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English school 19th century Colonial house, possibly Bermuda pen and ink drawing, 12 x 28cm.; together with a watercolour inscribed 'Sacombe 1834' and a watercolour of an upland landscape with cattle and a cart in the foreground all unframed (3)

Augustus John O.M. R.A. 1878-1961 study for 'brazen serpent' pen and ink 15x18cm.; 6x7in. (2) This drawing is one of many studies the artist made for the painting Moses and the Brazen Serpent which won the Slade Summer Composition Prize in 1898. To be sold together with Tinkers signed pen and ink by the same hand. Provenance Mercury Gallery London

*Baumer (Lewis, 1870-1963). Original pen & ink drawing of a well-dressed couple meeting a church warden, signed, approx. 300 x 250 mm A caption underneath in pencil reads 'Visitor to country town (who has just been shown over the church) "and how long has your present vicar been here?". Sexton: "Mr. Mole, sir, has been the incumbrance here, sir, for nigh on forty years, sir." (1)

*Prints & drawings. Jones (David, 1895-1974), Five wood engravings from 'The Chester Play of the Deluge', 1977, approx. 165 x 140 mm, together with Lebedeff (Jean, 1884-1970), Les Cinq Sens, a set of six wood engravings, each approx. 105 x 85 mm, contained in orig. paper portfolio with label to upper cover, and Tegetmeyer (Dennis, 1895-1987), Seven signed proof etchings from 'The Vanity of Human Wishes', dated 1931, each approx. 125 x 90 mm, plus Bawden (Edward), Campions and Columbine, colour linocur, limited edition 411/500, approx. 225 x 165 mm, and other Charlton (Michael), three original gouache drawings for 'Rus into Muscovy', each approx. 95 x 120 mm, plus a pen and ink drawing of a Edwardian lady attaching a bttonhole flower onto a gentleman (approx. 245 x 175 mm) (27)

Sillince (William Augustus, 1906-74). Ten original pen and ink humourous illustrations for "Pray Silence, Hints for Speakers", by Commander A.B. Campbell, Epworth Press, 1964, each illustration captioned in pencil and overall approx. 275mm x 180mm, together with the original pen and ink drawing with transparent red overlay used for the cover design, plus Sillince's copy of the printed book and a letter from the publisher returning the original artwork to the artist A complete suite of all the illustrations used in the published volume. (13)

Pen & Ink Drawing of Hawes Fair 28th September 1923, by Frederick Lawson approx. 14 1/2" x 10 1/2" in gilt frame, glazed with mount, old retailers label to the reverse J W Benson Art Sandicome Road, Kew Gardens, Surrey

Tony Willis "Church", pen, ink and watercolour drawing, signed, 20 x 30 cm, framed and glazed

*Farmiloe (Edith, fl. 1895-1907). 'The Christmas Tree', pen, ink & watercolour, signed, approx. 160 x 245 mm (6.25 x 9.75 ins), framed and glazed, together with another similar pen, ink and watercolour by the same artist, depicting four young children in a drawing room, signed, approx. 160 x 245 mm (6.25 x 9.5 ins), framed and glazed Edith Farmiloe was a children's book illustrator, whose work shows the influence of Caldecott and Greenaway. Illustrated works include All The World Over (1898) and Rag, Tag & Bobtail (1899). See The Studio, vol. 18, 1895, pp. 172-179, and Houfe, Dictionary of British Book Illustrators, p. 298. (2)

*Moore (W. Stanley). Roquebrune, 1951, original watercolour drawing, signed and dated in ink, approx. 38 x 55 cm, framed and glazed (1)

*Flaxman (John, 1755-1826, attrib.). Two pencil sketches mounted on a single sheet, comprising a study of a tomb with reclining naiad, inscribed in pencil 'Mrs: Elizth: Norris, 1779, Finchley', and an outline profile drawing of a man's head, approx. 95 x 130 mm (3.75 x 5 ins) and 130 x 90 mm (5 x 3.5 ins), respectively With an additional inscription in ink to the album leaf on which these two drawings are tipped-in 'From John Flaxman's sketch book when a boy. The writing of later date - the book sold to America 1920'. The study of a tomb sculpture is based on the tomb still extant in St. Mary's Finchley graveyard, made for Elizabeth Norris, who died in 1779. (1)

