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Lot 495
After Benjamin West - 'The Death of General Wolfe, Anno 1787'; monochrome engraving (31 x 42.5 cm) with an interesting, but erroneous, inscription to the mount reading 'This pen and ink drawing executed by Andrew Dickie Esq.. was presented by him to H.M. George IV at whose death it was by command returned to Mr Dickies family...'. Glazed gilt frame (46 x 57.5 cm). (The lot relates to lots 160, 325, 353, 368, 548, 555, 558 and 560)
Lot 559
The 1861-1866 diary of the Rev. Edmund Dickie Kershaw (1827-1902) and another leather-bound volume containing his pen and ink and colourwash drawings made during his extensive travels in Europe between 1863 and 1870.1. The diary (July 1861 to January 1866) fills the unused pages of the circa 1813 Administrator's Account for H.R.H Princess Augusta written in the immaculate hand of Rev. Kershaw's grand-uncle, Andrew Dickie, of Coutts bank (32.5 x 21 cm). 2. The album of drawings contains 65 well-executed studies of, mostly ecclesiastical, architecture. One example, dated Dec. 7th and titled 'Ruined Aquaducts in the Campagna near Rome', shows in the foreground his wife Helene and the author-artist Augustus Hare drawing the same scene. (The album 29 x 24.5 cm).
Lot 45
The Grand Master, or, Adventures of Qui Hi? in Hindostan. Hudibrastic Poem in Eight Cantos by Quiz. Illustrated with engravings by Rowlandson. London. Printed by Thomas Tegg, No. M, Cheapside. 1816. A first edition in a fine binding by Riviere, 3/4 bound in red crimson, with five raised bands, a gilt title and six compartments with gilt devices and gilt-ruled borders, marbled endpapers, a wonderful colored fold-out frontis by Thomas Rowlandson, the colored title page followed by a six-page Preface, then an Invocation to Butler, 252 pages of text, a thirteen-line errata slip at the end, and the top edge is gilt. There are twenty-eight hand-colored aquatints altogether, including the colored frontis, the title page, and a sepia-colored plate. All the errata are uncorrected, as called for, and it lacks the C8 cancel, as usual. Some pages are mispaginated. Page 31 is numbered as page 33, and pages 73 and 74 are repeated - they read 72, 73, 74, then 72, 74, and 75, but the text on those pages is not repeated - and those details are points of issue which make this a first edition. The color plates were done by Thomas Rowlandson and the text was written by William Combe, but the book is largely remembered for the color plates by Rowlandson. Rowlandson (1756-1827) was an English artist and caricaturist known for his political satire and social observations. He produced some ten thousand engravings, etchings, ink and watercolor illustrations, and his caricatures are often robust or bawdy. He also produced highly explicit erotica for a private clientele; these were never published publicly at the time and now are only found in a small number of collections. Quiz was likely the pseudonym for William Combe (1742 - 1823), also spelled Coombe, a British miscellaneous writer. His early life was that of an adventurer, his later life was passed chiefly within the "rules" of the King's Bench Prison, which means he spent a lot of time in prison for debt. He is chiefly remembered as the author of The Three Tours of Doctor Syntax, a comic poem also illustrated by Rowlandson. The Grand Master was a stinging satire of British imperial rule in India, and the barbs in Rowlandson’s hand-colored plates were directed at Lord Moira, who was the Marquess of Hastings and served as Governor-General of India from 1813 to 1823. The plates also poked fun at the East India Company for its Hindu prejudices and it satirized the church for its patent disregard of Hindu culture and practices. “Qui hi”, or “Kooee hye", is the Bengali phrase meaning “Who’s there”. No bells were used in the houses of the gentry in India, so servants sat at the doors of the dining or drawing room, and when they were called or summoned by the phrase Qui hi, the servants magically appeared. The book is 8vo. and measures 9 7/8 x 6 3/8 in. wide, with occasional light browning or spots, and this first edition with the highly colorful Rowlandson plates is a great addition to anyone who collects English art from the Georgian era.
