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Chevalier Fortunino Matania, Italian 1881-1963- A crowd of elegantly dressed figures in a ballroom; pen and brush and black ink heightened with white, en grisaille, signed, 34.5x51cm (may be subject to Droit de Suite) CONDITION REPORT: mounted in a perspex glazed frame may or may not be stuck down as is unexamined out of the frame the edges of the mount have acidified along the whole bottom edge of the drawing there is a watermark which has left a visible stain there are a number of fine scratches throughout the image where the white heightening is thick there are signs of crazing and losses to paint overall in good condition

John Northcote Nash RA, British 1893-1977- The Recital; ink drawing, bears artist estate stamp on the reverse, 19.5x15.5cm, (may be subject to Droit de Suite)

Hollander, pen and ink drawing, dated 10/26, signed lower right, 13 1/2" x 10 1/4" (view), 21" x 17 1/2" (frame). Provenance: From a Swampscott, MA estate.

ROBERT COUTURIER (1905-2008), FRENCH HOMMAGE A MAILLOL Bronze with dark brown patination; signed and numbered 3/6, stamped “Susse Fondeur, Paris” to the base Height height 15.4"" — 39 cm. Note: The artist executed the ink drawing for the larger bronze (70.9”) of this edition in 1969

"ATTRIBUTED TO JOHN NIXON (1755-1818) Portrait of an elderly Woman, inscribed ‘Aged 103 she died in the Poor House Newbury 8th October 1803’, pen, ink and watercolour 4 x 5in; a pen and coloured wash drawing of Figures on a track by a bridge attributed to the Rev. James Bourne; and a watercolour attributed to Sir Charles D’Oyly depicting a Weir at Corfe Mullen, Dorset; three (3)"

"MARY MITFORD (fl. c. 1770-1850) Dovedale, Derbyshire, watercolour 11 x 15in (28 x 38.1cm). Sold with a coloured wash drawing of Gordale Scar by William Gray (1815-1855); and a pen, ink and grey wash drawing of ’Peak Hole, Castleton’, by a follower of Edward Dayes; three (3)"

"FRANCIS GROSE (1731-1791) St. Matthew’s Gate, Ipswich, pen, ink and watercolour 4 x 6in (10.2 x 15.3cm). St. Matthew’s gate was demolished in 1780. A grey wash drawing of South Yarmouth, Isle of Wight (initialled E.P.M. 1826); a sepia wash drawing of The High St. Bristol by James Sargent Storer (1771-1853); two watercolours by Henry Worsley depicting the Artillery Tower, Firestone Bay, Plymouth and a Figure by a building, Plymouth; and a sepia drawing by another hand c.1810 depicting the ruins of Elgin Cathedral. six (6)"

Mexican School (20th century), Crouching Figure, 1963, ink and watercolor drawing, signed and dated ""Munoz `63"" lower left, overall (with frame): 18.25""h x 22.5""w

Paul Jacoulet (French, 1902-1960), Portrait of a Lady, 1935, ink drawing on cardboard, signed and dated lower right, cardboard (unframed): 3.25""h x 2""w

George Jackson, three views of Ripon, each signed, watercolour, together with a pen and ink drawing of a Ripon Court House, a watercolour of Ingleby Arncliffe, Cleveland by the artist, a view of Staithes by E E Clerk, two watercolours of Knaresborough by H E Edgecombe and a further watercolour (9)

A 19th Century Pen, Ink and Watercolour Drawing of The Pittville Pump Room, Cheltenham, a view across Pittville Park, ebony framed and glazed, 18.5cm x 31.5cm together with a coloured Plan of The Pump Room printed and published by S.Y. Griffith, Cheltenham (2)

DENYS WATKINS-PITCHFORD "BB" (1904-1990) RIDING TO HOUNDS signed, scraperboard, 9.5 x 20cm and an amusing pen and ink drawing of "The Dishonest Tennant. What might have been!" signed BB, both framed (2) ++Both in good condition

