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ARDIZZONE EDWARD: (1900-1979) English Artist and creator of Children's books. Signed 4 x 6 postcard being a reproduction of his 1960s drawing entitled At the Laundrette. Signed ('Edward Ardizzone') in dark fountain pen ink with his name alone to the lower white border. One extremely minor corner crease, otherwise EX

CHURCHILL WINSTON S.: (1874-1965) British Prime Minister 1940-45, 1951-55. Nobel Prize winner for Literature, 1953. An attractive, unusual folding slim 8vo (when folded) menu for the Parliamentary Press Gallery Annual Dinner at the Palace of Westminster, 19th March 1926, signed ('W S Churchill') by Churchill in fountain pen ink with his name alone to a clear area of the verso. The inside of the menu features a large printed caricature drawing of Churchill and his associates with the printed caption at the head Parliamentary Press Gallery Go Hunting the Snark with the Chancellor of the Exchequer. Accompanied by the original printed envelope. Some very light, extremely minor discoloration to one part of the menu, not affecting the signature, otherwise VG Churchill served as Chancellor of the Exchequer from 1924-29.

JOHN THOMPSON (1924-2011); ink drawing, figures standing, signed, 21.5 x 47.25cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

A quantity of decorative prints and pictures to include pencil drawing by W.H.James, an ink drawing initialled B.W., floral prints etc

Franklin Expedition. An interesting early to mid 19th-century scrap album, containing pasted in watercolours, drawings, hand-coloured lithographs and prints, plus handwritten leaves, a total of approximately 64 leaves plus blanks, the original drawings including an oil on paper depicting the Franklin Expedition to the Arctic in 1845, 13 x 18cm, an original pencil drawing of a landscape view signed by Montague Stanley [1809-1844] and dated 1820, an unsigned watercolour and india ink portrait of a young man playing the flute, a monochrome watercolour of an old man writing with a child about his shoulder, etc., contemporary gilt and blind-stamped calf, covers and spine detached, 4to (1)

Cunningham (Peter). The Story of Nell Gwyn and the Sayings of Charles the Second..., New York: J. F. Sabin, 1887, large paper copy printed on Whatman's Drawing Paper, extra-illustrated with almost 400 engraved portraits, additional marginal illustrations in pen & ink and watercolour by David Edward Cronin, autograph letter by the author laid-in, contemporary half morocco, spines gilt in compartments, joints rubbed one board detached (but present), each volume housed within contemporary slip case, 4to David Edward Cronin (1839-1925) was an American artist and illustrator best known for paintings depicting the Civil War and slavery. Between 1879 and 1903 he worked as a political cartoonist and known to have provided similar marginal illustrations for other books. (2)

Sinclair (George). The Hydrostaticks; or, the Weight, Force, and Pressure of Fluid Bodies, made evident by physical, and Sensible Experiments. Together with some Miscellany Observations, the last whereof is a short History of Coal, and of all the Common, and Proper Accidents thereof; a Subject never treated of before, by G. S., 1st edition, Edinburgh: Printed by George Swintoun, James Glen, and Thomas Brown, 1672, seven engraved plates, (6 folding, lacking the additional engraved title and the folding engraved plate of arms), faint oval ink stamp to title (evidence of removal and consequent slight thinning to paper), plate II torn with very slight loss, plate IV with two old paper repairs to verso, plate V slightly loose with minor worming, marginal hole to P4, upper outer corner of Qq1 torn with loss of one word, occasional light fraying to few margins etc., occasional light spotting, manuscript ownership to front free endpaper of John Kirsop, 6 Queen Cresent, Glasgow, 1868, hinges repaired, contemporary calf, rebacked, covers & corners heavily rubbed, 4to ESTC R38925; Kress S.1382 (calling for 7 plates); Wing S3854 & Challinor 8. A scarce first edition. 'A gallimaufry of practical and theoretical physics, drawing on [Sinclair's] experiences with the diving bell and barometer' (ODNB). Sinclair had practical experience of the former while salvaging ordnance from an Armada wreck in Tobermory Bay, and was one of the earliest adopters of the latter to measure heights and depths in mines. Pp. 258-302 deal with mining in relation to the Midlothian coal field, Sinclair explaining the terms 'dipp', 'streek' [strike] and 'cropp' and describing folding and faulting. Without 2P4 (pp.303-4) as per Kress and ESTC. (1)

Chinese Qing dynasty famille rose box, round shape, wood grain glazed all over body, delicate drawing of landscape in black ink on cover, with gilt circle rim, Qing Qianlong mark on green glazed background base, 3 1/2" h x 6 3/4" w.

