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Nice set of 6 different American school ink drawings of locations in the eastern US which include: the cemetery near barracks, St. Augustine; a view of Camden from Philadelphia; Girard College, Philadelphia; west front of the Capitol from Pennsylvania Avenue; Judson Female institute, Marion Ala; Birth place of Daniel Webster; and the battle ground at Bennington, Vermont. These were produced and then printed in history books of the period, as we found the St. Augustine drawing listed in a history book and described as per the wording used on the original drawing. Unsigned, but possibly by an artist named Barber. Approximate Dimensions:h. 3.5" to 5.5 " w. 4.5" to 6"Condition:These have been mounted in a collection book and were removed and there is wear to the edges with some toning.

Frederick Schultz Smith (Hull 1860-1925): 'Manor Square' Hull, monochrome watercolour and ink signed and dated 1902, extensively inscribed along the bottom edge 27cm x 44cm Notes: Born in Worthing, Sussex in 1860, F S Smith came to Hull as a small child and lived most of his life in the old St. John's Wood area in west Hull; he was still drawing in his sixties shortly before his death in 1925. Much like his near contemporary and fellow Yorkshire artist Albert Thomas Pile (1882-1981), his drawings are visual 'snapshots' in time, often produced to record buildings that were due to be demolished. Smith was commissioned to produce around three hundred drawings for C E Fewster, a paint maker in Hull who collected historical records. Some were also used as illustrations in books and newspapers, such as the 'Eastern Morning News', whilst others were sold to the owners of premises which he had drawn.

Frederick Schultz Smith (Hull 1860-1925): King William Statue and a Hull Street Scene, two monochrome watercolours and ink signed 15cm x 22cm and 14cm x 19cm (2) Notes: Born in Worthing, Sussex in 1860, F S Smith came to Hull as a small child and lived most of his life in the old St. John's Wood area in west Hull; he was still drawing in his sixties shortly before his death in 1925. Much like his near contemporary and fellow Yorkshire artist Albert Thomas Pile (1882-1981), his drawings are visual 'snapshots' in time, often produced to record buildings that were due to be demolished. Smith was commissioned to produce around three hundred drawings for C E Fewster, a paint maker in Hull who collected historical records. Some were also used as illustrations in books and newspapers, such as the Eastern Morning News, whilst others were sold to the owners of premises which he had drawn.

Frederick Schultz Smith (Hull 1860-1925): 'Yarmouth Arms' and the Wilberforce Monument - Hull, two monochrome watercolours and ink signed, the former dated 1913, 15cm x 21cm and 13cm x 19cm (2) Notes: the Yarmouth Arms was located near George Yard Entry on High Street and later became the Wilberforce Arms. Born in Worthing, Sussex in 1860, F S Smith came to Hull as a small child and lived most of his life in the old St. John's Wood area in west Hull; he was still drawing in his sixties shortly before his death in 1925. Much like his near contemporary and fellow Yorkshire artist Albert Thomas Pile (1882-1981), his drawings are visual 'snapshots' in time, often produced to record buildings that were due to be demolished. Smith was commissioned to produce around three hundred drawings for C E Fewster, a paint maker in Hull who collected historical records. Some were also used as illustrations in books and newspapers, such as the Eastern Morning News, whilst others were sold to the owners of premises which he had drawn.

Frederick Schultz Smith (Hull 1860-1925): 'Old North Bridge Hull', monochrome watercolour and ink signed and dated '97, titled in a later hand verso 8.5cm x 12cm; Hull Views, three circular watercolours, two signed, max dia. 15.5cm (unframed) (4) Notes: Born in Worthing, Sussex in 1860, F S Smith came to Hull as a small child and lived most of his life in the old St. John's Wood area in west Hull; he was still drawing in his sixties shortly before his death in 1925. Much like his near contemporary and fellow Yorkshire artist Albert Thomas Pile (1882-1981), his drawings are visual 'snapshots' in time, often produced to record buildings that were due to be demolished. Smith was commissioned to produce around three hundred drawings for C E Fewster, a paint maker in Hull who collected historical records. Some were also used as illustrations in books and newspapers, such as the Eastern Morning News, whilst others were sold to the owners of premises which he had drawn.

Frederick Schultz Smith (Hull 1860-1925): Hull Views, four monochrome watercolours and ink signed, max 14cm x 24cm (4) (unframed) Notes: Born in Worthing, Sussex in 1860, F S Smith came to Hull as a small child and lived most of his life in the old St. John's Wood area in west Hull; he was still drawing in his sixties shortly before his death in 1925. Much like his near contemporary and fellow Yorkshire artist Albert Thomas Pile (1882-1981), his drawings are visual 'snapshots' in time, often produced to record buildings that were due to be demolished. Smith was commissioned to produce around three hundred drawings for C E Fewster, a paint maker in Hull who collected historical records. Some were also used as illustrations in books and newspapers, such as the Eastern Morning News, whilst others were sold to the owners of premises which he had drawn.

