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MANITAS DE PLATA; a signed CBS Disques printed portrait, signed on the front Manitas and also signed verso with a ballpoint ink drawing, the card framed with a photocopy of the reverse, framed and glazed as one, overall 47 x 22.5cm, together with a 45rpm single for 'Blue Suede Shoes' by Carl Perkins, signed by Carl Perkins to the lower right and inscribed to the upper left on the paper sleeve, framed and glazed (2).We have not authenticated these signatures, please satisfy yourself as to the veracity of the item prior to bidding.Provenance: From the collection of Stephen Knowles, bass guitarist with The Factotums, a Manchester band signed by the Rolling Stones manager. The band played with Pink Floyd, The Kinks, Tom Jones, Jerry Lee Lewis, Manfred Man and many others. CONDITION REPORT The two Manitas items are loose in the frame, specks of dirt inside of the frame and general wear to the frame itself. The Carl Perkins paper s lightly browned throughout, we have inspected the signature outside of the frame and it does appear to be ink which shows stronger pooling when viewed from the inside.

*Edward Bawden RA (1903-1989) 'Gulliver's Travels', 1965 signed and inscribed in pencil, pen and ink with pencil 23.5 x 16cm The key line drawing for 'Gulliver's Travels', facing p.3, published by the Folio Society. *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Paper lightly stained a few spots of foxing.

* ALASDAIR GRAY (SCOTTISH 1934 - 2019), SEATED & RECLINING original pen & ink drawing on paper, signed, titled and dated 21st March 1965 label verso image size 51cm x 61cm, overall size 78xm x 86cm Mounted, framed and under glass. Label verso: The Armstrong Gallery, Glasgow.

TWO ANTIQUE HAND COLOURED SATIRICAL PRINTS LA PROMENADE EN FAMILLE. 26 x 38cm AND A BROAD HINT OF NOT MEANING TO DANCE. TOGETHER WITH A 19th C. PEN AND INK DRAWING OF A HOUSE (3)

***Charles Keeping (1924-1988) - Ink drawing - "Cockney Ding Dong", signed and dated '74, 11.25ins x 9ins, framed and glazed

PICASSO, Pablo, NACH (P.P.: 1881-1973), "Toros y Toreros", Stierkampfszene, lavierte Tusche/Papier, HxB: Blatt ca. 38,5x50,5 cm, Passepartoutausschnitt ca. 30x40 cm (53x63 cm mit Rahmen). Leicht gebräunt und gewellt, Lichtrand, obere Blattecken beschnitten, kleine Klebestreifen. Im Passepartout hinter Glas gerahmt. VERSO Eignerbezeichnung auf Etikett.| PICASSO, Pablo, AFTER (P.P .: 1881-1973), "Toros y Toreros", Bullfighting scene, India ink drawing / paper, HxW: Passepartout cutout approx. 30x40 cm (53x63 cm with frame). Slightly browned and wavy, light edge, upper corners of the sheet trimmed, small adhesive strips. Framed behind glass in a passe-partout. VERSO owner's name on label.

Manuskriptkarte zur Schlacht bei Hochkirch im Siebenjährigen Krieg, 175818. Jh.Feldlager der Armee von Marschall Daun und des Königs von Preußen am Tag nach der Schlachtvon Hochkirch. Aquarellierte Federzeichnung/Papier. Sichtmaß 47 x 61 cm; in Passepartoutund unter Glas ger.Landkarte, Schlesischer Krieg 1756-1763, Siebenjähriger Krieg Manuscript map of the Battle of Hochkirch in the Seven Years' War, 1758.18th century.Titled in French ''Camp de L'Armée du Marechal Daun Et de Celui du Roy de Prusse...'', fieldcamp of the army of Marshal Daun and the King of Prussia on the day after the Battle ofHochkirch until the time when the King of Prussia left for Görlitz to lift the siege ofNeisse. Watercolour pen-and-ink drawing on paper. Visible size 47 x 61 cm; framed inpassepartout and under glass.

Entwurf zum Französischen Dom in BerlinE. 18. Jh.In feiner ornamentaler Rahmung, unten Maßstabsanzeiger. Tuschfederzeichnung, laviert, aufBütten. In Kartusche monogrammiert "J.D.L.". Sichtmaß 41 x 31 cm; in Passepartout undunter Glas ger. - Etwas fleckig.Gendarmenmarkt, Kirche, Preußen Design for the French Cathedral in BerlinEnd of the 18th century.In a fine ornamental frame, below scale indicator. Pen-and-ink drawing, wash, on handmadepaper. Monogrammed in cartouche ''J.D.L.''. Visible size 41 x 31 cm; framed in passepartoutand under glass. - Somewhat stained.

Flusslandschaft mit Palastanlage und antikisierenden FigurenUm 1820Tuschfederzeichnung und Aquarell. Ca. 21,5 x 26,5 cm; in Passepartout und unter Glas ger.Klassizismus, Südliche Landschaft River Landscape with Palace Complex and Antique Figures.Around 1820.Ink pen drawing and watercolour. Approx. 21,5 x 26,5 cm, framed in passepartout and underglass.

