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Italian School, 19th century, An album containing 14 views in Sicily and Southern Italy, pen and ink on tracing paper, all inscribed in Italian, with one pencil study of figures in a boat, the largest sheet 23 x 69 cm (9 x 27 in) the album 30 x 43 cm (12 x 17 in). Note: although the inscriptions suggest an Italian hand, a view by the same hand of the Foro Romano was on the market in 2004 and again in 2007 as the work of Augustus J. C. Hare. That drawing had apparently descended in Hare`s family. The present album contains a loose sheet headed `Adolphus A. Hamm...` listing the views in English, so the drawings may be the work of someone employed by Hare to prepare views for one of his guide books.

Pen and ink drawing of a poacher with a pole of game birds

CHARLES GRIFFIN Original pen and ink cartoon drawing, "Where The Devil Is Everybody," Published in The Daily Mirror, 10.5" x 14", framed.

WILLIAM ROBINS Pen and ink drawing, Moored punt on the river, signed and dated 1915, 4.5" x 9", framed.

Kate Greenaway, British 1846-1901, pen and ink drawing of a girl with a chamberstick, signed with initials, 8 x 5", 7 x 5in. (17.78 x 12.70cm)

Gray, Alasdair A folio of 66 line drawings and watercolours by Alasdair Gray, including drawings captioned Hugh McBain, Kirsten, Bill Skinner, Mike Gill, Shawfield Cottage, Steve Gill in the St. Columba workshop, 71 Scott Street, mostly nudes, life-drawing classes and portraits, mostly biro or ink drawings, several watercolour and/or pencil, from 38 x 56cm to 16 x 8cm., 5 on ruled cash register leaves, 3 signed, 2 mounted on board, mostly mounted in a large cash register album, one dated 1957 Note: An interesting folio of line drawings by the author of Lanark, 1982 Janine and The Fall of Kelvin Walker . Gray illustrates his books himself and has produced many murals as well as paintings, including the ceiling mural for The Auditorium of the Oran Mor on Byres Road in Glasgow, one of the largest pieces of art in Scotland. The drawings of Inge are of Inge Sorenson (1961-1970), Gray`s first wife and those of Mike Gill are of his friend George Michael Gill (1923-2005), film producer and director.

Peter Roberson, pen and ink drawing, original design for a London Transport poster, signed and dated `68, 24 x 31cm.

PEN AND INK DRAWING "RENOWN" ENTERING YARMOUTH HARBOUR BEARING SIGNATURE W.G. CLISDIN 1926, 17 X 24 CM

AN ORIGINAL PEN AND INK DRAWING OF FOUR VICTORIAN FRENCH CERAMICS

R.W. Gates, a pen and ink drawing, "Daffodils, River Duddon, Lake District". 8 ins x 15 ins, framed, signed.

OSBERT LANCASTER, Portrait of Harold Wilson seated beneath a drawing of Kier Hardy, pen and ink sketch with blue crayon, signed, 9" x 6", gilt frame

G.C Hunt after James Pollard, `St Albans Grand Steeple Chase`, March 8th, 1832 coloured engraving, image 30 x 43 cm, margins cut, together with six other 18th century and later prints after Pollard, Henderson and others, together with a pen and ink drawing on silk depicting a Palladian mansion

WOLFE. Signed pen and ink drawing on paper, portrait study of a young boy `Cobby`. 8" x 5"

Henry William Brewer (d.1903) Study of the Maison Dorée Club Piccadilly and studies of buildings in London St. Albans Paris and Germany Seven some signed all titled Pen and ink unframed 38 x 28cm; 15 x 11in and smaller With an ink drawing of Waltham Abbey signed E.E.M. and dated 1892 + + Various as viewed

GEORGE CATHIE and C F SUTER The Infernal Triangle The Pier Pavilion Orchestra Rhythm Team Executing Some Hot Airs ink and wash drawing, signed and dated 1932 38cm x 55cm

Advertising - Approximately twenty-three pieces of Parker Pens mock-up advertising artwork, each based on a pen and ink drawing and mounted to artist`s board, most showing hands holding pens, various sizes. Visit www.dnfa.com for condition reports.

Lois Byrave `The Hotel Kummer, Vienna`, ink and wash drawing, unframed, 21cm x 14.5cm also 21 other drawings by the same hand - all unframed (22)

Willi Soukop, `Floating figure`, pencil and ink drawing, signed with initials and inscribed `Kempton Park 7/6/1940`, 17.5cm x 12cm

A 19th Century pen and ink drawing `The Bare and Ragged staff`, 6 1/2" x 9 1/2", together with further decorative water colours, pictures and prints.