Frederick Schultz Smith (Hull 1860-1925): 'Carr Lane 1885' and Lowgate looking to St Mary's - Hull, two monochrome watercolours and ink unsigned, the former titled in the margin 16cm x 12cm and 17cm x 11cm (2) Notes: Born in Worthing, Sussex in 1860, F S Smith came to Hull as a small child and lived most of his life in the old St. John's Wood area in west Hull; he was still drawing in his sixties shortly before his death in 1925. Much like his near contemporary and fellow Yorkshire artist Albert Thomas Pile (1882-1981), his drawings are visual 'snapshots' in time, often produced to record buildings that were due to be demolished. Smith was commissioned to produce around three hundred drawings for C E Fewster, a paint maker in Hull who collected historical records. Some were also used as illustrations in books and newspapers, such as the Eastern Morning News, whilst others were sold to the owners of premises which he had drawn.

Frederick Schultz Smith (Hull 1860-1925): 'Vanishing Newland' - Hull Street Scene, monochrome watercolour and ink signed, titled extensively inscribed and dated 1908 along the bottom edge 22cm x 40cm Notes: Born in Worthing, Sussex in 1860, F S Smith came to Hull as a small child and lived most of his life in the old St. John's Wood area in west Hull; he was still drawing in his sixties shortly before his death in 1925. Much like his near contemporary and fellow Yorkshire artist Albert Thomas Pile (1882-1981), his drawings are visual 'snapshots' in time, often produced to record buildings that were due to be demolished. Smith was commissioned to produce around three hundred drawings for C E Fewster, a paint maker in Hull who collected historical records. Some were also used as illustrations in books and newspapers, such as the Eastern Morning News, whilst others were sold to the owners of premises which he had drawn.

LADY AND THE TRAMP (1955) - Framed Limited Edition "Bella Notte" Hand-Painted Animation Cel, 1991Bidding for this lot will end on Thursday 8th February. The auction will begin at 2:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. A framed limited edition hand-painted cel showing the famous "Bella Notte" moment from Walt Disney's Lady and the Tramp (1955). This cel was released by The Walt Disney Company in 1991 and shows the iconic moment Lady and the Tramp fall in love over a plate of spaghetti. To achieve the limited edition cels, Disney artists transferred original animation drawings onto acetate cels, enhanced detailing by hand-drawing ink lines, and then hand-painted the artwork using approved acrylic colours. The printed background was also recreated using the original paintings, sketches, and frames as reference. This example was one of 500 editions created, with this example being numbered "401/500" and bearing a Walt Disney Company seal in the lower right corner. It comes mounted within a metal frame with plexiglass and features a hanging wire on the reverse.(Framed): 21.5" x 17.5" x 0.75" (55 x 45 x 2 cm)Additional Information: Numbered #401/500. Sold without copyright; see copyright notice in the Buyer's Guide.Condition: Very Fine+Frame has some handling wear.Artist: Unknown Artist£800 - 1600VAT Status: MClick here for our Poster Auction Grading Guide

WACKY RACES - Framed Fender Bender 500 Original Production Animation Cel Autographed by Bill Hanna and Joe Barbera, 1990Bidding for this lot will end on Thursday 8th February. The auction will begin at 2:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. A framed and autographed original production animation cel for Fender Bender 500, one of the animated segments in Wake, Rattle and Roll. Created by Hanna-Barbera Animation art, the artwork shows Dick Dastardly and Muttley in their Dirty Truckster (#00). To achieve this production art, the black outlines were transferred from the animator's original drawing onto an acetate cel and then the colours were hand-painted on the reverse. The artwork was finally placed over an artist's background, reproduced directly from original art. It comes mounted within a black frame with acrylic and features a hanging wire on the reverse. The cel is autographed in black ink by the co-founders of Hanna-Barbera, Bill Hanna and Joe Barbera, and bears the studio seal in the lower right corner. The lot is accompanied by a Hanna-Barbera Animation Art certificate of authenticity and a Warner Bros Animation Art care guide.(Framed) 19.75" x 16.75" x 1.25" (50 x 43 x 3 cm)Additional Information: Accompanied by a Hanna-Barbera Animation Art COA.Sold without copyright; see copyright notice in the Buyer's Guide.Condition: Very Fine+Frame has some handling wear.Artist: Unknown Artist£300 - 600VAT Status: MClick here for our Poster Auction Grading Guide