Nadine James - Ink drawing on paper, "Summer Meadow (detail)", framed, 20 x 25cm

Hunting In The Bullrushes - An Egyptian Aquatinted Pen & Ink Drawing on Papyrus Signed - Glazed & Mounted.

An ink Drawing on papyrus paper depicting Egyptian heads, 17 1/2'' x 13''

A framed pen and ink drawing of a classical nude, signed bottom right, 44.5 x 31cm

Sydney Arrobus framed watercolour of Neer Wengen, signed bottom right and a pen and ink drawing of Casablanca, signed bottom left, 24 x 33cm and 12.5 x 21cm

A box of various antique prints and old master style drawings to include: an indistinctly signed pen and ink drawing of a classical figure; a sketch of a country house after Fragonard; a tondo drawing on vellum of the Madonna (initialled on tab); an engraving 'SVBs Masq Ranelagh X1111.June 1776' after G.B. Cipriani engraved F. Bartolozzi; drawings of facial expressions initialled 'E.W.'; manuscript plan of 'The Battle of Valleggio (1796)', etc.

A scrapbook containing amusing recollections from the lives of the Allchin family, written and illustrated by Charles Arthur Hannaford (British, 1887-1972) together with a selection of drawing books, sketches, etchings, pen and ink drawings and approximately 380 watercolours by C.A. Hannaford and some by his father Charles Edward Hannaford (1863-1955), to include river views, coastal landscapes, mountain views, townscapes, ruined abbeys and castles, mostly set in Venice, Naples, Holland, London, Cornwall, Norfolk, Yorkshire, Dartmoor and Scotland, some signed; A collection of 8 framed watercolours of various sizes by C.A. Hannaford, containing coastal scenes and townscapes, some set in St Berward, Cornwall, and Tetbury, Gloucestershire, 3 signed 'Hannaford Junr'; A pair of large watercolours of a seascape and a highland landscape by C. E. Hannaford (1863-1955), largest measuring 63 x 87 cm, both signed; An old photograph, presumably of C. E. Hannaford at work. Provenance: By descent through the family. Charles Arthur Hannaford (1887-1972, exh. 1919-26) was the son of the renowned and prolific coastal and landscape painter, Charles E Hannaford (1863-1955). After his studies at Plymouth Art School, he painted mostly delightful landscapes in watercolour. Despite his artistic talents he went on to pursue a career in banking. Upon retiring, he settled in Wroxham, Norfolk, where he found 'Broads Tours Ltd'. For those visiting Norfolk with his company, he wrote and illustrated a souvenir booklet, The Charm of the Norfolk Broads, which featured many of his watercolours and drawings of local inns, mills and other places of interest. He drew great inspiration from his father's style and from the transient mood and colours of the Broads. His watercolours achieved wider acclaim in Norfolk, where they were especially popular among those who sailed and enjoyed river trips with his company. Hannaford exhibited principally at the Royal Society of British Artists, as well as the RA and Royal Glasgow Institute of the Fine Arts.

(x) Covers and CancellationsIllustrated Envelopes1859 envelope from Bombay addressed locally and showing a pen and ink drawing of a gentleman smoking a pipe and standing beside a wall and street light, franked with ½a. 92, one on reverse) and 2a. cancelled "1" in diamond of bars, and 1872 envelope from Umballa "Via Brindisi" to England showing a pen and ink sketch of recently hatched chicks, bearing 1a. and 4a. both cancelled "L-13" in square of bars; the first with a small fault at centre, otherwise a fine and attractive pair Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.

