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Horace Stubbs, a pen and ink drawing "Holmrook Cumberland". 24 x 38.5 cm, signed and dated July 1955. ARR.

Horace Stubbs, a pen and ink drawing "Wastwater", 24 x 37 cm, signed and dated September 1953, framed and mounted. ARR. (see illustration).

Horace Stubbs, a pen and ink drawing "Seascale Cumberland" with Sellafield cooling tower in background. 24 x 38.5 cm, signed and dated July 1955. ARR.

Alfred Wainwright original pen and ink drawing, cottages at Kirby In Furness, frame size 34 cm x 39.5 cm, signed. ARR.

Enrico Caruso (Italian, 1873-1921), portrait of Marcel Journet (French operatic bass), ink drawing on paper, signed Enrico Caruso, Montevideo and dated 1917, annotated in French, on Teatro Colon Buenos Aires Opera paper, H.33cm W.22cm

Guillermo Bestard I Canaves (Spanish, 1881-1969)A village street; a coastal landscapeeach signedoils on board26 x 34.5cm and 29 x 36cm respectively;together with an ink drawing, 'Dartington', by the same hand (3)

Tom Pomfret (1920-1997) Watercolour and gouache "St Jacques, Bergerac", signed and dated 1980, 47cm x 51cm  (ARR may apply) Lucille Cranwell (1945-) Pen, ink and wash drawing Theatre Royal, Haymarket with 'James Grout in Sweet Bird of Youth' poster, signed and dated September '85, 53cm x 36cm  (2)

George Fall watercolour drawing 'Walgate, York' , two figures beside a stone city gate, unframed, 22cm x 14.5cm   F M  Ink and wash drawing  "The First Ballet", girl seated in theatre beside her grandparents, 23.5cm x 17cm (unframed) ( 2)

Charles Ginner ARA CBE, British 1878-1952 - The Dome, Brompton Oratory, 1936; ink and watercolour on paper, signed lower right, 39.3 x 31.6 cm Provenance: Professor Wormald, acquired directly from the artist and thence by descent; Christie's, London, 4th March 1988, lot 149; private collection; Sotheby's London, 13th May 1992; private collection, purchased from the above and thence by descent Exhibited: London, 'The London Group', November 1936, no.157; Brook Street Galleries, London, 'Charles Ginner Drawings', February 1938; Royal Watercolour Society, London, Spring 1938, no.163; Walker Art Gallery, Liverpool, 'Sixty-fourth Autumn Exhibition', 1938 Literature: Charles Ginner, 'Notebooks vol.III', p.166 Note: London scenes such as this are the artist's most iconic works, demonstrating his interest in urban architecture. When this work was made, Ginner lived in Hampstead, working primarily in watercolour. Ginner worked in a precise style, drawing out the geometry of the buildings to create a complex images, that highlight both the historic and the modern. Ginner was a founding member of the Camden Town Group in 1911, alongside his friends Harold Gilman and Spencer Gore, and the London Group in 1913. His works are in all major UK collections, including the Tate, the Yale Centre for British Art and the Arts Council Collection. 

REGINALD THOMAS CLEAVER (1870-1954) A framed and glazed pen and ink drawing of an artist at work in his studio. Signed bottom left. Image size 30cm x 31.5cm (Cleaver was a cartoonist and illustrator for various publications including Punch)

ALEXANDER STUART BOYD (1854-1930) A framed and glaze pen and ink cartoon drawing 'Home Rule'. Signed bottom left. Mounted with printed annotation. Image size 27cm x 27cm

Attributed to Feliks Topolski (1907-1989) A framed and glazed pen, ink and wash drawing, Surmon with figures. Indistinctly signed bottom right, dated '57 and inscribed. Image size 25cm x 33.5cm

John Nash (1893-1977) - 'Line drawing', botanical study, pen and ink, signed, 22.5 x 25cm to/w Rothenstein, Sir John - 'John Nash', Macdonald & Co, London & Sydney, 1983 (2)

This exceptional study in graphite, ink, and gouache on BFK Rives brown paper were made by Art Nouveau and Art Deco designer and craftsman Rene Lalique. They include two painted circular drawings and a side view of a design for a watch left in graphite. The upper drawing of entwined foliage pattern is framed by warm brown washes. Underneath, Lalique designed three ouroboros fishes that symbolize eternity. Their bodies and fins are painted in a yellow gold tone above coral red washes. The washes of dark brown and washed black form the background that is enhanced with foliage. These Asian influenced motifs became part of the artistic symbols of Lalique, These extraordinary final stage studies are of museum quality and were acquired directly from the private collection of the descendants of Rene Lalique. The drawings are speculated to be preliminary sketches for the Poissons round box, which had double sided pressed glass designs and a nickel interior. Housed in a natural color wooden frame. Frame size: 9.80"L x 13.40"H x 0.75"W. Artwork dimensions: 8.50"L x 12"H Artist: Rene Jules Lalique (French, 1860-1945)Issued: c. 1895Country of Origin: FranceProvenance: Collection of Marie-Claude Lalique Condition: Age related wear.

