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Ana Bron, Woman with children, signed in pencil, en grisaille drawing with ink, 19cm x 14cm; and a study of a woman's head, probably by the same hand, brush drawing, 25cm x 20cm.

Emma Faull (b.1956), ink drawing, Freckled duck, signed, 27 x 33cm, a watercolour still life daffodils and a Peter Rogers sketch of Stumbleholme Lodge

Harold Riley (b.1934) charcoal and ink drawing - head and shoulders portrait of a young man, signed and dated 1961, in glazed frame, 24cm x 13.5cm

* ALEXANDER ROY GIBSON (SCOTTISH 20TH CENTURY), OLD BUCKHAVEN hand coloured etching, signed and titled in pencil 16cm x 20cm Mounted, framed and under glass, along with two hand coloured etchings of East Bay, and Parish Church, Dunoon, and an etching of the Broomielaw, Glasgow, all by the same artist, also a pen and ink drawing signed M.Davey (5)

•SIR WILLIAM MACTAGGART PPRSA, RA, FRSE, HonRSW, LLD (SCOTTISH 1903-1981) IN TELEMARK III; MORGEDA, NORWAY Ink drawing, signed, 27 x 37cm (10 1/2 x 14 1/2"), 28 x 41cm (11 x 16") (2) The Stone Gallery labels verso Condition Report: MORGEDA:. There is what appears to be an area of extraneous white pigment located top left quarter section. . TELEMARK III:. No significant issues.

•DONALD BAIN (SCOTTISH 1904-1979) YACHT IN HARBOUR Ink and coloured crayon, signed, 30.5 x 23cm (12 x 9") PORTRAIT OF A WOMAN Ink drawing, signed and dated (19)60, 37 x 25.5cm (14 1/2 x 10") (2) Condition Report: YACHT IN HARBOUR:. Noticeable discolouration of the paper around the edges. . PORTRAIT OF A WOMAN:. Slight creasing of the paper in the lower half section and very slight discolouration of paper at the top edge next to mount.

Cartoon drawing signed 'Steinberg' (upper right) pen and ink on strathmore paper 36 x 57.5cmCondition report: Paper toned and discoloured, some areas of cockling, a large crease running from top bottom around 17cm in from left hand sideThis drawing was originally published in The New Yorker, October 28th, 1972, p.42 and accompanied an essay by George Steiner on chess titled "The Sporting Scene: Fields of Force".We are grateful to Ms Sheila Schwartz from The Saul Steinberg Foundation in New York for her assistance in cataloguing this lot.Provenance: Collection of the late Professor Francis George Steiner, FBA.

'Simeon Stafford' by Jonathan RileyThe frontispiece signed and with pen and ink drawing by the artist

'Simeon Stafford' by Jonathan Riley, the frontispiece signed and with pen and ink drawing by the artist.

Clive WILLIAMS (1944 - 2015)Life StudyInk drawingInitialled 36 x 24.5cm.

HUGH COLLINSON (1909-1986) - 'Oxendon Hill near Market Harborough', ink and wash drawing, signed, inscribed on label on reverse, framed, 27cm x 35cm, frame size 49cm x 60cm.

An Action Force original pen and ink drawing by Geoff Campion used for the cover of the Action Force supplement in Battle Weekly #528 22nd June 1985, 47.5 x 38.5cm, together with a copy of the comic.NB. The comic is based on the Palitoy Action Force action figures.

Peter Brookes (born 1943), original pen and ink cartoon drawing, signed, sheet size 11" x 9", unframed

Joanna Lawrence, pen and ink drawing, cats, image 16" x 24", framedSeveral small fox marks and slight discolouration

Ink and wash drawing, wrestling figures, unsigned, 7" x 9.5", framedSlight paper discolouration

AN ELABORATE CASE OF FRENCH DRAWING INSTRUMENTS, LATE 19TH C  of brass inlaid rosewood, maple and palisander, the nickel brass and steel instruments including Swiss pattern beam fittings, bowl, beam and other compasses, dividers and pens, several bone handled, the lower compartment (originally for watercolours) containing miscellaneous other instruments including two brass protractors, pearwood and other curves, etc, the green silk lining to the underside of the lid with  ivory rule with central knob for lifting and inscribed Metre/English:64,  candelabrum trade mark, 33.5cm lComparative Literature: Hambly (M), Drawing Instruments 1580-1980, 1988, plt VII All instruments apparently original and complete, a little dusty, the silk ink stained, box in good condition, lock original, no key