*Gilbert (Sir John, R. A., P.R.W.S., 1817-97). A pair of early sketchbooks belonging to Sir John Gilbert, containing numerous sketches, illustrations, and studies, in watercolour, pen & ink and pencil, including humorous subjects, costume studies, illustrations to Shakespeare, Sir Walter Scott, Gil Blas, Smollett, Dr. Syntax, etc., historical battle scenes, including Napoleon, some landscape sketches (Blackheath, Rome, Bologna, Southampton, Greenwich College), portraits of historical and contemporary literary figures, including Coleridge, Scott, Goethe, as well as family members and aquaintances, some sketches of paintings by Sir John Gilbert, with notes on their sales, principally 1832-34, with some additions from the 1840s and later, comprising two albums of 128 leaves and 145 leaves, approx. 315 x 265 mm (12.5 x 10.5 ins), some marks and minor marginal soiling (generally in good condition), one volume with contents somewhat loose and binding broken, the other volume with upper cover missing and lower cover detached, large 4to An important pair of early sketch books by the famous Victorian artist and illustrator Sir John Gilbert. At least one drawing is signed by him, and many are captioned and dated. Loosely inserted in one of the albums are two autograph letters to Sir John Gilbert from Herbert Jekyll of the Fine Art Committee for the Royal Commission Melbourne Exhibition of 1888, dated 20th & 25th April 1888, concerning the inclusion of work by Sir John Gilbert in the exhibition. (2)

*Italian School. The Expulsion of Adam and Eve from the Garden of Eden, early 18th c. pen, ink & watercolour wash drawing, with pencil, heightened with bodycolour, approx. 320 x 450 mm (12.5 x 17.75 ins), gilt frame, glazed (1)

*Munn (Paul Sandby, 1773-1845). The Bridge, 1806, pen, ink & wash drawing, with traces of pencil, signed and dated, approx. 335 x 270 mm (13 x 10.5 ins), framed and glazed, with Thomas Agnew & Sons label to verso Paul Sandby Munn was the godson and pupil of Paul Sandby (1725-1809). (1)

*Nevinson (Christopher Richard Wynne, (1889-1946)). 'Tunnellers All', crayon & black ink drawing, heightened with bodycolour, signed, approx. 255 x 203 mm (10 x 8 ins), title inscribed in pencil capitals to verso, with some additional printers marks in pencil Possibly one of the original illustrations for Nevinson's Modern War Paintings, published by Grant Richards in 1917. (1)

*Peake (Mervyn, 1911-68). Fantasy beast man, pen and ink drawing, signed in pencil by the artist, approx. 40 x 30 cm, framed and glazed (1)

*Hutton (John, 1906-1978). Seated female with arm pointing upwards, 1955, pen, ink & wash drawing, signed and dated in pencil, approx. 495 x 340 mm (19.5 x 13.5 ins), framed and glazed (1)

*Peake (Mervyn, 1911-68). Figure studies [possibly for Titus Alone?], pencil drawing heightened with black ink, signed in pencil by the artist, approx. 26 x 18 cm, framed and glazed (1)

MORLAND LEWIS Seat in the park. Ink drawing. Inscribed to the reverse. 5 1/2 x 7ins.

MICHAEL AYRTON Man in a mask. Ink drawing. Signed, inscribed and dated 1941. Pencil sketches to the reverse. 10 1/2 x 11 1/4ins.

SIR PETER SCOTT Snipe in flight. Ink drawing. Initialled and dated '31. 3 1/2 x 3ins.

CHARLES SIMPSON Head of a hound. Ink drawing. 3 x 2 1/2ins.

Peacham (Henry). The Compleat Gentleman: Fashioning Him Absolute in the Most Necessary and Commendable Qualities, Concerning Mind, or Body, That May be Required in a Person of Honor. To which is added The Gentelmens Exercise or, an exquisite practise, as well for drawing all manner of beasts, as for making colours, to be used in painting, linning, &c, 3rd imp. much enlarged, printed by E. Tyler, for Richard Thrale, 1661, eng. and printed titles, wood eng. illusts. to text, including one or two with early hand-col, illusts. of coats of arms identified in ink to margins, in an early hand, short closed tear to Gei (page 225/226), contemp. blind-panelled full calf, old good-quality reback, a few marks, small 4to An attractive copy. (1)