This preparatory study in graphite, ink and gouache on a single sheet of BFK Rives brown paper were made by Art Nouveau designer and draughtsman Rene Lalique. The central ink drawing for a powder box depicts a crow on tree branch that he painted with brown shades of gouache on a white background. Lalique framed his motif with a circular border. A larger circle with parts of the crow's tail in graphite shows that Lalique selected a closer view than he originally planned. Lalique represents a side view of a the powder box that he connected to the crow study with two parallel lines. These compositions have not been seen publicly. They are of museum quality and were acquired directly from the private collection of the descendants of Rene Lalique. Housed in a natural color wooden frame. Frame size: 9.80"L x 13.40"H x 0.75"W. Artwork dimensions: 8.40"L x 12"H Artist: Rene Jules Lalique (French, 1860-1945)Issued: c. 1904Country of Origin: FranceProvenance: Collection of Marie-Claude Lalique Condition: Age related wear. Minor crease on lower center left. Pin marks on the upper left and right edges of the paper.

These extraordinary preparatory studies in graphite, India ink, and gouache on BFK Rives brown paper were made by Art Nouveau and Art Deco designer and craftsman Rene Lalique. Three sheets of individual drawings have been combined in a single frame to form an arrangement of five gold and crystal jewelries. These final stage designs of fauna and flora motifs of a butterfly, snail and hybrid bats are painted with stunning yellow tones. Lalique used brown washes to paint the head of a fawn wearing a white crystal choker. On the lower sheet, he check marked the ornament design with ears of wheat that he painted with blue, warm yellow, brown and opaque white. Lalique wrote: "Epis en or, ajoures dans les barbes les grains en cristal jaunes." These drawings have never been seen publicly. They are unique studies of museum quality as they were acquired directly from the private collection of the descendants of Rene Lalique. Housed in a natural color wooden frame. Frame size: 9.80"L x 13.40"H x 0.75"W. Artworks dimensions: upper left sheet 5.50"L x 7"H; upper right sheet: 5.25"L x 7.50"H; lower sheet: 8.60"L x 5.25"H. Artist: Rene Jules Lalique (French, 1860-1945)Issued: c. 1895Country of Origin: FranceProvenance: Collection of Marie-Claude Lalique Condition: Age related wear. Minor pin hole on the center left of the upper left drawing.

Original vintage Soviet anti-alcohol propaganda poster - Crushing Blow (or Juicy Blow, with a word play on the word 'juice'). It is not for nothing that the 'bitter one' has a very bitter look. We believe that sobriety will win in life. - featuring an illustration of a large glass jar of juice punching a bottle of vodka on a boxing ring set over a green background. Poem by A. Shklyarinskiy. Poor condition, trimmed, creasing, fold, pinholes, ink drawing on reverse. Country of issue: Ukraine, designer: B. Semyonov, size (cm): 27x30, year of printing: 1980s.

Alfred E Bestall (1892-1986) two signed letters and a fine, rare original black pen and ink drawing signed by Bestall sent to a Mr P A Greensides of Beverley dated 1979. Bestall was a British illustrator and writer who submitted Rupert Bear stories for the London Daily Express from 1935-65. Overall size 35cm h x 26cm w, sketch 9cm h x 6.5cm w.

Jules Pascin (1885 Widin/Bulgarien - 1930 Paris)Weiblicher Akt im BordellMit gekonnt flüchtigem, dynamischem Pinselstrich festgehaltene Aktstudie, die unmittelbar in einem Bordell entstanden sein wird und motivisch dem Hauptthema im Oeuvre Pascins folgt, dem erotischen Frauenakt. Aquarellierte Federzeichnung/Papier. R. u. sign. sowie mit Atelierstempel. 33 cm x 23,5 cm. Ink drawing and watercolours on paper. Signed and with artist's studio stamp.

Jules Pascin (1885 Widin/Bulgarien - 1930 Paris)Weiblicher Akt in einem SesselMit flüchtigem, unmittelbarem Duktus gemalte Studie einer spärlich bedeckten jungen Frau, leicht breitbeinig in einem großen Sessel sitzend. Pascin hielt Gesehenes mit Vorliebe direkt vor Ort, u. a. in Bordellen, in schnellen, dynamischen Skizzen fest. Aquarellierte Federzeichung/Papier. R. u. sign.; 28,4 cm x 21 cm.Ink drawing with watercolour on paper. Signed.

