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Lot 93
John Cleveley the Younger (1747-1786)Shipping in the Tagus off Belém Tower, PortugalPen, ink and watercolour14 x 18.5cm; 5½ x 7¼inProvenance:From a drawing made on the spot for Mr. John Borlase WarreAnn Hopkins Smith (d.1851) of Olney, Buckinghamshire and by descent toStafford Allen and thence by descent
Lot 97
Damien Hirst (B.1965)I want to spend the rest of my life everywhere, with everyone, one to one, always, forever, nowThe book, 1997, with a shark drawing in black ink to title pages, signed in black ink, including multiple pop-up and moving elements and transparent overlays, published by Booth-Clibborn editions, London, 340 x 300 x 45mm (13 3/8 x 11 7/8 x 1 3/4in) (vol)
Lot 116
George Marinko (Connecticut, New York, 1908 - 1989) Abstract ink/paper drawing. Signed lower right. Marinko had studied at the Waterbury Art School with Lewis York from 1925 to 1929 and took additional training at the Yale University School of Fine Art with Eugene Savage. He began his career as a painter of traditional landscapes, but from 1934-42, painted in the Surrealist manner. Sight Size: 2.5 x 5 in. Overall Size: 4.5 x 7.25 in. Framed behind glass.
Lot 294
IAN CURTIS ORIGINAL HAND DRAWN ARTWORK ON CANVAS. An impressive pen and ink drawing of Ian Curtis on a 24” x 35” canvas that also features the letter “JOY” stencilled in yellow glitter. Along the edge of the canvas is the Unknown Pleasures CP1919 design in black ink and on the reverse the artist has dedicated the work “To Ian, To Peter Hook & The Light, To Joy Division, To New Order”. This superb piece was left anonymously on stage at one of Peter Hook's shows that he did recently in Las Vegas.
Lot 87
Harmsen Van Der Beek (1897-1953) Dutch ''And Soon all the Cars had their Right Owners at the Steering-Wheels'' Signed and inscribed page 53, ink and watercolour, 22.5cm by 16cm Provenance: Sotheby's ''Enid Blyton Noddy'', 29th October 1997, lot 71 The area cut away in this drawing depicted the skittles in their car, sailor doll in his car and Mr Golly in his. This section was redrawn with Mr Golly being replaced. Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Lot 33
Japanese Meiji period drawing of a group of 4 various birds in pen, ink and colour, signed, 56 x 27, Manner of Kawanabe Kyosaio (1831-1889) Woman seated astride crane with attendants, signature and seal mark, pen ink and watercolour on silk, 20cm x 23cm (unframed) and 2 other Japanese drawings of birds, 1 signed - Soame Jenyns Collection Condition Report & Further Details This lot comes from the collection of Soame Jenyns (1904- 1976) and is being sold by order of the executors of his younger son, the late John Jenyns. Soame Jenyns was Assistant Keeper of Oriental Antiquities at The British Museum from 1931-1967. He published several books including: "A Background to Chinese Painting" published 1935, "Chinese Archaic Jades in the British Museum" 1951, "Ming Pottery & Porcelain" 1953 etc.Click here for further images, condition, auction times & delivery costs
Lot 374
17TH CENTURY NORTH ITALIAN SCHOOL An interior prison scene with soldiers and saints, brown ink and wash drawing on laid paper with 'Heart and Scrolls' watermark, 19.5 x 15cm; and 19th Century French School - Sketch of a bearded gentleman wearing a turban, pen and brown ink on paper, ex. Bonham's London sale 23 January 2007, 21 x 13cm, both unframed (2)
Lot 50
Denton Welch (1915-1948) - Pen and ink sketch - Interior scene with chiffonier and two chairs, 24.5cm x 34.5cm, unsigned, framed, with Abbott & Holder gallery label verso dated Jan 1985 Provenance: a second label verso states: "The chair on the left was Regency, given by Eric Oliver to Helen Roeder after Denton's death, and now in Miss Roeder's home in London. The chair on the right was Victorian, inlaid with mother of pearl. It is possible this drawing was executed at 54 Hadlow Road, Tonbridge, where Denton had a flat from 1936-January 1940. It seems far too spacious to have been Pitt's Folly Cottage and Eric Oliver does not think it was Middle Orchard c. 1938"
