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Click here to subscribeA pen and ink drawing on card, titled 'Call to the Colors', featuring Jack Brabham, dated '4/1/60', depicting signal flags and cartoon sketches of sports racing cards, signed 'Lare Hubenthae L.A. Examiner for Jack Brabham with every good wish for your continued success', approx 35cm x 44cm.
William Lionel Wyllie (1851-1931) - Pen and ink drawing - "Waterloo Bridge from the Surrey Side", 3.625ins x 5.5ins, apparently unsigned, in modern ebonised frame and glazed Provenance: Wilson's Antiques - 45-47 New Broadway, Tarring Road, Worthing, West Sussex, BN11 4HS - Purchased 4th November 2014,(Invoice No. 10023)
Four pictures to include:Attributed to Thomas Barker of Bath (British, 1769-1847): Ogmore Castle, Glamorgan, ink & sepia wash, titled verso & inscribed 'Barker of Bath', H 36.5 x W 54 cm, unframed. Note: A similar work by the artist of the same subject exists in the Government Art Collection (No. 7999); together with three unframed Old Master drawings:A male figure study, pencil drawing, H 54 x W 38 cm; A female figure on a horse driven chariot, ink drawing, H 22 x W 50 cm; & a series of three pencil studies of a Biblical subject on a single sheet, H 26 x W 37 cm (4)
A collection of early English drawings to include Anthony Vandyke Copley Fielding, P.O.W.S. (1787-1855): Ink study of a tree; John Nixon (1750-1818): Figural pencil drawing; Charles Hancock (1795-1868): Pencil drawing of Buxton gardens; George Cuitt II (1779-1854): Two pencil & wash studies, 'Richmond' & a hilly river landscape; Charles Green, R.I. (1840-1898): Two watercolour studies in Houghton Forest, 1865; William Leighton Leitch (1804-1883): Two mountainous Continental landscape pencil study. All mounted but unframed
CIRCA 1930s DRAFTSMAN'S DRAWING OF P.S. JEANIE DEANS PADDLE STEAMERin pencil, ink and crayon on paper, written in pencil 'No 644 Paddle Steamer 'Jeanie Deans' painting profile scale 1/8 - 1 foot', 34cm x 96.5cm, under perspex; together with a printed draftsman's drawing of P.S. Mercury, 35cm x 84cm, under perspex
A Victorian vellum treasure's account book, from the Witton Lane Primitive Methodist Chapel, with extensive ink MS. tabulations from 1862-1927, including payments for cleaning services, the organist's and further salaries, aid, drawing, painting, printing, concert proceeds, prizes, coal and gas, carpentry, etc., titled front board, tall 4to This accounts book could relate to two Primitive Methodist chapels in Victorian England: as the foundation stone for the chapel at Witton Park, County Durham, was not laid until 1883 it is more likely that the accounts inscribed herein relate to Witton-le-Wear in the same county. Though the Witton-le-Wear chapel itself was opened in 1901, there had been an organised Methodist presence in the village since 1822 unlike Witton Park.
Joseph Pennell (1857 - 1926), American School pen and ink - Fruitful Orchards, The Generalife (Alhambra) 1875, signed, titled and dated, in glazed gilt frame, 27cm x 43cm. N.B. In 1875 Joseph Pennell travelled to the Alhambra in Granada, Spain, where made numerous drawings in pen and ink. These drawings were subsequently used as illustrations for Washington Irving's famous book 'The Alhambra' (1896 edition). This lot is sold with a 1906 edition of 'The Alhambra' (Provenance: Sir William Henry Preece K.C.B. Welsh engineer and inventor). The drawing is reproduced on pages 261 and 329. Provenance: The Jean and Graham Devoe Williford Charitable Trust, Fairfield, Texas. Graham Devoe Williford was an avid and important collector of 19th century American paintings including works by the American artist and illustrator Joseph Pennell
HAL FOSTER (AMERICAN 1892-1982), PEN & INK ON PAPER, IMAGE: H 11", W 24", "PRINCE VALIANT IN THE DAYS OF KING ARTHUR"Original cartoon single strip drawing; paper size: 11 1/2" x 24 3/4"; image size: 11" x 24 1/4"; dedicated and signed lower right, "To Theodore with best wishes Hal Foster"; Lang Co., Inc. red stamp on verso along with order nos. 14901,14902 and 20184 as well as "18590 Velox only, 14 3/8" wide"; unframed. Lot also includes the unframed poster: "Milestones in the Story of Prince Valiant"; #388/1000; 1975; paper size: 21 1/2" x 15 1/2", as well as a black and white Foster unframed lithograph (no edition number) from 1978 of a wizard; paper size: 16" x 12". All 3 pieces in the lot given by Hall Foster's son to the family of the consignor.Soiling and staining to the front and back of the drawing with the front side having the greatest amount around the edges, also a diagonal crease in the LR corner; staining and foxing to the poster. Rf- For High Resolution Photos visit Dumouchelles website.