Samson (British Modern School), 'The Assemblage of Monumental Forms’, signed, ink drawing, 61cm x 48cm.

Frank Southgate RBA (1872-1916) Houses in a landscape, signed 'Frank Southgate' (lower left), ink wash, 17.5 x 26cm; together with Gordon Beningfield, Hunt Jump, Dorset, signed 'G.beningfield' (lower right), pencil, 23.5 x 31cm; together with an ink drawing of Manton Gorse by Frank Algernon Stewart, and F Stickells, Twin Oasts, signed and dated 'F Stickells 1938' (lower right), ink, 31 x 51cm (4)

David Hockney (b.1937)Drawing in a Printing MachineThe exhibition catalogue, 2009, signed in black ink, from the edition of unknown size, printed by Bas Printers Ltd., published by Annely Juda Fine Art, London, on the occasion of the artist's exhibition 1 May-11 July 2009, overall size 280 x 220mm (11 x 8 3/4in)

Sheila M Webster (British 20th century), pen and ink drawing, 'Crook of Lune', signed 'Sheila M Webster 73' to lower right, framed and glazed, 26.5cm x 21.5cm overall.

Giovanni Francesco Barbieri, il Guercino (Italian 1591-1666) Study of a flying putto Signed and dated by Sir John Charles Robinson J C Robinson/1859 (in ink to verso) and further inscribed From the Bouverie Collection/Guercino/No 510 ( to verso) Red chalk 20.5 x 17.1cm; 8 x 6¾in Provenance: By descent from the artist to the Gennari family, Casa Gennari, Bologna; Probably, Francesco Forni, Bologna; John Bouverie, Northampton (c.1723-1750) (L.325; stamp lower left); By descent to his sister, Anne Bouverie (d.1757), Betchworth, Surrey; By descent to her husband, John Hervey (d.1764), Betchworth, Surrey (no mark, see Lugt Supplement 2858c); By descent to his son, Christopher Hervey (d.1786), London and Betchworth, Surrey; By descent to his aunt (John Bouverie’s surviving sister), Elizabeth Bouverie (d.1798), Teston, Kent; By bequest to Sir Charles Middleton, later 1st Baron Barham (1726-1813), Teston, Kent; By descent to his son-in-law, Sir Gerard Noel, 2nd Baron Barham (1759-1838); By descent to his son, Sir Charles Noel, 3rd Baron Barham, later 1st Earl of Gainsborough (1781-1866), Exton Park, Oakham (no mark, see Lugt Supplement 2858c); His sale, Christie’s, London, 20 July 1859; Sir John Charles Robinson (1824-1913) (L.1433; lower left); Sotheby's, London, Old Master Drawings, 12 March 1963, lot 35; Private Collection, WiltshireThe present work is consistent in style and technique with Guercino’s studies for putti in red chalk of c.1635-1645. A similar example is in the Morgan Library and Museum (no.IV, 168b), the pose of which has much in common with our work. The Morgan example has been dated to 1636-38. From the same moment, is a lost Guercino altarpiece for Carpi of c.1637, now known through a copy in the Pinacoteca di Spoleto. Professor David Stone has noted the similarities between one of the putti in this work and our sheet, including the treatment of the right arm and belly, as well as the facial features. Although Stone does not feel our work is a preparatory study for the Carpi altarpiece, the comparison helps establish the attribution of the drawing and demonstrates the consistency of Guercino's types and ideas in this period. We are grateful to Professor David Stone for his assistance cataloguing the present work on the basis of photographs. A copy of his full report is available on request.

William Holman Hunt OM (1827-1910) Portrait of Arthur Henry Giles, aged twelve, bust-length Signed W.H. HUNT. (lower right, on sitter's sleeve) Pen and brown ink 18 x 14.3cm; 7 x 5¾in Together with a framed copy of correspondence from the sitter regarding the present work (2) Provenance: Anna Sarah Giles, mother of the sitter, 1852; Arthur Henry Giles, the sitter, Weston-super-Mare, by 1907; Private Collection, West Midlands; Christie's, London, 14 March 1978, lot 175, where purchased by Maas (£198); T. Clark, July 1978; Agnew's, London, 1989; From whom purchased by the previous owner, August 1994; Christie's, London, British Art on Paper, 5 June 2007, lot 97 Literature: Judith Bronkhurst, William Holman Hunt: A Catalogue Raisonné of Paintings and Drawings executed up to his Departure for the Near East on 13 January 1854, PhD dissertation (Courtauld Institute of Art, University of London, 1987), no. D87, pp. 435-6, pl. 215; Judith Bronkhurst, William Holman Hunt: A Catalogue Raisonné (New Haven and London, 2006), vol.II, p. 214, no. L26 Exhibited: Liverpool, Walker Art Gallery, Collective Exhibition of the Art of W. Holman Hunt, O.M., D.C.L., 1907, no.85, lent by A.H. Giles; Glasgow, Kelvingrove Art Gallery, Exhibition of Pictures and Drawings by W. Holman Hunt, O.M., D.C.L., 1907, no.65; London, Agnew's, Images of Victorian Life: An Exhibition of Paintings, Drawings and Sculpture, 1990, no.73, illustratedThere was once an old label on the backboard of the present work which gave the following information: 'Arthur Henry Giles Aetit XII Drawn by Holman Hunt in the drawing-room of Mrs Coombes [sic], wife of the Supt., Clarendon Press, Oxford, on a Sunday afternoon in 1852, Millais, & Collins also present'. Hunt first met Mr and Mrs Combe in the autumn of 1851 when he was painting at Worcester Park Farm in the company of Charles Alston Hunt and John Everett Millais. Mrs Coombe asked Hunt to sign the present work and told the sitter to give it to his mother 'as the person who drew it will some day be famous'.