JOHN VERNEY, SIGNED (UNDER MOUNT), PEN, INK AND WASH DRAWING, "Congregational Church 1962" (see gallery label verso), 21" x 15"

SIR HUGH CASSON, INITIALLED AND DATED `69, PEN, INK AND WASH DRAWING, Inscribed "Poridania, 69 Opening Ceremony ", 7" x 5"

F BURR, SIGNED AND DATED 1923, PEN AND INK DRAWING HIGHLIGHTED WITH WHITE, Caricature of the Cricketer "C P Barrowcliff, Captain Stockton CC", 10" x 5 ½"

MO TEUW, MONOGRAMMED, OIL, Nude Lady on a Bed, 7 ½" x 9 ½"; PLUS MO TEUW, SIGNED, CRAYON AND PENCIL, Head and Shoulders Portrait of a Lady, 11" x 11 ½"; PLUS PETER KAVANAGH, SIGNED AND DATED `07, PEN AND INK DRAWING, Study of a Nude Lady, 11" x 8", (3)

SAMUEL WARD OF YARMOUTH, Inscribed to lower margin, INK DRAWING, Rural Scene, 2 ½" x 3 ½"

GEORGE PETCOV. Signed and dated 1994 pen and ink drawing on paper, study of a Maltese Chapel `Chapel 3`, see verso. 5.1/2" x 4"

ROBIN BOYD. Forest Landscape , signed and dated 82, black pen and wash, 11 1/2 x 17 in ; and a pen and ink drawing by another hand depicting Figures by buildings (2)

MONOCHROME PEN & INK DRAWING BEARING SIGNATURE C.A. PERKINS OF "SALTCOTE BELL" AT COLCHESTER HYTHE - 37CM X 26CM

BERNARD LEACH Ink drawing of a cut-sided stoneware pot. 4 3/4 x 2 3/4ins. Artist`s signature. Studio seal to the reverse.

BERNARD LEACH Ink drawing of a bird decorated dish and its reverse. Dated 1945. Studio seal to the reverse. 3 x 5 1/4ins. (See illustration)

DAVID SMITH Landscape. Ink drawing. Together with a Paul Nash print, a still life oil and a coastal watercolour.

ANTON LOCK Horses. Ink drawing. Indistinctly inscribed. 5 1/2 x 9 1/4ins.

THETIS BLACKER Occult. Pen and ink drawing. Signed and dated 1944. Together with a pair of prints and a Tom McGuinness print.

MISOME PEILE Maltese landscape. Ink drawing. Together with three watercolour landscapes by Anke Petersen and one other watercolour.

JAMES PROUDFOOT Trees. Oil on board. Together with an ink and wash drawing by Eugenie Forman.

MARY FEDDON Landscape. Ink drawing. Signed and dated 1969. 18 1/2 x 27ins. (See illustration)

DOD PROCTER "Tod`s hands". Ink drawing. Initialled and inscribed. 8 1/2 x 6 1/2ins.

CHARLES WEST COPE The captive slave. Ink drawing. Initialled in pencil and dated June 1849. 8 1/2 x 10 1/4ins. (See illustration)

GEORGE ADOLPHUS STOREY Figure by the fire. Ink drawing. Monogrammed and dated 1865. 8 x 6 1/4ins. Together with three unrelated works.

PHIL MAY Pen and ink cartoon drawing "A Day In The Country", signed, 9.5" x 6.5", framed.

W VIVIAN COLE Pen and ink drawing, Duck, signed, 8" x 10", framed.

* Despres (Jules, late 19th century). Portrait of a man in military uniform, pen, ink and watercolour caricature, heightened with bodycolour, signed, 19 x 10.5 cm (7.5 x 4 ins), framed and glazed, together with Bright (Harry, late 19th century). The Pickpockets, pen, ink & monochrome wash drawing, heightened with bodycolour, signed, 22 x 17 cm (8.75 x 6.75 ins), framed and glazed (2)

Plinius Secundus (Gaius). Historia mundi ..., Basel, 1535, printer`swoodcut device to title and final leaf verso (Froben), some woodcut initials, old ink inscription to title upper margin partially erased, horizontal paper crease to title with small resultant paper flaw to margin, not affecting text, scattered minor spotting or soiling, old ink drawing of a labrynth with four lines of latin text on a folio sheet pasted to rear pastedown, somewhat spotted, hand-coloured large bookplate with name partially erased to front pastedown, contemp. blindstamped pig skin over wood boards with two clasps in working order, some rubbing and soiling, small splits at head of upper joints, stained red library mark to lower compartment, slight corner wear with wood showing through upper corners, folio. This is the first printing with notes by Sigmund Galen and contains a preface of Erasmus, reprinted from his edition of 1525. (1)

Ginsberg (Allen). Reality Sandwiches 1953-60, The Pocket Poets Series Number Eighteen, 4th printing, San Francisco, 1963; Planet News 1961-1967, Pocket Poets Series Number Twenty Three, San Francisco, 1968, original wrappers, slightly rubbed at edges, 8vo. Reality Sandwiches inscribed by the author to title: "For Michael Henshaw, Allen Ginsberg", also added "Kerouac" by quotation under author`sprinted name, with an ink drawing of a three-sided fish by Ginsberg to verso of upper wrapper. (2)

CHARLES A GRAVES Pen and ink drawing, The Landgate, Rye, signed and dated 1903, 10" x 14", mounted.