ALADDIN (1992) - Framed Limited Edition Prince Ali Questioned by Jafar Hand-Painted Animation Cel, 1993Bidding for this lot will end on Thursday 8th February. The auction will begin at 2:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. A limited-edition framed hand-painted cel recreated from original artwork for the 1992 Walt Disney animated film Aladdin. This artwork, published by Disney Art Editions in 1993, shows Prince Ali (a.k.a. Aladdin) after his grand entrance into the Sultan's palace and Jafar with Iago (the hot-tempered parrot sidekick) questioning him. To achieve the limited edition cels, Disney artists transferred original animation drawings onto acetate cels, enhanced detailing by hand-drawing ink lines and then hand-painted the artwork using approved acrylic colours. The printed background was also recreated using the original paintings, sketches, and frames as reference. This particular example is hand-numbered 2/500 and comes presented within an original Disney frame with plexiglass and features a hanging wire on the reverse. The cel is accompanied by a The Walt Disney Company certificate of authenticity.(Framed): 25.5" x 19.5" x 0.75" (65 x 50 x 2 cm)Additional Information: Numbered #2/500. Accompanied by a Walt Disney Company COA. Sold without copyright; see copyright notice in the Buyer's Guide.Condition: Very Fine+Frame has some handling wear.Artist: Unknown Artist£500 - 1000VAT Status: MClick here for our Poster Auction Grading Guide

DUMBO (1941) - Framed Limited Edition Mrs. Jumbo and Dumbo Hand-painted Animation Cel, 1994Bidding for this lot will end on Thursday 8th February. The auction will begin at 2:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. A framed limited-edition hand-painted cel recreated from original artwork for Walt Disney's Dumbo (1941) published by Disney Art Editions in 1994. It shows a gentle moment between Mrs. Jumbo and her baby Dumbo in the circus tent. To achieve the limited edition cels, Disney artists transferred original animation drawings onto acetate cels, enhanced detailing by hand-drawing ink lines and then hand-painted the artwork using approved acrylic colours. The lithographically printed background was also recreated using the original paintings, sketches and frames as reference. This particular example is hand-numbered 88/500 and comes presented in a frame within a metal frame with plexiglass and features a hanging wire on the reverse. The cel is accompanied by a The Walt Disney Company certificate of authenticity.(Framed): 22" x 18.75" x 1" (56 x 48 x 2 cm)Additional Information: Numbered #88/500. Accompanied by a Walt Disney Company COA. Sold without copyright; see copyright notice in the Buyer's Guide.Condition: Very Fine+Frame has some handling wear.Artist: Unknown Artist£800 - 1600VAT Status: MClick here for our Poster Auction Grading Guide

Circle of Edward William Cooke RA (British. 1811-1880) A view of Venice from the lagoon, ink drawing, 10 x 23cm

India Illustrated Urdu manuscript on farming, 1903 19 leaves (35.5 x 22cm), stitched at one corner, written in black ink on rectos and versos, diagrams and illustrations throughout in pencil, pen-and-ink and watercolour, depicting men driving oxen and operating equipment including a churrus (device for drawing water from wells)

SIR ROGER MOORE ( 1927-2017) ARR. CARTOON PEN AND INK DRAWING. SIGNED AND DATED 2001. ( A RARE LARGE SKETCH DRAWING BY THE FAMOUS JAMES BOND ACTOR, WHO WAS SOMEWHAT LESSER KNOW FOR HIS ART)

20th century school, pen and ink drawing, 14.5cm x 21cm, unsigned, framed and glazed, 27cm x 37cm.

Randel, original ink and wash cartoon drawing, 8" x 8", framed, and a watercolourGood condition

An early 19th c lady's drawing-room album cum commonplace book, n.d. [the binding c. 1830], approx. [70]ff of typical manuscript verse and prose, illustrated with various 19th c mixed media prints, mostly antiquarian and topographical in nature, some from Dickens by Phiz, as well as a pen-and-ink drawing of two deer and Field Place: The Childhood home of Shelley, contemporary red morocco gilt, rubbed and worn, spine exposed, some movement, 4to, & a similar album of manuscript maxims, n.d., partially-inscribed on varying coloured paper, contemporary roan gilt, rubbed, 12mo, (2)

A Victorian lady's drawing-room album, mixed dates, approx. [35]ff, illustrated with 11 topographical watercolours, some sepia, including named-views in Sicily, Yorkshire views of  Scarborough, Hartlepool, [Stainborough Castle at] Wentworth Castle, others, and a loosely-inserted watercolour sketch of Rochester Castle, Kent, 2 marine 'herbarium' samples of pressed seaweeds, cut chromolithographs of seashells, cut-paper fuchsia, topographical and other mixed media prints, manuscript including Lines/during a Thunder Storm/W.M.C./York 14 March 1848, further prose and verse, etc., contemporary pictorial embossed calf, disbound, 4to, another, mid-19th c, A Token of Friendship and Sincere Regard; Presented by G. Georges, to Ann Kirk, dated from 1845, approx. [53]ff, mostly inscribed to one side only, typically glosses of and original prose and verse, as well as an 'illuminated' leaf The Momentous Question, dated December 16th 1846, some pen-and-ink or watercolour illustrations, mixed media prints, etc., contemporary green roan gilt over cloth, chipped and rubbed, 4to, (2)

ALBERT GOODWIN (1845-1932); pen and ink drawing, 'Clovelly', titled lower left, signed lower right, 26 x 36cm, framed and glazed.