Der Prophet MichaRömische Schule des 16. JahrhundertsStudie eines bärtigen Mannes, sitzend und nach links schauend. Tuschfederzeichnung/Papier, auf stärkeres Papier fixiert. Rechts oben betitelt. 42 x 28,5 cm; in Passepartout.- Teilstück aus dem Fresko der Sixtina. The Prophet MicahRoman school of the 16th centuryStudy of a bearded man, sitting and looking to the left. Ink pen drawing/ paper, fixed onstronger paper. Titled upper right. 42 x 28,5 cm; in passepartout. - Part of the fresco ofthe Sistina.

Einbände - Art Déco - - Bedrich Benes Buchlovan. Intarsierter Hand-Künstlereinband mit orangefarbenen und beigefarbenen Schweins- bzw. Ziegenleder. 8°. Goldgeprägte Einbandzeichnung eines Frauenkopfes im Profil auf dem Vorderdeckel (nur minimal fleckig). Im Schuber. Enthält Ozehnuti (Rückblick). Frontispiz und illustrierter Titel mit klischierten Tuschezeichnungen, sowie Typographie von Ruda Kubicek. 4 Bll., 172 S., 4 Bll. Mit Widmung des Autors, eine Zeichnung ebenfalls signiert. Inlaid hand-artist's binding with orange and beige pigskin and goatskin respectively. Gold-stamped cover drawing of a woman's head in profile on the front cover (only minimally spotted). Contains Ozehnuti (Review). Frontispiece and illustrated title with ink drawings in cliché, and typography by Ruda Kubicek. - With dedication by the author, one drawing also signed.

Geologie - Bergbau - - Sammlung von drei technischen Zeichnungen für das Riestedt-Emseloher-Braunkohlenwerk. 1849-1859. Je Aquarelle, Tusche und Graphit auf Papier. Blattmaße von ca. 48 x 69 cm bis 52 x 72 cm. Je signiert, datiert und beschriftet. Je auf Unterlage und unter Passepartout montiert. Enthält: Hermann Franke. Zeichnung der doppelwirkenden Dampfmaschine auf der Privat-Braunkohlengrube bei Riestedt. Aufgenommen und gezeichnet im 1sten Semester. 1849. - Frank Türk. Zeichnung der Wasserhaltungs-Maschine auf der Braunkohlen-Grube-Georg bei Riestedt. Grund-Ansicht. 1852. - M. Hirsch. Zeichnung der Weisserhebungs-Dampfmaschine des Gewerkschaftl. Riestedt-Emsloher Braunkohlenwerks. 1859. - Minimal knickspurig. 1 Bl. mit 2 kl. Einrissen im Blattrand. Geology - Mining - Collection of three technical drawings for the Riestedt-Emseloher lignite works. 1849-1859. Watercolours, ink and graphite on paper. Each signed, dated and inscribed. Each mounted on backing and under passepartout. - Contains: Hermann Franke. Drawing of the double-acting steam engine at the private lignite mine near Riestedt. Taken and drawn in the first semester. 1849. - Frank Türk. Drawing of the water maintenance machine at the Georg lignite mine near Riestedt. 1852. - M. Hirsch. Drawing of the white water steam engine of the Riestedt-Emsloh lignite mine. 1859. - Minimal creases. 1 sheet with 2 small tears in the margin.

Geologie - Bergbau - - Wichtige Sammlung von 24 gezeichneten Plänen für den Bau einer Mine in Wallonien. Um 1827/1828. Je Federzeichnung auf Papier, tls. aquarelliert. Blattmaße je ca. 42 x 59 cm. Tls. datiert. Je auf Unterlage und unter Passepartout montiert. Präzise Zeichnungen mit vielen Legenden und reichen Beschriftungen. Die Sammlung beinhaltet vor allem Zeichnungen verschiedener Gruben in der Nähe des Bois de Boussu nahe Mons. Des Weiteren eine Karte u.a. mit dem Projekt eines Kanalbaus (Canal du Flénu). In Grand-Hornu, in direkter Nähe des Bois de Boussu, wurde seit 1778 Kohle gefördert. Die 1954 stillgelegte Anlage Grand-Hornu ist aufgrund ihrer reichen Infrastruktur ein Muster funktionaler urbaner Planung im Industriezeitalter und wurde zum Weltkulturerbe erklärt. - Tls. zart gebräunt und etwas knickspurig. Einige Bll. mit kl. Randläsuren. Insgesamt wohl erhalten. Geology - Mining - Important collection of 24 drawn plans for the construction of a mine in Wallonia. Each pen-and-ink drawing on paper, partly watercoloured. Some dated. Each mounted on a backing and under passepartout. - Precise drawings with many legends and rich inscriptions. The collection contains mainly drawings of various mines near the Bois de Boussu near Mons. Furthermore a map with the project of a canal (Canal du Flénu). In Grand-Hornu, in the immediate vicinity of the Bois de Boussu, coal had been mined since 1778. The Grand-Hornu site, which was closed in 1954, is a model of functional urban planning in the industrial age due to its rich infrastructure and has been declared a World Heritage Site. - Partly lightly browned and somewhat creased. Some pages with small marginal tears. Overall well preserved.