PELLEW (EDWARD) AN IMPORTANT GROUP OF RELICS OF ADMIRAL LORD VISCOUNT PELLEW, RN, 1ST VISCOUNT EXMOUTH (1757-1833) comprisingGEORGE III BRASS BOUND MAHOGANY SEA CAPTAIN'S WRITING BOX  the centre of the three brass bands to the lid engraved Captn Pellew, Royal Navy,  having fitted interior with two brass capped glass inkwells, two steel deck bolts and bow key, three concealed drawers and two further drawers beneath false bottom, the lid containing twelve concealed bone coin canisters and covers (6 each for guineas and half guineas), brass three bolt and two peg lock stamped TURNER PATENT, 27 x 50.5cm, original key and iron spikeTHE LOCKER CORRESPONDENCE OF PELLEW'S LETTERS TO HIS SECRETARY 29 AUGUST 1809-32 all ALS, bifolia , to Edward Hawke Locker,  several "Most Confidential", HMS "Caledonian", off Toulon, Genoa, Gibraltar, London, Plymouth (and elsewhere), all entires with address, seals and manuscript or hand-stamped post marks,  indexed and several annotated by Locker, other letters  respecting Lord Exmouth's public services by Lady Pellew and  members of his family, the Earl Spencer, Admiral Sir Richard Goodwin Keats, other officers, etc, 1821-1834, Locker's MS memoir of Pellew, a group portrait drawing of Pellew, Locker and five others by Locker and engravings, tipped into an album (26 x 21cm), original half morocco over marbled boards, scuffed, two cuttings from bookseller's catalogues (? William H Robinson Ltd, early 20th c) describing the present album pasted in,  engraved bookplate of Frederick Locker and a further document signed by Pellew and Lord William Cavendish Bentinck with related TLS from Lionel Robinson presenting the document to H B Vander Poel, 9 March 1938AFTER NICHOLAS POCOCK THE WRECK OF THE EAST INDIAMAN "DUTTON" IN PLYMOUTH SOUND, 26 JANUARY 1796 watercolour, 39.5 x 90cmSHEFFIELD PLATE CHEESE TOASTER, 1816-C1820  with water compartment, detachable lid - reflector and turned pearwood handle, engraved with coronet (viscount's) and ship inscribed DUTTON, 20cm lGEORGE III SILVER TESTIMONIAL TEA CADDY AND COVER engraved with arms and inscriptions or ships at the Bombardment of Algiers,  in scroll and leaf borders with paterae, ring handle, 10cm h; 8 x 12cm, fully marked, by John Edward Terrey, London 1817, 15ozsThe sides are engraved as follows:full achievement of arms of Pellew and In testimony of the  Courage & Honour of  ADMIRAL  LORD EXMOUTH on the Bombardment & Capture of ALGIER September 1816  Presented this Day of our Lord 17th May 1817(left side) Scene of Royal Navy Ships (described on right side - see below)(back) list of the SHIPS and COMMANDERS QUEEN CHARLOTTEAdm Lord Exmouth GCB, Capt James Brisbane CBIMPREGNABLER-Adm David Milne, Capt Edward Brace,  CBSUPERBCapt Charles EkinsMINDENCapt William PatersonALBIONCapt John CoodeLEANDERCapt Edward Chetham, CBSEVERNCapt Hon. Frederick William AylmerGLASGOWCapt Hon. Anthony MaitlandGRANICUS Capt William Furlong WiseHEBRUSCapt Edmund Palmer, CBHERONCom. George BenthamMUTINECom. James MouldPROMETHEUS Com. William Bateman DashwoodBRITOMARTCom. Robert RiddellCORDELIACom. William SargentBEELZEBUB Bomb Com. William KempthornFURY BombCom. Constantine Richard MoorsonHECLA Bomb Com. William PophamINFERNAL BombCom. Hon. George James Percival(right side) A Transport, A Despatch vessel, Gun vessels etc with Royal Sappers & Miners & Royal Rocket CorpsMELANPUS V.Ad. Baron Theod Fred van Capellen, Capt A W De ManFREDERICACapt J A van ser StaatenDIANACapt Petrus ZiervogelAMSTELCapt W A Van Der HartDAGERAADCapt J M PoldersEENDRACHTCapt J F C WardenbergBOMBARDMENT OF ALGIERS 1816 COMMEMORATIVE MEDAL BY L BRENET/GERARD FROM MUDIE'S SERIES COMMEMORATING BRITISH VICTORIES, 1820 obv bust facing right ADMIRAL LORD EXMOUTH, rev Neptune subduing  a seahorse, bronze, 41mm, VF or better [Eimer 1085]PELLEW'S PRAYER BOOK.  THE BOOK OF COMMON PRAYER...[together with] a new version of the Psalms of David... by N Brady, D.D. and N Tate, unpaginated  title inscribed "Presented by Lady Pellew on Christmas Day 1809" and on blank reverse "Sent to Lord Exmouth's Niece Constantina Thompson on the Death of Lady Exmouth October 29th 1837, Teignmouth Novr 6th (signed) GP [? George Pellew, Dean of Norwich] with his love,  pencil annotation probably in Pellew's hand "this Psalm was chosen " before psalm 51, marbled endpapers with gilt tooled scarlet morocco label lettered VICE ADMIRAL SIR EDWARD PELLEW BT 1809  at front and pasted newspaper report of his death at end, straight grained panelled gilt scarlet morocco, spine gilt with raised bands, worn, aeg, London 1802 (Psalms 1808), Griffiths 1 (1802), p 216: NSTC L 1852 MISCELLANEOUS BOOKS AND DOCUMENTS including  L'Amiral Edward Pellew Viscount Exmouth from the series  Histoire Generale les Hommes de Guerre, folio, lithographed portrait and arms, contemporary half scarlet morocco with gilt title label and inscribed in purple ink on the pastedown [Augusta]" Lady Castletown from Lord Exmouth's grand daughter-Florence May 20th 1877", A Salamé,  A Narrative of the Expedition to Algiers in the Year 1816 Under the Command of the Rt Hon Admiral Lord Viscount Exmouth,  folding plts, one hand coloured, contemporary calf, upper board detached, 1819, M F Tytler,  The Wooden Walls of Old England: Or The Lives of Celebrated Admirals 1847, E Osler, The Life of Admiral Viscount Exmouth, rebacked, 1935, a silhouette of Pellew, Pownoll Bastard Pellew, 2nd Viscount Exmouth, ?Private? autograph letter signed, 1812, [newspaper], The Times, December 26th 1793 and July 9th 1804 (both referring to Pellew) and genealogical and other papers found in the boxProvenance: (Locker Correspondence) Edward Hawker Locker, FRS, FSA (1777-1849); his son the bibliophile and poet Frederick Locker, afterwards Locker-Lampson (1821-1895); (possibly) William H Robinson Ltd by which sold to Halstead B Vander Poel (1911-2003); Christie's, Sale of the Halstead B Vander Poel Collection of English Literature, 3 March 2004, lot 347, to the present vendor(Cheese Toaster)The crest and motto with Viscount's coronet above is that of Pellew for Edward Pellew, 1st Viscount Exmouth, GCB (1757-1833)(Tea Caddy) Presented to Edward Pellew, 1st Viscount Exmouth on 17 May 1817; anon sale ("Property of a Private Collection") Christie's, 29 November 2007, lot 596, to the present vendorNelson's near contemporary, being one year his senior Admiral Pellew (1757-1833)  was also born into a family of, in the phrase of the time "The Middling Sort", in Pellew's case a packet captain of Cornish stock.His naval career, which began in 1770 owed much to several of the exceptional personal qualities that so often characterised Royal Navy officers of Nelson's day, fearless, quick witted and lucky.An excellent swimmer, in a feat of extraordinary presence of mind and not a little  éclat he rescued those on board the  East Indiaman "Dutton" when the vessel and its 400 troops and many others were doomed after the ship ran aground in a storm off Plymouth Hoe on 13th April 1796.  For this he earned an almost immediate Baronetcy.Earlier, at the Action of the 18th June 1793, Pellew captured the French frigate 'Cleopatre' and seized the French naval code of secret signals, for this Pellew was rewarded by a knighthood.His greatest achievement was in the successful Bombardment of Algiers, 1816 (for which amongst other testimonials he was presented with the silver box in this sale) thereby directly resulting in the release of twelve hundred enslaved christians. Please email for further information