VARIOUS BRITISH ENGRAVERS AND ARTISTS, [18TH-EARLY 19TH CENTURY VIEWS OF THE TOWN AND COUNTY OF NOTTINGHAM] forty one, engravings, aquatints and lithographs, almost all coloured, including several maps, various sizes, a pen and ink drawing by William Kiddier, 1893 and a book, Coaching Days of England, oblong folio, illustrated, 1966 (43, framed and unframed) ++All in the same good condition as the three preceding lots and from the same consignment. Those in window mounts in generally very good condition, the book slightly faded and with torn dust jacket. The Kiddier pen and ink drawing rather grubby with mount residues

WATERCOLOUR. Single sheet showing "Drewsteington Cromlech," "Logan-stone on the Teing near Whiddon Park." and "Rock-bason on Mill for Widdecombe", 18th century,signed J. Swete; plus single sheet pen and ink drawing "Carn called Mill for" (Widdecombe) 18th century.

William Birnie RSW RGI PAI (Scottish 1929 - 2007) Framed ink drawing, signed and dated ‘90’ lower right ‘Fishing Boats Anstruther’ 20cm x 24cm

Two watercolours of flora and fauna, probably late 19th century, together with a watercolour of a garden path and hollyhocks, a watercolour of a rural cottage and a pen and ink drawing of a city dwelling, all consigned by the descendants of Thomas Blinks. 33 x 24cm and similar sizes, framed and glazed.

A pen and ink drawing by Sir Hugh Casson R.A. - Figures on the steps of the Duke on York Monument, London, signed with initials and inscribed with title, 15cm x 12cm - in an ebonised frame

WWII - the Holocaust - Mauthausen Concentration Camp drawing in ink and pencil on paper approx 23x18cm^ a little scuffed and dusty but a clear image^ matted for framing^ showing a lurid scene of a fat naked man riding on the back of a woman who is clearly identified as Jewish. A dog is baying at her head. A statement from our vendor says that this depicts a Mauthausen daily scene that was conducted by the evil SS officer Georg Bachmayer and his attack German Shepherd dog `Lord`. To verso there is a pencil note which reads: Sgd Gerald Oppenheimer T/3 US Army CCI (MII) Linz Austria^ Ass Commandate of Muthausen. Drawing by Moses of Lord^ German shepherd dog attaching inmates Junme 1945. Taken from Moses Fernandez.

Attributed to Phillipe Noyer, 1917-1985: A cartoonist depiction of a family seated in a drawing room before a tray of wine and glasses, watercolour, pen and ink

** After Marc Chagall (1887-1985) - 'The First Encounter', silkscreen print of the original india ink drawing, with impressed backstamp for Israel Museum, 28.5 x 19 cm, mounted and framed ** Droit de Suite (ARR) may be applicable on this lot

** After Marc Chagall (1887-1985) - 'The Birthday', silkscreen print of the original gouache and india ink drawing, with impressed backstamp for the Israel Museum, 28.5 x 19 cm, mounted and framed ** Droit de Suite (ARR) may be applicable on this lot

Lord Hawke England, Cambridge & Yorkshire Cricket Captain signature c1911 – fine and large signature signed in ink “Hawke” and laid down on an album page and signed on the back by C.B Fry (England Cambridge and Hampshire Captain) Note: Lord Hawke (1860-1938) was especially noted for his captaincy of Yorkshire County Cricket Club from 1883 to 1910, the team winning the County Championship eight times under his leadership – he also Captained England on 5 occasions and went undefeated, and a keen advocate of overseas tours to spread the game of cricket world wide. C.B Fry (1872-1956) both England International Cricketer and Footballer Fry played for Surrey in 1891, Oxford University 1892–1895 Sussex 1894–1908 (captain 1904–1908), and Hampshire, 1909–1921 First selected by England for the tour of South Africa in 1895–96, he captained England in his final six Test matches in 1912, winning four and drawing two. He twice scored Test centuries: 144 v Australia in 1905 and 129 opening the batting against South Africa in 1907