Ilam Anastatic Drawing Society, ed. G.R. Mackarness and W.F. Francis, vols. 1-13 (all pub.?), printed by Cowell's Anastatic Press, Ipswich, 1860-73, numerous views, plts. and illusts. to each, occasional spotting, seventh vol. (1866) waterstained throughout and with some damage to plates, all orig. cloth, rubbed, 4to Established in Ilam, Staffordshire in 1859, the Society aimed to collect and publish "Amateur Drawings in pen and ink" illustrating "the topography of Great Britain and Ireland, by sketches of scenery, ruins, churches (new and old) and domestic buildings hid away in out-of-the-world villages in our native land". (13)

E Greaves 'The Poker Game' early 20th Century caricature pen and ink drawing signed and dated 1909

AUTOGRAPH, Frank BRANGWYN. - A black and white photograph signed, [n.d.] (240 x 190mm.) The photograph of the artist drawing on a lithographic stone within his studio, signed by Brangwyn in black ink. (Edges slightly faded.) Note: Lot 3 within our painting sale on the 19th July is a woodblock print by Brangwyn.

A pen and ink drawing of Lemington Hall, signed and dated 1935; a sepia photograph of Coldstream High Street in velvet frame; and a landscape watercolour - possibly of Whittingham Vale. (3)

P Hobbs eight original pen and ink drawing cartoons (spurs) football players

ENGLISH SCHOOL, 18th/19th century The triumphant return of a classical warrior, wash, 91/2" x 71/2" and a pen, ink and wash drawing of figures, indistinctly inscribed "Van ...", 141/4" x 101/4" (2)

NATHANIEL WATTS , 18TH CENTURY An Elevation of the Store-Houses on the South East Side of His Majesty's Yard at Port Royal Jamaica architectural drawing, signed, dated April 1786 and extensively inscribed, pen, ink, grey and pink wash, backed on linen, 49 x 72cm, unframed (see illustration) ++ Surface grime and marginal tears with small marginal losses, otherwise fine. Outside the margin a later inscription in red ink

ENGLISH SCHOOL, 1761 Ground Plan & North East Perspective View of His Majesty's Naval Yard at Halifax in Nova Scotia with Part of the Perspective View of Dutch Town architectural drawing dated 3 March 1761, inscribed and numbered recto and verso with the title, two tables of references, compass rose and scale, pen, pencil, ink and grey wash on laid paper, 48 x 60cm, unframed (see illustration) ++ Filing creases, some mild surface grime, handling marks and marginal tears with small marginal losses

After C.E. Proctor - 'Queen Elizabeth (Old) Grammar School, Barnes', monochrome etching, signed and titled in pencil, together with an aquatint, a watercolour and a pen and ink drawing.

Wyzard - Caricature of the Actor James Robertson-Justice wearing a Tartan Kilt and holding a Falcon, mid-20th Century black ink heightened with white, together with an oil on canvas and a drawing of the actor.

Benson - Parisian Street Scene, 20th Century oil on canvas, signed, together with an ink drawing by J. Raynor, Portrait of a Young Woman.

Alan Green 1932-2003 DRAWING 1 1973 signed and dated 73 coloured pens gouache ink and paper collage on paper 74.1 by 123.4cm.; 29.125 by 48.5in. Provenance Annely Juda Fine Art London Veranneman Foundation Belgium Exhibited London Annely Juda Fine Art Alan Green: Paintings & Drawings 2nd March-2nd April 1973

After Jean Cocteau; a black ink drawing on buff paper of a figure in bow tie with hand-written notes 'a Albert Flamant ce souvenir de Vaslav Nijinsky, Avril 1925, Jean Cocteau 1911, Jean on ne se voie jamais'. 29cm by 39cm

Sir Frank Brangwyn (1864-1956) ink drawing Kings of the Sea: Raleigh Illustration for the Pageant of British Empire Souvenir Volume p.6 13.5 x 19.75 ins.

*Chapman (C.H.). The Fox Hunt Meeting, original oil on card, heightened with white and varnished, signed and dated 1967, approx. 33 x 55 cm, together with an original pen and ink drawing titled 'Sally of the Circus', heightened with colours, signed, approx. 25 x 30 cm, framed and glazed, plus another original pen and ink drawing titled 'Greyfriars Boys - Some Schoolboys I have known!', heightened with bodycolour, signed, approx. 37 x 24 cm, plus four others by Chapman, incl. three landscapes (7)

Himalayan Views. A mid-19th century drawing book, comprising thirteen full-page pencil drawings and twenty-four well-executed pen-and-ink drawings of views, dated between 1857 and 1865, eight of the pencil drawings being views in Germany, all of the others comprising views in India, Tibet, and the Himalayas, some with figures, the pen-and-ink drawings all neatly captioned in English, some other pages with preliminary, unfinished sketches, bound in contemp. blue-green boards, unlettered, soiled and rubbed, oblong royal 8vo (185 x 270 mm) A good series of detailed topographical views, many of Himalayan scenery, by an amateur artist. Unsigned, and with no discernable mark of provenance. Includes views of Goruckpoor, Gya, Suspool, Benares, Delhi, Sissoo, Lahoul, and Ladakh. (1)

18th Century Italian School A Wooded Lake, winged figures in the foreground. Ink drawing, 15 x 20.5cm.