SKURRAY  (FRANCIS), REV'D AND POET, ALBUM AMICORUM OF POEMS IN HIS HAND the Michaelmas Daisy or Summer Flowers addressed to Emma George signed F Skurray and dated Octr 8 1840, Sonnet Descriptive of Feelings on Returning to the Country from the Metropolis, Sonnet on Approaching my Cottage, both signed and dated August 2 1841, several others and transcriptions by members of his family, watercolours by Richard Ward of the Reverend F Skurray, Bidcombe Hill, Horningsham Parsonage, The Moss Alcove Horningsham Parsonage, A Grotesque Stump of a Tree growing in the Petyridge Horningsham as viewed from two positions and a pen and ink drawing of Barwell Cottage, all signed and all but one dated 1841 or 1842, gilt printed gothic title page inscribed by Skurray "Emma George from the Revd F Skurray October 8th 1840" (15.5 x 10cm), embossed black calf, boards detachedProvenance: The author, by whom resented to his niece Emma George (b1815) Reverend Francis Skurray (1774-1848) was born at Beckington, Somerset.   He was the incumbent of Horningsham near Longleat, Wiltshire from 1797 until his death.  An enlightened and sympathetic priest-poet and art collector of considerable means, he was best known for his book of verse BidcombE Hill and other Rural Poems which went through three editions.  The Shepherd's Garland a Collection of miscellaneous poems was followed in 1845 by Sonnets Composed on Various Subjects and Occasions.Skurray is depicted in his newly completed Gothic Room of the Parsonage in the company of his niece Kitty George (1809-1888), Emma's sister, in a painting by John Sergeant of 1839-40 in the V & A Museum.The artist Richard Ward (1799-1863) of Salhouse Hall, Norfolk was the dedicatee of Skurray's Sonnets Composed on Various Subjects and Occasions