Lot 21
AUTOGRAPH ALBUM: A good 8vo autograph album containing over 80 signatures by various Edwardian stage actors and actresses, comedians, Music Hall and Vaudeville stars and some other famous individuals of the day including Violet Vanbrugh, Phyllis Dare, Daisy Burrell, Emma Albani, Harry Fragson, Bessie Butt, Winifred Hare, Tom Foy (a scarce example with an original pen and ink self caricature alongside his donkey), Ella Retford, Edward Lauri, Wilkie Bard, Little Tich, George H. Chirgwin, Fred Karno, Clarice Mayne, Neil Kenyon, Odette Valery, George Formby Snr., Ellaline Terriss, Fanny Fields, Hetty King, Marie Lloyd, George Ali, Bransby Williams, Tom Webster (original signed pen and ink drawing), Dorothy Ward, Ada Reeve, George Robey (in costume as the Queen of Hearts), Albert Chevalier, Kate Carney etc. Some are vintage signed postcard photographs mounted to pages and many pages are multiple signed, some with additional quotations, sentiments, a few drawings etc. The album was evidently previously the property of a touring artiste and many of the signatures are dated 1909-10 and obtained at various theatres including the Empire, Nottingham, Empire, Sunderland, Empire, Edinburgh, Shaftesbury Theatre, Empire, Leeds, Palace Theatre, Camberwell, Gaiety Theatre, Birmingham, Coliseum, Glasgow etc. Some overall age wear, G
Lot 110
SEARLE RONALD: (1920-2011) British Artist & Cartoonist. An excellent original black pen and ink drawing signed by Searle, one page, 4to, n.p., n.d. (c.1940?). Searle has drawn a profile head and shoulders study of a military officer. Signed ('Ronald Searle') at the base of the drawing. About EX Searle made many drawings, possibly including this one, while a Prisoner-of-War of the Japanese during World War II. The majority of the 300 drawings he made are in the permanent collection of the Imperial War Museum and most also appeared in his book Ronald Searle: To the Kwai and Back, War Drawings 1939-1945 (1986). The paper bears the watermark of Jarrolds, the Norwich department store.
Lot 109
SEARLE RONALD: (1920-2011) British Artist & Cartoonist. An excellent original black pen and ink drawing signed by Searle, one page, 4to, n.p., n.d. (c.1940?). Searle has drawn a profile head and shoulders study of a military officer. Signed ('Ronald Searle') at the base of the drawing. About EX Searle made many drawings, possibly including this one, while a Prisoner-of-War of the Japanese during World War II. The majority of the 300 drawings he made are in the permanent collection of the Imperial War Museum and most also appeared in his book Ronald Searle: To the Kwai and Back, War Drawings 1939-1945 (1986). The paper bears the watermark of Jarrolds, the Norwich department store.
Lot 208
RAILWAYANA: A fine and detailed late 19th century pen ink and watercolour 'Scale' engineering drawing of Locomotive 'Willie' by Messrs James and William Roscoe, with plan, side and end elevation detail, inscribed "Tank Locomotive Engine, Cylinders gins dia 18ins stroke" "John Robert Roscoe, Engineer, Little Hulton, Dec 1st 1883", 65cm x 98cm.
Lot 73
EDWARD WILLIAM GODWIN (1833-1886)ARCHITECTURAL DRAWINGS: PROPOSED ASSIZE COURTS, BRISTOL a collection of 9 drawings in ink, pencil and coloured wash, each on unbleached tracing paper and neatly laid-down onto 7 leaves of card, comprising:- Proposed Assize Courts, Bristol, 350 x 395mm- Drawings showing Proposed New Roof to Guildhall Court..., 240 x 380mm; [laid onto the same sheet as] Proposed New Assize Courts Bristol, 335 x 220mm- ...Assize Courts Bristol, 480 x 290mm; [laid onto the same sheet as] Proposed Assize Courts Bristol [Guildhall Roof], 420 x 300mm- Proposed Assize Courts Bristol [Floor Plan], 710 x 460mm- Proposed Assize Courts Bristol [First