Geologie - Bergbau - - Ludwig Zobel. Entwurf zu einer Rohrvorrichtung der Königlichen Saline Neusalzwerk mit Benutzung des Gestänges der Brunenkunst. Entworfen und gezeichnet, Neusalzwerk den 22.ten Februar 1843 von dem Kunstmeister August Konig. Copiert im Jahre 1852 von Ludwig Zobel. Aquarelle und Feder auf Papier, mit schwarzem Tuschrand. 52 x 78 cm. Auf Unterlage und unter Passepartout montiert. Die Zeichnung zeigt zwei Quer-Profile, ein Längen-Profil und zwei Grundrisse der Bohrvorrichtung. Die Bohrungen fanden zwischen 1830 und 1845 in Neusalzwerk unter der Leitung von Karl von Oeynhausen statt. Dabei entstand das damals tiefste Bohrloch der Welt aus welchem das heutige Thermalbad Oeynhausen hervorging. - Zart gebräunt und minimal fleckig. Farbleuchtend. Geology - Mining - Design for a pipe device for the Royal Salt Works at Neusalzwerk using the rodding of the well art. Designed and drawn, Neusalzwerk, February 22, 1843, by the art master August Konig. Copied in 1852 by Ludwig Zobel. Watercolours and pen and ink on paper, with black ink border. Mounted on a backing and under a passepartout. - The drawing shows two transverse profiles, one longitudinal profile and two ground plans of the drilling jig. The drilling took place between 1830 and 1845 in Neusalzwerk under the direction of Karl von Oeynhausen. This resulted in the deepest borehole in the world at that time, from which today's Oeynhausen thermal spa emerged. - A little bit browned and minimally stained. Colours bright.

Zoologie - Conchologie - - Jean-Baptiste Hoüel. Cahier d'histoire naturelle 1839. Französisches Manuskript mit 19 Original-Zeichnungen. 1839-1848. 1 Hs. Titelbl., 15 S. Handschrift, 1 Bl. Inhaltsverzeichnis (unvollständig), 19 Bll. Zeichnungen, (zusätzl. 17 weiße Bll.). Die Zeichnungen je signiert und betitelt, meist datiert. 4°. OPp. mit blauem Papier bezogen (etwas stockfleckig und mit kl. Läsuren und Einrissen). Sehr saubere und gut leserliche Handschrift, die Zeichnungen sorgfältig und detailgetreu. Die 11 Feder-Zeichnungen mit Darstellungen diverser Vogel-Arten, einer Fledermaus, eines Tigers und eines Krokodils nach den Stichen aus Buffon von u.a. Baussard, Martinet und de Sève. Bis auf eine Zeichnungen mit begleitendem Text, wohl frei aus Buffons Histoire Naturelle übertragen. Die 8 Aquarelle mit Darstellungen von Muscheln vom Autor selbst nach der Natur gezeichnet. - Tls. etw. braunfleckig. Farben in gutem Zustand. Insgesamt sehr gut erhalten. Zoology - Conchologie - French manuscript with 19 original drawings. 1839-1848. 1 manuscript title-page, 15 pp. manuscript, 1 fol. table of contents (incomplete), 19 fol. drawings, (add. 17 white fol.). The drawings each signed and titled, mostly dated. Original paper binding covered with blue paper (somewhat foxed and with small tears). - Very clean and legible handwriting. The drawings carefully and true to detail. The 11 pen-and-ink drawings depicting various bird species, a bat, a tiger and a crocodile after the engravings from Buffon by Baussard, Martinet and de Sève, among others. Except for one drawing with accompanying text, probably freely transferred from Buffon's Histoire Naturelle. The 8 watercolours with depictions of shells drawn by the author himself from nature. - Some brown spotting. Colours in good condition. Altogether very well preserved.

Avantgarde - Bauhaus - - Sammlung von 2 Photographien und einem architektonischen Siebdruck. Abzüge wohl von 1969 nach den Originalen von 1924 bzw. 1926. Maße je 18 x 24 cm. Siebdruck monogrammiert ("G.") und datiert 4.11.1931. Blattmaße 26 x 32 cm. Die Photographien je rückseitig mit dem Stempel des Bauhaus-Archivs Darmstadt/Berlin, copyright 1969. Sie zeigen das Haus Gropius in Dessau in der Straßenansicht und die Villa Auerbach in Jena. - Der Siebdruck verso zusätzlich mit geometrischer Federzeichnung. - Photographien minimal knickspurig. Siebdruck leicht gebräunt und in den Rändern leicht angeschmutzt. Insgesamt wohlerhalten. Bauhaus - Collection of 2 photographs and a serigraphy. Photographs probably later copies after the originals from 1924/1926. Serigraphy monogrammed and dated 1931. - Photographs with stamp of the Bauhaus Archiv 1969 on reverse. Serigraphy with additional ink drawing on reverse. - Photographs with minimal crease marks. Serigraphy slightly browned and with minimal soiling in the margin. Overall well preserved.