Konvolut aus 8 Graphiken: "Vestale", Johann Gottschick, Dresden, 1799, Kupferstich, 24 x 17 cm (Druck); Johann Wilhelm Meil, 1778, Probedruck für ein Titelblatt, Ca. 14 x 12 cm (ganzes Blatt); C. Holdermann, Radierung, Landschaft mit Brücke und Staffagefiguren, 10,5 x 15,5 cm (Druck); Wilhelm Busch, Figürliche Szene, Druck, 26,5 x 20 cm; Zeichnung Feder und Tuschepinsel, grau laviert, verso bez. "Kopiert nach dem von Lambert gezeichneten und von D. Chodowiecke radierten Original (welches in ... befindlich) von mir Chr.Jak.Wilh.Carl Freiherr Haller von Haller von Hallerstein im Januar 1788 zu Gräfenberg.", 28,5 x 33 cm (ganzes Blatt); Landschaft in BraunDruck, 10,2 x 14,3 cm; "Vue des Environs de Thoun", kolor. Lithographie, 15,8 x 23,2 cm. Alle Altersspuren. / Group of prints: "Vestale," Johann Gottschick, Dresden, 1799, copperplate engraving, 24 x 17 cm (print); Johann Wilhelm Meil, 1778, proof for a title page, approx. 14 x 12 cm (whole sheet); C. Holdermann, etching, Landscape with Bridge and Staffage Figures, 10.5 x 15.5 cm (print); Wilhelm Busch, Figurative Scene, print, 26.5 x 20 cm; drawing pen and ink brush, gray wash, verso inscribed "Copied from the original drawn by Lambert and etched by D. Chodowiecke etched original (which is in ...) by me Chr.Jak.Wilh.Carl Freiherr Haller von Haller von Hallerstein in January 1788 at Gräfenberg.", 28,5 x 33 cm (whole sheet); landscape in brown print, 10,2 x 14,3 cm; "Vue des Environs de Thoun", col. Lithograph, 15,8 x 23,2 cm. All signs of age.

A collection of art works including J H Jolliffe of a Gautoma Buddha, a pen and ink drawing of Rangoon, a Burmese water carrier, two Burmese figures, pen and ink drawing circa 1850-80 of figures in front of a Burmese homestead, a panorama pencil drawing in four sections of Rangoon from the village of Aboe 1855, and Alexander Stewart,  Artillery building, watercolour signed and dated 1854. (A lot)

Railwayana - pen and ink and watercolour drawing of GWR Great Western Railway Company Iron Duke, dated 1861, A/F; a collection of press photographs relating to WWII; and other ephemera

Wren (Christopher). Parentalia, or Memoirs of the Family of the Wrens, viz. of Matthew, Bishop of Ely, Christopher, Dean of Windsor, etc. but chiefly of Sir Christopher Wren... compiled by his son Christopher Wren, late Surveyor-General of the Royal Buildings, President of the Royal Society, &c. &c. in which is contained, besides his works, a great number of original papers and records; on religion, politicks, anatomy, mathematicks, architecture, antiquities; and most branches of polite literature; Compiled, by his son Christopher; now published by his grandson, Stephen Wren, Esq; with the care of Joseph Ames, F.R.S...., 1st edition, London: Printed for T. Osborn, and R. Dodsley, 1750, mezzotint portrait frontispiece of Christopher Wren by John Faber (trimmed to plate mark and relined on contemporary laid paper), title page printed in red and black, dedication with large armorial crest, list of subscribers, 14 engraved plates (including 3 portraits) and 7 folding engraved plans (including a map of London and its environs) with two additional tipped-in engravings by Samuel Ward: Magnetica Magnalia (frontispiece to The Wonders of the Load-Stone, or, the load-stone newly reduc’t into a divine and morall use, London: 1640) at page 227, and The Monument, The figure of y Columne Erected for ye Perpetual Memory of ye most famous City of London that was almost wast by fire in ye Prodigious year 1666 at page 322, plus an annotated contemporary pen and brown ink drawing of Roman urns at page 267, the other additional plates include prospects and interiors of St Pauls, a view of St Peter's Cathedral Westminster (trimmed and laid on contemporary paper),some closed tears to folds, occasional light spotting to plates, appendix, index and bookbinder instructions bound at rear, rough-trimmed edges, burgundy morocco gilt bookplate of W. A. Foyle, Beeleigh Abbey to front pastedown, modern sprinkled half calf over marbled boards, lower outer corners showing, folioQTY: (1)NOTE:Provenance: W. A. Foyle, Beeleigh Abbey (bookplate).Harris, British Architectural Books 949; Mark J. Millard Architectural Collection II, 97; ESTC T145737.The rare first edition of one of the earliest biographies of the celebrated English architect Sir Christopher Wren, compiled by his son and grandson. This copy extra-illustrated with 11 additional engravings and an annotated original drawing illustrating two Roman urns discovered when the foundations of St. Pauls were being laid.

