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An Edward Hopper print, two framed oils and pen and ink drawing of a Cathedral

Gill M. Aldersley (1943-2007), a pen and ink drawing, “Hall Senna 1977”. 5 ins x 12 ins, framed, and signed, “Member of Lake Artist’s Society 1977-2002”.

Percy Kelly (1918-1993), a pen and ink drawing and letter, to John Tovey from Percy Kelly, Pear Tree Cottage, Magpie Lane, Rockland, St. Peter, Norfolk. 11 ins x 8 ins. A.R.R.

T Ivester Lloyd 'A labrador with dead hare', ink drawing, signed, 24cm x 17cm

Albrecht Dürer `Portrait of a Man Aged Ninety Three` Initialled & Dated 1521. A Reproduction of this Pen & Ink Drawing by the Master of Germany`s Renaissance Movement - Framed & Mounted.

Three decorative modern prints and a pen and ink drawing of a street scene.

W. Collings, "Three Pixies", signed pen and ink drawing, another nursery picture, "The Noble Nature" and three watercolour studies of fairies by Deborah Faulkner, (5).

Collection "Aviation" 1) Fine true-scale pen and ink designer`s technical drawing of an aircraft tail-wheel mounting with strut braced oleo and wheel with Pirelli 102 x 365 "Aeroplano" tyre, c. 1930, aircraft type unknown, on drawing office tracing paper, unsigned 40 1/2 x 27 3/4 in. (103 x 70 cm), some discoloration, old folds and minor tears, framed and glazed. - And: 2) File with 49 early "Junkers" official or press photographs, mostly with descriptions and stamps on the backside, 1920-1930. Sammlung "Luftfahrt" 1) Maßstabgerechte technische Zeichnung eines Flugzeug-Vorderrades mit Aufhängung, Tusche auf Zeichenpapier, gerahmt, Maße 103 x 70 cm. - Und: 2) Ordner mit 49 offiziellen "Junkers"-Presse-Photographien, zumeist auf der Rückseite beschriftet und betitelt, 1920-1930. Condition: (3+/-) Starting Price: €240

Pat Cooke (1935-2000); ink and watercolour drawing "She was out with some Welsh blokes last night", signed and date 76, 28.5 x 23.5cm, framed and glazed. Provenance: purchased by the present vendor from the Pitcairn Galleries, Knutsford in March 1976.

*Singre (Francois, Engineer, Inventor and Designer). A unique collection of original drawings, designs, design prints and blue-prints and related ephemera, in part comprising a group of original designs and drawings for a self-propelled `Voiture Electique` Car, variously dated 1889-1892, giving comprehensive specification plans for a battery-accumulator powered three-wheeled carriage giving exact dimensions and construction specification as well as projected Speeds and Journey durations at average speed and battery duration between charging etc, promoting a mean speed of 10-12kph and maximum of 15kph with a running time of 5-6 hours and distance covered between 60-70 kilometres per accumulator charge - the principal original drawing in Indian-ink on drafting paper signed inscribed and dated 5th April 1892, together with related original sketch designs, original prints and blue-prints. Also with a quantity of original artwork drawings for architectural & design examinations variously signed and dated 1844, later architectural and engineering drawings and designs including some for his own principal company Societe Anonyme de Transmission de la Force L`Electricite, for which various designs for Railway and Industrial Installations and inventions he was awarded the Medaille D`Or de L`Exposition Universelle 1889, with his original certificate of award included in this archive lot. Classically trained in architectural design, it is clear from an early stage that M. Singre developed his engineering skills from industrial buildings to explore the technical developments of the mid-Victorian age with especial interest in electricity as motive power. From the 1870s-1890s his company was designing large-scale industrial power-plants, railway buildings & installations, wagons, power-cranes and heavy loading equipment for use in marshalling-yards etc. A comprehensive group of further original designs, drawings plans and blueprints for all his other major industrial works is included in a further lot in the `Railways` section of this catalogue. (-)