XIX Century Inkwell, with a silver top collar (damaged) one box of old penny coins, XIX centre black papier mache crumb scoop, pot lid etc:- One Tray; together with A Goodber, Pen and Ink Drawing of Millhouses Park, Sheffield, signed bottom right 10 x 14. Watercolour of a Castle, signed bottom right H W ---, and a pencil drawing of a church.

John Dean RMS Rural Landscape, oil on canvas, signed lower left (damaged) 44 x 70.5cm, unsigned, one watercolour and Roy Williams ink drawing of Countryside scene. (3)

An 18th century pen and ink drawing of figures in a classical landscape, 26 x 19cm and a 19th century watercolour of figures on a lake against a romantic setting, 19 x 13cm

Melvyn R. J. Brinkley (20th/21st century) - 'Shingle Street', pencil, pen, ink and watercolour; together with various other watercolours including work by Gordon Smith entitled 'Achnahaird Bay and The Peaks of The Inverpolly Forest', a small early 19th century watercolour depicting a man seated beside a lake with boats and mountains beyond, possibly after or in the style of Thomas Girtin, 4.75" x 7.5", an oil painting of flowers signed E. Court, a print after Corot also other modern works after Michael Cooper, a pencil drawing of a huntsman on horseback jumping  a stream, initialled R.L.H, oil paintings after Sir Joshua Reynolds, contained within decorative gilt plaster and wooden frames one with a circular veneered inset, an oil painting of roses initialled KP and dated 1906, other furnishing prints and decorative pictures, various sizes (a collection) (five boxes)

§ Robert Salmon (British 1939-2020)Figures by the sea signed to the reverse oil on board 90 x 83.5cm Footnote: Born in Nottinghamshire, Robert trained at Mansfield Art School and then moved to London having secured a place at Goldsmith’s Art College. On graduation he pursued a career as a teacher of Art, while continuing to produce and develop his own distinctive work in oils. Robert was most productive in the 60s through to the early 90s. He worked very patiently and reflectively, often choosing to overpaint sections of intense decorative detail. His highly imaginative oil paintings were regularly selected for the Royal Academy Summer Exhibition (1972/ 1974/ 1977/ 1980/ 1983) and sold by the Weitzmann Gallery in New Bond Street, Bell Lodge Gallery in East Sussex, Bull’s Eye Gallery in Lichfield, Jasper Galleries in Madrid and Pearl Fox Fine Paintings, Philadelphia. Many were purchased by private clients, but institutional purchasers included Bolton Art Gallery and the Beecroft Southend Gallery, plus Education Committees in Leicester, Hull, and Oxford. Robert was also commissioned by the Oxford University Press to produce the fine ink line drawing illustrations for their publication entitled ‘Worlds of English and Drama’ (1983).

Aviation. Four photograph albums relating to Short Brothers & Harland Limited of Belfast, c.1965-75, containing in total 120 photographs (various dimensions, from 150 x 175 mm to 180 x 245 mm), mainly gelatin silver prints (a few in colour), all mounted rectos only to black card album leaves, the albums depicting visits to the Short Brothers Belfast factory by Prince Philip (39 photographs) and Alec Douglas Home (22), a trade exhibition in Japan (43), and various interior images of a laboratory including a model of a Seacat missile (16), with a Christmas card to 'Dennis + Jean' (i.e. Cuthbert Edward 'Dennis Wrangham, 1907-1982, chairman of Short Bros and Harland, and his wife) from Terence O'Neill, Prime Minister of Northern Ireland, and a letter signed to Jean Wrangham from Captain Richard Hutton, Assistant Equerry to the Duke of Edinburgh, both laid in. Together with the following ephemera: Friendship album kept by Jean Wrangham (née Cuthbert-Behrens), 1936-40, 26 leaves, including the autograph of Olave Baden-Powell as 'Chief Guide', various pencil, pen-and-ink and watercolour sketches including a very competent imitation of E. H. Shepard depicting Winnie-the-Pooh, Piglet and Christopher Robin playing poohsticks, an anthropomorphic rabbit marriage, and similar; Album of albumen-print cartes-de-visite, with 22 cards by Hugh Paton & Sons of Edinburgh, J. Ballantine of Cumnock, and others, with sitters identified in pencilled notes; Manuscript private library catalogue, c.1900, 37 leaves of ruled paper, written on rectos only, arranged alphabetically by title, headings comprising 'Library flat', 'Library floor', 'Drawing Room Flat', 'Top Flat'; and 1 other item (qty: 10) Provenance: Cuthbert Edward 'Dennis' Wrangham (1907-1982), chairman of Short Bros and Harland; thence by descent.