A framed and mounted pen and ink Drawing of 'The Parish Church of Mortlake' signed lower left Euliwisle

Roy W Wilson (1900 - 1965). Three various pen and ink drawing cartoons showing child, gnome and mushroom, an elephant and doormouse on a see-saw and a girl and dragon each mounted and framed 19 cm x 15 cm etc (3)

Manner of Thomas Rowlandson, `The Discovery 1791`, pen and ink and watercolour, 14 x 17.5cm, and a drawing of Two Figures, by Robin Guthrie, 14 x 10.5cm

A pen and ink drawing of a black woman with a chicken, inscribed `Baton Rouge` and indistinctly signed (?) `MOPPOL` (?)

BRITTEN BENJAMIN: (1913-1976) English Composer. Signed Christmas greetings card, the 8vo folding card featuring a colour image to the front of Madonna and Child by Roger Van Der Weyden, signed ('to you all, Ben') by Britten in black ink beneath a printed greeting and also signed by Peter Pears (1910-1986) English Tenor, with his first name alone in black ink. Together with a colour picture postcard featuring a reproduction of a drawing of the Nativity by Antonio Allegri da Correggio, signed to the verso in bold black ink by Imogen Holst (1907-1984) British Composer & Conductor, daughter of Gustav Holst, with her first name only, also adding a brief Christmas greeting in her hand. Some slight scuffing to Britten's card, otherwise VG to EX, 2

TOUCHAGUES LOUIS: (1893-1974) French Painter, Illustrator and Designer. A good original signed pen and ink drawing by Touchagues, one page, 4to, n.p., n.d. The image depicts a shapely young lady standing in a full length pose with her long tongue protruding from her mouth. Signed ('Touchagues') with his name alone at the base. Together with Ludmilla Tcherina (1924-2004) French Ballerina, Sculptor & Painter. An original signed pencil drawing by Tcherina, one page, 8vo, n.p., n.d. The image shows a fashionable female in a head and shoulders pose. Signed with her name alone in pencil at the base of the image. VG, 2

DURRELL GERALD: (1925-1995) English Naturalist, Zookeeper & Author, brother of Lawrence Durrell. An unusual, vintage original blue ink sketch drawn and signed by Durrell on an 8vo sheet of printed stationery from the Trade Winds Motel and Restaurant in Cairns, Australia. Durrell's sketch depicts a somewhat puzzled looking Aboriginal Australian standing opposite a kangaroo with a joey in her pouch. Signed by Durrell beneath the drawing. Some very light foxing and age wear and one minor, neat split to the left edge of a fold, about VG

Alan Lowndes (1921 - 1978) - `Crouching Figures`, pen and ink drawing, signed, framed, 16.5cm x 12cm

Gerald Lip - `Dukes Lane`, pen and ink drawing, signed, titled and dated 1981, approx 32.5cm x 32cm, together with two further drawings by Gerald Lip.

A quantity of pictures and prints including a large late 19th century painting of a pair of storks amongst water lilies in chip carved wooden frame, a coloured print of a dove in a window, signed bottom right in pencil Raymond Ching, edition 51/500, an oil painting on board of an Alpine scene, an unframed charcoal drawing after P Ridout of African characters holding a pair of chained leopards, a pen and ink abstract "Oblivion" signed O`Donnell, an aquatint "Over the wall" by Prid Lasenby 1979 AP 2/12, and a quantity of gilt and other picture frames, etc

LEROY NEIMAN [AMER. 1921-2012], PENCIL AND INK DRAWING, 1969, H 12", W 15", "LUNCH FT. LAUDERDALE": Depicts a father and son having lunch. Inscribed: "George Sauer Jr. Geo. Sauer Sr., Lunch Galt Ocean Mile Hotel Fort Lauderdale, Fla." and signed in pencil "Leroy Neiman 1 - 10 - `69". Certificate of authenticity by Jim Spence Authentications [JSA], no. X79426, dated 6/17/13.