Early example of an original ink drawing on paper by Latin American Post-War Expressionist Daniel Bottero whose artworks are held in corporate collections and in the private homes of celebrities. These three nude studies foreshadow the abstracted compositions that have made Bottero a household name with his combinations of organic and linear forms in non-descript settings. Housed in a metallic double sided wooden frame with a black mat. Signature and date on lower right: Bottero, 10-87. Artwork dimensions: 11.75"L x 16"H. Frame size: 24"L x 28.25"H x 2"W. Artist: Daniel Bottero (Argentinean b. 1951)Issued: 1987Country of Origin: ArgentinaCondition: Age related wear.

James Hayllar RBA (1829-1930) pen and ink drawing, ' John Cavell Esquire sits incognito under the shelter of a leading journal ', 8 x 14cm, framed

To Be Sold With No ReserveA stencilled illustration to a ragamala series : Kakhuba Ragini,North India, 18th century or later,possibly Mughal or provincial Mughal, ink drawing on paper heightened with gilt depicting a lady accompanied by four peacocks on an island surrounded by ducks and lotuses, a forest and rocky landscape beyond,26.5 x 21cm. Condition Report: Worm holes to lower right corner and margins; rebacked; detail smudged; corners lacking; brown spotting to right; staining

A Qajar rose and nightingale drawing (gul-o-bulbul), Persia, late 19th century, ink and watercolour on paper, 19.4 x 12.8cm.Provenance: H. Kevorkian Collection label to reverseFootnotes: With oval H. Kevorkian Collection label to reverse, no. 2594The gul-o-bul-bul, or rose and nightingale, motif was employed in both Persian literature and painting. In poetry, the two stood in for the beloved and the loved, entwined in either an earthly or divine union. In art, the motif appeared on all types of objects, and during the Qajar period proliferated to the extent that it came practically to symbolize the country itself. It became especially popular among European collectors, who demanded goods and albums decorated with this motif. Shiraz, where this drawing might have been made, was an important center for the production of architectural tiles in this genre as well.Condition Report: With significant losses to paper particularly to top border; staining thoughout; remains of masking tape, corners cut; reverse 

Harry Heap (British, d.1968) drawing of a billiards player, circa 1940s, pen, ink and watercolour, featuring a gentleman smoking a cigarette and holding a cue, signed and dated lower right margin, mounted, glazed and framed, 43 by 29cm., bears wear to paper on each side and top left edge Harry Heap was a popular cartoonist and caricaturist whose work appeared regularly in the Sheffield Star and Green 'Un between 1928 and 1965.  

HPG (19th Century)"London"Initialled, inscribed London 1805 and dated December 29th 1828, a pen and ink drawing, together with a further book of sketches by the same hand depicting British and continental views, a further group of 19th century sketches by Isabella Galton of British and continental subject matter, a further predominantly 19th century sketchbook by an unknown hand, further unframed sketches and watercolours by various artists, 4 pen and ink watercolour studies by J Freeman depicting "Staithes" "Ellerbeck Fylingdales" "River Esk Whitby and "Thirn Hill Farm", a vignette-scale example in the style of the Weatherill family depicting a tall-masted ship in Whitby harbour and a watercolour "The Newforest" by HG Stormont (a collection, mostly unframed)Provenance: TB & R Jordan, Stockton-on-Tees

Waugh (Evelyn) Black Mischief, uncorrected proof copy, one or two finger-soiling marks, original wrappers with title and expected publication date in ink to upper wrapper, lightly toned, shelf-lean, 8vo, 1932. *** A rare proof copy of Waugh's third novel, drawing from experiences in Africa and chronicling a "satire on European notions of 'progress' imitated by an imaginary African nation" (ODNB). Waugh put it in a 1932 BBC radio broadcast as he worked on the proofs of Black Mischief: “Man’s capacity for suffering keeps pretty regular pace with the discoveries that ameliorate it”.