Fred Banbery (1913-1999) - 'Mr Brown brought tea and sticky cakes to Paddington', pen, ink and pencil, 7 x 13 cmNote - Preliminary drawing for Michael Bond 'Paddington Bear', London, Collins, 1972, pages 12 and 13Exh - Fred Banbery and Paddington Bear, April/May 2000Prov - The Estate of Fred BanberyChris Beetles (label to verso)ARR may be applicable

Fred Banbery (1913-1999) - 'Paddington gave an excited sniff as he climbed out of the car. Even the air had a different smell', pen, ink and pencil, 9 x 6.5 cm Note - Preliminary drawing for Michael Bond, 'Paddington at the Sea-side', London, Collins, 1975, unpaginated Exh - The British Art of Illustration 1800-1999, no 556 Prov - The Estate of Fred Banbery Chris Beetles (label to verso) ARR may be applicable

A JAPANESE SCRAPBOOK OF PAINTINGS AND DRAWINGS PROBABLY EDO PERIOD AND LATER, 19TH CENTURY AND LATER Including twenty pictures, variously depicting animals, deities and figures at leisure; one an ink drawing after Katsushika Hokusai (1760-1849) of a hero under a waterfall from the Wakan ehon sakigake (the Picture Book of the Warrior Vanguard in Japan and China) and another of the goddess Kannon riding on a dragon from his Hokusai shashin gafu (Hokusai's Album Drawn True to Life); the album 30.6cm x 21.5cm. PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.

Louis Wain (1860-1939) pen and ink drawing - a smiling cat, signed, 10.5cm x 8.5cm, in glazed frame Provenance: Bonhams 28th February 2007, lot 363

JOHN UZZELL EDWARDS pen and ink drawing - south Wales valley street scene, entitled verso 'Deri', signed 'John', 34 x 68cms Provenance: private collection Kent Presentation & Condition: original frame with loose backing, glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)

SIR FRANK BRANGWYN RA pen and ink drawing - Fire of London, unsigned, 6.5 x 6.5cms Provenance: private collection Kent Presentation & Condition: no problems, mounted but unframedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)

* Daintrey (Adrian Maurice, 1902-1988). A collection of 15 drawings on paper, including: Alan Ross 1976, Benevento 1945, Drawing room Interior 1972, Benson's Canteen, Corfu, Villa Maichio, Hassocks 1976, and others, some untitled, pen & black/brown ink, most with pencil, some with watercolour wash, one with watercolour and heightened with bodycolour, most signed or initialled, a few generally light spots or toning to some, 5 window-mounted (3 with typewritten label on verso of mount), sheet sizes between 14 x 22cm (5.5 x 8.5ins) and 25 x 35cm (10 x 14ins), loose in card folderQty: (15)

* Dearden (Harold, 1888-1962). Fishermen hauling creels, pen, ink, and sepia wash on paper, depicting 2 rugged men bent over and pulling a cart loaded up with lobster pots, men in sailing boats and a town in the background, lightly mount-stained, upper margin with slight show-through from residue of backing board, sheet size 27.2 x 36.7cm, mounted, framed and glazed, Easthope & Fripp gallery label on backboard with inscription 'Drawing by H. Dearden A.R.C.A.', 43.2 x 49.6cmQty: (1)

Augustus Edwin John O.M., R.A. (British, 1878-1961)The Temptress pen and ink and wash on paper43 x 28cm (16 15/16 x 11in).Executed circa 1902Footnotes:ProvenanceWyndham T. VintSale; Christie's, South Kensington, 8 October 2013, lot 441, where acquired by the present ownersPrivate Collection, U.S.A.ExhibitedPossibly London, Royal Academy of Arts, Augustus John, 1954The present lot is one in a series of pen and ink studies that John made for the frontispiece of John Sampson's Romany version of Edward Fitzgerald's translation of the Rubaiyat of Omar Khayyam, published 1902. The present lot is similar to the drawing titled Omar, which was reproduced as the frontispiece for the book, also illustrated in the exhibition catalogue Themes and Variations, The Drawings of Augustus John 1901-1931, Lund Humphries Publishers Ltd in association with National Museums & Galleries of Wales and Spink & Son Ltd, London, 1996, no. 2, illustrated on p. 30.We are grateful to Rebecca John for her assistance in cataloguing this lot.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