Jim GILBERT (1933-1995) ink drawing "Busy bar scene", signed, framed and glazed,25 x 30 cmFine and clean

Box of framed (approx 25 in total), watercolours and oils by differing artists, approx 7 oils 1 ink drawing and 18 watercolours.All in good condition and generally in good frames

IWAN BALA white ink drawing on black paper - entitled 'Love Spoon Reinvention', 15 x 12.5cms

* Ludwig Bemelmans [1898-1962]-Walking The Dog,:-signed, Hammer Galleries New York stamp to reversepen, ink and watercolour drawing, 27 x 20cm.

* History of Costume. A collection of 99 later 19th-century drawings depicting female fashions throughout the centuries, from Saxon times up until the mid 19th century, comprising 82 finely-executed watercolours and 17 pen and ink drawings, each titled and many stating the source of the drawing, with a separate title sheet "A Book of Costumes of Various Sources Collected by I.E. Deane", sheet size 26 x 18 cm, mountedQty: (99)

* Dietrich (Christian Wilhelm Ernst, 1712-1774). Head portrait of a lady, brown ink on laid paper, head and shoulders study of a lady profile to right, wearing a loose fitting robe with her hair swept up behind her head, sheet size 8.8 x 7.7 cm (3.5 x 3 ins), laid down on later card, mounted, together with a large collection of mostly 18th and 19th century drawings and prints, including: 2 large chiascuro woodcuts by John Baptiste Jackson, one after Titian's Descent of the Holy Spirit, published 1745, the other after Leandro Bassano's The Raising of Lazarus, published 1742, both damaged; a large later 18th century English scene of warriors in the manner of Fuseli or John Hamilton Mortimer, pen, black ink, and grey wash, damaged with substantial loss; a good early 19th century pencil drawing on paper of the Reverend Henry Mortlock (1788-1834) of the East India Company; a pencil drawing on paper, circa 1830s, of French Revolutionaries around a table, annotated in contemporary ink with the names Dupuis, Mercier, Lameth, Chenier, Condoret and Fabre d'Eglantine; an abstract watercolour and gouache painting of 3 figures by Victor Roman (1937-1995); 2 small early 19th century views of Venice, one with watercolour wash; and an 18th century sepia ink drawing of a courting couple, attributed to Maria Callani in pencil on mount; plus other miscellaneous ephemera, e.g. correspondence, exhibition catalogues, invitations, etc., various condition and sizesQty: (-)