Charles B. Newhouse [fl.1830/40]-The Plough Hotel Cheltenham Mail Coach:A coaching scene:-two, watercolours heightened with white and gum Arabiclargest 24 x 36cm, *Provenance - Direct Family Descent, together with one other unframed watercolour of a stag and a pen and ink drawing titled Modern Travelling. [4]
*Scene in an Aircraft Engine Workshop. An unframed pen-and-ink drawing on thin card showing an engineer working on the crank and cylinder heads of an aircraft engine while, in the background, a group of four colleagues are discussing another aspect of engine construction. Artist unknown, but with his monogram in the bottom left-hand corner of the sheet. A little dusty and with some marginal creasing, but still an attractive work. Sheet size 28 x 39cm. (1)
*R. J. Way: Cut-away pen-and-Ink drawing. A large horizontal format image of a power-turbine engine for publication in 'The Aeroplane', with significant components indicated. Drawn on thin card, not signed, the sheet slightly irregular in shape and rather dusty and marked, so in need of a clean. Some pencil annotations, and a note on the back in ink: 'Blackburn A.129'. Unframed, approximately 41 x 72cm. (1)
*R. J. Way: Cut-away pen-and-Ink drawing. A large horizontal format image, similar to the preceding lot, of another aircraft engine, this time with the artist's name, R. J. Way, printed below the electric starter. Other significant components are indicated. Once again, drawn on thin card, and the sheet rather dusty and marked, so in need of a clean. Pencil annotations along the lower margin. Unframed, approximately 42.5 x 72cm. (1)
*R. J. Way: Cut-away pen-and-Ink drawing. A large vertical format image, similar to the preceding lots, of another aircraft engine, a note on the reverse indicating that it was for a double-page spread in 'The Aeroplane'. The artist's name printed below the air intake. Once again, drawn on thin card, and the sheet rather dusty and marked, so in need of a clean. Some pencil annotations. Unframed, approximately 62 x 39.5cm. (1)
*R. J. Way: Cut-away pen-and-Ink drawing. A large horizontal format image, similar to the preceding lots, of another aircraft engine, again for publication in 'The Aeroplane', with significant components indicated. The artist's name in printed ink appears above the magazine's copyright label bottom left of the image. As before, drawn on thin card and dusty, but in rather better condition than the foregoing lots. Unframed, approximately 36 x 53.5cm. (1)
*R. J. Way: Cut-away pen-and-Ink drawing. A large horizontal format image, similar to the preceding lots, of another aircraft engine, for publication in 'The Aeroplane', with significant components indicated, this time on artist's board and protected by a tissue guard, though the surface is still somewhat dusty. The artist's name is printed in ink bottom right, below the exhaust cone assembly. Unframed, approximately 40 x 73cm. (1)
*Robinson (William Heath, 1872-1944). A Nice Conclusion, circa 1918, pen and ink and wash drawing, signed lower right and captioned in ink by the artist to lower margin: 'Enemy Aviator (beginning to realise) "Himmel ! Surely I the zone of fire approaching be."', 43 x 25.5cm, framed and glazed Reproduced in the book 'Heath Robinson at War' (1942). (1)
*Arthur (2nd Lieutenant William Hugh Duncan, born 1892). A small group of 12 mostly pencil drawings, 1917, some drawn during the third battle of Ypres in 1917, subjects include Ypres Cathedral, the shattered Hotel de Ville at Arras, the shattered belfry and a shell-torn street at Bailleul, the artist's billet, Cathedral of St Omer, plus a market scene in Alexandria and 2 sketches of Cairo, mostly inscribed and dated, various mostly small sheet sizes but including 1 mounted pen and ink and wash drawing of Ypres Cathedral, 34.5 x 24.5 cm Duncan served with the 9th Battalion South Staffordshire Regiment. (12)