Lot 109
Trade catalogues.- R. & W. Wilson & Sons. A Catalogue of general tin goods and japanned wares, ink ms. note to head of B3 drawing customer's attention to loosely inserted price list for coal scoops, dated 1st October, 1877, original brown cloth, blind-stamped with company name on upper cover, spine little faded, rubbed, seemingly unrecorded, T. Pettitt & Co., [c.1877]; and 4 others, British and Continental trade catalogues, v.s. (5)
Lot 73
Toulouse-Lautrec.- Joyant (Maurice) La Cuisine de Monsieur Momo célibataire, one of 250 copies on Arches paper, with an original drawing by Henri de Toulouse-Lautrec, pen and black ink on thin laid paper without watermark, with the artist's red monogram stamp (Lugt 1333), colour frontispiece after Édouard Vuillard of Toulouse-Lautrec cooking, 24 etched plates by Padovani after drawings, sketches and watercolours by Henri de Toulouse-Lautrec, light tan Chamois leather pastedowns and endpapers, green crushed morocco, by Jean-Paul Laurenchet, upper cover with a red wine decanter, pepper mill, and tureen composed from red, brown and tan morocco onlays within an outline tooled in black, spine gilt, spine faded, t.e.g., housed in a board and green morocco edged slip-case, [Bitting p.251; Cagle 250; Oberlé Fastes 297], 4to, Paris, Éditions Pellet, 1930.⁂ The original drawing by Toulouse-Lautrec executed in 1895 is for the plate at p.276 ('M.M. Guibert en Saint'). It was in the collection of Maurice Guibert, sold 21st November, 1922, to M. Galanti (Dortu, Toulouse-Lautrec, Vol.6, p.656, D.3.862, a copy of which included here).
Lot 56
Original Drawing by William J Milward Titled Listen for Blast Off. Drawn in black ink. Measures 10 x. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 206
Eric Gill (1882-1940) Four original drawings all mounted, framed and glazed, and with printed label 'Original drawing by Eric Gill, from the Gill family collection' to backboard, and comprising:1. 'S. Sebastian in Henry VII chapel' [Westminster Abbey], pencil, with Gill's autograph caption, mount aperture 10 x 7.3cm;2. Historiated initial 'L' with text 'CAPUT PRIMUM. LIBER GENERATIONIS JESU CHRISTI FILII DAVID, FILII ABRAHAM', red and black ink, 9.6 x 5.4cm;3. Female nude, in pencil, evidently preparatory, 8.3 x 4.4cm;4. Section of a female body partly covered with acanthus leaves, ink, very faded, 9 x 6cm;and a wood-engraving, Nativity with Midwife, St Joseph Standing [Skelton P14], annotated on backboard 'Rare proof for the Gills' Christmas card, 1913', none of the items examined out of frames. Together with a copy of St Dominic's Press, Poor Man's Pence [by] Faith Ashford, Ditchling: printed by Douglas Pepler, 1917, 16mo, variant binding of original linen-backed boards, [6] 84 [2] pp., wood-engraved title-device by Eric Gill, 5 wood-engraved devices in text (of which 3 attributed to Gill), inscribed by Pepler 'The Feast of S. Elizabeth of Hungary A D 1922 to another Eliza, from the printer, HDCP' in red ink on the initial blank, with Eric Gill's bookplate to the front pastedown [Evan Gill 362]Note: Provenance: Property of an English collector.
Lot 207
§ Shepard, E. H. (1879-1976) Piglet, original drawing, c.1970 ink on paper, signed 'EHS' lower right, 8.8 x 7cm, mounted on cardNote: Provenance:1) Hans van Genderen (1942-2011), Dutch cameraman, presented to him by E. H. Shepard during the filming of a documentary on notable cartoonists for Dutch public broadcaster VPRO (signed letter of provenance offered with the lot).2) Lyon & Turnbull, 30 September 2020, lot 307.