John Craxton RA (English, 1922-2009) A pen and ink drawing of a cat, unsigned. H: 16cm W: 20cm

H. JOHNSON PEN AND BLACK INK DRAWING Boer War scene of British foot soldiers repelling native warriors on horse back Signed 7 1/4" x 11 1/2" (18.5cm x 29cm)

A Mughal drawing of a Dutch Nobleman, Northern India, 18th century or later A Mughal drawing of a Dutch(?) Nobleman, Northern India, 18th century or later , ink on paper, probably copied from a European print, approx. 14.3cm x 10.3cm and a group of nine Indian drawings , Northern India, early 19th century, mostly copied from European prints, 27cm x 18cm and smaller (10)

JOHN UZZELL EDWARDS pen and ink drawing - five heads, entitled 'Swansea Girls Gypsy Band', signed and dated 1972, 59 x 56cms

JOHN UZZELL EDWARDS pen and ink drawing - Welsh valley street scene under snow, entitled 'Rhymney', signed and dated 1962, 48 x 61cms

Harold William Hailstone (1897-1982), "I would like you to meet Mr. Scooter, the winner of our parents' Egg and Spoon race.", signed, titled in the margin, ink drawing, 18 x 27.5cm.; 7 x 10.75in, together with another drawing by David Brooke, 20th century, "Country Lunch", signed and dated 1981, titled on artist's label verso, pen and ink, 16.5 x 11.5cm.; 6.5 x 4.5in (2).

Giles, framed and mounted pen and ink drawing depicting State Carriage,signed u.r., together with a copy of the published illustration from the Daily Mail, May 14th 1963, caption reads 'There's a nasty story that a bit of a punch-up is going on between the officers and grooms of the Royal Mews. Hey ho - off we go with the State Carriage to pick up today's royal visitors'. Visible picture size H.27cm x W.28cm.

Framed pen and ink drawing depicting two pirates swordfighting, possibly an original comic book illustration with 'Glossop' written at the bottom and again on the reverse, H.21cm x W.17.5cm.

Sydney Arrobus (British, 1901-1990), The Old Watermill in Wickhambreaux, Kent, pen and ink drawing, circa 1960, signed lower left. H: 36cm W: 23cm

A scene from the story of Layla and Majnun, Mughal Delhi, India, early 19th century, black ink on paper, the emaciated figure of Majnun , Layla with her elderly chaperones watching the scene from the roof terrace, gold speckled margins, mounted, drawing 15.3cm. by 24.2cm.

§ Leon Underwood (British, 1890-1975) Head study of a young woman, possibly Monica Rawlins signed lower centre "Leon Underwood 1972" pencil and black ink on buff paper 26 x 22cm (10 x 9in) Provenance: Bought by Monica Rawlins directly from the artist and by descent at Brynmeheryn. From the collection of Elisabeth Luard, Brynmeheryn. Leon Underwood was a noted British sculptor, painter, draughtsman and engraver as well as a writer and illustrator, scholar, teacher, philosopher and stained glass and furniture craftsman. He attended the Slade School of Art and founded the magazine "The Island" in 1931. His work was influenced by African and Cycladic designs. In 1920 he received the British Prix de Rome but chose not to go to Italy, instead opening his own drawing school, then travelling elsewhere through most of the 1930s. Among his students was Henry Moore, who later spoke of his indebtedness to Underwood's teaching. Left-hand corner has a small piece missing. Some discolouration along the top edge. Buff paper. Paper is crinkled and under glass.