Norman Thelwell (British, 1923-2004) `Don`t Panic Cynthia. It`s Gravy.` pen and ink cartoon, signed `thelwell` lower right and inscribed, in double sided frame with a copy of the printed cartoon, the drawing inscribed `Reproduced S/E P20 30.10.66` verso and with blue oval date stamp `Stock 30 Oct 1966`. 7 x 9½in. (18 x 24cm.) See Illustration

•EMMANUEL LEVY (b.1900) INK AND CHALK DRAWING "Streets in Malta" Signed 14" x 18" (35.5cm x 45.7cm) Listed as work No. 32 in included Retrospective Exhibition, Stockport Art Gallery, April-May 1982 catalogue

Art Medium, Techniques and Styles : A collection of 60+ titles offering guidance and detailed instruction on a range of approaches including Watercolour, Oils, Pen and Ink, Pencil, Acrylic, Pastel, Collage, Pen & Wash, Crayons and Mixed Media. Also with titles on subject areas such as Landscape, Composition, Light & Shade, Portrait, Life Drawing and Weather. Mainly qto. hb. but including some pbs. All in vg. or near fine condition.

BRYAN PEARCE Three Fishing Boats at Anchor Ink drawing Signed 28 x 40.5cm Condition Report: There are three foxing marks in the top area of the sky, otherwise OK.

Two late 19th century/early 20th century Japanese shunga examples, to include a monochromatic ink on paper erotic line drawing of a couple, together with a watercolour on silk bearing signature of Masayoshi lower right.

Ronald Rutherford (late 20th century British school), 'The Nelson, Southwold', coastal street study with view of the sea beyond, signed lower right, watercolour and ink drawing on paper, W. 21 cm, H. 15 cm.

George Derville Rowlandson (British, 1861-1928), 'Master of the Hounds, Captain Naper Takes a Ducking', comical hunting study, signed lower right, ink and watercolour drawing on paper, W. 24 cm, H. 23 cm.

Shmuel Katz (Israeli, 1926-2010) "The Prophecy of Isaiah" Shmuel Katz (Israeli, 1926-2010) "The Prophecy of Isaiah". Sgn. Lower left, Shemuel 1964. Ink drawing. The Levine Collection. Signt: 26 1/2" x 37 1/2" A few small stains in top right corner, otherwise very good. Starting Price: $75

A framed Ink drawing of a Jay, signed lower right Ben Prince, dated 14-5-41. 18 1/2'' x 15 1/2'' approx.

Sydney Buckley, pen and ink drawing of Dalegarth Hall, Eskdale, and a print of Winchester Cathedral. Each approximately 5.5 ins x 8.25 ins.