*A Second World War `Wartime Log` kept by Prisoner of War 94129 Andrew A. Fairgreave, Marlag und Milad Nord, comprising approx.120 pages of handpainted illustrations, cartoons, messages from fellow prisoners, details of the Milag Jockey Club, black and white photographs in and around the camp, theatre performance booklets from in camp. The Marlag und Milag Nord Prisoner of war camp in Westertimke, Germany held over 5000 Allied Merchant seamen during WW2, the camp was liberated by the British 11th Armoured Division 2.5.1945. During his time in captivity Andrew (Andy) Fairgrieve devised the idea of the Merchant Navy Jockey Commission (M.N.J.C.) in May 1941, the racetrack was nearly 36 feet in length arranged that 6 runners could follow a field of varying length from 6 furlongs to a 1 1/4 miles with handicaps, 10% of all money that was taken from these races was put by at the end to aid any enterprise undertaken by the various bodies of the camp. This log is an account of the races, the profits and loss account, etc., and it is clear that Fairgreave was a popular prisoner when reading the many entries which would have been written at the time of liberation, there are several watercolours relating to the Jockey Club, a fine pen and ink drawing of Notre Dame Cathedral which must have been painted from memory. (1)

*Flying-Boats & Seaplanes 1914-1940s. A good compilation album of photographs etc., delineating aircraft types through the period, comprising photographs, press-cuttings, prints and related material including some original artwork drawings and illustrations depicting Schneider Trophy S-5 by R. Goldby, signed and dated 11:10:1929, and a further drawing in Indian-ink by the same artist depicting Fokker FVIIA signed captioned & dated 20:9:27, the album is captioned throughout in white crayon, approx 30 double pages in contemporary album, 11.5 x 13.5in (29 x 34cm) (1)

Mainie Jellett 1897-1944 ART SCHOOL Ink drawing, 9 1/2" x 7"(24 x 18cm), signed and dated 1918. Provenance: European Fine Arts (label verso)

John Frederick Physick (born 1923) - Pen and ink drawing - "The South West View of Canterbury Cathedral", 24.5ins x 36.5ins, signed and dated 1947, in ebonised frame and glazed

Ink drawing Johnson Charley (twentieth century) Study of a quarry with knarled trees at the verge, signed, 9 x 48.5cm (3 1/2" x 19")

Eugen Hersch, German/British 1887-1967- Recumbent man with angel and cherubs rising to the heavens; etching with drypoint, 23.5x14cm: together with two drawings in pencil, one drawing in pen and ink and one other etching by the same hand, some initialled in pencil, various sizes, (5) (unframed) (may be subject to Droit de Suite) Provenance: John Denham Gallery, London. Note: Hersch was a winner of the Prix de Rome; works held in the José Berado collection, Rio de Janeiro

Putra Dewa, Ubud School, Bali, mid/late 20th century- Preparing and gathering crops; tempera on canvas, signed and inscribed Putra Dewa Tebesaya Ubud Bali and on the reverse, 60x45cm: A Voyles, mid-late 20th century- Two boys playing instruments; pen and ink and wash with watercolour, signed, inscribed `Laos` and dated `72, 26x22.5cm: together with another similar example by the same hand: Cambodian School, mid-late 20th century- View of a village, That Luang; pen/brush and black ink and wash, signed and inscribed, 24x37.5cm: together with a further drawing in felt tipped pen on printed base by the same hand, signed, inscribed and dated 70, 26.5x38.5cm., (5)

A Victorian Ink Drawing of bolting racehorse, unframed

An Oval Framed Pencil And Ink Wash Drawing Of Napoleon Bonoparte

Ernest Howard Shepard (1879-1976) - pen & ink drawing on white card - `Sketch for `Wind in the Willows` December/69` - Rat, Mole & Toad - Toad holding council whilst smoking a cigar, initialled, 4" x 6.5" - together with two letters of thanks from the artist to a Mrs Shipley, a fellow resident of Lodswell, near Petworth, one dated 26th December 1969 thanking her for the birthday gifts received for his 90th birthday and offering her in return `a drawing, one of my illustrations to my favourite book `Wind in the Willows`. I hope that you too, like the book and will find a place in your home for Rat, Mole and Toad`. *This lot subject to an additional 4% on hammer due to artist`s resale levy

MURRAY M.TOD, unsigned pen and ink drawing on paper, street scene with antique shop and figures, see Royal Scottish Academy exhibition label verso 12" x 15 3/4".

Lyle Justis (1892-1960) Colonial Scene, Ink on paper, With additional drawing on verso. Signed and dated 1946 left side. h: 8.50 x w: 12.50 in.