*Ruhleben Recollections. A group of 7 drawings, circa 1916, including 2 pencil drawings by Cyril Oppler of the Teehaus, Ruhleben and Barrack 19, both 1915, 11.5 x 19 cm, plus 4 drawings by Robert Walker including one pen and ink and watercolour captioned 'We don't think!', a pen and ink and wash drawing captioned 'Mac's gramophone' and 2 others, each approximately 19.5 x 30 cm, 3 items framed and glazed and 4 in modern mounts These drawings came from a sketchbook belonging to John McLaren, Barrack 2, Room 22; the remaining blank sketchbook is included with the lot. (8)
The Lanchester Legacy by Chris Clark, volume one, published 1995, covering the marque and its history between 1895 and 1931, detailing the models and variants. 279pp with index. Also volume three in the same series entitled 'A Celebration of Genius', edited by John Fletcher, 284pp, 1996. (Volume two is still to be published). Also, Lanchester Cars 1895-1956, published 1990, a compilation of articles, road tests and photographs, A4 format, together with, Daimler & Lanchester by Brian Long, 329pp and index, 1st ed 1995, giving a very detailed overview of both marques, with quality photographs and appendices. Additionally, Lanchester Motor Cars by Bird and Hutton-Scott, 1965 1st ed, and comes with an ink drawing by George Lanchester with a note saying that it was drawn in 1950, possibly for a very young Malcolm Jeal, however, no DJ. All others with very good DJs, slight creasing to the tops of the spines, no splits. (5)
*Frank Patterson (1871-1952): Hinton Admiral, New Forest, of Happy Memory. A pen-and-ink drawing showing a cyclist halting outside a thatched public house, where another bicycle is already parked against the post of the inn's sign. Signed in the bottom right corner next to the work's title. Some light toning, otherwise good condition. Framed and glazed, image size 20 x 27cm. (1)
*Frank Patterson (1871-1952): When We Were Kings of the Road. An elaborate vertical format pen-and-ink drawing for the magazine 'Cycling', the name of the magazine emblazoned across the top margin, with silhouettes of cyclists on either side. Signed and dated 1935 in the bottom margin. The work is sub-titled 'An' all t' way from Lunnun too!' and shows a group of country folk admiring an ordinary (high-wheel) bicycle which has been left propped against the signpost of the Bull Inn. Some foxing and in need of a clean, but an excellent example of the artist's work, with particularly well-drawn details. Framed and glazed, image size 42 x 30.5cm. (1)
*David Louis Ghilchik (1892-1972) - 'Running Repairs'. An original pen-and-ink drawing showing an attractive young couple attempting to carry out repairs to their motorcycle whilst driving along a village street, the beautiful pillion-passenger passing a spanner to her beau as he carries out work on the front wheel-hub, with poultry scattering and an elderly couple looking on in horror. The title appears in the bottom margin. Signed bottom right. A drawing for Punch, June 26, 1929 (page 704). Good condition. Mounted, framed and glazed. Sheet size 26 x 33.5cm. (1)
*David Louis Ghilchik (1892-1972) - 'The Cause of it all'. An original pen-and-ink drawing showing an irate driver clambering out of a ditch, his car having been forced off the road by a bewhiskered man pushing a loaded wheelbarrow. The title appears in the bottom left corner, followed by the culprit's protest: "All roight, all roight, dont ee' nag so. Oi've apologised, 'aven't Oi?". Signed bottom right. Good condition. Mounted, framed and glazed. Sheet size 25 x 37cm. (1)
*S.C.H. 'Sammy' Davis (1887-1981). An original pen and ink cartoon drawing, entitled 'A Nightmare', which was illustrated on page 208 of the issue of Motor Cycling published on 3rd January, 1910. Sammy Davis achieved fame as a racing motorist, journalist and clubman, but was also well-known for his witty, sometimes outlandish and surreal, artwork. This example shows a motor-cyclist teetering along a precipitous mountain ridge whilst being threatened and assailed by various grotesque figures. Signed by the artist in the bottom right-hand corner, mounted, framed and glazed and in good condition. Image size 20 x 26cm. (1)