Fale (Thomas). Horologiographia. The Art of Dialling: teaching, an easie and perfect way to make all kinds of Dials upon any plaine plat howsoever placed. With the drawing of the twelve Signes, and houres unequall in them all. Whereunto is annexed the making and use of other Dials and Instruments, whereby the houre of the day and night is knowne: of speciall use and delight, not only for Students of the Arts Mathematicall, but also for divers Artificers, Architects, Surveyours of buildings, free-Masons and others, London, Imprinted by Felix Kyngston, 1633, [4], 60 [16] leaves, foliated, woodcut illustration of a dial to title page, woodcut initials, and numerous large woodcut diagrams and illustrations throughout (by Jodocus Hondius), pale browning to upper blank margins of title and several preliminary leaves, extensive near-contemporary manuscript notes and diagrams in brown ink to front endpaper, verso of final leaf of text, rear endpaper and inside covers, contemporary limp vellum, some soiling and darkening to spine and outer edges, with indistinct manuscript annotations to upper cover, and ownership initials 'IG' to centre of upper cover, with upper portion of the upper cover now missing (probably rodent-gnawed), small 4toQty: (1)NOTESProvenance: C. E. Kenney, Esq., F.S.A., F.R.I.C.S.; his sale, Sotheby's Catalogue of the Celebrated Collection, The Property of C. E. Kenney, Third Portion, Science and Surveying A to G, Monday 28th March, 1966, to Thorpe; John Lawson (1932-2019), bookseller. STC 10681 (3 copies in the U.S. and 5 elsewhere). Fourth edition of the earliest English treatise on dialling, or the design of sundials, and the author's only known publication. First published in 1593, it was reissued by Felix Kyngston in 1626, 1627, 1633 and 1652. The last 16 leaves comprise a table of sines, and was the first trigonometrical table to be printed in England. The author identifies Hondius as the engraver of the diagrams in his dedication to Thomas Osborne 'one M. Iod Hondius, who hath shewed himselfe an excellent workeman in the great Globes set forth by M. Mullineux, and the Maps of England for M. Camdens booke'. The extensive and highly technical annotations at the front and rear of the volume provide examples of how to make a variety of sundials, as well as a description of a visit to a clock maker in Bankside, London, on August 6th 1657: "Aug. 6th 1657 was at Mr Ahasuerus Foremantle at ye Bankside, & saw an exelent clock that he bin studying and making, at tymes tweenty yeers and stood him in 200 LL,: & it went with springs: & turned upon a spindle like a windmill it was about 13 inches square & 30 inches high: one the foreface it had a hand to point the houer going round in 12 houres & upon the same center went another hand about in one hower shewing the minuts. and right under the center of the hand was a motion that went about once a yeer rasing the 12 signes with a litle pointer fixed to the center of the hand; which shewed in what sine & deg the [sun] was in each day in the yeer...". A pencil transcription of this text (on the rear inside cover) accompanies the volume.

Milne (A. A.) . When We Were Very Young, 6th edition, 1924, black & white illustrations by E. H. Shepard, previous owners inscription & ink drawing to the half-title, some light toning throughout, top edge gilt, original gilt decorated blue cloth, boards & spine lightly rubbed & marked, 8vo, plus another 23rd edition copy, Now We Are Six, 2nd edition, 1927, black & white illustrations by E. H. Shepard, previous owner inscription to the front endpaper, some offsetting & toning to the half-title, some minor toning throughout, top edge gilt, original gilt decorated red cloth, spine slightly faded & rubbed to head & foot, 8vo, plus another 4th edition copy, together with; Clarke (Harry [illustrator]) , The Year's At The Spring, an anthology of recent poetry, compiled by L. D'O. Walter's, 1st edition, George G. Harrap & Co. Ltd., 1920, 24 colour & monochrome illustrations plus black & white vignettes, period inscription to the front endpaper, slight toning throughout, publishers original cloth, boards & spine slightly rubbed & marked, large 8vo, and, Dulac (Edmund [illustrator]) , Princess Badoura, a tale from the Arabian Nights, by Laurence Housman, Hodder and Stoughton, circa 1910, 9 tipped in colour plates, some light toning & spotting, publishers original gilt decorated cloth, spine slightly rubbed & toned, large 8vo, plus other late 19th & early 20th century juvenile & illustrated literature, including Arthur Rackham, Louis Wain, Hugh Thomson, Muirhead Bone, Russell Flint, mostly original cloth, G/VG, 8vo/4toQty: (6 shelves)

Clarke Hutton, ink abstract study to illustrate William Shakespeare The Sonnets, signed in pencil and dated '79, unframed, 9ins x 8ins, together with a folio set of coloured prints after Rene Duc d' Anjou and a quantity of other ephemera and photographsI do not think this is a correction, just a yellowish stain, not part of the original drawing

Tabaud (Jean Gilbert ?), sepia ink drawing, portrait of a child, 17ins x 11ins, gilt framed

Judith Valentine (Local) etching 'Paola & Francesca' signed and titled in pencil, within card mount and gilt frame, under glass 19.5cm x 15cm together with an ink drawing of medieval saints, unframed, 15cm some yellowing and minor staining.