Rowlandson (Thomas) Pigs at a trough, brush and ink, watercolour, traces of pencil under-drawing, signed and dated '1790' in the lower right corner, on Whatman laid paper with partial watermark of a Strasbourg lily, sheet 154 x 235 mm (6 x 9 1/4 in), some browning and minor spotting, surface dirt, unframed, 1790*** A variant study of the same subject by Rowlandson, albeit unsigned, is held in the Yale Collection of British Art (see acc. no. B2001.2.1154).

Rowlandson (Thomas) The Coffee House; The Village Store, two original drawings, point of the brush, ink, watercolour, traces of pencil under-drawing, on wove papers, each sheet approx. 105 x 170 mm (4 1/4 x 6 3/4 in), or slightly larger, tipped into mounts, minor spotting, browning and surface dirt, unframed, [circa 1790s] (2)

Panorama.- Funeral Procession of Queen Elizabeth (The), from a Drawing of William Camden, in the possession of John Wilmot, Esq. and by him since deposited in the British Museum, engraved panorama with captions on seven conjoined sheets mounted on green linen, c.240 x 8520 mm., a few tears but generally clean and bright, with the original marbled board tube case with printed paper label, label with neat ink presentation inscription from John Wilmot to "Benjamin Incledon Esq....[with] Esteem and Friendship June 1st 1791", with "Dunsland Libary" in another hand at head, a little rubbed, ?lacking lid, case c.250mm. tall,  1791.*** Rare in this panoramic form. John Wilmot discovered the original drawing in his wife's grandfather's papers and presented it to the British Museum. The Society of Antiquaries commissioned it to be engraved and Wilmot presented specially-prepared examples in panorama form to various friends, the present copy to the Devonshire antiquarian and genealogist Benjamin Incledon, whose papers were later purchased by Sir Thomas Phillipps. Dunsland House in N.Devon became part of the National Trust in the 1950s but was burnt down in 1967.

A 19th Century French Zouave Military Jacket. A private tailored example, yellow detailing possibly added later for theatre use. Stamp to the inside ‘Firma Gerlach Costumiers Leeuwarden’. Also a framed mid Victorian tailor’s drawing for 20th Hussars flag. Ink on paper. Most likely created by Hawkes & Co as a sketch for a client. 

Rich Seidelman (American, 20th/21st c). Ink on paper drawing titled "Bobby's World Happy Meal" depicting a boy on a tricycle holding a McDonald's Happy Meal box. Titled, signed, and dated "Fall 1993" along the lower left. Rich Seidelman was the art director and writer for McDonald's commercials from 1979-2001.Height: 8 1/2 in x width: 11 in.br/>Condition:No rips, tears, losses, or repairs. Light handling marks. Two pinholes along the upper center edge, possibly original to the artistic process. Unframed.

Rich Seidelman (American, 20th/21st c). Ink on paper drawing titled "Backyard Fun" depicting Ronald McDonald building a sandcastle with two children in a backyard. Titled, signed, and dated "April 1994" along the upper center. Rich Seidelman was the art director and writer for McDonald's commercials from 1979-2001.Height: 8 1/2 in x width: 11 in.br/>Condition:No rips, tears, losses, or repairs. Light handling marks. Crease along the lower right corner. Unframed.

Rich Seidelman (American, 20th/21st c). Crayon and ink on paper drawing titled "Grimace's Birthday" depicting Ronald McDonald with balloons and stars. Signed and dated 1994 along the lower right. Titled along the lower left. Rich Seidelman was the art director and writer for McDonald's commercials from 1979-2001.Height: 8 1/2 in x width: 11 in.br/>Condition:No rips, tears, losses, or repairs. Light handling marks. The drawing is affixed to a piece of paper along the verso. Unframed.

Irene Rice Pereira (American, 1902-1971). Ink drawing on paper depicting a nude dancing figure, 1958. Dated May 4, 1958 along the lower left. From a sketchbook by the artist gifted to "Joy" on New Year's Day, 1968. A facsimile copy of the first page of the sketchbook is included with the lot.Height: 10 3/4 in x width: 8 1/8 in.br/>Condition:The sheet is slightly toned. There are no creases, rips, or restorations. The work is not framed.

Irene Rice Pereira (American, 1902-1971). Ink drawing on paper depicting a figure draped with cloth accented by yellow, blue, and red. Dated 1960 along the lower right. From a sketchbook by the artist gifted to "Joy" on New Year's Day, 1968. A facsimile copy of the first page of the sketchbook is included with the lot.Height: 10 3/4 in x width: 8 in.br/>Condition:The sheet is slightly toned. There is staining along the verso. No creases, losses, or restorations. The work is not framed.

