We found 9734 price guide item(s) matching your search

Boyd (Alexander Stuart) "Presentation to Sir Henry Irving on receiving his Title", an original illustration, brush and ink, watercolour and gouache, heightened with white, over pencil under-drawing, signed in the lower right corner, numerous pencil annotations with people identified in the lower margin, sheet 250 x 310 mm (9 3/4 x 12 1/4 in), minor nicks and surface dirt, unframed, 1895*** In 1895 Irving became the first actor to be awarded a knighthood.

Thomson (Hugh) "Pied Piper of Hamelin", an original illustration, pen and brown ink, watercolour, traces of pencil under-drawing, signed and dated '1893' in the lower right corner, further inscribed underneath 'With Hugh Thomson's kind regards 1897', sheet 280 x 205 mm (11 1/4 x 8 1/8 in), laid onto card support, repaired tear in the upper centre, tear to the lower left corner, surface dirt and light browning, unframed, 1893Provenance:Private collection, London

Odle (Alan) [A grotesque], possibly an unused original illustration for Voltaire's 'Candide', pen and black ink, pencil under-drawing, on laid paper, sheet 350 x 275 mm (13 3/4 x 10 3/4 in), hinged into mount, minor surface dirt, unframed, [1922]; together with a group of four further original illustrations by different hands, including three letters initials with figures inset, another signed by Joyce Mercer, pen and inks, sheets between 115 x 95 mm (4 1/2 x 3 3/4 in) and 380 x 270 mm (15 x 10 3/4 in), all unframed, [early 20th century] (5) 

King (Jessie Marion) Carmelite Chapel - Rue De Vaugirard, pen and black ink on vellum, traces of black chalk, signed lower left with title in bold underneath, sheet 260 x 130 mm (10 1/4 x 5 1/8 in), under glass, minor surface dirt, framed, [circa 1910-1914]Provenance:The Fine Art Society, London [label to reverse of frame with no. 14400, and dated October 1977];Private collection, London.Literature: Colin White, The Enchanted World of Jessie M. King, 1989, illustrated on p.87.*** Originally one of the "Glasgow Girls" alongside Annie French, Jessie M. King was well known and later became highly regarded for her illustrated children's books. She began her studies at the Glasgow School of Art aged 17 where she studied under Charles Rennie Mackintosh (1868-1928). It was shortly after this, circa 1900-1910, where it is said she began regularly drawing on vellum. In 1910 King moved to Paris where her husband had gained a professorship at Ernest Percyval Tudor-Hart's Studios, and the present drawing is likely from this period.

Keen (Henry) "A Dwarf looking into a skull", an original book illustration, pen and black ink, pencil, india ink, on cream wove paper affixed onto mount, ruled ink border with artist's name, image 195 x 310 mm (7 3/4 x 12 1/8 in), sheet 325 x 410 mm (12 3/4 x 16 1/8 in), minor surface dirt, unframed, [circa 1930]Provenance:Private collection, London*** An excellent scarce example of the draughtsmanship of this little known artist and illustrator. Possibly an original drawing for The Twilight of the Gods and Other Tales. The British Museum website list Keen as a "Symbolist/decadent in [the] Beardsley tradition".

Thomson (Hugh) "There - my note of hand will do as well", an original illustration for Sheridan's 'The School for Scandal', (Act 3, scene I), pen and ink, watercolour, traces of pencil under-drawing, signed and dated in the lower left corner, title inscribed in pencil within lower margin, unframed, 1911Provenance:Sale. Christie's, Original Books Illustrations, 7th July 1993, lot 65Private collection, London 

Brangwyn (Frank) "The Old Cloth House", an original illustration, pen and brown ink, pencil under-drawing, title and notes inscribed in lower margin underneath, sheet 260 x 180 mm (10 1/4 x 7 1/8 in), hinged into old mount, unframed, early 20th centuryProvenance:Private collection, London

Wyburd (Leonard Francis, British painter, head of Liberty's Furnishing and Decoration Studio) Interior design for bedroom, brush and ink, watercolour, pencil under-drawing, signed lower left, on wove paper, sheet 345 x 450 mm (13 1/2 x 17 3/4 in), minor spotting, unframed, [early 20th century]*** Wyburd was part of the Arts & Crafts movement, and the head of Liberty's Furnishing and Decoration Studio from its foundation in 1883 until he left in 1903.