Assorted pictures and prints, to include 19th century school Girl with Mirror ink drawing, Cattle in a landscape watercolour, two 19th century colour engravings of exotic birds upon branches etc

A quantity of Prints and paintings including pen and ink drawing of Helford river by M. Cooper, limited edition no. 2/50 print of Joe-Joe The Donkey, Dancing Children by Maude Cooke and an unframed watercolour by Beryl Davies.

Lavinia Jones, Flowers in Vase, ink drawing, 44 x 35cm, signed; oil on board, similar. (2)

Jones (David [pseudonym Dai Greatcoat], painter and poet, 1895-1974) 2 Autograph Letters signed (1 to the publisher Owen Rutter at the Golden Cockerel Press and 1 to Angela Cunningham), together 4pp. & 1 envelope, Sidmouth & Harrow, 26th April 1939 & 9th June 1966, (1) to Owen Rutter saying that he has not produced any new engravings recently and referring to a reprint of The Chester Play of the Deluge, "... I still occasionally have enquiries for a whole set of, or prints from the set of, my Deluge engravings - the blocks of which are in the possession of the Press, except one, in my possession", and enquiring as to whether the Golden Cockerel Press still had any sets he can have to sell (2) to Angela Cunningham regretting that he has no watercolours for sale, "But the truth is I have only a very, very few of any of what might be called 'representative works' in my possession. I... had the great misfortune of losing a fair number some years ago; and what I now possess I feel I must retain for various reasons"; Proof Corrections for "Sleeping Lord" and notes to "XXX - Galley 33", together 5pp., n.d.; and 14 others by or relating to David Jones, including: Single typed sheet with autograph manuscript notes by Jones; 2 engravings by Jones (1 bookplate for Hilary Pepler), a pen and ink drawing by Stanley Honeyman, folds, v.s., v.d. (17).

Alfred Wainwright (1907-1991), an original pen and ink drawing "Pike O'Blisco", 12 cm x 17 cm, framed, signed (see illustration). ARR

Alfred Wainwright (1907-1991), an original pen and ink drawing "Pillar Rock West Face", 20.5 cm x 16.5 cm, framed, signed (see illustration). ARR

Alfred Wainwright (1907-1991), an original pen and ink drawing "Dove Crag", 15 cm x 20 cm, framed and signed (see illustration). ARR

Alfred Wainwright (1907-1991), an original pen and ink drawing "High Crag", 20 cm x 18 cm, framed, signed. NOTE: With letter dated 1982 from Alfred Wainwright. "Dear Mrs Rostern, I am sorry to have to tell you that it is not possible to allocate to you an original drawing from Lakeland Mountain Drawings as you requested. I will however do a repeat drawing for you of your first choice (High Crag) in the New Year and hope to let you have it around the end of January. Yours sincerely, A Wainwright" (see illustration). ARR CONDITION REPORT: The Wainwright drawing is in first class condition with no issues. It is well framed and mounted and comes with the letter from Wainwright himself.

Alfred Wainwright (1907-1991), an original pen and ink drawing "Sgurr a Ghreadaidh" Cuillin Hills Skye, 15 cm x 20 cm, framed and signed (see illustration). ARR

Alfred Wainwright (1907-1991), an original pen and ink drawing "Coire Mhic Fhearchair, Beinn Eighe" Torridon, 15 cm x 17.5 cm (see illustration). ARR

Alfred Wainwright (1907-1991), an original pen and ink drawing "Sgorr Dhearg, Beinn a Bheithir" Ballachulish, 12.5 cm x 19.5 cm, framed, signed (see illustration). ARR

Alfred Wainwright, original pen and ink drawing "Summit Cairn Red Pike Wasdale", 11 cm x 17 cm, 1970 from second Lakeland Sketch Book page 109, signed, framed (see illustration). ARR

Alfred Wainwright, an early original pen and ink drawing "The Cliffs of Fairfield", 15 cm x 11 cm. NOTE: Inscribed verso in "This appears to have been the drawing used in Book 1 The Eastern Fells, Fairfield 14" (see illustration). ARR

Charles Rennie Mackintosh (1868-1928) framed print of a pen and ink drawing of The Hill House Helensburgh, collection Glasgow School of Art 64 cm x 45 cm (size including frame)

Signed, ink and wash drawing.23.5cm x 23cm (9.25in x 9in)Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The drawing is in good, original condition with no obvious faults to report. The drawing is framed and glazed. The frame has some minor scuffs and scratches commensurate with age.

