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L GRACE, SIGNED, LOWER LEFT, WATERCOLOUR, River Landscape and; GORDON F REEDER, TWO PASTELS, EDITH MORTON, INITIALLED LOWER RIGHT, WATERCOLOUR, "Meadows" plus; D'ARCY , SIGNED, AND DATED 65 LOWER RIGHT, CRAYON, Boats and; HEINRICK CLOETE, SIGNED, PEN AND INK DRAWING, Inscribed "Groot Constatia", assorted sizes (6)

Frederick Henry Townsend (1868-1920) Pen and ink drawing 'Can you give me a job Sir?, signed and dated 1919 36cm x 26cm

ROCKWELL KENT INK DRAWING ON PAPER H 5", L 4": Rockwell Kent [American, 1882-1971] Artist stamp and chop mark upper right. On verso concert invitation MUSURGIA April 18th, 1893. Framed and Matted under Acrylic.

A framed and glazed pen and ink drawing 'Preparing the food', image 20cm x 30cm, frame 31cm x 41cm

A pen and ink drawing of swans in flight signed D Branning

A pen and ink drawing - View of a street corner shop.

AN ARCHITECT DRAWING OF THE WEST FRONT OF BRIDGEWATER HOUSE, pen and ink, 31.5 x 41.5cm

Attributed to Paul Sandby RA, British 1731-1809- "Southampton"; pen and grey/black ink and watercolour wash, bears inscription on the mount, 12.5x20.5cm., (unframed) CONDITION REPORT: Unframed It is stuck down onto mount board with hand painted boarders and bearing inscription which in turn is stuck down to backing mount Reverse of backing mount board is grubby with loss of left corner and substantial tear to top right Overall brown Verse recto The mount has foxing throughout, rough edges Inscription in pencil drawing Large semi-circular discolouration possible water damage which extends from bottom edge to arching of figures in foreground The hand drawn mount with creasing in lower left corner appears to have been affected by water damage The image has early signs of foxing Slightly browned in top left corner Indentation to left of image Overall the drawing is in fair condition

Paul Bazalgette, British, late 20th/early 21st century- Draped female nude; red and blue chalk on blue paper, signed and dated 79 in pencil, inscribed on the reverse, 38x30.5cm: together with one other life drawing by the same hand in brush and black ink and white on green paper by the same hand, signed, inscribed and dated 79 in pencil, 25x23.5cm., (2) (unframed) (may be subject to Droit de Suite) Note: A receipt from the Royal Academy of Arts, London, Royal Academy Schools, 1980 Exhibition of Work by Final Year Students, Memorandum of purchase and receipt, accompanies this lot

EARL LINDERMAN, SIGNED AND DATED 57, INK DRAWING, Figure Study, 15" x 10 1/2"; together with MARGARET H BETTINGER, SIGNED VERSO, PENCIL DRAWING, Female Nude, 17" x 11", both unframed (2)

A Collection of Twelve 18th & 19th Century Watercolours, Engravings & Etchings to include a pen and ink drawing by GA Storey, dedicated to Marie Seymour Lucas by the artist.

A Pen & Ink Drawing of a Maiden & Cherubs, highlighted in white and signed l.r. WGR Browne.

Pen and ink drawing, head study of a gentleman, signed Rakoczi, 17ins x 14ins

An Egyptian Highly Detailed Hand Coloured Pen & Ink Drawing on Papyrus Depicting Deities including The Eye of Horus & Hieroglyphics - Framed.

Arnold Daghani (1909-1985) pen and ink drawing, self portrait as a jester, signed and dated 1969, 24" x 19", framed.

P Hobbs signed golf sketches comprising 4x original pen and ink amusing golf sketches plus one other draft drawing -11" x 7.5"

F SMITH; rural winter landscape, Watercolour, signed and dated 1908, 7" (17cms) x 9 1/2" (24cms); ROSA DUDZINSKI; a pen and ink drawing, and two other pictures.

John Guille Millais [1865-1931]- Forest Lovers:- signed twice, inscribed and dated 1900 watercolour en grisaille, pen and ink drawing 11 x 8cm. .

*Norman Mansbridge (1911-1993) 'MARRIAGE GUIDANCE' Signed and inscribed, pen and ink and watercolour 17.5 x 18.5cm; and four others by the same hand; Terence Parkes, 'Larry' (1927-2003) 'MOTORIST IN PRISON' Signed and inscribed, pen and ink and watercolour 36 x 31cm overall; and seven further cartoons by other hands, various sizes, all unframed (15) Norman Mansbridge was in advertising before becoming a freelance cartoonist, contributing his first drawing to Punch in 1937. After the outbreak of war, he joined the Merchant Navy and was also given a roving commission as a war artist. After the war, Mansbridge returned to work for the News Chronicle, Men Only, Sunday Times, Radio Times, Lilliput, Daily Sketch and Birmingham Post, largely producing single drawings featuring an absurdist view of normal life. In 1958 he was elected a member of the Punch Table, and became the magazine's political cartoonist. *Artist's Resale Right may apply to this lot.