Lot 231
Children's and illustrated books Collection of works, most signed including:Shepard, E. H. Everybody's Boswell. London: G. Bell and Sons, Limited, 1930. First edition thus, large-paper issue, one of 350 copies signed by the author, 8vo, original cloth, top edges gilt, others untrimmed;Dahl, Roald. The Twits [and:] Matilda. London: Jonathan Cape, 1980-8. 2 works, first editions, 8vo, original boards, dust jackets (price-clipped), each signed by illustrator Quentin Blake on front free endpaper;Blake, Quentin. The History and Adventures of the Renowned Don Quixote ... Illustrated by Quentin Blake. London: The Folio Society, 1995. 8vo, original cloth, slipcase, signed by Quentin Blake on title-page;Pullman, Philip. [Group of works:] The Book of Dust, Volume One, La Belle Sauvage, 2017 (2 copies); The Book of Dust, Volume Two, The Secret Commonwealth, 2019; Grimm Tales for Young and Old, 2012; The Scarecrow and his Servant, 2004; Lyra's Oxford, 2017; Serpentine, 2020; all first editions except Lyra's Oxford, all signed by Pullman, all with dust jackets, one copy of La Belle Sauvage additionally signed by illustrator Chris Wormald;Blyton, Enid. The Ship of Adventure, 1950. First edition, 8vo, original cloth, signed by the author on the front free endpaper (head of leaf excised), spine rolled, covers slightly marked;and approx. 30 others, including: Paul Coldwell, Paula Rego: Printmaker, 2005 (signed by Paula Rego) The History of the Beano, 2008 (large 4to, inscribed by Euan Kerr and Morris, editors of the Beano, with an original pencil sketch of Minnie the Minx by Jim Pence, and an original ink sketch of Gnasher); Alasdair Gray, Sixteen Occasional Poems 1990-2000, 2000 (one of 200 copies, signed); Arthur Rackham, The Vicar of Wakefield, 1929 (first trade edition, original cloth); idem, A Midsummer Night's Dream, 1911 (first trade impression, second impression); Inga Moore (illustrator), The Wind in the Willows, 2000 (signed); Michael Rosen, We're Going on a Bear Hunt, 2009 (20th anniversary edition, signed by Michael Rosen and illustrator Helen Oxenbury); Gerald Scarfe, Monsters: How George Bush Saved the World and Other Tall Stories, 2008 (signed), and Drawing Blood; Forty-Five Years of Scarfe Uncensored, 2005 (inscribed); and similar
Lot 11
GIACOMO CAVEDONI (Sassuolo, Modena, 1577-Bologna, 1660), attributed."Angel and saint".Ink, pencil, brown wash and charcoal on octagonal paper.Size: 25 x 27 cm (drawing); 28.5 x 31 cm (paper); 51.5 x 54 cm (frame).Drawing attributed to Giacomo Cavedoni, an Italian painter of the Bolognese school, led by Annibale and Agostino Carracci. The anatomical robustness of the saint and the foreshortened angel show affinities with the classicist canons of this current of the Baroque period. A certain Michelangeloesque influence, although filtered through the Carracci models, is also evident in the sculptural value of the bodies.Giacomo Cavedoni was educated in Bologna in the workshop of Bartolomeo Passerotti and Bernardino Baldi and subsequently became a pupil of the Carracci at their Accademia degli ¬Incamminati. His work in Bologna did not prevent him from going to Venice, where he acquired a permanent imprint of the colourism developed in that city. In 1610 he travelled to Rome where he assisted Guido Reni on the frescoes in the Palazzo del Quirinale, assimilating this experience to the Neo-Venetianism which, together with the forms of Bolognese classicism, would be the most characteristic features of his painting. This is evident in his happiest works after his return to Bologna following his stay in Rome. Cavedone belonged to a fertile generation of Bolognese artists trained under the Carracci family: Mastelletta, Alessandro Tiarini, Lucio Massari, Leonello Spada and Lorenzo Garbieri were among the artists who brought the Bolognese School to splendour. Among his pupils were Giovanni Andrea Sirani, Giovanni Battista Cavagna (or Cavazza), Ottavio Corrado and Flaminio Torri.