Thomson (Hugh) "In the strictest confidence...", an original illustration for James Allen's 'A Kentucky Cardinal and Aftermath', pen and black ink, watercolour, pencil under-drawing, signed with initials in the lower right corner, on cream wove paper affixed onto paper support, sheet 320 x 250 mm (12 1/2 x 9 7/8 in), ink inscription verso, old pin holes to corners, minor surface dirt and light browning, unframed, [circa 1909]Provenance:Private collection, London

Thomson (Hugh) "Miss Susan, I think I hear their voices in dispute", an original illustration for James Barrie's 'Quality Street', pen and black ink, watercolour, pencil under-drawing, signed in ink and dated '1913' in the lower left corner, pencil inscription to lower margin, wove paper mounted on board support, sheet 352 x 255 mm (13 3/4 x 10 in), old glue residue to margins, brown ink inscriptions verso, unframed, 1913Provenance:Robert D. Steedman, Newcastle [old receipt included]Private collection, London

Thomson (Hugh) "Give me leave to introduce Miss Constance Neville...", an original illustration for Oliver Goldsmith's 'She stoops to conquer', Act II, pen and black ink, watercolour, heightened with white, pencil under-drawing, signed in brown ink to the lower left corner, further pencil inscription to lower margin with title, 335 x 252 mm (13 1/4 x 9 7/8 in), hinged into mount, unframed, [circa 1912]Provenance:Sale. Christie's, London [label to inside mount], lot 507;Sale. Bonham's, London, 19th November 2008, lot 231;Private collection, London

Max Ernst ( 1891-1976) – Attributed. Dedication to L. Preijell, black ink on paper. Blue chalk drawing , framed under glass. 30X20 cm

Mario Sironi (1885-1961)-circle, Drawing port with boats , brown ink on paper, framed under glass. 16X29 cm

Circle of Luca Cambiaso (1527-1585) Hercules bearing signature Cangiagi and numbered No.18 (lower right), pen and ink drawing 12 x 14cm (5" x 5.5") fragment. CR * Repair to top left hand corner, tonal discolouration to paper, laid down at corners.Frame ok, glazed.

Donna MacLean (British, Contemporary)GaslightEtching17 x 20cmSigned and date '84' lower rightTogether with Peter Neal, artist's proof, dated 89; and Kenerssef,'The Steps of the Pantheon', ink drawing (3)

Edmund J Sullivan (1869-1933) original pen and ink drawing together with the etching based upon the drawing, both signed - 'Discourse', both 18cm x 23.5cm, the first is framed, the second unframed.

Sir David Muirhead Bone (Scottish, 1876-1953) ink and wash drawing, 'Deal Pier 1920-30', signed, with Albert Roullier Art Galleries inscribed label, mounted, unframed, 12.5 x 24.5cm

Henry Matthew Brock (British, 1875-1960) An entrance scene Pen and ink drawing 18 x 14cm Signed lower left Together with Fred Pegram (British, 1870-1937), a group scene, an ink drawing, signed and dated 98; and two other unsigned Victorian ink drawings with genre scenes (4)

Pen and ink drawing of Joel Chandler Harris and framed newspaper with the printed drawing on the front page. The large framed drawing was made by R. Gregg and was the main picture used when announcing Mr. Harris's death on July, 4th 1908, in the Atlanta Journal. Included is a complete original framed front page copy of that same newspaper and date. In addition, the October 14, 1877 edition of The Daily Constitution of Atlanta, Georgia with an article about Uncle Remus and Joel Chandler Harris is part of this collection. Approximate Dimensions:picture h.26" w. 19", visible after matting h. 17.75" w. 11.25", newspaper, frame h.23.75" w. 18.15" , clear of frame , h. 22.1875" w.16.25"Condition:The drawing has some water staining in places with some topical paper loss. Speckling on the surface overall and a couple small tears affecting the picture in the right jacket breast area. The paper is also evenly toned and held in a brown glass

William Alexander (1767-1816) - Pencil and grey wash - A group of country folk, 4.5ins x 4.5ins - Early 19th Century English School - ink drawing - seated figure playing the handbells while observers look on, 3.82ins x 4.75ins, and six other sketches of figures, all unframed

Samuel Woodforde (1763-1817) - Ink drawing - "Jupiter", studies of torsos with musculature, a note on "the direction of the head", and "Jupiter", 7.25ins x 6.5ins, John Massey Wright (1777-1866) - pencil , ink and wash - sketch for illustration of The Pilgrim's Progress, signed JMW, lower right, 8.75ins x 7.5ins, and seven other figure studies, all unframed Samuel Woodforde ink drawing - this is in a mount and secured by two tapes to upper edge. There is a near vertical crease to the left edge, and a 45 degree crease across the lower right corner. John Massey Wright (1777-1866) - sketch illustration for Pilgrim's Progress - this work is supported by two tapes to upper edge. It is faded and slightly discoloured. There is some spotting, and signs of damp to upper edge. Very small area of loss to lower right corner with associated 2mm split to paper. One circa 1cm vertical tear to lower edge. This and other parts of the lower edge have been supported with a paper tape. The remaining seven works, all in mounts but unframed, appear to be in reasonably good conditionThe Woodforde has pencil number 19220 to verso. In giving the attribution to Woodforde we are following Mssrs Abbott & Holders attribution. John Massey Wright - verso has pencil inscription giving name of artist and dates and also title of work. There is also a signature to verso in pencil - "J Massey Wright". John Nixon (circa 1795) from an album From The Hospital of La Providence. This probably written in pencil by the vendor. The pair of ink and wash satires the upper with elderly gentleman in top hat talking to young girl - this has ink inscription to verso - "Alfresco Nel Palazzo Ducale" ink study of seated gentleman - later pencil inscription to lower edge. Circle of Thomas Stothard - seated Britannia and one other figure, a series of four pencil  numbers to verso. Further circle of Thomas Stothard - male and female standing figures, male with Caduceus  three pencil numbers, and small ink sketch of bust.