A HAND ILLUMINATED POEM IN GILT FRAME AND A SMALL 19TH.C. PEN AND INK DRAWING BY J STOOP

AN OLD MASTER INK AND WASH DRAWING WITH ATTRIBUTION TO BARTOLOMEO PINELLI

WILLIAM BIRNIE (Scottish, 1929-2007) Fishing boat in Anstruther harbour, ink drawing, signed, 32cm x 61cm

Continental school, a portrait of Madame Sarah Bernhardt, pen and ink, 20 x 14 cm, and a pencil drawing of two terriers, 34.5 x 26 cm, both unframed (2)

A quantity of decorative prints including golfing related, also a Geldart small pen and ink drawing, two decorative mirrors, etc.

Framed and glazed monochrome ink and pencil drawing Chair Workshop, signed lower right in ink Gillian Gregory

CHINESE PROBABLY REPUBLIC PERIOD INK AND WATERCOLOUR DRAWING, on paper laid down on silk border, depicting sailing craft in a river landscape, inscribed with six characters and with a red seal, 17 1/2" x 14" (44.5cm x 35.5cm)

TWENTIETH CENTURY CHINESE INK ON PAPER DRAWING, of a galloping horse, inscribed with nine characters, on English paper watermarked 'Supa', 15" X 21 1/2" (38cm x 54.5cm) (fold creased)

An early 20th Century sketchbook album, comprising approximately thirty-one drawings worked in watercolour, pen and ink, and pencil, depicting landscapes, satirical cartoon drawing and portraits, together with a selection of poetry, verse and further text, mostly dating from a period of 1908-1944, to the first page titled, 'Miss Emmie Allen, August 4th 1906', approximately sixty pages in total, together with a Victorian leather bound photograph album, comprising approximately thirty-seven black and white photographs

A late 18th/early 19th century pen and ink drawing of an Italian interior scene, depicting two seated ladies at a table, surrounded by children and further figures, set in a classical scene with indistinct inscription below, 18x22cm, in the style of Angelica Kauffman R.A (1741-1807) - a late 18th/early 19th century study of a female figure, watercolour heightened with white, bears signature and indistinct date, 15x10cm, black and white print of soldiers resting by a tree by J Mortimer, 28x21cm, all framed and glazed (3)

Cynon Beaton-Jones, So Hi and the White Horse of Fu, and The Adventures of So Hi, both first editions bearing inscriptions and signed by the author, together with R. F. Lowis, Penny for a Candlestick, first edition, signed by the author, along with a signed pen and ink drawing, scene from the book, and The Runaway Balloon, first edition, signed by the author

ROCKWELL KENT [AMERICAN 1882-1971], INK DRAWING ON PAPER, H 4 1/2", W 11 1/2", "GREENLAND": Pencil signed and titled lower right; matted only. Stamped on verso of Rockwell's mounting board, "For use as [then a blank area] Original drawing the property of Rockwell Kent and to be returned to him at Au Sable Forks, New York". Paper size 5" x 11 1/2".

KIKI SMITH Moth Ink sketch 20 x 30cm These lots are being sold on behalf of The Penwith Supporters Group for the charity Freedom from Torture. These drawings, which have been generously donated by both emerging and established artists, were originally exhibited 2013, as part of Drawing The Line, a charity event organised by artist Kate Walters and hosted by one of Cornwall's premier galleries: The Millennium in St Ives. Drawing the Linea tremendous success, raising almost £10,000 for Freedom from Torture's funds. Freedom from Torture, formerly the Medical Foundation for the Care of Victims of Torture, has been working for 25 years to provide direct clinical services to survivors of torture who arrive in the UK, as well as striving to protect and promote their rights.

KIKI SMITH Bird Ink sketch 20 x 30cm These lots are being sold on behalf of The Penwith Supporters Group for the charity Freedom from Torture. These drawings, which have been generously donated by both emerging and established artists, were originally exhibited 2013, as part of Drawing The Line, a charity event organised by artist Kate Walters and hosted by one of Cornwall's premier galleries: The Millennium in St Ives. Drawing the Linea tremendous success, raising almost £10,000 for Freedom from Torture's funds. Freedom from Torture, formerly the Medical Foundation for the Care of Victims of Torture, has been working for 25 years to provide direct clinical services to survivors of torture who arrive in the UK, as well as striving to protect and promote their rights.