* Austin Wright (British, 1911-1997), Beach Figures; and Figure Group, signed bottom right with initials "A.W", ink wash, 49 x 62cm (19 x 24in). Provenance: Private collection, Cambridge. Austin Wright was born in Chester and spent his early life in Wales before graduating in Modern Languages at Oxford and taking up teaching. From 1946 he lived and taught in Upper Poppleton near York with his wife. Early success was rapid and by 1954 he had given up teaching all together and had devoted his time to drawing and sculpture. After exhibiting in "Modern Art in Yorkshire" in 1955 alongside well known artists such as Paolozzi, Armitage and Frink, he was invited by The British Council to show in "Younger British Sculptors", an exhibition that toured Sweden in 1956. Despite the other illustrious and gifted exhibitors, it was of Wright that the art critic, Charles Sewter, wrote: "It would not be outrageous to claim that Wright is the most gifted sculptor working in Britain today". He produced works for the University of York, and was on the founding committee for Yorkshire Sculpture Park, as well as contributing many public artworks in Yorkshire. A centenary exhibition was held in York Art Gallery in 2011, bringing together works from the 1940s to the 1980s, including sketches and finished sculptures. These document Wright`s fascination with the world around him and his ability to translate his ideas into stimulating and challenging forms.

T C Bowles ink drawing heightened with white circa 1940, convoy on the move, signed and titled, 21.5`` x 28.5``, unframed.

Lewis G Fry oil on panel, Limpsfield Common circa 1920, signed, 8`` x 11.5``, together with pen and ink sketch and a colour pastel drawing by different hands, (3), unframed.

Oil on paper, abstract study of a jug on a table monogrammed `B` and an abstract ink drawing, signed Luzzatto

A Peter Scott signed ink drawing of a Greylag goose, dated 1966, framed, height 12" overall.

19th Century: Drawing of Derrynane Abbey, Kerry, home of Daniel O`Connell 7 by 8.5 in.Pen and ink drawing, framed. Early sketch on paper of Daniel O`Connell`s home, inscribed "Derrynane Abbey, Co. Kerry, Danl O`Connell M.P.

Pen and ink drawing 19th century, thought to be a distillery in White Horse close, Edinburgh signed G Hadles?

Warwick Reynolds - pen and ink drawing of gulls attacking a cormorant and three early framed photographs

John of Gaddesden. Rosa Anglica practica medicine a capite ad pedes noviter impressa & per que diligentissime emendata, 2nd edition, Venice: Impressa mandato & expensis heredum Octaviani Scoti, per Bonetum Locatellum, 1502, 135 leaves, double column, sixty-five lines, white on black five-line (and one fourteen-line) woodcut initials, white on black printer`s woodcut device beneath colophon, lacks final blank, scattered minor old underscoring and marginalia including author`s name identified on title, some spotting and dust-soiling at front and rear, old and mostly light dampstaining to lower and outer margins touching text throughout, heaviest in quires b to e, neat closed tear to gutter margin of a2 touching letterpress of Table without loss, some marginal browning and one small tear with loss to foremargin of final leaf, British Museum and Duplicate for Sale 1769` ink stamps beneath title letterpress and beneath colophon at rear, modern half morocco gilt over marbled boards (date imprint incorrectly stamped as 1516), folio (295 x 205mm) This was the first printed medical book written by an Englishman. Durling 2607; G-M 2191 (1st edition); Wellcome 2486; Heirs of Hippocrates 105. John of Gaddesden (c. 1280-1361), took his name from Little or Great Gaddesden, Hertfordshire. He was court physician to Edward II and was supposedly the inspiration for Chaucer`s `Doctour of Physik` in The Canterbury Tales. Gaddesden left a considerable reputation. He was the first major medical scholar to have been trained wholly in England, and the only Oxford-trained medieval physician to achieve recognition on the continent. His Rosa anglica was a distillation of the works of more than forty-six medical authorities, ancient and recent, although it ignored the near contemporary works from the northern Italian universities. In it Gaddesden claims to have saved the king`s son (presumably either Thomas or Edmund, sons of Edward I from his second marriage) from smallpox by wrapping him in scarlet cloth in a bed with red hangings. He also, unusually, admits to practising the arts of the surgeon and barber-surgeon as well as the physician, proclaiming his skills at setting bones, letting blood, drawing teeth, and even cutting corns and killing lice. Money was probably a factor: Gaddesden boasts of his fees, suggests expensive remedies for the rich and cheap ones for the poor, and notes that mental illnesses are seldom lucrative for the physician. Gaddesden chose the title because the five books of the Rosa recalled the five sepals of the rose; it also echoed the Lilium medicine of Bernard de Gordon. Gaddesden claims that, just as a rose excels every other flower, so the Rosa excels all previous medical works, and that poor surgeons and physicians can substitute it for many other books. Matthaeus Sylvaticus mentioned Gaddesden in his Pandectae (1317), and although the illustrious Montpellier surgeon, Guy de Chauliac, sniffed in 1363 that the Rosa was a foolish compendium of stale material, Chaucer included Gaddesden with Galen, Avicenna, and the other great medical authorities. Numerous Latin copies of the Rosa survive and it was partially translated into Middle English and Irish in the fifteenth century. The first printed edition appeared at Pavia in 1492; three more followed, the first two at Venice and the third at Augsburg, in 1502, 1516, and 1595 respectively. The only modern English translation of the Rosa, published in 1929, was made from an Irish version of the fifteenth century` (DNB). This is the oldest book in The Birmingham Medical Institute`s Collection. This edition is considered to display superior printing to that of the first edition and this attractive copy appears to be the first to be offered at auction for over thirty years. (1)