German armorial manuscript volume. Containing 480 hand-painted continental shields & crests, early 16th century, comprising five double-page sheets (opening to 425 x 600 mm) on thick wove paper, 96 shields to each double-page sheet or opening, each armorial finely drawn in pen & ink with original watercolour in red, blue, yellow and green, and captioned in brown ink in a secretary hand (with some unusual spellings of names which suggest an early composition for example Meittenharsre mod. metzenhaussen, Mobingartt mod. Bomgart and Scharenstein mod. Horenstein), the style of drawing is continental and the absence of an Italic influence suggests an early date, few discreet old repairs, each sheet laid onto good quality 17th century(?) laid paper (and so, thought worthy of preservation even at this date), some light dust-soiling, few minor marks (including old damp stain to one sheet), edges neatly strengthened with archival tissue, guards and endpapers renewed, upper pastedown with small portion of earlier pastedown retained with 'Anon 478' written in ink and pencil, modern full tan calf professionally bound by Julian Thomas (volume conserved & rebound in 2010, and original invoice for binding and conservation work included), single gilt-line to border to boards, spine with raised bands and double gilt-line decoration, slim folio 440 x 335 mmQty: (1)NOTESThe armorials include many canting arms and early Grand Masters of the Teutonic Knights, some very early examples not recorded in Siebmacher's Wappenbuch. The most prevalent coats appear to be for bearers in Bavaria, Suabia, Franconia and Rhineland (Bavaria was a Duchy, later a kingdom, which split at various times rather than being a separate entity). The Grand Masters of the Teutonic Order are early, e.g. Berfurtteyer (mod. Karl Beffart v. Trier); Dussanre (mod. Heinrich Dusner); Ludolf Konig et al. There is very little 'vert' (green) in the shields, a colour that was not much used in early heraldry. The watermarks (pomme de pin, double-headed eagle and bear) compare to examples included in Briquet & Piccard dating from between the 1480s to 1540s.

EDWARD LEAR (1812-1888) GARF HOSEYN Inscribed Garf Hoseyn/ 2.15. PM. 1867./ Feby.15.1867 in ink (over a similar inscription in pencil), numbered (483) lower right, with artist's colour notes, pen and brown ink with coloured washes, heightened with white 30.5 x 53cm. * A slightly earlier drawing of the same subject (near Lake Nasser, Nubia, Egypt), timed at 12.30pm on the same day (and numbered 480) is in the collection of The Yale Center for British Art (Gift of Donald C. Gallup), New Haven, Connecticut ++ A little pale

P. NORGARD (C. 1950) - A busy street scene in Denmark, ink and wash drawing, signed, framed, 27cm x 39cm, frame size 30cm x 42cm.

John Thompson (1924 - 2011)Figure Walkingsigned, dated 1959, pen and ink drawing, 28.5cm x 10.5cm

18th Century pen and ink drawing, inscribed on label verso ' 18th Century Dutch Drawing, Interior with Cobblers ', 10ins x 7.5ins

After Arthur Rackham, ink and watercolour drawing, ' The Valiant Taylor ', bearing signature, 12ins x 10ins approximately together with another of a bear, bird and fox, 8ins x 6ins approximately, bearing signature, gilt framed

Attributed to Thomas Rowlandson, ink drawing with watercolour washes ' The Elopement , 6.75ins x 8.75ins, gilt framed

Martin Syrett, ink and watercolour abstract composition, signed and dated 1966, 12.5ins x 9.5ins, together with a black and white print of an ink drawing, study of a group of figures, unsigned

Late 18th / early 19th Century English school, pencil and ink drawing, herdsman in a landscape, 8.75ins x 12.25ins approximately, gilt framed

Terence John Daily, pen and ink drawing over pencil, stylised study on a musical theme, 22ins x 15ins approximately, signed, in a silvered frame

After Albrecht Dürer (1471-1528) German Christ, man of sorrows mocked by a soldier Bears initials AD, brown ink, 13.5cm by 11cm Note: The drawing relates to the series of woodcuts produced by Dürer detailing the Passion of Christ published in 1511 See illustration

A. Godber 'Sheffield Moor Market 2.83' Ink Drawing, 10 x 14cm. Three pencil drawings, two watercolours. (6)

MARITIME - The Searchlight. H.M.S. "Lion."MARITIME - TheSearchlight. H.M.S. "Lion." ... For Private Circulation only. [No place: nopublisher], October 1st, 1915 - April 1st, 1916. 3 issues bound in one, 4to(300 x 203mm). Wood-engraved illustrations. EXCEPTIONALLY FINELY BOUND in navyblue crushed morocco gilt by Riviere and Son, the spine lettered in gilt("H.M.S. Lion's Searchlight") with gilt coat-of-arms and 5 raisedbands, the dentelles with anchor motifs stamped in gilt at each corner, uncut,original stiff wrappers bound in. RICHLY EXTRA-ILLUSTRATED. The volumecontains, in addition to the printed material, the following: 1) the strikingoriginal full-page cover design in pen-and-ink of "H.M.S. Lion" atfull steam, initialled "E.C.B."; 2) the original full-pagepen-and-ink drawing of [?]Captain Alfred E. M. Chatfield standing on deckbeside Horatio Nelson, captioned "Have patience, I waited two years forVilleneuve"; 3) an original pen-and-ink design for a banner, showing afleet of ships heading towards a rising sun, marked up in pencil for printing;4) a 5-page autograph manuscript of the poem "The Soul of a Ship"signed [?] by Captain Chatfield (but which is uncredited in printed formon p. 5 of the first issue); 5) an original pen-and-ink and watercolourcaricature of Viscount Bassett, unsigned; 6) an original pen-and-ink circulartitle for the January 1915 issue; 7) an original pen-and-ink drawing, unsigned,captioned "Have you done your bit?", marked-up in pencil for printing[but not apparently printed]; 8) printer's proofs for a caricaturecaptioned  "A.L.H."; 9) anoriginal full-page pen-and-ink drawing of a lion, unsigned, captioned,"Looking for their next meal"; 10) various letters and receipts fromG. H. Barwick, Department of Printed Books, British museum ("I amparticularly gratified to get this, and shall be very glad of anyfurther publications of the Navy of this kind ..."); 11) a fine originalpen-and-ink and watercolour portrait [subject unidentified], unsigned,captioned, "Per mare, per terram"; 12) an original pen-and-ink designfor a tail-piece. Loosely-inserted are various other ephemeral items relatingto the printing of the periodical and to the ship. 