R.J. LLOYD Screen Drawing Ink Signed and dated 1995 9 x 14.5cm

R.J. LLOYD Screen Drawing Ink Signed and dated 1995 9 x 14.5cm

ERNEST HOWARD SHEPARD The Lights O' London or Happy Dreams Ink drawing heightened with white gouache Signed and inscribed 34 x 26cm (See back cover illustration) Note: Original artwork for Punch magazine Condition Report: Broadly good condition apart from a few tiny rust coloured marks - considerably less pink than on the internet image

ERNEST HOWARD SHEPARD 'Irrigates the Garden in the old Primitive Way' Ink drawing Initialled, inscribed and further inscribed 'My garden in Provence' 23 x 15.5cm (see illustration) Note: This drawing was used to illustrate the book 'Perfume from Provence' by Lady Winifred Fortescue

A naive pen and ink drawing, Bridport Church, AD 1856

MICHAEL WOODS (20TH CENTURY)'VERY WET ON LAKE MAGGIORE, 1ST SEPTEMBER 1963', signed and inscribed with title, pen and ink drawing, 27cm x 33cm

JANET GRAY 'SAVERNAKE FOREST', Pastels, 36cm x 36cm, another probably by the same hand, Village Church;  a pen and ink drawing, signed ? Benham, a Far Eastern brass rubbing and Chinese print; and a nude signed 'J. Purvis' (4)

A * BEACH (20TH CENTURY)View of a church, probably Wales, signed and dated 1955, pen, ink and grey wash drawing, 37 x 56cm, mounted but unframed

Geese - An Egyptian aqua tinted Pen & Ink Drawing on Papyrus Signed - Framed & Mounted.

An Egyptian Highly Detailed Hand Coloured Pen & Ink Drawing on Papyrus Depicting Nile Scenes inc Ferry Boats, Fishing, Crocodiles & Hieroglyphics.

DAVID SHIERS; watercolour "Municipal Buildings, Dale Street", signed and dated 1980, inscribed verso "Pen ink and watercolour drawing of Liverpool Cathedral" a further David Shiers watercolour, a signed print and further prints relating to Liverpool and surrounding areas.

ART: Small selection of individually signed First Day Covers by various artists, illustrators and cartoonists comprising Quentin Blake (commemorating Roald Dahl), Peter Blake, Dick Ayers (featuring a good original colour pen and ink self caricature and with a brief holograph biography) and Graham Dury (featuring an original ink drawing of one of The Fat Slags, the characters that he created and drew for Viz). Together with signed colour postcard photographs by Quentin Blake and Peter Blake (the latter being a reproduction of his work entitled Footsteps). VG to EX, 6

ANNIGIONI PIETRO: (1910-1988) Italian Painter. An excellent original black pen and ink drawing by Annigioni of the head of a young man, drawn and signed ('Pietro Annigioni') on a small 4to white card. Rare. VG

An original Erotic Pen and Ink Drawing by Oscar Shultz 25x25cm

* WILLIE RODGER RSA RGI, THE PALACE & GATEHOUSE, STIRLING CASTLE pen and ink drawing, signed, titled and dated '76 25cm x 38cm Mounted, framed and under glass

Reuben Mednikoff (1906-1975) pen and ink drawing, surrealist study, 8" x 10", unframed.

Wilson (Henry). Leybourn`s Dialling Improv`d: or, the Whole Art Perform`d, I. Geometrically: By Scale and Compasses... II. Arithmetically: By Sines and Tangents. Also, How to Describe all Necessary Furniture for Sun-Dials.... Concluding with Tables Ready Calculated for all Latitudes and Declinations, for the More Expeditious Drawing the Hour-lines Upon any Plain, 1721, twelve folding engraved plates (one with repaired closed tear), manuscript instructions for ink making to rear blank, occasional light dampstaining to margins, later front free endpapers, contemporary panelled sheep, rebacked, upper joint slightly cracked, 12mo (1)

Attributed to Feliks Topolski (1907-1989) Portrait of a gentleman, possibly Gian Carlo Menotti, Bears a signature and date, 1955, ink drawing, 26.5 x 17.5 cm, unframed

SP A fine black and white, full length official photograph by Anthony... SP A fine black and white, full length official photograph by Anthony Buckley of Her Majesty Queen Elizabeth II and Prince Philip Duke of Edinburgh, signed in ink on lower margin ""Elizabeth R."" and ""Philip"" and dated 1961. Light foxing to white borders, but otherwise a very attractive picture of the royal couple. Framed and glazed, 56 x 70cm, overall size approximately 84 x 63cm. Published by Raphael Tuck and Sons. The picture was taken in the Blue Drawing Room at Buckingham Palace after a visit of the Queen and the Duke to India. Accompanied by two typed letters and a handwritten note stating that the signed picture was a thank you gift to Major General W. H. A. Bishop in Calcutta for the ""faultless arrangements"" he had made ""for the large reception given for them at the Turf Club"" on the 18th of Febraury 1961. Anthony Buckley, one of the major English portraitists, was the royal photographer throughout the 1960s and 1970s.