* Kattingeri Krisha Hebbar (1911-1996) A musical procession signed Hebbar bottom left watercolour, pen and ink drawing 7.4 x 15cm.

LLOYD GEORGE HIGGINS (1912-1980) PEN, BLACK INK AND WATERCOLOUR DRAWING `The Acrobats` signed 14 1/2" x 22" (37cm x 56cm)

LLOYD GEORGE HIGGINS (1912-1980) PEN, BLACK INK AND WATERCOLOUR DRAWING Northern mill town busy with figures and horse drawn and hand carts signed 8" x 11" (20cm x 28cm) AND AN ARTIST SIGNED COLOUR PRINT `The Organ Grinder`, No. 113/750 8" x 11" (20cm x 28cm) (2)

(lot of 2) Framed colored pencil and ink drawing, Blanket over Chair Back, signed "Babette Mankin" lower right, and framed charcoal drawing, Saddle, unsigned, both 20th century, largest overall: 21.25"h x 17"w. Provenance: Estate of Rebecca and Seymour Fromer (founder of the Judah Magnes Museum, Berkeley, CA) Start Price $20

(Lot of 2) Framed etching, "Jerusalem," by Daniela Barnea (Israeli, 20th century), pencil signed lower right, numbered edition of 50, and a framed pen and ink drawing, Jerusalem, largest overall: 18"h x 15"w. Provenance: Estate of Rebecca and Seymour Fromer (founder of the Judah Magnes Museum, Berkeley, CA) Start Price $20

Framed ink drawing on paper, Portrait of a Woman in Repose, Hawaiian School (20th century), signed indistinctly lower right, overall: 31.75"h x 39.25"w Start Price $50

* Walpole (Hugh, 1884-1941). Small head and shoulders pencil sketch of Hugh Seymour Walpole (HSW), in profile, light grey wash background, on paper, inscribed in ink beneath ‘Drawing of me by Mr. Darwin of Dryburn, Durham, made when I was twenty-one years of age. Hugh Walpole - 1939’, a few minor marks, 18 x 12.5 cm, desk frame, glazed. Hugh Walpole spent four years as a day boy at Durham School. He would have been twenty-one in 1905, some four years before the publication of his first novel. Dryburn House is a mile or two outside Durham which was for some centuries in the possession of the Wharton family, until a daughter married Charles Waring Darwin (cousin to Charles Darwin, the naturalist). This sketch was probably executed by the son, Charles John Wharton Darwin, born 1894, and so eleven at the time of this drawing. (1)

AN OLD MASTER PEN AND INK DRAWING, The Battle of The Centaurs after Perina del Naga, on paper, inscribed verso, 9 1/2" x 16"

"CAMILLA DIXON pen and ink line drawing `Seated Figure` 58cm x 41cm, Provenance, purchased at the Padstow Gallery 2005, Camilla Dixon graduated at Central St. Martins in 1993"

W… Seville & Sons (fl.1818-1845): Portrait Silhouette of a Young Boy, wearing period costume, facing left (a cut-out), inscribed on an old label verso Cut with common scissors by Mr W Seville without either drawing or machine, numbered 26 on a separate label together with further inscriptions relating to pages in a book, Ex the Abbott Collection, black ink highlighted with gold, oval, 8cm by 6cm; Another Cut-Out Portrait Silhouette of a Lady, facing right, inscribed on an old label verso Cut with common scissors by Master Hubard (aged 13 years) without drawing or machine; and Four Further Examples, two of ladies and two of gentlemen, some highlighted with gold, all oval, various sizes (6)