John Claude Nattes (circa 1765-1822) - Pen, ink and wash drawing - "Mitcham Church, Surrey", signed and titled in ink to mount, 6.75ins x 9.5ins, unframed, and three other watercolours of ecclesiastical interest

George Shepheard (exh. 1811-1842) - Pen and ink drawing - "A Whist Party", inscribed and dated 1793, the figures identified, 5.75ins x 8ins, unframed Provenance: Iolo Williams, Abbott & Holder, London

American George Washington ink on paper memorial, 19th century, having a Spencerian inscription encircling a drawing of Washington reading "Sacred to The Memory Of George Washington, Born Feb 22. 1732 Died Dec. 13. 1799 American hero And STATESMAN" and "WRITTEN BY JOSEPH A ARNOLD", C.W. Curtis paper label to en verso to backing board, framed. Note: A stipple engraving with this same text appears in an auction catalog offering the collection of the attorney and historian Hampton Lawrence Carson, conducted by Stan V. Henkels, and held at the book auction room of Davis and Harvey, Philadelphia, January 21, 1904, lot 751. Approximate Dimensions:Sight h. 13.5", w. 11.5"; Overall h. 17.25", w. 15.25", d. 2".Condition:Toning, some tears and losses at margins, not examined out of frame, chips to frame.

Nice set of 6 different American school ink drawings of locations in the eastern US which include: the cemetery near barracks, St. Augustine; a view of Camden from Philadelphia; Girard College, Philadelphia; west front of the Capitol from Pennsylvania Avenue; Judson Female institute, Marion Ala; Birth place of Daniel Webster; and the battle ground at Bennington, Vermont. These were produced and then printed in history books of the period, as we found the St. Augustine drawing listed in a history book and described as per the wording used on the original drawing. Unsigned, but possibly by an artist named Barber. Approximate Dimensions:h. 3.5" to 5.5 " w. 4.5" to 6"Condition:These have been mounted in a collection book and were removed and there is wear to the edges with some toning.

Frederick Schultz Smith (Hull 1860-1925): 'Manor Square' Hull, monochrome watercolour and ink signed and dated 1902, extensively inscribed along the bottom edge 27cm x 44cm Notes: Born in Worthing, Sussex in 1860, F S Smith came to Hull as a small child and lived most of his life in the old St. John's Wood area in west Hull; he was still drawing in his sixties shortly before his death in 1925. Much like his near contemporary and fellow Yorkshire artist Albert Thomas Pile (1882-1981), his drawings are visual 'snapshots' in time, often produced to record buildings that were due to be demolished. Smith was commissioned to produce around three hundred drawings for C E Fewster, a paint maker in Hull who collected historical records. Some were also used as illustrations in books and newspapers, such as the 'Eastern Morning News', whilst others were sold to the owners of premises which he had drawn.

Frederick Schultz Smith (Hull 1860-1925): King William Statue and a Hull Street Scene, two monochrome watercolours and ink signed 15cm x 22cm and 14cm x 19cm (2) Notes: Born in Worthing, Sussex in 1860, F S Smith came to Hull as a small child and lived most of his life in the old St. John's Wood area in west Hull; he was still drawing in his sixties shortly before his death in 1925. Much like his near contemporary and fellow Yorkshire artist Albert Thomas Pile (1882-1981), his drawings are visual 'snapshots' in time, often produced to record buildings that were due to be demolished. Smith was commissioned to produce around three hundred drawings for C E Fewster, a paint maker in Hull who collected historical records. Some were also used as illustrations in books and newspapers, such as the Eastern Morning News, whilst others were sold to the owners of premises which he had drawn.