Pat Rooney, Hillsborough Fort pen and ink drawing, 30 x 19 cms

LIAM C MARTIN Trinity College Dublin Ink Drawing Signed and Dated Lower Right 1961

A Pen and Ink drawing by R.J. Moser - exhibited 1871-93 and a Watercolour by Lieut A.V. Cave circa 1930's

Cyprus. Diary of Our Life in Cyprus December 1880 to June 1881... E.M.B. to M.C., a manuscript volume describing life and events on the island, including the 'Howling Dervishes', 'Gradually they began to rock themselves to and fro - then faster and faster - then their heads began to turn round from side to side, and at a signal from the Sheik they changed their chant...', and describing the landscape, 'The country was covered with flowers - irises, orange blossoms, almonds, and the pretty if malodorous garlic. At Kythrea maidenhair ferns were growing in the greatest luxuriance...', the title with pen and ink drawing, final vignette, on ruled paper, 260pp approx., original limp blue calf, leather label, 4to, 1881

Pen and ink drawing with signature Anne Drury c.1968 55 cm x 65.5. cm

Harold Hope Read ink drawing, study of a seated girl wearing a head scarf, signed with initials and dated '24, 10ins x 5ins, together with three similar portraits of a reclining figure and an ink drawing on lined paper of two figures in an interior

Harold Hope Read ink drawing, Victorian society figures at a gathering, 12ins x 15ins, together with three other ink drawings, figure studies

Pre-Raphaelite style watercolour and ink drawing, young man scattering seed

TWO ANTIQUE GILT FRAMED MIRRORS, A MAPLE FRAMED PEN AND INK DRAWING AND THREE PRINTS.

§ John Minton (British, 1917-1957) Study of Francis Minton painting inscribed upper right "Francis Minton / May 30th 1940" pen and ink 30 x 24cm (12 x 9in) Provenance: Purchased from Jeffrey Bernard by Nicholas and Elisabeth Luard. From the collection of Elisabeth Luard, Brynmeheryn. Other Notes: Francis John Minton (25 December 1917 - 20 January 1957) was an English painter, illustrator, stage designer and teacher. Minton was born in Great Shelford, Cambridgeshire, the second of three sons of Francis Minton, a solicitor, and his wife, Kate, née Webb. He studied art at St John's Wood School of Art from 1935 to 1938 and was greatly influenced by his fellow student Michael Ayrton, who shared his enthusiasm with him for the work of French Neo-Romantic painters. He spent eight months studying in France, frequently accompanied by Ayrton, and returned from Paris when the Second World War began. From 1943 to 1946 Minton taught illustration at the Camberwell College of Arts, and from 1946 to 1948 he was in charge of Drawing and Illustration at the Central School of Art and Design. At the same time he continued to draw and paint, sharing a studio for some years with Robert Colquhoun and Robert MacBryde, and later with Keith Vaughan. Between 1945 and 1956 he had seven solo exhibitions at the Lefevre Gallery, as well as working as a tutor at the Painting School of the Royal College of Art in 1949, a post that he held until the year before his death. John Minton was painted in 1952 by Lucian Freud. In the mid-1950s, John Minton found himself increasingly sidelined by the popularity of abstracts. He suffered psychological problems, self-medicated with alcohol, and tragically committed suicide in 1957. Frances Spalding writes: "This drawing is a great puzzle. Minton was great friends with Michael Ayrton at this time and the style of drawing looks to me more like Ayrton than Minton, but the cartouche with Francis Minton inside it and the date 30th May 1940 is definitely in Minton's hand. He was baptised 'Francis John Minton', so he could have been playing around with his name, which Ayrton did more seriously, giving up his father's name Gould for his mother's name Ayrton, so that his name would appear earlier in catalogues that were alphabetically ordered. But sadly I can give you no adequate explanation of this drawing. It is not a drawing of Minton, so why he added the cartouche I do not know. The present drawing is an interesting testimony to the close friendship between Ayrton and Minton at that time. The following year they collaborated on designs for John Gielgud's production of Macbeth". One tiny hole to the left of the sitter's shoulder, loose in the frame and with dirt under the glass. A little loss of colour.