Lot 632
A rare oversize silver telescopic propelling pencilSampson Mordan & Co, French import mark double-struck for pre 1893, incuse stamped S. MORDAN & CO Tapering cylindrical in form, a monumental telescopic propelling pencil, when pulling open from shut, the decreasing tapering sections appear one by one, enabling the oversize writing lead to emerge, the whole concertinas up into a cylindrical case, a large suspension ring attached, length open 76cm, weight 13oz.Footnotes:Sampson Mordan (1790–1843) was a British silversmith and a co-inventor of the first patented propelling pencil. His partner at the time was John Isaac Hawkins and they filed a patent for their invention in 1822. Mordan quickly bought out Hawkins and in 1823 registered his first silver mark. By October of 1823 he had formed another partnership, this time with a wealthy stationer by the name of Gabriel Riddle. Under the name of 'S. Mordan and Co' they carried on business as Mechanists and Manufacturers of Patent and other articles, at 22 Castle Street, Finsbury, London.Although 'S. Mordan & Co' had begun primarily manufacturing propelling pencils, the company also produced other products of excellent design and quality. By 1842 they were advertising a multitude of products, including: patent pencil cases in various designs, novelty pencils in shapes of pistols and flutes etc, pencil leads, cedar drawing pencils, self-adjusting pen holders, patent oblique pens, portable quill pens, letter copying presses, locks, book edge locks, cash and deed boxes, fireproof merchant chests, medicine chests, smelling bottles, fountain ink stands, travelling ink wells and seal presses for stamping paper. Sampson Mordan (Senior) died on 9th April 1843 and the company was passed into the hands of two of his sons, Sampson Mordan Junior and Augustus Mordan. At this time the company were listed as having premises at 41 City-Road, Finsbury, in the County of Middlesex and also at 72 Cheapside in the City of London. The company continued to flourish, and the two brothers were joined in partnership by Edmund George Johnson and Zachariah Watkins.In the 1870s Sampson Mordan Junior retired to live in France, eventually dying in Paris in 1881. It has been mooted that this unusual monumental silver propelling pencil was especially commissioned and given to Sampson Mordan Junior on his retirement, as a gift from the company. This would explain the French import marks and the fact that it appears to be the only one of its type and size. However, this is just hearsay. The other theory is it could possibly have been used as a display model for a shop in France, which would also explain its size and the import marks.For further information on this lot please visit Bonhams.com
Lot 65
PABLO PICASSO, Paloma, original lithograph 1950, edition 2000, printed by Mourlot, vintage French frame, 24cm x 17.5cm, This original lithograph of Picasso's daughter Paloma was executed by Picasso drawing directly onto the lithographic plate with his finger(s) to produce the image. Picasso's fingerprints can be seen in the ink on the lithograph.
Lot 538
Seventeen early 19th century well executed pencil studies/drawings by the Peacock family, circa 1836 to 1850, some signed with initials 'MP', 'JP' and 'EP', to include four depicting scenes of Petra, Ancient City of Rock, each titled, driving cattle over fallen tree bridge, landscape with lake, chapel in private garden, children at foot of waterfall with castle in background, figures at foot of Farnham Castle, Richmond Castle, three on embossed card, to include a mountain trail and fishing at the foot of a waterfall, two further examples to include mountain track and a pen and ink drawing of Loch Tay, the smallest 7.5 x 9.5cm, the largest 25 x 17cm.Qty: 17These are all in an album and have been kept in the same family.
Lot 92
American Western Film Actor Tom Mix Signed Signature piece with doodle drawing. Signed in blue ink. Good Vintage condition. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 243
Architecture.- Richardson (George, Scottish architectural and decorative draftsman, ca. 1738-1813) Pair of octagonal neoclassical ceiling designs, brush and ink, pen and ink, watercolour, heightened with white, some pencil under-drawing, pen and ink scale to lower section, sections numbered, on cream laid paper with watermarks of Strasbourg Lily, each sheet approx. 545 x 375 mm (21 x 14 3/4 in), minor nicks to extremities, handling creases, light browning and surface dirt, unframed, [circa 1770-1800]⁂ Probably a print study intended to be engraved for Richardson's 'A Book Of Ceilings, Composed In The Style Of The Antique Grotesque', published in 1776. The Yale Collection for British Art hold another comparable original design [see acc. no. B1975.2.674].