George Richmond RA (1809-1895) ``Study for portrait of young boy`` Signed with artist`s initials, extensively inscribed on an exhibition label verso, pen and ink drawing on coloured paper, 11.5cm by 8cm, provenance: Abbott & Holder, 30 Museum Street, London; Another, by the same artist, said to be portrait of his daughter, pen and ink drawing with some pencil, unfinished, 20cm by 12cm, provenance: The Little Gallery, 5 Kensington Church Walk, London ; and three further drawings, one depicting five figurative studies on one sheet by Patrick Nasmyth, titled ``Study of a group``, pencil drawing with trimmed corners, 9.5cm by 12cm overall, provenance: Panter & Hall, 9 Shepherd Market, London and numbered 1496, a sketch of a draped female, in the style of Angelica Kaufmann, another of a lady standing wearing Victorian dress and bearing the monogram for Sir John Everett Millais, with an indistinct inscription and (18)61, pencil drawing on coloured paper, 23.5cm by 13cm (5)

Circle of John Constable (1776-1837) ``Gosfield, Essex`` Inscribed, also inscribed on an exhibition label verso with the artist`s name, his dates and title of the work, pencil drawing, a preparatory unfinished sketch, 7.5cm by 11cm; And three further drawings of houses and farms, one attributed to Richard Parkes Bonington (1802-1828), ``Normandy farmhouse with hay cart``, bearing the artist`s initials, extensively inscribed on an exhibition label verso, pencil and sepia wash, an unfinished preparatory drawing, 7.5cm by 12.5cm, provenance: The Little Gallery, 5 Kensington Church Walk, London, another watercolour of figures in a garden with dogs, a country house beyond, another drawing of a country house with figures beside a doorway, a gardener and dogs on a drive nearby, inscribed Thomas & Thomas Cundy Architects 1845, 13 Chester Square, London, with the proportions of the house and dimensions of the rooms laid out in ink verso, various sizes (4)

After John Sell Cotman (1782-1842) Landscape with a figure and dog in the foreground, donkeys in a lane nearby, possibly Mousehole Signed within the plate, inscribed on a gallery label verso John Sell Cotman drypoint, and with later inscription drypoint etching, 11cm by 16.5cm, provenance: The Little Gallery, 5 Kensington Church Walk, London; And various other prints and engravings, one titled Miss Siddall drawing Rossetti, after the original by Dante Gabriel Rossetti, inscribed in ink within the plate Sept 1853, black and white print, 11.5cm by 17cm, provenance: The Little Gallery, 5 Kensington Church Walk, London; a pair of painted over photographs entitled Harry King, The Queen`s Huntsman, Entered Service 6th May 1836, 1st Whip 1st January 1855, Huntsman 1st July 1866, Died 30th December 1871; another inscribed Charles Davis, Queen`s Huntsman, Feeder 1807, Whipper-In 1814, Huntsman 1824, Pensioned 1st April 1866, Died 26th October 1866, each 18.5cm by 13.5cm, arched tops; a photogravure by Annan & Sons, Glasgow; a photograph by Hughes & Mullins, Ryde, Isle of Wight, portraying Queen Victoria, seated three-quarter length, holding a parasol, bearing signature June 22nd 1897 and 1837-1897 (on the margin), 29cm by 21cm; and six other prints of Princess Eugenie engraved by H Linton, Louis Napoleon Boneparte, Louis-Philippe, Captain Sir Thomas B Thompson of the Leander, engraved by F Englehart after George Englehart, miniature painter to George III, Don Alphonso XII, and a stipple engraving of Maria Cosway by F Bartolozzi (11)

ARTHUR H PATTERSON: FROM HAYLOFT TO TEMPLE, 1903, 1st edn, sigd and inscr with pen and ink drawing, orig blind stpd cl gt worn

Antonio Senape (1788-1850). Nicida dalla strada di pozzuli, ink drawing, titled, 15cm x 24cm

Boris Anikin (b.1947). Double portrait, artist signed coloured print 3/50 dated (19)95, 23.5cm x 16cm, another 2/50, Night and an ink drawing signed F Pallainili (4)

Pen and ink drawing after Aubrey Beardsley and a folio of prints, including Victorian humorous prints in the manner of John Leach, together with other prints, in a Harrods folio.