‡A COLLECTION OF PAINTINGS AND DRAWINGS BY PATRICK PHILLIPS, A.R.W,S., R.P. (1907-1976), 1926-29 Trained at the Byam Shaw School of Drawing and Painting under Francis E Jackson, Charles Shannon and Glyn Philpot.1933 onwards teaching at the Byam Shaw School,1940-45 War Service, 1946-55 Co-Principal of the Byam Shaw School.1954 elected to the Royal Society of Portrait Painters.1968 elected to the Royal Society of Painters in Watercolours.1977 The Chantrey Bequest purchased his portrait of Mrs Carter Gifford for the Nation. Phillips’ portraits are widely held in the National Collections as well as Tate. His commissioned work included leading personalities of the age - among them the Queen Mother. Regarded by his masters and his students as a draughtsman of exceptional talent, his work, based on unerring drawing, subtlety of tone and sensitive brushwork, goes further than mere technical merit and displays a profound empathy for his subjects. Phillips was something of a naturalist, a real countryman, and his landscapes in oil and watercolour capture rapidly and with simplicity the weather and lights of England and France. Emotion. ‘This is the Key to all work that is of any consequence’. Drawing. ‘ is to my mind the simplest method of showing the structure of things... because of its simplicity and structural ability, it is of first importance to all Artists and Craftsmen’. Portraiture. ‘The essential of a portrait as opposed to a head or figure painting, is a portrayal of the character of the sitter. To make this portrayal tell to best advantage the lighting must be simple and fall fairly fully on the features, thus producing a readable pattern of tone. The colour scheme should be kept simple so that the portrait can predominate.The simpler the pose, colour and tonal design, the more the portrait will tell’...... from the artist’s notebooks PATRICK PHILLIPS ARWS RP (1907-1976) A Folio Box containing unframed pencil, ink and wash sketches, mostly figure studies and portraits, subjects include: ‘The Philatelist’; ’Kneeling female nude’; ‘A seated female Nude’; and ‘Standing male Nude’, varying sizes 15 x 11 in (38.2 x 27.9cm) and smaller; (approx 100)

A gouache study of a gazebo at Bradley Court, Wotton-under-Edge by George Melly (jazz musician), signed bottom right George, dated 71, with presentation inscription, 60 x 45 cm together with a pen and ink drawing of the porch at Bradley Court, signed Taggart, a gouache study, still life with fruit, signed bottom right Sue Wales and a signed limited edition etching of Valterra, an Italian village, signed bottom left Briat

A small 19th century pen and ink humorous drawing of a man wearing a top hat and pulling his child along in a small carriage, inscribed Pere La Chaise, 8 x 9 cm in wooden frame

A pen, ink and wash water colour drawing of two geisha girls before a pagoda, other 20thC pictures, prints etc, each glazed and framed (6).

A hand coloured pen and ink drawing of a Middle Eastern scene John Urwin 87 to bottom right.

1884 (26 March) Edward James Saunderson caricature drawing and handwritten letter A pen and ink caricature drawing of the Irish Parliamentary Party MP John Dillon on Kildare Street Club, Dublin headed paper attributed to the Irish Unionist politician Edward James Saunderson. Together with a handwritten and signed letter by Saunderson with content relating to political aims and a pamphlet which he proposes to write ...in justification of our recent stand in Ulster. This is the form it will take in two columns, Speeches of the Leaguers / Crimes and outrages following speech."" (2 items)."" 7.5 by 4.5in., 18.75 by 11.25cm.

A framed and glazed lithograph of a pen and ink drawing of stylized figures, artist proof indistinctly signed

A Chinese Pen and Ink drawing of a Wise Man with Cockerels, framed and mounted, 10 1/2'' x 9'' approx.

AN UNUSUAL ENGLISH MAHOGANY DRAUGHTSMAN`S DESK with adjustable rising centre section and fitted with eight moulded drawers, the kneehole enclosed by a panelled door, 79cm h; 70 x 152cm, second quarter 19th c Restored c1960. Some of the wooden pulleys remaining, the action altered, the top no longer rising automatically. The brass locks to the drawers either old replacements or those thought to be original stamped SAML HALL BIRMINGHAM. The interior with a number of old black and red ink stains signifying use in a drawing office or similar

A collection of postcards, and a pen and ink drawing after Arthur Moro, etc. the additional item is a Riechs Bank note for 10,000 marks circa 1922.

Attributed to Cecil Aldin (1870-1935), STUDIES OF A TERRIER Eleven, pen and ink Various sizes, mounted as one, unframed CONDITION REPORT: Made up of small individual sketches, taped into mount. Tear and fold to lower left drawing. Pin holes and abrasion to surfaces where ticks have been erased.