Frederick Schultz Smith (Hull 1860-1925): 'Yarmouth Arms' and the Wilberforce Monument - Hull, two monochrome watercolours and ink signed, the former dated 1913, 15cm x 21cm and 13cm x 19cm (2) Notes: the Yarmouth Arms was located near George Yard Entry on High Street and later became the Wilberforce Arms. Born in Worthing, Sussex in 1860, F S Smith came to Hull as a small child and lived most of his life in the old St. John's Wood area in west Hull; he was still drawing in his sixties shortly before his death in 1925. Much like his near contemporary and fellow Yorkshire artist Albert Thomas Pile (1882-1981), his drawings are visual 'snapshots' in time, often produced to record buildings that were due to be demolished. Smith was commissioned to produce around three hundred drawings for C E Fewster, a paint maker in Hull who collected historical records. Some were also used as illustrations in books and newspapers, such as the Eastern Morning News, whilst others were sold to the owners of premises which he had drawn.

Frederick Schultz Smith (Hull 1860-1925): 'Old North Bridge Hull', monochrome watercolour and ink signed and dated '97, titled in a later hand verso 8.5cm x 12cm; Hull Views, three circular watercolours, two signed, max dia. 15.5cm (unframed) (4) Notes: Born in Worthing, Sussex in 1860, F S Smith came to Hull as a small child and lived most of his life in the old St. John's Wood area in west Hull; he was still drawing in his sixties shortly before his death in 1925. Much like his near contemporary and fellow Yorkshire artist Albert Thomas Pile (1882-1981), his drawings are visual 'snapshots' in time, often produced to record buildings that were due to be demolished. Smith was commissioned to produce around three hundred drawings for C E Fewster, a paint maker in Hull who collected historical records. Some were also used as illustrations in books and newspapers, such as the Eastern Morning News, whilst others were sold to the owners of premises which he had drawn.

Frederick Schultz Smith (Hull 1860-1925): Hull Views, four monochrome watercolours and ink signed, max 14cm x 24cm (4) (unframed) Notes: Born in Worthing, Sussex in 1860, F S Smith came to Hull as a small child and lived most of his life in the old St. John's Wood area in west Hull; he was still drawing in his sixties shortly before his death in 1925. Much like his near contemporary and fellow Yorkshire artist Albert Thomas Pile (1882-1981), his drawings are visual 'snapshots' in time, often produced to record buildings that were due to be demolished. Smith was commissioned to produce around three hundred drawings for C E Fewster, a paint maker in Hull who collected historical records. Some were also used as illustrations in books and newspapers, such as the Eastern Morning News, whilst others were sold to the owners of premises which he had drawn.

Frederick Schultz Smith (Hull 1860-1925): 'Carr Lane 1885' and Lowgate looking to St Mary's - Hull, two monochrome watercolours and ink unsigned, the former titled in the margin 16cm x 12cm and 17cm x 11cm (2) Notes: Born in Worthing, Sussex in 1860, F S Smith came to Hull as a small child and lived most of his life in the old St. John's Wood area in west Hull; he was still drawing in his sixties shortly before his death in 1925. Much like his near contemporary and fellow Yorkshire artist Albert Thomas Pile (1882-1981), his drawings are visual 'snapshots' in time, often produced to record buildings that were due to be demolished. Smith was commissioned to produce around three hundred drawings for C E Fewster, a paint maker in Hull who collected historical records. Some were also used as illustrations in books and newspapers, such as the Eastern Morning News, whilst others were sold to the owners of premises which he had drawn.

Frederick Schultz Smith (Hull 1860-1925): 'Vanishing Newland' - Hull Street Scene, monochrome watercolour and ink signed, titled extensively inscribed and dated 1908 along the bottom edge 22cm x 40cm Notes: Born in Worthing, Sussex in 1860, F S Smith came to Hull as a small child and lived most of his life in the old St. John's Wood area in west Hull; he was still drawing in his sixties shortly before his death in 1925. Much like his near contemporary and fellow Yorkshire artist Albert Thomas Pile (1882-1981), his drawings are visual 'snapshots' in time, often produced to record buildings that were due to be demolished. Smith was commissioned to produce around three hundred drawings for C E Fewster, a paint maker in Hull who collected historical records. Some were also used as illustrations in books and newspapers, such as the Eastern Morning News, whilst others were sold to the owners of premises which he had drawn.