§ Bryan Pearce (British, 1929-2007) Boats signed lower left "Bryan Pearce" pen and ink 26 x 39cm (10 x 15in) Provenance: Henry Gilbert, The Wills Lane Gallery, St Ives, Cornwall. Bryan Pearce was born in St Ives, Cornwall, in 1929, a sufferer of the then unknown condition Phenylketonuria, which affects the normal development of the brain. Encouraged by his mother who was herself a painter, and then by other St Ives artists, he began drawing and painting in watercolours in 1953. From 1953 to 1957 he attended St Ives School of Painting under Leonard Fuller. In 1957 Pearce began painting in oils and started to exhibit regularly at the Penwith Gallery in St Ives. He became an Associate of the Penwith Society of Arts in Cornwall, and later a full member, having been sponsored by the sculptor Denis Mitchell. He was also a member of the Newlyn Society of Artists; it was at the instigation of Peter Lanyon that he had his first solo show at the Newlyn Gallery in 1959. Good clear image but with some discolouration to the background.

Pavel Tchelitchew (Russian, 1898-1957) Veined hand signed lower right "P Tchelitchew 1942" pen and ink, unframed 44 x 30cm (17 x 12in) Provenance: Rex Evans Gallery, 748 North Lane Cienega Boulevard, Los Angeles, USA (label verso); Private collection, London. Other Notes: Pavel Tchelitchew was a Russian-born surrealist painter, set designer and costume designer. Tchelitchew was born to an aristocratic family of landowners and was educated by private tutors. Tchelitchew expressed an early interest in ballet and art. He left Russia in 1920, lived in Berlin from 1921 to 1923, and moved to Paris in 1923. In Paris Tchelitchew became acquainted with Gertrude Stein and, through her, the Sitwell and Gorer families. He and Edith Sitwell had a long-standing close friendship and they corresponded frequently. His first U.S. show was of his drawings, along with other artists, at the newly opened Museum of Modern Art in 1930. In 1934, he moved from Paris to New York City with his partner, writer Charles Henri Ford. From 1940 to 1947, he provided illustrations for the Surrealist magazine View, edited by Ford and writer and film critic Parker Tyler. His most significant work is the painting Hide and Seek, painted in 1940–42, and currently owned by the Museum of Modern Art in New York City. Unframed. Wrinkling to the edges of the paper. Some spots of surface dirt and alight discolouration to the paper. There is a rectangle of darker discolouration around the signature, as there is around the drawing aswell. It's most likely that the drawing was at one time in a frame that had a close mount around the drawing, and a cut out in the mount for the signature, thus the exposed areas were subject to more sun damage. 

Phyllis Isobella Pearsall MBE (1906-1996), 'Drawing Office', initialled and dated '40, ink illustration published in 'Women at War', Ashgate Editions, 1990, 20 x 31 cm, together with five smaller ink drawings (6) *Phyliss Pearsall was the founder of the 'Geographers' A-Z Map Company' and created London's first indexed map. Locke & England are pleased to be selling a collection of over 300 works by this artist- see lots 201-233 for pieces included in this sale; the remaining works will be sold as part of our sale on Thursday the 4th of February 2016.

Phyllis Isobella Pearsall MBE (1906-1996), 'The Twittery Way to the Castle', signed and dated 27/10/35, quill and ink drawing, 18.5 x 28 cm *Phyliss Pearsall was the founder of the 'Geographers' A-Z Map Company' and created London's first indexed map. Locke & England are pleased to be selling a collection of over 300 works by this artist- see lots 201-233 for pieces included in this sale; the remaining works will be sold as part of our sale on Thursday the 4th of February 2016. CONDITION REPORT: Framed and glazed, date written to back incorrect

Phyllis Isobella Pearsall MBE (1906-1996), 'She Cried Herself to Sleep', ink illustration, 21 x 15 cm, bearing the pencil script '...& Daddy will come to see you.', together with an ink drawing 'Officers Hat' *Phyliss Pearsall was the founder of the 'Geographers' A-Z Map Company' and created London's first indexed map. Locke & England are pleased to be selling a collection of over 300 works by this artist- see lots 201-233 for pieces included in this sale; the remaining works will be sold as part of our sale on Thursday the 4th of February 2016. CONDITION REPORT: Framed and glazed

Design for a triptych Ink drawing 7.5 x 25, unframed Provenance: Phyllis Gorlick King label to the back

REGINALD JAMES LLOYD Harvest Figures Ink drawing Signed and dated 1966 Inscribed to the back 25 x 31cm

REGINALD JAMES LLOYD Cliff Waterfall Drawing ink Signed and dated 1962 Inscribed to the back 22 x 19.5cm

Quentin Blake (born 1932), original pen and ink cartoon drawing, The Old Farmer, signed, 31" x 23", unframed.