Irene Rice Pereira (American, 1902-1971). Ink and pigment drawing depicting a figure dancing or leaping. Against an abstract blue background. Dated 4/3/63 (April 3rd, 1963) along the lower right. From a sketchbook by the artist gifted to "Joy" on New Year's Day, 1968. A facsimile copy of the first page of the sketchbook is included with the lot.Height: 10 3/4 in x width: 8 in.br/>Condition:The sheet is toned; there are some stains and foxing along the verso. No rips, losses, or restorations. The work is not framed.

Costas Andrew Mikellides (1938-2019) msia, fcsd, ink drawing, 'Perception black on white'. Label verso reading 'From Studio', 56cm x 70cm

Ink drawing titled 'The Escape of the Fairies'. Signed lower right. Circa 1900. H.30 W.38cm.

Arktis - Antarktis - - Anatole Alfred Théodore Delangle (zugeschr.). Vor Anker liegendes Schiff in einer Polarlandschaft. 1872. Feder, Aquarelle und Gouache auf grünlichem Papier. 29,5 x 48,5 cm. Signiert und datiert. Voll auf Unterlage kaschiert. Das Schiff trägt die Trikolore. Im Vorder- und Hintergrund sind mehrere Gletscher abgebildet, die seltsame Formen zeichnen, was dem Aquarell ein spektakuläres Aussehen verleiht. Es handelt sich aller Wahrscheinlichkeit nach um ein Werk des Malers Anatole Alfred Théodore Delangle (1828-1901), der von 1869 bis 1884 Landschaften und Stiche auf den Pariser Salons ausstellte. Als ehemaliger Hauptfeldwebel der Marineinfanterie wurde er während der Belagerung von Paris zum Hauptmann befördert und befehligte während der Kommune ein Bataillon der Nationalgarde. Das Motiv scheint weder einer französischen Polarexpedition noch einer ausländischen Polarmission zuzuordnen zu sein, wie etwa der von den USA finanzierten Polaris-Expedition (1871-1872) oder der österreichisch-ungarischen Expedition (1872-1874). Es könnte sich um einen Illustrationsentwurf für ein Buch handeln, welches zur gleichen Zeit erschien wie Isaac Israel Hayes' "Perdus dans les glaces". - Vereinzelt unscheinbar braunfleckig. Stimungsvolle und schön erhaltene Komposition mit fein ausgezeichneten Details. Arctic - Antarctic - Anchored ship in a polar landscape. Pen-and-ink, watercolours and gouache on greenish paper. Signed and dated. Fully mounted on backing. - The ship bears the tricolour. In the foreground and background several glaciers are depicted, drawing strange shapes, which gives the watercolour a spectacular appearance. It is most likely a work by the painter Anatole Alfred Théodore Delangle (1828-1901), who exhibited landscapes and engravings at the Paris Salons from 1869 to 1884. A former sergeant major in the marines, he was promoted to captain during the siege of Paris and commanded a battalion of the National Guard during the Commune. - The motif depicted does not appear to be associated with a French polar expedition or a foreign polar mission, such as the US-funded Polaris Expedition (1871-1872) or the Austro-Hungarian Expedition (1872-1874). It could be an illustration draft for a book published at the same time as Isaac Israel Hayes' "Perdus dans les glaces". - Isolated inconspicuous brown spotting. Stimulating and beautifully preserved composition with fine excellent details.

Hans Ender. Königliche Gewehrmanufaktur Potsdam 1722. 1940. Feder, Aquarelle und Gouache auf Papier. Bildmaße 54 x 42 cm. Signiert und datiert. Fest auf Unterlage und unter Passepartout montiert. Auf dem Passepartout mit weiterer, etwas verblasster gezeichneter Kartusche und montierter Signatur einer anderen Hand aus einem früheren Jahrhundert. Zudem mit dekorativer, heraldischer Titelkartusche mit dem preußischen Adler und den Initialen "RW" (Wilhelm Rex). - Papierbedingt etwas gebräunt. Passepartout etwas gebrauchsspurig. Feingliedrige und detailreiche Zeichnung mit schön erhaltenem Kolorit. Prussia - Berlin - Royal Rifle Manufactory Potsdam. Pen-and-ink drawing, watercolours and gouache on paper. Signed and dated. Mounted firmly on backing and under passepartout. - On the mount with another, somewhat faded drawn cartouche and mounted signature of another hand from an earlier century. - With decorative, heraldic title cartouche with the Prussian eagle and the initials "RW" (Wilhelm Rex). - Paper somewhat browned. Finely detailed drawing with beautifully preserved colouring.