LADY AND THE TRAMP (1955) - Framed Limited Edition "Bella Notte" Hand-Painted Animation Cel, 1991Bidding for this lot will end on Thursday 8th February. The auction will begin at 2:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. A framed limited edition hand-painted cel showing the famous "Bella Notte" moment from Walt Disney's Lady and the Tramp (1955). This cel was released by The Walt Disney Company in 1991 and shows the iconic moment Lady and the Tramp fall in love over a plate of spaghetti. To achieve the limited edition cels, Disney artists transferred original animation drawings onto acetate cels, enhanced detailing by hand-drawing ink lines, and then hand-painted the artwork using approved acrylic colours. The printed background was also recreated using the original paintings, sketches, and frames as reference. This example was one of 500 editions created, with this example being numbered "401/500" and bearing a Walt Disney Company seal in the lower right corner. It comes mounted within a metal frame with plexiglass and features a hanging wire on the reverse.(Framed): 21.5" x 17.5" x 0.75" (55 x 45 x 2 cm)Additional Information: Numbered #401/500. Sold without copyright; see copyright notice in the Buyer's Guide.Condition: Very Fine+Frame has some handling wear.Artist: Unknown Artist£800 - 1600VAT Status: MClick here for our Poster Auction Grading Guide

WACKY RACES - Framed Fender Bender 500 Original Production Animation Cel Autographed by Bill Hanna and Joe Barbera, 1990Bidding for this lot will end on Thursday 8th February. The auction will begin at 2:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. A framed and autographed original production animation cel for Fender Bender 500, one of the animated segments in Wake, Rattle and Roll. Created by Hanna-Barbera Animation art, the artwork shows Dick Dastardly and Muttley in their Dirty Truckster (#00). To achieve this production art, the black outlines were transferred from the animator's original drawing onto an acetate cel and then the colours were hand-painted on the reverse. The artwork was finally placed over an artist's background, reproduced directly from original art. It comes mounted within a black frame with acrylic and features a hanging wire on the reverse. The cel is autographed in black ink by the co-founders of Hanna-Barbera, Bill Hanna and Joe Barbera, and bears the studio seal in the lower right corner. The lot is accompanied by a Hanna-Barbera Animation Art certificate of authenticity and a Warner Bros Animation Art care guide.(Framed) 19.75" x 16.75" x 1.25" (50 x 43 x 3 cm)Additional Information: Accompanied by a Hanna-Barbera Animation Art COA.Sold without copyright; see copyright notice in the Buyer's Guide.Condition: Very Fine+Frame has some handling wear.Artist: Unknown Artist£300 - 600VAT Status: MClick here for our Poster Auction Grading Guide

ALADDIN (1992) - Framed Limited Edition Prince Ali Questioned by Jafar Hand-Painted Animation Cel, 1993Bidding for this lot will end on Thursday 8th February. The auction will begin at 2:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. A limited-edition framed hand-painted cel recreated from original artwork for the 1992 Walt Disney animated film Aladdin. This artwork, published by Disney Art Editions in 1993, shows Prince Ali (a.k.a. Aladdin) after his grand entrance into the Sultan's palace and Jafar with Iago (the hot-tempered parrot sidekick) questioning him. To achieve the limited edition cels, Disney artists transferred original animation drawings onto acetate cels, enhanced detailing by hand-drawing ink lines and then hand-painted the artwork using approved acrylic colours. The printed background was also recreated using the original paintings, sketches, and frames as reference. This particular example is hand-numbered 2/500 and comes presented within an original Disney frame with plexiglass and features a hanging wire on the reverse. The cel is accompanied by a The Walt Disney Company certificate of authenticity.(Framed): 25.5" x 19.5" x 0.75" (65 x 50 x 2 cm)Additional Information: Numbered #2/500. Accompanied by a Walt Disney Company COA. Sold without copyright; see copyright notice in the Buyer's Guide.Condition: Very Fine+Frame has some handling wear.Artist: Unknown Artist£500 - 1000VAT Status: MClick here for our Poster Auction Grading Guide

DUMBO (1941) - Framed Limited Edition Mrs. Jumbo and Dumbo Hand-painted Animation Cel, 1994Bidding for this lot will end on Thursday 8th February. The auction will begin at 2:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. A framed limited-edition hand-painted cel recreated from original artwork for Walt Disney's Dumbo (1941) published by Disney Art Editions in 1994. It shows a gentle moment between Mrs. Jumbo and her baby Dumbo in the circus tent. To achieve the limited edition cels, Disney artists transferred original animation drawings onto acetate cels, enhanced detailing by hand-drawing ink lines and then hand-painted the artwork using approved acrylic colours. The lithographically printed background was also recreated using the original paintings, sketches and frames as reference. This particular example is hand-numbered 88/500 and comes presented in a frame within a metal frame with plexiglass and features a hanging wire on the reverse. The cel is accompanied by a The Walt Disney Company certificate of authenticity.(Framed): 22" x 18.75" x 1" (56 x 48 x 2 cm)Additional Information: Numbered #88/500. Accompanied by a Walt Disney Company COA. Sold without copyright; see copyright notice in the Buyer's Guide.Condition: Very Fine+Frame has some handling wear.Artist: Unknown Artist£800 - 1600VAT Status: MClick here for our Poster Auction Grading Guide

Circle of Edward William Cooke RA (British. 1811-1880) A view of Venice from the lagoon, ink drawing, 10 x 23cm