SP A Royal Christmas Card for 1963 signed by Her Majesty Queen Elizabeth II SP A Royal Christmas Card for 1963 signed by Her Majesty Queen Elizabeth II. Gilt-bordered crowned ciphers of the Queen and the Duke of Edinburgh surrounded by the Order of the Garter`s motto to front cover. With printed greetings ""With Best Wishes For Christmas And The New Year"" and the Queen`s signature in blue ink ""Elizabeth R 1963"". Opposite the signed page is a mounted colour photograph of Camillo Procaccini`s red chalk drawing ""The Adoration of the Shepherds"" from the Royal Collections. Overall size 24.6 x 36.7cm when opened. Light wear and creasing to margins and corners, but otherwise in good condition.

COL An albumen carte-de visite of Elizabeth Barrett Browning on mount of the... COL An albumen carte-de visite of Elizabeth Barrett Browning on mount of the photographer Robert J. Bingham (10.3 x 6.3cm), with pen annotation on lower margin in Robert Browning`s hand ""Rome, May 27.1861""; a mounted albumen carte-de visite of Elizabeth Barrett Browning (8,8 x 5,7cm) after an 1858 daguerreotype by Cyrus Macaire (fingerprint mark); an albumen photograph of the Drawing Room at Casa Guidi (6.4 x 10cm), Browning`s home in Florence, with pen annotation on lower margin in Robert Browning`s hand ""Room in Casa Guidi, Florence, 1861"". Some age toning. A note on 27 x 21cm paper, written and signed in ink by Robert Browning and addressed to George Morreale (""with Robert Browning`s kind regards to Goerge Morreale. London, March 12.b"") accompanied by the original envelope with address written by Browning`s hand. Mailing folds. Sold with five caricatures in ink on paper, various sizes and an invitation to Christie and Manson`s preview of the collection of Thomas E. Plint in 1862. An excellent collection.

ANS An autograph poem entitled ""Jealousy"" ANS An autograph poem entitled ""Jealousy"", written and signed in blue ink by Robert Graves on white paper, approximately 44 x 28.5cm and dated May 4th 1970. It reads ""I`d die for you and you for me / So furious is our jealousy / And if you doubt this to be true / Kill me at once lest I kill you"". Beneath the poem is a drawing in black ink of a weeping eagle with a butterfly net and a fly, with the Latin statement in capital letters ""Aquila non captat muscas"". The drawing is by Graves`s daughter Catherine Dalton and is dated May 9th 1970. Light yellowing to paper and minor browning to edges. Some smudges to poem`s title.

[Wallace (Robert)] - Characteristics of the Present Political State of Great Britain, second edition, lacking half-title, A.Millar, 1758 § Beaumont (F.) Rule a Wife and Have a Wife, engraved frontispeice, title in red and black, a couple of short closed tears, several leaves a little trimmed, ink annotations to endpapers, contemporary half calf, marbled paper on upper cover loose, worn, J & R. Tonson, 1763 § [Dragonetti (Jacinto)] A Treatise on Virtues and Rewards, text in Italian and English , several engraved vignettes, some light browning, 1769 § Milton (John) The Poetical Works of John Milton by Joseph Addison, 2 vol., engraved portraits and plates, ink inscription to front free endpapers, bookplate to front pastedowns, 1794 § Cowper (William) Poems, 2 vol., sixth edition, ink inscriptions to front free endpapers, 1794, all but second contemporary calf, joints a little cracked, rubbed ; and c.55 others, mostly 18th & 19th English and Continental Literature, including a copy of Fisher`s Drawing Room Scrap-book and a twelfth thousand edition Carroll`s Through the Looking Glass, v.s. (c.60)

Hassall (John) - ""What are you holding your sunshade that way for?..."" & Miss Greenfield "" D`you like Batchelors Buttons?...."", 2 original pen, ink and crayon drawing for Êssell`s Magazine`, framed and glazed, both approx. 300 x 200mm., signed lower right, n.p., [c.1905].

* Roy WALKER (1936-2001) Ink drawing and collage Crawling nude Signed and dated 1990 13.5" x 12.25" (34.3cm x 31.1cm)

* Drake BROOKSHAW (1907-1993) (Westcountry School) Black ink drawing Studies of a seated figure of an elderly lady Signed and dated 1945 16.5" X 11.25" (42cm x 28.6cm)

* Robert O. LENKIEWICZ (1941-2002) Early ink drawing Study of an artist Bears blind studio sale stamp 9.5" x 11" (24cm x 28cm) Provenance: Studio Sale April 2008 (Bearnes)