A WWI panorama photograph of North Evington War Hospital, 1916 and a framed pen and ink drawing of a trench landscape, indistinctly signed

Original cutaway ink drawing of an early production VW saloon car, by Vic Berris MSIA. (some slight water damage) Card frame size 82cmx56cm

Original cutaway ink drawing of an early production Vauxhall Hatchback for Autocar magazine. Unknown artist. Card frame 82cmx56cm

Original cutaway ink drawing of a 1937 Vauxhall Saloon car, by artist Max Millar, and John Palmer. Some notes and a date can be seen in top left corner. (some slight water damage) Card frame size 82cmx56cm

Original pen and ink cutaway drawing of a Vauxhall Viva, by John Hostler, and another by Dick Ellis. Both with slight water damage. sizes, 82cm x 56cm (2)

Original ink and paint coloured cutaway drawing of a Vauxhall Viva, by John Hostler. Size of frame 82cm x 56cm

Original pen and ink cutaway drawing of Vauxhall Cavalier for an issue of The Autocar Magazine, by Dick Ellis. Frame size 82cm x 56cm

Pen and ink drawing drawing of a Rolls Royce 'Twenty' by Alan Crisp (unsigned) 38cm x 26cm. Pen and watercolour painting of a family driving an open topped period car. Dated 1945.(unsigned) 27cm x 33 cm

Two unfinished pen and ink drawings of vintage Bugatti motors, by Alan Crisp(unsigned) 47cm x 33cm. A pen and ink drawing of a Hispano Suiza vintage saloon. (unsigned)

0riginal pen and ink production drawing of a power steering pump for a 1964 Rolls Royce Princess for an issue of the Autocar Magazine. Pen and ink cutaway drawing of a wheel interior for an issue of the Autocar magazine. 18cm x 212cm. Pen and ink drawing of a Jaguar 420 Dashboard. 28cm x 27cm. Artists unknown. (3)

Original pen and ink drawing of a man driving an early 1900's vehicle. 35.5cm x 29cm. Original pen and ink artwork for a Greetings card, depicting a 1910 Daimler 38. Possibly by George Oliver. 20cm x 25cm

Pen and ink advertisement drawing 'On with the Tapley'(meter). Three pen sketches 'Love a lunch'. 'Fewer cogs' and 'He was' by George Lane. 35.5cmx212cm 36.5cmx18cm

Phil May RI., RP., NEAC., (1864-1903) - Caricature of a gentleman standing wearing a grey suit and holding a bowler hat in his left hand his walking cane in his right hand, signed, watercolour, oval, 11" x 8"; also a companion "A Pardonable Mistake", signed, inscribed with the title together with a further inscription and dated 95 (1895), black and white pen and ink drawing, 11.5" x 8.75" (2)

Contemporary School (20th/21st century) - Architectural study of domes with gilded finials, indistinctly signed possibly S Earls-Brigden, pen, ink, watercolour and gilding together with a watercolour depicting a swamp with a single tree in the foreground, also a charcoal drawing, still-life of apples, carrots and onions, and finally an old coloured print of the Princess Royal of England seen three quarter length wearing a blue dress and bonnet, her horse being held by a groom nearby and contained within a decorative foliate engraved border, the picture also contained within a veneered maple wood frame, various sizes (4)

A RIVER LANDSCAPE AFTER WANG YUANQI BY WEI QING 韡慶《山水畫》，王原祈款China, first half of the 20th century. Ink and watercolor on segmented paper. The fan-shaped painting depicts a landscape with a river and mountains in the background and two cabins hidden behind trees and rocks in the foreground. A fisherman waiting on a boat nearby to catch a fish. Calligraphy and a seal mark on the left. A seal mark on each bottom corner.Inscriptions: Text (translated): 'Wei Qing imitated Wang Lutai's work' (pseudonym for Wang Yuanqi, 1642-1715) and 'Painted in Shenjiang'. One seal mark on the upper left, and one seal on the bottom left. Another seal on the bottom right (translated): 'Wei Ting learns drawing at 57 years old.'Fan paintings by Wang Yuanqi are highly sought after. For a landscape fan shaped painting by the master artist see Fine Chinese Classical Paintings and Calligraphy in Christie's Hong Kong on 01 June 2015, lot 1117, sold for HKD 3,200,000.Provenance: From the collection of Professor Jan Wirgin (1932-2020). Jan Wirgin studied Classic Chinese and History of Art at Stockholm University. Later, he joined the Museum of Far Eastern Antiquities in Stockholm, first as a curator and then between 1981-1998 as the director of the museum. Further, he published numerous articles during his work as the editor of the Bulletin of the Museum of Far Eastern Antiquities. One of his most famous works is the book "Chinese Art history" (1972), which is still one of the most read books for students of Chinese art history in Sweden. Condition: Good condition. The painting with some abrasions along the folds, minor material loss to the lower left corner.Dimensions: Image size 50.4 x 21.5 cm, paper cover 63.5 x 65 cmLaid down on paper with protective cover.