PICASSO PABLO: (1881-1973) Spanish Painter. An exceptional illustrated A.L.S., Olga et Picasso (also signing on behalf of his first wife), to one side of a picture postcard depicting a Christmas winter scene to the recto, Paris, 2nd January 1919, to Mr & Mrs [Henri] Defossé, at the Coliseum Theatre in London, in French. At the head of the letter Picasso has executed a wonderful, charming original pen and ink drawing of a Christmas dinner, apparently for four people with a turkey, two bottles of wine accompanied by four glasses and several bunches of grapes and other fruits laid out on a table. A decorative, dark flowing line adorns the upper part of the exquisite drawing with the year 1919 at the head. Beneath his drawing Picasso writes a brief message to his friends, presenting them with the Christmas dinner, 'Dear friends, here you have, with this well-served table, our best wishes', also adding the address of his Parisian home and workshop at Rue la Boetie in his hand beneath his signature. Such detailed original ink drawings by Picasso, particularly from this earlier stage of his career, rarely appear at auction and the present example is enhanced by an interesting association. Some very minor, light age wear, otherwise VG  Henri Defossé (1883-1956) French Conductor, Pianist & Composer. Sergei Diaghilev's favourite conductor, Defossé was chosen to lead the Ballets Russe at London's Coliseum Theatre in 1918 & 1919.  Olga Khokhlova (1891-1955) Russian Ballet Dancer, the first wife of Pablo Picasso and one of his early artistic muses. Khokhlova first met Picasso whilst dancing in Diaghilev's Parade in 1917 for which the artist had designed the set and costumes. They married in July 1918 and in July the following year they travelled to London together for the performance of Diaghilev's Le Tricorne for which Picasso had again designed the costumes and stage.

MCCAY WINSOR: (c.1866/71-1934) American Cartoonist & Animator. A good original black pen and ink drawing signed by McCay, one page, oblong 8vo, n.p., n.d. McCay has drawn Little Sammy Sneeze in a half-length profile pose with an exaggerated inscription ('Heeeooortense') incorporated into the character's huge sneeze. Signed by McCay with his name alone at the foot of the page. Some light creasing and very minor staining and with a small area of paper loss to the upper left corner, otherwise about VG Little Sammy Sneeze was McCay's first successful comic strip which ran in the New York Herald from 1904-06. 

UDERZO ALBERT (1927-2020) French comic book Artist. Best known for his comic book series Asterix in collaboration with René Goscinny. Colour signed 5 x 7 photograph `Uderzo´, the image showing Uderzo in a head and shoulders pose, holding a model of his comic character Asterix in the foreground. Signed in bold black ink, with his name alone, to a clear area at the base of the image. Together with Christian Clavier (1952- ) French Actor and film Producer. Best remembered after starring in the comedy Les Visiteurs (“The Visitors”), 1993. He furthered his popularity by taking the role of Asterix in the screen adaptations of the comic books by Albert Uderzo and René Goscinny.Signed postcard photograph `Amitiés, C. Clavier´, the postcard front image showing a colour printed drawing of Astérix. Signed in bold blue ink to clear area of the image. EX, 2 

HUGO VICTOR:(1802-1885) French Poet and Novelist. Unusual sketch by Hugo, to a 3 x 4.5 clipped page. The black ink drawing showing a man, standing in a profile pose, with his hands in his trousers pockets and wearing a hat. Edges slightly uneven. Very small overall minor age wear and few extremely small stains, otherwise G

FELLINI FEDERICO: (1920-1993) Italian Film Director, Academy Award winner. A good original blue pen and ink drawing signed by Fellini, one page, folio, n.p., n.d. Fellini has drawn a caricature of a male tennis player, with an exaggerated mouth, standing in a full length pose and holding a large tennis racket in one hand. Signed by Fellini with a truncated example of his first name only to the base. Some extremely minor, light wrinkling and very light uniform age toning, most likely the result of previous framing. About VG 

PAVLOVA ANNA: (1881-1931) Russian Ballet Dancer. Signed oblong 4to drawing paper page by Pavlova. Signed in bold fountain pen ink `Anna Pavlova´ to the centre of the page. A large good example signature, with small ink stains splash above, otherwise G