Francoise van Lynden B.1922 The artist's drawing room, veere Signed and dated 95 Pencil, pen, ink and watercolour, unframed 30.5x38cm.; 11x15in.

*Station Pointer. A Kriegsmarine black enamelled brass drawing instrument, engraved with German Navy insignia and coded cln 10798 M 1658, with silvered circle, twin vernier and the three numbered arm location screws, in the original plush lined wood case, 26 in (67 cm) long, the lid with Russian inscription in green ink signed and dated 04-07-1964 (1)

Luc Olivwer Merson, 1846-1920- Design for an ornamental plaque; pen and black ink over pencil heightened with white on buff paper, 19.8x24cm together with a pen and ink drawing of Christ Teaching at the Well, squared in pencil, signed with initials, 19.5x13cm., (2)

Dennis the Menace and Knasher, ink and watercolour drawing, unframed, 33x19cm, one other similar, two others of Desperate Dan, a set of twelve birthday card designs signed Sklass, and photocopies.

VIRGIL "VIP" PARTCH (American 1916-1984) Group of 14 illustrations: Hangover Series c. 1955 Ink on paper 11.5in. x 9.5in. Each drawing has a pencil inscribed caption

Captain Thomas Hastings (fl. early 19th Century) - Ink drawing - “St. Augustine’s Monastery” - View of the gatehouse of St. Augustine’s Priory, Canterbury, Kent, with figures to foreground, 8.75ins x 13ins, signed and inscribed to reverse and dated 1812, in modern gilt moulded frame and glazed

Attributed to Sir Richard Westmacott (1775-1856) unframed ink and wash drawing, 'Go To The House Of Mourning', 1.5 x 6 ins.

* Attributed to George Romney (1734-1802) pencil drawing, Sketch of a woman, 6.5 x 5 ins. and two early 18th century pen and ink drawings of a lady and dogs, largest 6 x 5 ins.

Mutiny on the Bounty. A signed copy of Mutiny on the Bounty by Charles Nordhof and James Norman Hall, reprint, Boston, 1934, front endpapers neatly ruled and lined in double columns with the names of the cast in block capitals in the left column and the actors autograph signatures adjacent in the right-hand columns, including Charles Laughton, Clark Gable, Franchot Tone and Herbert Mundin, a total of thirty-seven names and signatures, the following two leaves (front free endpaper verso and half title recto) with good pen and ink drawings of a skull and anchor plus the Bounty at sea, pen, ink and pencil border decoration to title, with some pencil partially erased, rear free endpaper verso and pastedown with eleven further signatures of the crew and a good pen and ink drawing of Metro-Goldwyn-Mayer lion logo, autographs include those of the director Frank Lloyd, producer Irvine [sic] Thalberg and cinematographer Arthur Edeson, a further eleven signatures in total, orig. cloth lettered and decorated in silver, sl. rubbed and marked, and partly faded on the spine, 8vo An extraordinary and unique piece of film memorabilia relating to the first version of 'Mutiny on The Bounty'. The illustration at the rear of the book is signed 'Harry Ravin, Pasadena'. The book was given to the owner's mother by David Thursby who played the (uncredited) part of Thomas McIntosh in the film and whose name and signature appears on the front pastedown. (1)

*East Anglia. Mistley. The Seat of the Right Honble. Richd. Rigby in Essex, 1772, pen, ink & wash drawing, in the manner of Paul Sandby, unsigned, dated 1772, and inscribed with title in ink to margin of backing paper, image size approx. 122 x 260 mm, mounted, together with Diss, from the Park Fields, by C. M. Frere, 1850, pen, ink & watercolour wash view, inscribed in pencil to verso, approx. 240 x 335 mm, plus A View near Lowestoft, by J. G. Selwin, 1854, watercolour, showing view of the coast with country lane and women drying cloths in a field, signed and dated, approx. 310 x 410 mm, and four others related, all 19th c., including a watercolour view of Great Dunham Church, Norfolk, unsigned, approx. 250 x 50 mm, a wash drawing of a lane at Northfleet, in the manner of James Bourne, approx. 260 x 360 mm, and two pencil studies of Yarmouth from the Pier, and Overstrand Church [Cromer], each approx. 175 x 250 mm (7)