Lot 245
Bawden (Edward) A scrapbook of costume and fashion designs inscribed 'E. Bawden 1924' to front free endpapers and with Bawden's bookplate to pastedown, with approximately 120 original drawings, ranging from the medieval period to 19th century, covering English and French fashion of both male and female dress, c.60pp. excluding blanks, watercolour, pen and ink, and pencil, various sizes pasted down or tipped in to c.60pp album leaves, some loosely inserted, each leaf c.340 x 250mm (c.13 1/4 x 10 in), captions and annotations in pencil manuscript, some pages toned, original half morocco, rather rubbed, joints splitting, tall 8vo, 1924.⁂ A superb example of Bawden's early work at the beginning stages of his career . Here, aged just 19 years old, Bawden evidences an early and remarkable drawing aptitude in one of his signature scrapbooks - an aptitude which prompted Paul Nash, his teacher at the Royal College of art, to describe him as "an extraordinary outbreak of talent". Similar scrapbooks compiled later in his career are housed at the Fry Art Gallery in Essex, where Bawden was raised.
Lot 429
Charles Schulz (American, 1922-2000). Original "Peanuts" comic strip, the daily strip for Sunday, September 9, 1973. Black ink over pencil on drawing board. Pencil signed in the first panel and inscribed "For all my friends at Gordon School - Every best wish - Charles M. Schulz." The United Feature Syndicate copyright notice is affixed to the board in the seventh (bottom row, center) panel.Charles Schulz grew up in St. Paul, Minnesota, and fostered a love of comics throughout his childhood. He spent his later teen years studying drawing and cartoon work through a correspondence course with Art Instruction Schools. Following deployment in Europe during WWII, Schulz returned to St. Paul and got a job working as an instructor for the Art Instruction Schools. After a short lived comic strip for the St. Paul Pioneer Press, he hit it big with Peanuts in 1950, which was syndicated by United Features. The strip quickly became an enormous success, with legions of fans across the country–and world–falling in love with his quirky cast of characters and charming illustrations.The present lot typifies the characteristics for which Schulz’s comics were best-loved. It shows the characters’ personalities, always distinctive and lovingly mocked by Schulz. The strength of the character depictions, together with Schulz’s crisp, mobile linework, makes this a wonderful example of a Peanuts daily strip and of Schulz’s facility with character.Sight; height: 16 1/2 x width: 23 1/2 in. Framed; height: 19 1/2 in x width: 26 1/4 in.
Lot 430
Charles Schulz (American, 1922-2000). Original "Peanuts" comic strip, the daily strip for January 11, 1990. Black ink over pencil on drawing board. Signed in pen and inscribed "Best Wishes" above the panels. Depicting Snoopy listening - and following - the call of a doughnut.Charles Schulz grew up in St. Paul, Minnesota, and fostered a love of comics throughout his childhood. He spent his later teen years studying drawing and cartoon work through a correspondence course with Art Instruction Schools. Following deployment in Europe during WWII, Schulz returned to St. Paul and got a job working as an instructor for the Art Instruction Schools. After a short lived comic strip for the St. Paul Pioneer Press, he hit it big with Peanuts in 1950, which was syndicated by United Features. The strip quickly became an enormous success, with legions of fans across the country–and world–falling in love with his quirky cast of characters and charming illustrations.The present lot typifies the characteristics for which Schulz’s comics were best-loved. It shows the characters’ personalities, always distinctive and lovingly mocked by Schulz. The strength of the character depictions, together with Schulz’s crisp, mobile linework, makes this a wonderful example of a Peanuts daily strip and of Schulz’s facility with character.Sight; height: 6 3/4 in x width: 20 1/2 in. Framed; height: 15 1/2 in x width: 28 1/2 in.