and Second Floor Plans], 720 x 425mm; - Proposed Assize Courts Bristol [Floor plan], 710 x 465mm- Proposed Assize Courts Bristol, elevation towards Small Street, 390 x 460mmNote: Winning the competition to build the new Northampton Town Hall at the age of twenty-nine established Godwin's reputation as a leading civic architect. He followed this with another winning town hall design for Congleton, a small town near Manchester. These successes prompted his move to London in 1865, and in 1866 Godwin, with his partner Henry Crisp, entered the competition for the building of the new Bristol Assize Courts under the nom de plume '1066' or 'Ten Hundred and Sixty-Six'. Their designs won first, second and third prizes. Despite this, and amid protestations, a second competition was order by the town council, which Godwin again entered, this time only gaining second place to an entry from Popes & Binden, which was the one finally built. The collection on offer comprises a number of drawings from the first competition, including the original drawing
Lot 56
*Croker (Thomas Crofton, 1798-1854). Wooded river bank scene with Irish harp, book & wreath, 10 June 1825, pen & ink vignette drawing on Whatman paper, signed and dated lower left, image 12 x 13cm (4.75 x 5ins), sheet size 27 x 21.5cm (10.75 x 8.25ins), framed and glazed Thomas Crofton Croker (1798 Cork - 1854 London) was an Irish antiquary, scholar of Irish poetry and folklore. He assisted in founding the Percy Society and Camden Society. (1)
Lot 21
NO RESERVE Gibson (Wilfred Wilson) The Early Whistler, full-page colour illustration by John Nash, original red wrappers with illustration by Nash on upper cover, Ariel Poems No.6, 1927; and 3 states of proof copies for the same, the first green covers only with printed title; the second with poem with ms. corrections and green covers with printed title and printer's instruction, and the third with the poem and green covers with pen & ink drawing by Nash under printed title (subsequently to be used for the internal colour illustration), with printer's pencilled notes, 8vo (4)
![[Russell (George)], "A.E.". Imaginations and Reveries, first edition, signed drawing in crayon, pen and ink from the author t](https://cdn.globalauctionplatform.com/90eae3a6-c36c-4868-afca-a9e000c44a56/c2ea21ce-59e3-4d40-95ea-a9e000c634ec/468x382.jpg)
Lot 45
[Russell (George)], "A.E.". Imaginations and Reveries, first edition, signed drawing in crayon, pen and ink from the author to title, signed presentation inscription from the dedicatee John Quinn to front free endpaper, 1915; Collected Poems, reprint, autograph poem signed by the author to front free endpaper, 1913; Voices of the Stones, first edition, autograph poem signed by the author to half-title, presentation inscription to endpaper, newspaper clipping tipped onto pastedown, 1925; The House of the Titans, first editions, initialled presentation inscription from the author to Seamus O'Sullivan to endpaper, A.L.s. from the author loosely inserted, bookplate of Seamus O'Sullivan, dust-jacket, 1934, original cloth; and 10 others by the same, including some signed, 8vo (14)
Lot 178
§ Elisabeth Vellacott (British, 1905-2002) Sketch for "Chesil Beach", circa 1952 pencil 18 x 38cm (7 x 15in) Other Notes: Elisabeth Vellacott made trips to the Scillies, Wales and Scotland and produced masterly studies of rock formations and mountain rivers - people, trees and flowers were also to be depicted in compositions formed from thousands of tiny pencil or chalk strokes. Jim Ede bought several such landscapes for his Kettle's Yard museum and gallery at Cambridge and it was here that the artist enjoyed a 90th birthday exhibition. The present pencil sketch is a preliminary drawing for the ink and wash painting "Chesil Beach" which now hangs in the collecton at Kettle's Yard, Cambridge. Vellacott referred to these drawings as her "inkwash drawings". Condition is fine.