*Tom Parr - Cartoon Drawing. A framed and glazed pen-and-ink and coloured drawing on card, dated 1920, signed by the artist in the bottom left-hand corner, showing an open landscape across which a driver has driven his veteran car at speed and has managed to collide with the trunk of the only available tree. Image size 25 x 16.5cm. Together with another mounted, framed and glazed pencil and pen-and-ink drawing of similar vintage, entitled 'Going Strong' in the bottom margin, indistinctly initialled in the bottom left corner, and again showing a chauffeur-driven vehicle, this time racing along a country road while its two passengers cling on in the back seat and an onlooking policeman peers from behind a roadside tree in horror. Image size 15.5 x 12cm. Both drawings are in good condition. (2)
*Egypt. An album containing thirty-six watercolours and drawings by Colonel H.F. Turner, 1885/6, twenty-seven watercolours, some grisaille, and nine pen & ink or pencil sketches, mostly views, but some figure and architectural studies, some mounted, others direct on album leaves, mostly annotated and dated, stitching partially broken, and some leaves detached, leaf size 12.5 x 17.5cm (5 x 7ins), ink ownership inscription on front pastedown 'Colonel H.F. Turner (RE) Egypt, his booke 1885-6', original roan-backed cloth, soiled and worn, oblong 8vo Titles include: The Great Hall of Karnak; Nile Boat; From the stern port of SS "Ballaarat" H.M.S. Crocodile following; Statue of Rameses II Memphis; The Sphinx by moonlight; Tombs of the Khalifs from Citadel Cairo; Ibrim Castle near Korosko; Sheikh in the Mahdi's Uniform. (1)NB: 14 watercolours and 3 pencil drawings have a pair of pink parallel straight lines running vertically or horitzontally across each drawing
Military fortifications. Schenk (P.), Carte qui represente toutes les pieces qui sont comprises dans l'architecture militaire..., published Amsterdam, 1703, engraved chart printed in sanguine, showing numerous military instruments, weapons and engines, title repeated in Dutch inside a martial cartouche, 495 x 615 mm, together with Anonymous,Plan d'une fortification reguliere de 12 bastions avec tous ses ouvrages exterieurs..., circa 1740, pencil, ink and watercolour drawing of fortifications, title on a 'rolled page' cartouche, large mileage scale decorated with cannons and weapons of war, 385 x 495 mm (2)
AN ALBUM CONTAINING A COLLECTION OF WATERCOLOURS, 19TH CENTURY, including an estuary landscape by William Payne (British, 1760-1830); a pen and ink drawing of 'H.M.S. Amethyst … capturing the French Frigate La Niémen 1809'; and numerous other lithographs, coloured prints and drawings, the album -- 14¾ x 11in. (37.5 x 28cm.), (A lot),
A UNIQUE ALBUM OF CONTEMPORARY WATERCOLOURS OF THE FRIGATE H.M.S. JASON BY THE SHIP'S CARPENTER, AND BOUND IN MONKEY SKIN, CIRCA 1805, compiled by Thomas Harris and comprising ships drawings, manuscript on paper, 7 watercolour drawings of ships' details, the second one with a Union Jack and an early 19th century pen and ink drawing of a figure, and 5pp describing ordnance Dementions of 1st Rate 110 Guns 2764 Tons, etc. Bound exotically in monkey skin, a little worn, contained in a recessed space in a modern green morocco chemise, c.1805. With an inscription on the inside cover of the book: This book was written and drawn by Thomas Harris cabinet maker, of Shrewsbury. He was formally ship carpenter to the Jason frigate and made a model of it which I bought. He gave me this book at that time about June 1836. The binding is made of the skin of a monkey be brought from Jamaica -- 4½ x 3¾in. (11.5 x 9.5cm.), The Jason was a 32-gun fifth rate Thames Class frigate, launched Woolwich 1804, she became flagship to Admiral Alexandre Cochrane in June 1805 and, serving in the Leeward Islands, enjoyed a lively career. Capturing several French and Spanish vessels (including the Naiade after a nine hour chase), she was handed over to Capt. Thomas John Cochrane (the Admiral's son) and continued much as before. Frigate actions, reducing batteries, and surviving an attempted mutiny whilst in New York, her last acts were to serve as escorts to the restored French King, Louis XVIII, and the Prussian and Russian Emperors during the peace negotiations that heralded the end of the Wars in 1815. Worn out, she was broken up shortly afterwards.