PELE: (1940- ) Brazilian Footballer. Signed colour 7.5 x 10.5 reproduction of a pastel drawing of Pele by the artists Stewart Beckett and Jose Palomares, 1999, depicting the footballer in a half length pose holding a globe of the earth. Signed by Pele in bold black ink with his name alone to a light area of the image. Professionally double matted in black and framed and glazed in a silver coloured frame to an overall size of 15 x 17. EX

STEWART JAMES: (1908-1997) American Actor, Academy Award winner. An original black ink drawing of the head of Harvey, drawn and signed by Stewart on a small 4to sheet of paper, n.p., n.d. Signed in bold blue ink by the actor immediately beneath the sketch, adding Harvey alongside his signature. VG James Stewart starred in the film Harvey (1950) in the role of Elwood P. Dowd, which earned him a Best Actor Oscar nomination. Dowd`s best friend was a pooka named Harvey-in the form of a six-foot three and one half inch tall invisible rabbit.

ADDAMS CHARLES: (1912-1988) American Cartoonist, creator of The Addams Family. A good, original black pen and ink drawing signed, Chas Addams, on an oblong 12mo index card, n.p., n.d. Addams has drawn a head and shoulders portrait of Lurch, the fictional butler created by the cartoonist as a manservant to the Addams Family. Signed in bold black ink immediately to the right of the drawing. EX

SHEPARD ERNEST H.: (1879-1976) English Artist & Book Illustrator. A good, original pen and ink drawing by Shepard (unsigned), on a 5 x 6 art card, n.p., n.d. The drawing, of the initial N was prepared for Punch and depicts the Roman Emperor Nero leaning against three columns shaped to form the letter N. Predictably, Nero plays his fiddle as Rome burns. Professionally matted in white and framed and glazed to an overall size of 12 x 13.5. VG Provenance: The reverse of the frame bears the label of Sally Hunter Fine Art of London, stating that the drawing originated from the Estate of Shepard and was exhibited in December 1991.

SHOCKLEY WILLIAM: (1910-1989) American Scientist, Nobel Prize winner for Physics, 1956. Signed 5 x 7 photograph of Shockley in a half length pose with a scientific model before him. Signed in bold black ink to a light area of the background of the image with an additional scientific drawing of a transistor circuit in his hand above his signature. EX.

CRIMEAN WAR: A good original ink drawing entitled Order of anchoring before landing, one page, oblong folio, n.p. (Crimea), n.d. (1854). The drawing, executed by an unknown officer, depicts six lines of naval ships (many identified, Sidney, Victoria, Fury, Vulcan etc.) comprising the Light, 1st, 2nd, 3rd & 4th Divisions and Cavalry, and their anchoring positions off the beach. A couple of slight, neat tears at the edges of the central folds, otherwise about VG

MOONWALKERS: Alan Bean (the fourth man to walk on the moon) signed colour 10 x 8 photograph of Bean standing in a full length pose on the moon operating some scientific apparatus close to the lunar module. Signed in bold blue ink to a light area of the image, adding Apollo 12 and a small drawing of a star in his hand beneath his signature; Charlie Duke (the tenth man to walk on the moon) signed colour 8 x 10 cardstock photograph of Duke standing in a three quarter length pose wearing his white spacesuit and with his hands resting on a globe. Signed in bold blue ink to a light area of the image, adding Apollo 16 in his hand beneath his signature. VG to EX, 2

MURPHY BRITTANY: (1977-2009) American Actress and Singer. Signed colour 8 x 10 photograph of Murphy seated in a full length leg revealing pose on a yellow Chevrolet motor car. Signed in bold black ink to a clear area at the base of the image, adding a small drawing of a heart and smiling face in her hand alongside her signature. EX

BIGGS RONNIE: (1929- ) English Criminal, known for his role in the Great Train Robbery of 1963. A scarce original blue ink drawing signed by Biggs, one page, small oblong 8vo, n.p., n.d. Biggs has drawn a train engine and carriage, with the words E.R. and Cash along the sides. Signed in blue ink beneath the drawing with the additional words `The "Brain" of the Great Train Robbery` in his hand below. VG

"Joyce M Young, pen and ink drawing, `The Forrest`, 56x 47cm, two other by the same hand, and three other pictures"

Italian School (17th/18th century) Lamentation of Christ Pen and ink drawing, bearing a copy of the Viti-Antaldi Collection mark, 22cm by 29cm Possibly a copy after Raphael See illustration

Attributed to the Circle of Hans Bol (16th/17th century) Figures and animals in a landscape with a castle in the distance Pen and ink drawing heightened with white on parchment, 17.5cm by 22.5cm Provenance: An old German collection. The attribution was given by The Kupferstichkabinett, Berlin See illustration