Hondius/Bertius, 1618 La Description des Hyperborees This captivating miniature map of the North Pole is based on Gerard Mercator`s map published in 1595. It depicts the region between the pole and the Arctic Circle with both the North Pole and the magnetic pole shown as rocky islands. The pole is surrounded by `in-drawing seas` between four huge islands. Four scenes of Arctic wildlife fill the corners of the engraving, including a reindeer, fox, walrus, whale, and polar bears. French title page on verso. 4.8"" W x 3.9"" H A fine impression with a light stain at left, some printer`s ink residue in bottom blank margin, and light text show-through.

Rene Bull, (Irish, 1872-1942), a pair of Art Deco profile portraits from 'The Arabian Nights' of a beautiful young woman and a bearded man, signed lower right and dated 1927, ink drawing on paper, W. 10 cm, H. 21 cm.

FOOTBALL: A good original colour pen and ink drawing of the fictional footballer Roy Race, striker with Melchester Rovers who appeared in the Roy of the Rovers comic strip, drawn and signed by Mike White on a 4to sheet of paper, individually signed by thirteen former footballers and managers including Matt Busby, Ron Greenwood, Jack Charlton, George Cohen, Tom Finney, George Hardwick, Albert Stubbins, Derek Dooley, Albert Scanlon, Bill Perry, Cyril Robinson, Jackie Sewell etc. Together with individually signed 4 x 6.5 magazine photographs by Stanley Matthews and Stan Mortensen, each neatly laid down. Some light surface creasing, otherwise G to VG, 3

JONES & BLANC: JONES CHUCK (1912-2002) American Animator & BLANC MEL (1908-1989) American Voice Actor, associated with many of the Looney Tunes characters. A good original black pen and ink drawing of Porky Pig lying in a relaxed full length pose, drawn and signed by Jones on an oblong folio sheet of paper. Above the drawing Jones has added a caption in his hand, 'E-Eat Y-your H-heart out, B-Burt R-Reynolds' and below the drawing he has added his signature and inscription ('To Jo-Anne from Porky Pig & Chuck Jones') as well as the date, 1979, in his hand. The drawing is additionally signed and inscribed at the base by Mel Blanc, 'To Jo Anne from Bugs Bunny, Mel Blanc', adding the date 23rd November 1988 in his hand. Some extremely light, minor age toning and a light stain and minor wrinkling at the head of the paper, not affecting the drawing or signatures, G

RYAN JOHN: (1921-2009) British Animator & Cartoonist, creator of Captain Pugwash. An original colour pen and ink drawing of Captain Pugwash standing in a full length pose, waving one hand, drawn and signed by Ryan on a 4to sheet of paper, and dated 1999 in his hand. The sheet also features a second drawing of Captain Pugwash, in pencil and pale blue crayon, in a similar pose, drawn and signed by Chris White (artist who drew Captain Pugwash for the television series). Annotated at the head of the page by Ryan, 'I like this version better!! [arrow pointing to White's drawing] - but he looks more like this [arrow pointing to Ryan's own drawing]'. Some light creasing, about VG

BETJEMAN JOHN: (1906-1984) British Poet Laureate 1972-84. Illustrated T.L.S., John Betjeman, with holograph salutation and subscription and six holograph lines of text, one page, 8vo, Wantage, Berkshire, 13th January 1960, to [William Iveson] Croome. The form letter sends thanks for Croome's message of congratulations and Betjeman continues, in holograph, 'I have had to resort to this unworthy duplicated letter, but must thank you especially & personally. I'd rather be a peer, wouldn't you?' further adding an original pen and ink drawing of a crown in his hand. Together with a hardback edition of Collins Guide to English Parish Churches, edited and with an introduction by John Betjeman, First Edition published by Collins, London, 1958. Bearing the bookplate of William Iveson Croome. Accompanied by the dust jacket (heavy tears and some areas of paper loss). G to VG, 2 Betjeman had been made a Commander of the Order of the British Empire (CBE) in 1960. William Iveson Croome (1891-1967) English Churchwarden in Gloucestershire who shared Betjeman's passion and interest in ecclesiastical buildings.