A SET OF TECHNICAL DRAWINGS BY PIERRE OZANNE, PRODUCED TO ILLUSTRATE PIERRE-ALEXANDER FORFAIT'S TRAITÉ DE LA MÂTURE DES VAISSEAUX, À L'USAGE DES ÉLÈVES DE LA MARINE, CIRCA 1788, comprising 18 numbered pages of numerous original technical drawings mainly about masts, on laid paper in pen and ink, and pen and wash, contained within a later quarter calf folding box, the drawings 14 x 9¾in. (35.5 x 24.5cm); together with Pierre-Alexandre FORFAIT: Traité élémentaire de la mâture des vaisseaux, à l'usage des élèves de la marine, published by Clousier, Paris, 1788 (1st Edition), tables, technical vocabulary, 294 pages, plus 22 folding engraved plates, contemporary French mottled calf, gilt decorated spine in compartments including a red Morocco title piece -- 10½ x 8½in. (26.5 x 21.5cm.), -2, The printed version included with this lot comprises 24 folding engraved plates, these drawings are about double the size of the engraved versions, and contain period corrections. Pierre Ozanne (1737-1813) together with his brother Nicholas, was one of the most significant naval draughtsmen of mid-late 18th Century France and amongst other services, was Professor of Drawing at the Naval Academy; The Marine Engineer Pierre-Alexandre Forfait (1752 -1807), was the author of many works, some of which have been published. The Traité de la mature.. was ordered by the Ministry De Castries, for the education of Naval Cadets. The success of the book made Forfait a member of the Académie des Sciences.
A pen & ink drawing commemorating the victory of Manna and Steve Donoghue in the 1925 Derby,indistinctly signed with initials, 20.5 by 25.5cm., framed; sold with a photograph of Manna & Donoghue winning the Derby with signature of the jockey reproduced in the plate, framed, 51 by 55cm. (2)Following his 2,000 Guineas win, Mann won the Derby by a then record distance of eight lengths. The colt was bred in Ireland, owned by Mr Henry E. Morriss, trained at Beckhampton by Fred Darling and ridden by Steve Donoghue. Manna was retired after breaking down in his Triple Crown bid in the St Leger. At stud he produced the 2,000 Guineas winner Colombo.
JR MARKLAND; ink drawing "Southern Railway - R.E.L. Maunsell's Class V" station with two locomotives, signed and dated lower right, 1980, titled and inscribed upper right "No.915 Brighton and No.930 Radley", 33 x 42cm, framed and glazed, also a quantity of unframed prints by the same artist, some signed in pencil. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.
JOHN WARD CBE RA (1917-2007)Study of a Handsigned and dated 'John Ward 1998' (centre right)watercolour13 x 9 1/2 in (33.1 x 24.2cm)Provenance: with Hazlitt, Gooden & Fox, London, 4th May-1 June 2000, 'John Ward in Venice' cat no.30 Sold with two watercolour portrait sketches of children; a watercolour depicting a still life with flowers in a Vase (1970); and a pen and ink drawing titled 'Tail Piece from 1963 Show Music Programme', all by the same artist; and an oil painting by K.W. Back depicting a View from Dover Cliffs (1963); six (6)
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![Charles B. Newhouse [fl.1830/40]-The Plough Hotel Cheltenham Mail Coach:A coaching scene:-two, watercolours heightened with w](https://cdn.globalauctionplatform.com/fd89bfdd-3600-4caf-8ec6-a6ad00b88261/d20b37c0-f438-4a37-9973-e159c3c61ae9/468x382.jpg)