*London. View of Fish Street Hill, City of London, by Fred Elliott, 1917, pencil view of Fish Street Hill looking towards St. Magnus the Martyr Church, with figures and traders, on a rainy day, signed, titled and dated, approx. 425 x 270 mm, together with 'Messrs. Watts's Patent Shot Manufactory &c. view'd from Capers Gardens Broadwall (& Somerset Place)', by W. Thomas Smith, 1813, pen & ink drawing, unsigned, inscribed in ink with title to lower margin, and with additional inscription 'The Masonry for the Strand Bridge is preparing on these grounds 26th. Augt. 1813', sheet size approx. 200 x 260 mm, mounted, with later pencil attribution to W. Thomas Smith to mount, plus a pen, ink & wash view of Christchurch, Hampstead, by G. H. Ponsonby, c. 1860, approx. 250 x 180 mm, and an early 19th c. pen & ink view of Richmond Hill, inscribed to verso 'from Richmond Hill up ye River', approx. 185 x 305 mm, mounted, plus a late 19th c. printed broadside issued by Central Markets Association, concerning the New Central Cattle Market proposal by the Corporation of London, lightly creased where previously folded, overall size approx. 440 x 280 mm (5)

WILLIAM E PLUMSTEAD, SIGNED, WATERCOLOUR, ‘Strangers Hall, Norwich’, 9” x 6” and further PEN, INK AND WATERCOLOUR DRAWING, ‘The New Star, Quayside, Norwich’, 7” x 5”, (2)

CHRIS SINCLAIR, SIGNED, PEN, INK AND WASH DRAWING, coastal view with figures, 7” x 10”

MABEL WALLER, SIGNED AND DATED 1954, OIL, still life study of flowers in a silver vase on a table, 13” x 17”, EILEEN MAY TRENCH, SIGNED, WATERCOLOUR, coastal view (see label verso), 9” x 14” and WALKER, SIGNED, BROWN INK DRAWING, harbour scene, 6” x 9”, (3)

Ceri Richards (1903-1971) Drawing for Beethoven Suite Pen and ink Inscribed verso with artist and title, lower right with Aug 17/69 45.5cm x 34cm and Ceri Richards (1903-1971) Beethoven Colour silkscreen Signed and dated ‘70 in pencil lower right Inscribed A/P lower left 67.5cm x 51cm Unframed

ALAN LOWNDES (1921-1978) INK DRAWING, Meal House, Brow Stockport, signed ,13 ?" x 10 ?"

Hablot Knight Browne, Phiz’ (1815-1882) For the short sighted brother’, ink and wash drawing, signed, 23.5" x 18.5"

Mary Fairclough 1957 (illustrator of children's books), original pen and ink drawing, signed and dated, inscribed on Verso 'The Experience of the Family House' from the 'Grandfathers Stories'

CHESTERTON (G. K.) LONDON, 10 page pamphlet, original printed card covers, 8vo, Privately printed, Minneapolis, 1914; A Chesterton Calendar, unusual ink drawing inserted on front loose endpaper, extra illustrated with newspaper cuttings etc, pasted in throughout and Ms. notes, cloth, decorative gilt, 8vo, 1911 (2). * From The B. W. Anderson's G. K Chesterton Collection.

Enoch Hendryk Enrico Glicenstein, 1870-1942- A Rabbi with the Torah; etching, signed in pencil, 15x15cm: together with a drawing of figures in pen and black ink by the same hand, signed, 11x17.5cm., (2), (unframed)

*Mel, 20th century- 'The Original Drawing Reproduced in The Tatler, Presented by Len Barry. Pop', 'Vaudeville Golfing Society Dinner By Mel'; original artwork for illustration, pen and black ink and wash, signed and dated 1935, 54.5x38cm: James Hamilton Hay- Landscape; etching, signed within the plate and in pencil, 16.8x25cm: English School 18th century- 'A View of London about the Year 1560'; engraved bird's eye view, 30x46cm: B. Cole- 'The East Prospect of the Abby(sic) of St Peter& of the Parish Church of St Margaret Westminster'; engraving, 31.2x42cm., (4), (unframed)