist W.C.H., were published in journals such as The Graphic at the time. (1)

*BAC - Sud. Aviation Concorde. An original Concorde Technical Drawing for BAC, in French and English titled "Fuselage Cut Outs Diagram" dated 5 October 1964, with Sotheby's Authentication plate No.D20. 4906, signed in ink by Brian Trubshaw (Concorde Chief Test Pilot), 75cm x 133cm, framed and glazed (cracked) Provenance: Given to the current owner by Wensley Hayden Baille who was a collector of aviation and maritime memorabilia. (1)

*Patterson (Frank). 'Yarrow. The Vale of Yarrow....Gordon Arms in the distance', the drawing has a more detailed image of 'The Gordon Arms' in the top right-hand portion, next to the title, the sheet is rather dust-marked, with some creasing, but an attractive image, nonetheless, signed in the bottom left-hand corner, but not dated, 'Cycling Editorial Department' ink stamp on the reverse, with a dark green card mount, image size 13 x 12in (33 x 30cm) (1)

Rolls-Royce 20-25hp. A circa 1934 36pp. large format cord-tied brochure with a single-fold chassis line drawing, good line drawings of the engine, component parts, braking system and specifications, six sepia photographs are tipped-in, showing different body styles, Landaulet, Touring Saloon, Sedanca and DHC, together with the often missing loose page covering the Seven Seat Limousine, the cover a little rubbed and creased on the corners and spine, a Paddon Bros rubber stamp, manuscript date in ink, the editorial in very good order (1)

RAMA AND SITA ON A TERRACE Probably Mewar, Rajasthan, early 19th century ink drawing on paper, margin ruled in double red line 255 x 204mm approx. Condition: worn and damaged edges

A TETHERED CAMEL Mughal, Northern India, circa 1800 ink drawing on paper, laid on a floral painted album page, inscribed in islamic script 12 x 10.5cm (image) Condition: Drawing and album page trimmed, slight staining and marking

Pictures and Prints - John Bangay (Contemporary), after, Lincoln, The Caste Gate from Inside, ink drawing, dated '75, titled and signed in ink, 10.5cm x 14cm; another, The Glory Hole, Lincoln; a Day and Son county map of Hertfordshire, framed, 32cm x 43cm; another, similar, smaller, Middlesex, 19cm x 24cm; etc. (18)

Original ink drawing of existing country pub about to close

*Scott (Peter Markham, 1909-1989). Geese over the Loch, pen and ink drawing signed by artist to lower left, signature faded, 110 x 195 mm, mounted, framed and glazed (1)

Edith Holden, pen and ink drawing, four oriental figures in an interor, oval, initialled and dated 1914, 19cm x 15cm - framed and glazed

Unknown Artist 'Village Street' Oil on board, indistinctly signed, including ink drawing of a guardsman, signed and dated '54 (2)