India Illustrated Urdu manuscript on farming, 1903 19 leaves (35.5 x 22cm), stitched at one corner, written in black ink on rectos and versos, diagrams and illustrations throughout in pencil, pen-and-ink and watercolour, depicting men driving oxen and operating equipment including a churrus (device for drawing water from wells)

SIR ROGER MOORE ( 1927-2017) ARR. CARTOON PEN AND INK DRAWING. SIGNED AND DATED 2001. ( A RARE LARGE SKETCH DRAWING BY THE FAMOUS JAMES BOND ACTOR, WHO WAS SOMEWHAT LESSER KNOW FOR HIS ART)

20th century school, pen and ink drawing, 14.5cm x 21cm, unsigned, framed and glazed, 27cm x 37cm.

Randel, original ink and wash cartoon drawing, 8" x 8", framed, and a watercolourGood condition

An early 19th c lady's drawing-room album cum commonplace book, n.d. [the binding c. 1830], approx. [70]ff of typical manuscript verse and prose, illustrated with various 19th c mixed media prints, mostly antiquarian and topographical in nature, some from Dickens by Phiz, as well as a pen-and-ink drawing of two deer and Field Place: The Childhood home of Shelley, contemporary red morocco gilt, rubbed and worn, spine exposed, some movement, 4to, & a similar album of manuscript maxims, n.d., partially-inscribed on varying coloured paper, contemporary roan gilt, rubbed, 12mo, (2)

A Victorian lady's drawing-room album, mixed dates, approx. [35]ff, illustrated with 11 topographical watercolours, some sepia, including named-views in Sicily, Yorkshire views of  Scarborough, Hartlepool, [Stainborough Castle at] Wentworth Castle, others, and a loosely-inserted watercolour sketch of Rochester Castle, Kent, 2 marine 'herbarium' samples of pressed seaweeds, cut chromolithographs of seashells, cut-paper fuchsia, topographical and other mixed media prints, manuscript including Lines/during a Thunder Storm/W.M.C./York 14 March 1848, further prose and verse, etc., contemporary pictorial embossed calf, disbound, 4to, another, mid-19th c, A Token of Friendship and Sincere Regard; Presented by G. Georges, to Ann Kirk, dated from 1845, approx. [53]ff, mostly inscribed to one side only, typically glosses of and original prose and verse, as well as an 'illuminated' leaf The Momentous Question, dated December 16th 1846, some pen-and-ink or watercolour illustrations, mixed media prints, etc., contemporary green roan gilt over cloth, chipped and rubbed, 4to, (2)

ALBERT GOODWIN (1845-1932); pen and ink drawing, 'Clovelly', titled lower left, signed lower right, 26 x 36cm, framed and glazed.

Konvolut aus 8 Graphiken: "Vestale", Johann Gottschick, Dresden, 1799, Kupferstich, 24 x 17 cm (Druck); Johann Wilhelm Meil, 1778, Probedruck für ein Titelblatt, Ca. 14 x 12 cm (ganzes Blatt); C. Holdermann, Radierung, Landschaft mit Brücke und Staffagefiguren, 10,5 x 15,5 cm (Druck); Wilhelm Busch, Figürliche Szene, Druck, 26,5 x 20 cm; Zeichnung Feder und Tuschepinsel, grau laviert, verso bez. "Kopiert nach dem von Lambert gezeichneten und von D. Chodowiecke radierten Original (welches in ... befindlich) von mir Chr.Jak.Wilh.Carl Freiherr Haller von Haller von Hallerstein im Januar 1788 zu Gräfenberg.", 28,5 x 33 cm (ganzes Blatt); Landschaft in BraunDruck, 10,2 x 14,3 cm; "Vue des Environs de Thoun", kolor. Lithographie, 15,8 x 23,2 cm. Alle Altersspuren. / Group of prints: "Vestale," Johann Gottschick, Dresden, 1799, copperplate engraving, 24 x 17 cm (print); Johann Wilhelm Meil, 1778, proof for a title page, approx. 14 x 12 cm (whole sheet); C. Holdermann, etching, Landscape with Bridge and Staffage Figures, 10.5 x 15.5 cm (print); Wilhelm Busch, Figurative Scene, print, 26.5 x 20 cm; drawing pen and ink brush, gray wash, verso inscribed "Copied from the original drawn by Lambert and etched by D. Chodowiecke etched original (which is in ...) by me Chr.Jak.Wilh.Carl Freiherr Haller von Haller von Hallerstein in January 1788 at Gräfenberg.", 28,5 x 33 cm (whole sheet); landscape in brown print, 10,2 x 14,3 cm; "Vue des Environs de Thoun", col. Lithograph, 15,8 x 23,2 cm. All signs of age.