India.- Byrne (Henry Lawrence, ensign in the 26th Foot, died of cholera in Berhampore, 1820-41) 4 Autograph Letters signed to his mother, sm. 4to, together 13pp. with address panels, Chatham Barracks, on board the Edinburgh & Chinsurah, 1840, on life at Chatham Barracks, "I had to march down about 4 or 5 hundred soldiers to the chapel this morning all alone", on board the Edinburgh, "my cot hangs from the roof [of the cabin]", and in India waiting for the return of his regiment, "Mr Powell and myself have determined to set to work in ernest [sic] at sketching, and studying drawing... I bought a hawk and killed it by putting its head under the water whilst trying to tame it...", and with a pen and ink drawing of Chinsurah Barracks, folds, 1 letter with piece torn away on address leaf, another torn where opened, another with tears along folds, slightly browned.

Musicians, Orchestras and Conductors.- Tattersfield (Gordon, drawing tutor at Stourbridge School of Art, 1928-1968).- Collection of drawings of various musicians, orchestras and conductors, many by Tattersfield, together 83 pen and ink and pencil drawings, including: Artur Schnabel, John Minton (artist and stage designer), Leff Pouishnoff, José Iturbi, Mischa Elman, some on card and laid down, some loose, 1 vol. original cloth, other 2 vol. modern album boards, v.s., 1946 - [50s].

Miniature book.- History of the Bible, wood-engraved frontispiece and full-page illustrations, foxing, original calf, rebacked, preserving original gilt backstrip, 49 x 43mm., New London [CT], Wm. Bolles & Co., 1850.⁂ Provenance: 'George Young's book, January 8th, 1855' (ink inscription above a small drawing of a swan).

A Lotter Parallel Compass and other Collectable Drawing Instruments,original Lotter precision parallel compass set 201A with telescopic lengthening bar, a good set of Reeves beam compass ends, a cased sprung ink pen compass with ivory handle and an ivory Watson Bros. service pattern protractor [CITES]

A set of hand-drawn George Jenson landing site visual effects storyboards from the production of Steven Spielberg's sci-fi film Close Encounters of the Third Kind. The humans and extraterrestrials finally made first officialcontact at the designated landing site on Devils Tower in Wyoming.The effects storyboards are rendered in mixed media including black ink and marker on three sheets of thick white illustration paper, with brief handwritten descriptions throughout, and rough edges from where the pages were torn out of a spiral bound drawing pad. The lot is in good overall condition with some signs of wear from use and age, including some light corner creasing and edgewear, as well as pinholes in the corners. Dimensions: 9 1/4" x 12" (23.5 cm x 30.5 cm)Sold without copyright; see notice in the Buyer's GuideEstimate: $1,500 - 2,500

A pair of hand-painted visual effects storyboards from the production of Steven Spielberg's sci-fi film Close Encounters of the Third Kind. Civilians gathered at the crescendo summit to watch UFOs fly by nightly.The two visual effects storyboards consist of mounted black-and-white printed photographs of model miniatures simulating the layout of the crescendo summit set, covered by clear plastic cels with hand-painted backgrounds of skies and distant fields, topped with black mat boards with openings that frame the whole scene in an aspect ratio of 2.35:1. The paintwork is possibly by production illustrator George Jensen. Handwritten notations can be found throughout both storyboards as well as a small blue sheet of paper taped to each with a crude ink drawing of the general layout of each shot. The two storyboards are in good overall condition with some wear from use and age, including denting to the corners as well as discoloration and light brown stains throughout each. Dimensions: (each) 15" x 10" (38.25 cm x 25.5 cm)Sold without copyright; see notice in the Buyer's GuideEstimate: $1,500 - 2,500