Lot 522
George Morrison (Ojibwe, 1919-2000). Abstract ink and watercolor painting on paper titled "Arterial Structure." Signed, inscribed "Antibes," and dated January 1953 along the lower margin. Further signed and titled in pen along the backing. Inscribed "Purchased May 1955 at Walker Art Gallery, Minneapolis, Minn" in red pen along the backing.Provenance: The artist sold this work at the Walker Art Gallery, Minneapolis, Minnesota; Private Minnesota Collection.After completing his studies at the Ecole des Beaux Arts in Paris, Morrison moved his family to the Mediterranean resort town of Antibes along the French Riviera. He often frequented Cap d'Antibes, a rugged forested peninsula that inspired numerous works including the example offered here. Utilizing the "automatic" or free-association drawing techniques of the Surrealists he produced a web-like pattern of interlacing lines and shapes that resembled the rocky outcroppings of the cape's coast.Sight; height: 19 in x width: 24 1/2 in. Framed; height: 27 1/4 in x width: 33 1/2 in.
Lot 214
* Masefield (John Edward, 1878-1967). English poet and writer, Poet Laureate 1930-1967. An archive of letters and drawings, circa 1940s/1960s, including a group of 79 autograph letters signed, ‘John’ or ‘John Masefield’, c. 1948-66, all to Winifred Gledhill of Sheffield Manor School, Market Rasen, Lincolnshire, all in pen except one in pencil and written on 1 or 2 sides of personal printed stationery, oblong 8vo, together with 58 of the original hand-addressed and postmarked envelopes, the letters and envelopes filed in 3 small modern ring binders, together with:a typed poem [Collingdon Downs, Sonnet XXVII] signed, [published 1917], a little creasing and a few minor marks, 1 page, 4to, matted with a reproduction portrait of Masefield, framed and glazed, plus 4 other framed and glazed items: a sheet of pencil drawings of brigs and other shipping vessels, signed and dated November 1927, 1 page, 8vo, matted with a manuscript caption in an unidentified hand beneath, ‘Drawings of Ships made for RHS by John Masefield, Nov 1927’; a drawing of a ship at sea, pencil and watercolour, initialled lower right, 11 x 15 cm; a sketch of a horse rider in hunting pink in the countryside, pen and ink and watercolour, drawn at the head of an octavo sheet with Masefield’s signed presentation inscription to lower blank area for Grace Hunter on her birthday, 17 x 11 cm; a portrait of John Masefield, by W.H. Caffyn, pen and ink and body colour, head and shoulders portrait within decorative border and with subject’s name in capital letters within lower border, pencil notes and marks to verso, 16 x 12 cmQTY: (an archive)NOTE:Winifred Eleanor Gledhill was principal of Market Rasen’s Sheffield Manor School, and was also one of the instigators of the Market Rasen Festival from 1944 through to 1976.
Lot 11
Mughal drawing in pencil, watercolor, and ink, with gold foil accents throughout depicting a composite camel comprised of figures and creatures interwoven. A demonic fanged figure leads the camel while a winged angelic figure, Peri, sits atop it playing a string instrument. Likely 19th century.Keywords: India, Islamic, Deccan.Sight; height: 13 in x width: 9 in. Framed; height: 17 1/2 in x width: 13 1/2 in.
Lot 266
British Illustration.- Ward (Sir Leslie "Spy") George Grossmith and Corney Grain, or " A Study from Memory", pen and black ink over pencil, sheet 203 x 130 mm (8 x 5 1/8 in), tipped at corners onto support, signs of splits and losses to corners, surface dirt and browning, unframed, [1888]; together with an original drawing for the cover of a musical score featuring the character Ally Soper, inscribed 'Sopers Galop', probably by an artist working in the circle of Émilie de Tessier, or "Marie Duval", 360 x 240 mm (14 1/4 x 9 1/2 in), several losses and extensive repairs, unframed, [late 19th century] (2)⁂ The Garrick Club have another variant of the present drawing by Spy [see acc. no. G0960].