[ARTWORK] SEDGLEY (F. V. W.) `Friday Street, Surrey`, fine ink drawing s. & d. 1934; & other views of Surrey by Sedgley. (Q)

SOLOMON SOLOMON J.: (1860-1927) British Pre-Raphaelite Painter. During World War I Solomon was a pioneer of camouflage techniques. A good, original pencil drawing by Solomon depicting a sleeping lion, on a 12mo card, n.p., n.d. Solomon has signed his name, in dark fountain pen ink, beneath the sketch. EX

ARTISTS: Selection of signed clipped pieces, cards etc. by a wide variety of artists, painters, a few sculptors and cartoonists etc., including Cecil Aldin, Pietro Annigoni (3), Michael Ayrton, Muirhead Bone, William Coldstream, Frank Dicksee, William Russell Flint, Edward Halliday, Kai Fjell, Dudley Hardy, Phil May, Augustus John (2), Gerald Kelly, Laura Knight, John Lavery, Frederick Leighton, Alfred Munnings, William Orpen, John Piper, Edward Poynter, Frank O. Salisbury, Harrison Weir (original pen and ink drawing of a rooster) etc. G to VG, 55

SEGAR E. C.: (1894-1938) American Cartoonist, the creator of Popeye. A good, original pen and ink drawing signed and inscribed by Segar on a small oblong 8vo card. The cartoonist has drawn a partially smoked cigar, from which smoke arises to form a speech bubble in which Segar has penned the words `Yours to the last ash`. Drawn, inscribed and signed (with his artist`s signature, Segar) in bold black ink. Scarce. VG

Rowland Hilder O.B.E., P.R.I., R.S.M.A. (1905-1993). "Front Terrace, St Julians, Sevenoaks, Kent". Inscribed with the artist`s name and address and the title on an exhibition label verso, pencil, pen, ink, watercolour and brush, 36cm by 51.5cm, Exhibited at the Royal Institute of Painters in Watercolours, 195 Piccadilly, London, Born at Long Island, USA. His parents were of Kentish stock and returned to England in 1915. He trained at Goldsmiths College School of Art, and was Professor of Drawing there for more than ten years. His work was first shown at the Royal Academy in 1923. Awarded the Order of the British Empire in 1986

After Ronald Searle, pen and ink drawing of a school girl playing the violin, bears signature

ROLAND GREEN (1890-1972, BRITISH), Extensive Collection of Items Given to Mr Peter Oliver, Secretary of the Honiton Arts Society. Collection includes three unfinished Watercolours, signed Monotone Watercolour of Widgeon, signed Pencil Drawing of a Mallard, 130 pages of a Sketch Book depicting numerous birds, plus a number of further Pen and Ink, and Pencil Drawings. Also included are a few Roland Green Greetings Cards, Letters and Ephemera; one card reads "Dear Peter, Thanks for your very appreciative letter. I looked these out yesterday, think they may help you with details. Will send some more of flying birds as I come across them. In haste, Roland".

PHIL MAY (1864-1903) - A Clergyman, signed and dated `92, pen and ink drawing, 9 1/2" x 7 1/2".

Ernest Howard Shepard (1879-1976), Sitting on the Dustman`s Knee, pen and ink drawing signed with initials and titled in pencil, the illustration as used in Shepard`s Autobiography `Drawn from Memory` p.50, 15 x 11.5cm, Exhibited: , Label of J S Maas & Co London, `Some British Illustrators, 1981 No.78`

Lamb (Henry) Farmhouse; Portrait of a boy pencil drawing, 190 x 130mm., Abbott & Holder gallery label on backboard, framed and glazed; Farm scene, pen and ink, with thin grey wash, 270 x 365mm., Abbott & Holder gallery label on backboard, framed and glazed ***Provenance: From the artist`s family. Abbott & Holder. Purchased by the vendor`s father.

Noble (Henrietta) Album of Bromley & Beckenham 37 rustic landscapes, churches, country lanes and farming scenes, many with local wild flowers depicted in the lower margin, watercolours over pencil, on Whatman Turkey Mill paper, each c.120 x 190mm., or the reverse, all with descriptive titles in red ink, below, the first drawing inscribed on verso, Some of the Views and Wild Flowers of Beckenham Taken between 1845-55 by Henrietta Noble, in the same hand, tissue guards, disbound in gilt-tooled morocco, edges worn, oblong 4to, 1845-55.