Anthony Gilbert, pen and ink drawing, classical figures, signed, 6" x 12", framed.

NAPOLEON. A pen & ink drawing, Napoleon by G.E. Batman, signed & dated 1872, 15cm & a German coloured print on Napoleon, 34 x 25cm.

A pen and ink drawing of a 1960's ideal family home setting signed Susan Must

A collection of paintings by Chamberlain. To include Venetian watercolour, watercolour street scene painting, countryside painting in colours. Also pen and ink architectural drawing along with lithographs and others etc

A Chinese pen & ink drawing of a young lady in flowering robes standing by a fence, paper laid on silk, within a European chinoiserie decorated lacquer style frame, 45.5 x 58.5cm

Sir Frank Short RA, PRE, (1857-1945), 'Scene in the Campagna', (after the drawing by JMW Turner RA 1775-1851), a mezzotint printed in brown ink, 21.5 x 29cm, signed in pencil within margin, London pub. Robert Dunthorne 1st November 1886.

Thomas Rowlandson [1756-1827]- Cattle, sheep and travellers on a wooded path:- pen, ink and watercolour drawing 17 x 24cm * Provenance. Ackermann & Johnson, Lowndes Street, London

Attributed to Thomas Rowlandson [1756-1827]- A Break in The Hunt; huntsmen, a farmer and hounds resting and inspecting a lame horse:- pen and ink drawing 36.5 x 49cm.

Charlie Shiels (British, 1947-2012) - 'Study for Galeria Milan' Ink on paper, signed, and inscribed 'final drawing/Milan', approx 72x32cm, framed. NB: Charlie Shiels was born in Stockport and lived in Manchester. He lectured in art and design at Stockport College of Further Education, later to become Senior Lecturer. Charlie had a one man exhibition at the Blythe in Manchester, the Unicorn Gallery in Chelsea and the Woolff Gallery in Shoreditch, London. Charlie also produced commissioned work for the BBC publications, London Underground (poster design), Corgi books, Marks & Spencer and numerous others. (illustrated)

'Torre de los Ingleses '. A Pen & Ink Drawing of this Clock Tower in the Barrio District of Retiro, Buenos Aires, Argentina. Singed in Pencil. Framed.

Frank Bellamy (1917-1976), a pen and ink drawing, titled Garth, a comic strip drawing, Frank Bellamy was the illustrator for the Daily Mirror and Garth was one of the comic strips, width 29cm

PATRICK SULLIVAN, INK DRAWING COMIC STRIP, H 5", L 24", FELIX THE CATSigned Pat Sullivan. A unique India ink comic strip 5 1/4" x 24 1/4", 1932. Framed 12" x 37". Felix adopted into a new family.Good condition. Size is image only. Jw For High Resulotion Photos visit Dumouchelles website

Ashley Luff (20th/21st Century Contemporary) - 'The Sprint', a Competitive Cyclist surrounded by other images in history, signed and inscribed with the title, also extensively inscribed on the stretcher verso by the artist with a personal 'Birthday Inscription' and dated 4th September 1987, oil on canvas, 20" x 24" together with two further pictures, one including three drawings of figurative subjects, each, 10" x 6.25", the other black ink drawing inscribed 'Towns Folk, Studies for Bernadette', 5.5" x 6.75" (3)

Two books of Zulu interest by Samuel Watts, one entitled aba-kwa-ZULU, a bound typed manuscript signed by Samuel Watts and dated Durban November 1955, the cover with pen and ink drawing of a Zulu shield and spear and knobkerri, and another bound typed manuscript entitled The Great White Chief of The Zulus, and with pencil inscription to Laura and Alan ...., Christmas 1952, containing black and white photographs of Zulu tribesman and women, etc.