A collection of art works including J H Jolliffe of a Gautoma Buddha, a pen and ink drawing of Rangoon, a Burmese water carrier, two Burmese figures, pen and ink drawing circa 1850-80 of figures in front of a Burmese homestead, a panorama pencil drawing in four sections of Rangoon from the village of Aboe 1855, and Alexander Stewart,  Artillery building, watercolour signed and dated 1854. (A lot)

Railwayana - pen and ink and watercolour drawing of GWR Great Western Railway Company Iron Duke, dated 1861, A/F; a collection of press photographs relating to WWII; and other ephemera

Wren (Christopher). Parentalia, or Memoirs of the Family of the Wrens, viz. of Matthew, Bishop of Ely, Christopher, Dean of Windsor, etc. but chiefly of Sir Christopher Wren... compiled by his son Christopher Wren, late Surveyor-General of the Royal Buildings, President of the Royal Society, &c. &c. in which is contained, besides his works, a great number of original papers and records; on religion, politicks, anatomy, mathematicks, architecture, antiquities; and most branches of polite literature; Compiled, by his son Christopher; now published by his grandson, Stephen Wren, Esq; with the care of Joseph Ames, F.R.S...., 1st edition, London: Printed for T. Osborn, and R. Dodsley, 1750, mezzotint portrait frontispiece of Christopher Wren by John Faber (trimmed to plate mark and relined on contemporary laid paper), title page printed in red and black, dedication with large armorial crest, list of subscribers, 14 engraved plates (including 3 portraits) and 7 folding engraved plans (including a map of London and its environs) with two additional tipped-in engravings by Samuel Ward: Magnetica Magnalia (frontispiece to The Wonders of the Load-Stone, or, the load-stone newly reduc’t into a divine and morall use, London: 1640) at page 227, and The Monument, The figure of y Columne Erected for ye Perpetual Memory of ye most famous City of London that was almost wast by fire in ye Prodigious year 1666 at page 322, plus an annotated contemporary pen and brown ink drawing of Roman urns at page 267, the other additional plates include prospects and interiors of St Pauls, a view of St Peter's Cathedral Westminster (trimmed and laid on contemporary paper),some closed tears to folds, occasional light spotting to plates, appendix, index and bookbinder instructions bound at rear, rough-trimmed edges, burgundy morocco gilt bookplate of W. A. Foyle, Beeleigh Abbey to front pastedown, modern sprinkled half calf over marbled boards, lower outer corners showing, folioQTY: (1)NOTE:Provenance: W. A. Foyle, Beeleigh Abbey (bookplate).Harris, British Architectural Books 949; Mark J. Millard Architectural Collection II, 97; ESTC T145737.The rare first edition of one of the earliest biographies of the celebrated English architect Sir Christopher Wren, compiled by his son and grandson. This copy extra-illustrated with 11 additional engravings and an annotated original drawing illustrating two Roman urns discovered when the foundations of St. Pauls were being laid.

Early example of an original ink drawing on paper by Latin American Post-War Expressionist Daniel Bottero whose artworks are held in corporate collections and in the private homes of celebrities. These three nude studies foreshadow the abstracted compositions that have made Bottero a household name with his combinations of organic and linear forms in non-descript settings. Housed in a metallic double sided wooden frame with a black mat. Signature and date on lower right: Bottero, 10-87. Artwork dimensions: 11.75"L x 16"H. Frame size: 24"L x 28.25"H x 2"W. Artist: Daniel Bottero (Argentinean b. 1951)Issued: 1987Country of Origin: ArgentinaCondition: Age related wear.

James Hayllar RBA (1829-1930) pen and ink drawing, ' John Cavell Esquire sits incognito under the shelter of a leading journal ', 8 x 14cm, framed

To Be Sold With No ReserveA stencilled illustration to a ragamala series : Kakhuba Ragini,North India, 18th century or later,possibly Mughal or provincial Mughal, ink drawing on paper heightened with gilt depicting a lady accompanied by four peacocks on an island surrounded by ducks and lotuses, a forest and rocky landscape beyond,26.5 x 21cm. Condition Report: Worm holes to lower right corner and margins; rebacked; detail smudged; corners lacking; brown spotting to right; staining

A Qajar rose and nightingale drawing (gul-o-bulbul), Persia, late 19th century, ink and watercolour on paper, 19.4 x 12.8cm.Provenance: H. Kevorkian Collection label to reverseFootnotes: With oval H. Kevorkian Collection label to reverse, no. 2594The gul-o-bul-bul, or rose and nightingale, motif was employed in both Persian literature and painting. In poetry, the two stood in for the beloved and the loved, entwined in either an earthly or divine union. In art, the motif appeared on all types of objects, and during the Qajar period proliferated to the extent that it came practically to symbolize the country itself. It became especially popular among European collectors, who demanded goods and albums decorated with this motif. Shiraz, where this drawing might have been made, was an important center for the production of architectural tiles in this genre as well.Condition Report: With significant losses to paper particularly to top border; staining thoughout; remains of masking tape, corners cut; reverse 

Harry Heap (British, d.1968) drawing of a billiards player, circa 1940s, pen, ink and watercolour, featuring a gentleman smoking a cigarette and holding a cue, signed and dated lower right margin, mounted, glazed and framed, 43 by 29cm., bears wear to paper on each side and top left edge Harry Heap was a popular cartoonist and caricaturist whose work appeared regularly in the Sheffield Star and Green 'Un between 1928 and 1965.  