Lot 1137
Bindings. A mid-19th century lady's drawing-room album, partially-inscribed in ink manuscript with verse and sentiment, and partially-illustrated with well-executed pencil &/or pen-and-ink drawings, loosely-inserted etching and a botanical watercolour, etc., contemporary green roan (lower-cover beginning to give at joints, some rubbing), ornately block-tooled in gilt extra, all-edges gilt, small 8vo, A Record of The Presentation of a Gold Watch and Chain to John Richard Stephen Arkwright Esq., on his his Twenty First Birthday, January 13th 1928, by The Tenants and Employees of The Kinsham Court Estate as signed within, three-quarters of the contents inscribed, contemporary blue morocco, gilt-ruled single-fillet enclosing the recipient's monogram, rounded flat spine, all edges gilt, gilt foliate dentelles, marbled endpapers, 8vo, (2). Provenance: the Arkwright family of Hampton Court Castle, and later Kinsham Court, Herefordshire.
Lot 215
Alfred Edward Chalon - Medieval Scene, 19th century pen with ink, signed recto, labels verso, 34cm x 39cm, within a gilt frame, together with another similar drawing by the same hand.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 257
Italian School - 'Malino sull'Arno…', pen with ink over pencil, titled and dated 1820 recto, Christie's stencil verso, 22.5cm x 34.5cm, within a gilt frame, together with a similar drawing by the same hand and a print, 'A View of Bothwell Castle'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 259
Richard Westall - 'A Scene from the Old Testament', 19th century pencil, signed with initials recto, titled label verso, 9cm x 14cm, together with an ink drawing by Noel Laura Nisbet and a pencil drawing by Rebecca Stanfield.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 268
Anthony Thomas Devis - 'Lake Scene with House and Distant Hills', 18th century pen with ink on laid paper, artist's name and title to label verso, 11m x 17cm, within a gilt frame, together with a charcoal drawing by Henry Bright and an early 19th century pen with ink drawing depicting the Holy Family.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 254
Thomas Sunderland - 'Scene on the River Nith', early 19th century pen with ink and pencil, artist's name and title to gallery label verso, 18cm x 29cm, within a gilt frame, together with a 19th century pastel and monochrome watercolour wash drawing of an Italian landscape by a different hand.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 20
MARGARET CHINN. Sandpits. Ink drawing. Signed, artist's label to the reverse. 27 x 39cm. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CANNOT SHIP THIS LOT due to fragility, size or weight. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk.
Lot 22
MARGARET CHINN. Over Bosullow. Ink drawing. Artist's label to the reverse. 35 x 28cm. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CANNOT SHIP THIS LOT due to fragility, size or weight. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk.
Lot 26
MARGARET CHINN. Two works: Where Are We? Ink drawing. 31 x 22cm & one other similar signed ink drawing, 33 x 24cm. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CANNOT SHIP THIS LOT due to fragility, size or weight. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk.
Lot 332
SVEN BERLIN. Portrait of Jacque, seated. Ink drawing. Signed Sven Berlin & dated '49. 41 x 28cm, unframed. NOTE: By this time Jacque, suffering from TB, was being treated at the Rosehill Sanatorium in Penzance, cared for by Dr. Hall. Sven visited Jacque & wrote to her regularly during the years that she spent at Penzance. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
Lot 333
SVEN BERLIN. Portrait of Jacque, seated. Ink drawing. Signed Sven Berlin & dated '47. 35 x 24cm, unframed. NOTE: By this time Jacque, suffering from TB, was being treated at the Rosehill Sanatorium in Penzance, cared for by Dr. Hall. Sven visited Jacque & wrote to her regularly during the years that she spent at Penzance. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
Lot 334
SVEN BERLIN. Portrait of Jacque. Ink drawing, on paper laid down. Signed Sven Berlin, 'Jacque' & dated August 1949. 46 x 30cm. NOTE: By this time Jacque, suffering from TB, was being treated at the Rosehill Sanatorium in Penzance, cared for by Dr. Hall. Sven visited Jacque & wrote to her regularly during the years that she spent at Penzance. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CANNOT SHIP THIS LOT due to fragility, size or weight. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk.
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