Lot 435A
GERMAN SCHOOL, 1856 THE EYE PATIENT OF FRIEDRICH HERMAN DE LEUW signed with a monogram, dated and inscribed Grafrath, pen and ink, mounted facing a portrait photograph (albumen print) of F H de Leuw in contemporary tooled red morocco case, 21 x 24cm, 26.5 x 46.4cm overallSuch was his renown in treating disease of the eye that by the 1840s the German ophthalmologist Friedrich Hermann de Leuw (1792-1861) had gained an international reputation. As is clearly evident from this interesting and accomplished depiction of the interior of his consulting rooms, his expertise was much in demand, putting a considerable strain on the hotel and facilities of the small town Grafrath outside Solingen. His more distinguished patients included King George V of Hannover (1819-1878). One of de Leuw's sons was the landscape painter Friedrich August de Leuw (1817-1888). ++Exterior of leather case scuffed and scratched with small losses to the surface of the leather retaining both brass hooks. Drawing and photograph in good entirely unrestored condition. Foxing evident from the images
Lot 243
JOHN JOHNSON (1732-1814) ARCHITECT SECTION OF PANELLING FOR THE DINING ROOM AT LANGFORD GROVE, ESSEX signed and inscribed, pen, ink and grey wash on paper watermarked J WHATMAN, 36 x 41.5cm and about forty mid-late 19th c architectural drawings, including plans, elevations and sketches of details of mainly High Hall, Wickham Bishops, sold in portfolio (40 approx)The neo classical Langford Grove was built by John Johnson for Nicholas Wescomb in 1782. A daughter of the Reverend William Wescomb married the 8th Lord Byron and another married his brother, becoming the mother of the 9th and 10th Lords Byron. The design of High Hall, a Jacobean style house of c1840 was closely modelled on the Byron family's principal seat, Thrumpton Hall, Nottinghamshire. ++The drawing of dining room panel in generally good condition with filing creases and slight discolouration, the other items in the lot in variable condition
Lot 1301
Original vintage advertising poster in German for Sturm Cigarette Cards - Hindenburg The Great History - featuring a black and white drawing of a man smoking a Trommler cigarette in his office and putting images into a photograph album with portraits on the wall behind him and books and an ink well on the desk in the foreground and, below, smaller photo images with descriptions found on the cigarette cards relating to Hindenburg including a portrait of the Hindenburg family in 1880, the President of the Reich visiting Tannenbergfeier and Hitler shaking hands with the President of the Reich, with the text and prices in stylised coloured and black letters with the SA logo below. Sturm-Zigaretten (Storm Cigarettes aka the Storm Troopers' cigarettes; 1929-1935) were manufactured to support the NSDAP Nazi party's paramilitary unit, the Sturmabteilung (SA; aka the Brownshirts); the company also produced a set of cards for the German Army featuring different army and military images from history. Very good condition, folds, faint creases, minor tears and staining on margins. Germany,1930s. Designer: Unknown. Size (cm):52x21
Lot 60
Japanese Meiji period drawing of 2 fish, with signature 25 x 26cms and another of a single fish 38 x 26cms, ink and colour- Soame Jenyns Collection Condition Report & Further Details This lot comes from the collection of Soame Jenyns (1904- 1976) and is being sold by order of the executors of his younger son, the late John Jenyns. Soame Jenyns was Assistant Keeper of Oriental Antiquities at The British Museum from 1931-1967. He published several books including: "A Background to Chinese Painting" published 1935, "Chinese Archaic Jades in the British Museum" 1951, "Ming Pottery & Porcelain" 1953 etc.
Lot 61
Japanese Meiji period drawing of a cockerel, pen, ink and colour and with signature 42 x 26cms and another of a cockerel- Soame Jenyns Collection Condition Report & Further Details This lot comes from the collection of Soame Jenyns (1904- 1976) and is being sold by order of the executors of his younger son, the late John Jenyns. Soame Jenyns was Assistant Keeper of Oriental Antiquities at The British Museum from 1931-1967. He published several books including: "A Background to Chinese Painting" published 1935, "Chinese Archaic Jades in the British Museum" 1951, "Ming Pottery & Porcelain" 1953 etc.
Lot 62
Japanese Meiji period drawing of a group of 4 various birds in pen, ink and colour, signed, 56 x 27 and 2 other Japanese drawings of birds, 1 signed -- Soame Jenyns Collection Condition Report & Further Details This lot comes from the collection of Soame Jenyns (1904- 1976) and is being sold by order of the executors of his younger son, the late John Jenyns. Soame Jenyns was Assistant Keeper of Oriental Antiquities at The British Museum from 1931-1967. He published several books including: "A Background to Chinese Painting" published 1935, "Chinese Archaic Jades in the British Museum" 1951, "Ming Pottery & Porcelain" 1953 etc.
Lot 63
Japanese Meiji period drawing of a mouse on a radish (daikon) in pen, ink and colour, signed 42 x 28cms -- Soame Jenyns Collection Condition Report & Further Details This lot comes from the collection of Soame Jenyns (1904- 1976) and is being sold by order of the executors of his younger son, the late John Jenyns. Soame Jenyns was Assistant Keeper of Oriental Antiquities at The British Museum from 1931-1967. He published several books including: "A Background to Chinese Painting" published 1935, "Chinese Archaic Jades in the British Museum" 1951, "Ming Pottery & Porcelain" 1953 etc.
Lot 558
original artwork John Jenson 1930-2018 picture ink and watercolour drawing , the broker who said that money isnt everything , puplished in punch,s celebration of bateman 1987 comes with original correspondence from artist of purchase from john jensen letter signed jensen (c) PUNCH 1987 measures approx 37.5 by 22cm
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