PETER KENT (XX/XXI) A framed and glazed pen and ink drawing, 'The Entropy State Building'. Pencil signed bottom right and labelled verso. 55cm x 39.5cm

COLIN SELF (b. 1941) (ARR) A framed and glazed pen, ink and tape drawing titled, 'Dandelion' with applied Dandelion head and seeds. Pencil signed bottom right and dated 17.1.1997. Paper size 50.5cm x 40.5cm

Emblemata.- Wither (George) A Collection of Emblemes, Ancient and Moderne..., 4 parts in 1, engraved additional pictorial title by William Marshall, engraved portrait of the author, engraved circular emblems after Crispijn van de Passe the elder, lacking initial 'Preposition to this frontispiece' leaf and all after 2N3 (including final leaf with 2 woodcut dials and index), engraved title torn and frayed with some loss to corners (laid down), soiled and stained, many tears and repairs, mostly marginal but with occasional slight loss, with charming pen, ink & watercolour drawing mounted on front free endpaper dated "August XXX, MDCCCXVII" in ink below, later ink inscription to facing leaf, engraved bookplate of Lichfield Close, attractive eighteenth century green morocco with gilt roll-tooled scalloped border and small flowers to corners, spine gilt in compartments with title, floral tools and five raised bands, g.e., rubbed, [STC 25900a], folio, by A[ugustine] M[athewes] for John Grismond, 1635; sold not subject to return⁂ The watercolour drawing appears to show Christian from Bunyan's Pilgrim's Progress on his journey to the Celestial City with some of the allegorical figures and experiences he encounters on the way.

Dickens (Charles).- Kensal Lodge Literary Salon.- Buckley (Anne, compiler of album, sister of Mrs. James Touchet, 1794-1868) Scrap album comprising drawings, letters, photographs and cuttings, including a photograph of Ann Buckley and a copy of a portrait miniature of Buckley aged 26, with over 25 original pencil studies and watercolours, 3 signed by John Franklin, two portraits by Daniel Maclise, one of John Forster (author of 'Life of Dickens'), an anonymous group portrait of Anne Buckley and her two sisters as 'The Three Graces', 3 landscape watercolours of the Dawlish Coast by Charles Stirling, another pencil landscape study by Alfred Delamotte, a portrait sketch inscribed by George Cruikshank possibly a self-portrait or a portrait by 'Mr Ainsworth', an original drawing of the initials 'E' and 'T' by Eliza Touchet, and a pen and ink drawing of William Harrison Ainsworth probably by Count D'Orsay, and a number of anonymous portraits of young girls, alongside a collection of over 15 contemporary wood-engravings and prints; with signatures of both Catherine and Charles Dickens, both dated in their own hands June 29th 1844; tipped-in printed invitation to 'Miss Buckley' signed by Charles Dickens, dated Devonshire Terrace September 8th 1845; and numerous typed copies of letters, including 9 from Dickens to Ainsworth, the originals of which were sold at Sotheby's in 1932, together with the original pages from the sale catalogue with prices (nb 3 letters each made £105), plus other similar typed and later ms. copies of letters from George Cruikshank, Francis Marryat, Caroline Norton, Hablot K. Browne, Countess of Blessington, John Forster, W.H. Ainsworth and Catherine Dickens, presumably to one of his readings, various sizes, many neatly tipped in to album leaves, some loose, contemporary morocco, 4to, [circa 1840 and later].⁂ The remnants of what was an exceptional album relating to Dickens, Ainsworth and their literary circle. A typed note on the album, its compilation and the family background by E.A. Greswell (dated 1932) is loosely inserted.Provenance:Anne Buckley; her sister, Mrs. James Touchet (1792-1869)Then by descent to the present owners

A framed and glazed antique etching of Tom Molineaux vs Tom Cribb along with a ink drawing on board of Lightning Ridge, signed De Villier, 73. H.38 W.53cm

Mid 20thC French pen & ink sketch of a pack of dogs, initialed "A.B." in fine ebonised wood frame,The ink drawing measures 7 x 26 cm

G. CARELLI, 1847 dated drawing "View of Chiswick House", Agnew label, 10" x 14"; also pen and ink sketch "The Cedars, Chiswick, 1875", 7" x 16"

Walter John 'Bishop' Trower [c.1805-1877]- The Low Church at Ephesus....',:- inscribed with details bottom rightpen, ink and wash drawing, 24 x 36cm.

* Henri Gaudier Brzeska [1891-1915]- Wolmark's Boy,:- signed, inscribed and dated Brzeska 1913 in pencil bottom left pen and ink drawing, 22.5 x 17cm, verso a drawing of a woman wearing a hat. * Provenance. Lords Gallery. 26 Wellington Road, St. John's Wood, London. Sidney Gilliat, film producer/ director, thence by family descent.

*John Hassall [1868-1948]- Snake Charmer,:- signed, pen, ink and watercolour drawing, 24 x 14.5cm.