Bonomi (Joseph) pen and watercolour, 460 x 270mm., 18 x 10&no.189;in., scale at foot, titled as above and signed "Joseph Bonomi Architect 9th of February 1782", verso with the small ink stamp of the RIBA (where the drawing was on deposit) endorsed in pencil "Returned to owner". ***Provenance: By descent from Joseph Bonomi to the present owner. A group of drawings by Bonomi from this collection was sold in these rooms, 1 June 2000, lots 80-87. An elegant design with ram`s-head finials and acanthus leaves decorating the foot, very much in the Adam style. One of the first of several commissions from the wealthy bluestocking hostess Elizabeth Montagu, undertaken the year after Bonomi left the Adam brothers` office. He was engaged in the decoration of the house built 1777-1782 by James "Athenian" Stuart. The present drawing is illustrated in Peter Meadows, Joseph Bonomi Architect 1739-1808, An Exhibition of Drawings from Private Collections, London, RIBA, 1988, p.2..

Bonomi (Joseph) pen and watercolour, 315 x 470mm., 13_ x 18&no.189;in., scale rule (but no numbers) at foot, titled as above and inscribed "By Joseph Bonomi 1790 (C A de C)" in a later hand, verso with the small ink stamp of the RIBA (where the drawing was on deposit) endorsed in pencil "Returned to owner". ***Provenance: By descent from Joseph Bonomi to the present owner. A group of drawings by Bonomi from this collection was sold in these rooms, 1 June 2000, lots 80-87. The same carpet design, with minor variations, can be seen in Bonomi`s perspective for the Great Room at Montagu House of 1790. This is a more highly finished version of a partially coloured drawing in the RIBA Drawings collection which is signed by Bonomi and has detailed measurements for the weavers in ink. The title is in the hand of Charles Anthony de Cosson, a descendant of Bonomi. The house was destroyed in 1941.

Bonomi (Joseph) Lansdowne House Library pen and watercolour, 280 x 470mm., 11 x 18&no.189;in., black ruled border on three sides, scale at foot, inscribed with above title and signed "Joseph Bonomi, Architect, 1786, Gt. Titchfield Street", light overall browning, slight creasing and two short tears at sheet edges, verso with the small ink stamp of the RIBA (where the drawing was on deposit) endorsed in pencil "Returned to owner". ***Provenance: By descent from Joseph Bonomi to the present owner. A group of drawings by Bonomi from this collection was sold in these rooms, 1 June 2000, lots 80-87. In 1762 Robert Adam began work on a house on the south side of Berkeley Square for the 3rd Earl of Bute. Three years later Bute sold the unfinished shell to William Petty, Earl of Shelburne and 1st Marquis Lansdowne. Adam continued to work on the house (his plans and services were included in the purchase price) which was largely complete by 1768. Bonomi`s unexecuted design for fitting up the gallery as a library was the fifth to be commissioned by Lansdowne who had already rejected proposals for the gallery from Adam himself (c.1764, drawing in Sir John Soane`s Museum), Pannini (1772), Clerisseau (1774) and Belanger (1779). George Dance`s designs of 1788-91 were eventually realised as a sculpture gallery in 1816-19 by Robert Smirke..

Alice (Princess) Seydlitz bei Rossbach roundel depicting the heroic leadership of the Prussian cavalry officer, Friedrich Wilhelm von Seydlitz, at the battle of Rossbach, during the Seven Years` War, in 1757, pen and ink on silk, 225mm. diameter, signed, dated and inscribed, Alice, Aug: 6/56 Osborne, lower right, mounted on board support, framed and glazed in circular oak frame. ***Princess Alice (1843-1878) was the 2nd daughter and 3rd child of Queen Victoria and Prince Albert. Although born in the family apartment at Buckingham Palace, it was the event that prompted Albert to seek a larger family home, leading to the acquisition of Osborne House on the Isle of Wight. The continuing Germanic identity of the British royal family through this period is well known (Princess Alice counted Ernest Augustus I of Hanover, Feodora, Princess of Hohenlohe-Langenburg, and Ernest II, Prince of Saxe Coburg and Gotha amongst her godparents), so this competently executed drawing was most probably copied from some pictorial reference, doubtless readily available to the young thirteen year old, to mark the centenary of the beginning of the Seven Years` War (1756-63).

Cox (David) Bolton Abbey, Yorkshire charcoal and stump drawing, 185 x 270mm., signed with initials lower left, slight browning, framed and glazed § Crome (John Berney, 1794-1842) The Windmill, pen and brown ink drawing, with monochrome wash and scratching out, 190 x 260mm., mounted on card support, framed and glazed(2)