HPG (19th Century)"London"Initialled, inscribed London 1805 and dated December 29th 1828, a pen and ink drawing, together with a further book of sketches by the same hand depicting British and continental views, a further group of 19th century sketches by Isabella Galton of British and continental subject matter, a further predominantly 19th century sketchbook by an unknown hand, further unframed sketches and watercolours by various artists, 4 pen and ink watercolour studies by J Freeman depicting "Staithes" "Ellerbeck Fylingdales" "River Esk Whitby and "Thirn Hill Farm", a vignette-scale example in the style of the Weatherill family depicting a tall-masted ship in Whitby harbour and a watercolour "The Newforest" by HG Stormont (a collection, mostly unframed)Provenance: TB & R Jordan, Stockton-on-Tees

Waugh (Evelyn) Black Mischief, uncorrected proof copy, one or two finger-soiling marks, original wrappers with title and expected publication date in ink to upper wrapper, lightly toned, shelf-lean, 8vo, 1932. *** A rare proof copy of Waugh's third novel, drawing from experiences in Africa and chronicling a "satire on European notions of 'progress' imitated by an imaginary African nation" (ODNB). Waugh put it in a 1932 BBC radio broadcast as he worked on the proofs of Black Mischief: “Man’s capacity for suffering keeps pretty regular pace with the discoveries that ameliorate it”.

Rowlandson (Thomas) Pigs at a trough, brush and ink, watercolour, traces of pencil under-drawing, signed and dated '1790' in the lower right corner, on Whatman laid paper with partial watermark of a Strasbourg lily, sheet 154 x 235 mm (6 x 9 1/4 in), some browning and minor spotting, surface dirt, unframed, 1790*** A variant study of the same subject by Rowlandson, albeit unsigned, is held in the Yale Collection of British Art (see acc. no. B2001.2.1154).

Rowlandson (Thomas) The Coffee House; The Village Store, two original drawings, point of the brush, ink, watercolour, traces of pencil under-drawing, on wove papers, each sheet approx. 105 x 170 mm (4 1/4 x 6 3/4 in), or slightly larger, tipped into mounts, minor spotting, browning and surface dirt, unframed, [circa 1790s] (2)

Panorama.- Funeral Procession of Queen Elizabeth (The), from a Drawing of William Camden, in the possession of John Wilmot, Esq. and by him since deposited in the British Museum, engraved panorama with captions on seven conjoined sheets mounted on green linen, c.240 x 8520 mm., a few tears but generally clean and bright, with the original marbled board tube case with printed paper label, label with neat ink presentation inscription from John Wilmot to "Benjamin Incledon Esq....[with] Esteem and Friendship June 1st 1791", with "Dunsland Libary" in another hand at head, a little rubbed, ?lacking lid, case c.250mm. tall,  1791.*** Rare in this panoramic form. John Wilmot discovered the original drawing in his wife's grandfather's papers and presented it to the British Museum. The Society of Antiquaries commissioned it to be engraved and Wilmot presented specially-prepared examples in panorama form to various friends, the present copy to the Devonshire antiquarian and genealogist Benjamin Incledon, whose papers were later purchased by Sir Thomas Phillipps. Dunsland House in N.Devon became part of the National Trust in the 1950s but was burnt down in 1967.

A 19th Century French Zouave Military Jacket. A private tailored example, yellow detailing possibly added later for theatre use. Stamp to the inside ‘Firma Gerlach Costumiers Leeuwarden’. Also a framed mid Victorian tailor’s drawing for 20th Hussars flag. Ink on paper. Most likely created by Hawkes & Co as a sketch for a client. 

Rich Seidelman (American, 20th/21st c). Ink on paper drawing titled "Bobby's World Happy Meal" depicting a boy on a tricycle holding a McDonald's Happy Meal box. Titled, signed, and dated "Fall 1993" along the lower left. Rich Seidelman was the art director and writer for McDonald's commercials from 1979-2001.Height: 8 1/2 in x width: 11 in.br/>Condition:No rips, tears, losses, or repairs. Light handling marks. Two pinholes along the upper center edge, possibly original to the artistic process. Unframed.