A hand-drawn Ron Cobb Thulsa Doom concept sketch from the production of John Milius' fantasy adventure Conan the Barbarian. Thulsa Doom (James Earl Jones) murdered the family of Conan (Arnold Schwarzenegger), who in turn sought vengeance against the evil sorcerer. This concept sketch of Thulsa Doom in full battle garb is the work of the film's production designer, Ron Cobb. It is rendered in ink and graphite on drawing paper labeled "THULSA DOOM 1" at bottom and signed "RON COBB". An incomplete second drawing and the number "25" are visible on the reverse. The sketch is in good overall condition with some creasing, staining, and pinholes in the corners of the paper. Dimensions: 18" x 13" (45.75 cm x 33 cm) Sold without copyright; see notice in the Buyer's GuideEstimate: $1,200 - 1,800

A set of hand-drawn potion vial designs by John Bell from the production of Robert Zemeckis' supernatural comedy Death Becomes Her. Lisle von Rhoman (Isabella Rossellini) presented Madeline Ashton (Meryl Streep) with a potion for eternal youth contained in a small,intricately detailed vial.The lot includes three pages of ink on paper designs, two pages of ink and marker designs, two pages of hand-colored photocopies of designs, one pencil on vellum drawing, and one black-and-white photocopied reference photo of vials. A few brief handwritten notations are amongst the drawings, as well as the signature "J. Bell" and date "10.91." The vellum sheet is folded in half. The lot is in excellent overall condition with minimal wear from use and age. Dimensions: (largest) 17" x 14" (43.25 cm x 35.75 cm); (smallest) 8 1/2" x 11" (21.75 cm x 28 cm)Sold without copyright; see notice in the Buyer's GuideEstimate: $1,000 - 1,500

Hand-drawn Ron Cobb colony air lock and operating room concept sketches from James Cameron's sci-fi horror sequel Aliens. Ripley (Sigourney Weaver) inspected Hadley's Hope's Atmosphere Processor (AP) before trapping the xenomorph Queen in its air lock.These concept sketches are rendered in ink and graphite on illustration board and drawing paper by the film's conceptual designer, Ron Cobb. The air lock sketch is signed and dated "'85" by Cobb. They are in good overall condition with pinholes, some stains, and minor creasing throughout. Dimensions (largest): 12" x 19" (30 cm x 47.75 cm);(smallest): 12" x 16 1/2" (30.5 cm x 42 cm)Sold without copyright; see notice in the Buyer's GuideEstimate: $1,200 - 1,800

A hand-drawn Ron Cobb drop ship cockpit concept sketch from James Cameron's sci-fi horror sequel Aliens. In the film, Cpl. Colette Ferro (Colette Hiller) and PFC Spunkmeyer (Daniel Kash) were killed while conducting the drop to LV-426 on the combat-equipped UD-4L Cheyenne Dropship known as Bug Stomper.This concept sketch depicting the cockpit of Bug Stomper in transit to the desolate moon is the work of the film's conceptual designer, Ron Cobb. It is rendered in ink and graphite on drawing paper labeled "Drop Ship Cockpit" and signed "RCOBB '85". The sketch is in fair overall condition with significant creasing and signs of handling throughout. Dimensions: 12" x 16 1/2" (30.5 cm x 42 cm)Sold without copyright; see notice in the Buyer's GuideEstimate: $2,000 - 3,000

AUGUSTIN AMANT CONSTANCE FIDELE EDOUART (FRENCH 1789 - 1861), SILHOUETTES IN THE DRAWING ROOM paper on watercolour and ink on paper, signed "Aug Edouart Fecit" and dated 1832 32cm x 40cm Framed and under glass. Provenance: Property of Lady Goodwin. Note: Augustin Edouart was the most prolific silhouette artist of his day. Born in Dunkirk, he served in the Napoleonic Wars and came to England in 1814. Edouart travelled around the country extensively and spent three years in Edinburgh, cutting the silhouettes of nearly every man and woman who had even the slightest claim to fame.

‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) Drawing #2 (Birdman) Signed and dated 57 Pen and ink wash 75 x 55cm Provenance: Bertha Schaefer Gallery, New York, no 7274.11.59

Two Indian painting, a watercolour of a harbour scene and an ink drawing of a ruined church entrance way (4)

A Framed Pen and Ink Drawing of a St. Bernard Dog, Dated 1916, 25cm wide

Peter Foster, Kildrummy Castle, pen and ink drawing highlighted with colour, signed and dated August '67 (32cm x 48cm)

An oak framed and glazed pen and ink drawing of animals, birds, insect and mammals by Jane Link, image 42.5 x 59.5 cm.