Φ Lord Paul Ayshford Methuen RBA, RA (1886-1974)Studies of Sheila recliningSigned Methuen (lower centre) and inscribed and dated 29.12.40/Sheila (lower left)Pen and black ink, and red chalk32.6 x 51.8cm; 12¾ x 20½inUnframedTogether with a letter from the artist gifting the drawing; and Catharine Dodgson (1883-1954); Portrait of the ballerina Joan McClelland; Signed with initials CD (lower right); Red and white chalk with grey wash; 31.5 x 24.1cm; 12½ x 9½in Unframed (3)Provenance:Methuen, a gift from the artist, 19 October 1941;Property of a former museum keeper, collected between the 1930s and 1970s

Rugby League caricature drawing by Leo C., pen and ink, mounted, glazed and framed, 53 x 63cm., slight discolouration, 

Charles Ambrose (British, 1876-1946) Welsh rugby player in action,  pen, ink and wash, signed lower right margin, mounted, glazed and framed, 33 x 28cm.; sold with a charcoal and pencil rugby match drawing, unsigned, mounted, glazed and framed, 31 x 36cm., (2)

17th / 18th Century ink and wash drawing, adoration scene with angels above, 24cm x 19cmGood overall condition. This is a drawing.

Erté (Romain de Tirtoff) (French school, 1892-1990) - An Art Deco early 20th century circa 1920s gouache, ink & pen on paper drawing titled ' Scarampi ' by French artist Erte. Signed in pen to front & titled in pen to verso. Framed. Measures approx. 36cm x 27cm (plate).

Robert Gillmore MBE PPSWLA (b.1936)"Barn Owl"Signed in pencil, pen and ink drawing, label verso "Illustration for 'Kingfisher'", 10cm by 10cm; together with other decorative 20th century engravings and prints, including limited edition works by Christopher Cunliffe, B* White, Bridge in a winter landscape, signed, watercolour, and a contemporay abstract, mixed media (8)

A 20th CENTURY CHINESE DRAWING IN INK HEIGHTENED WITH WHITE, DEPICTING TWO PIGS FEEDING FROM A TROUGH

James Minasi ( Artist to Queen Victoria and H.R.H. Prince Albert) , pen and ink drawing, portrait of Victoria, 1844, diameter 5.5ins

Original animation cel by King Features, published by Circle Fine Art Corp. and a pencil and ink drawing. Cel measures 19.5" x 17" including frame, drawing is 12.5" x 10.75" (sheet size). Comes with certificate of authenticity attached to verso. Condition: Age related wear.

PEN AND INK DRAWING - G CLARKE

Full title: Rik Wouters (1882-1916): Coastal landscape, ink on paperDescription:Work: 54,5 x 43 cm Frame: 82 x 70 cmThe reverse with a charcoal drawing (32,5 x 30 cm).

Full title: European school, follower of Hieronymus van Aken Bosch (ca. 1450-1516): Fantasy creatures, ink on paper, 19th C.Description:Work: 15,6 x 7,4 cm Based on the drawing 'The temptation of Saint Anthony', nowadays part of the collection of the Staatliche Museen zu Berlin (link).

A.DELIA (20TH CENTURY). SEATED NUDE STUDY. INK AND WASH DRAWING. SIGNED AND INDISTINCTLY INSCRIBED. 39 X 54 cm.   Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.

HENRY TONKS (1862-1937) THE YOUNG MOTHER. PEN AND INK DRAWING ON PAPER UNSIGNED- ATTRIBUTED VERSO. 17.5 X 26cm.   Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.

KE. (20TH CENTURY) No77 DRESSING. PEN AND INK LINE DRAWING. SIGNED AND DATED '83. 23 X 31 cm.   Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.

JOHN KING (1929-2014) ARR, HUNTSMAN WITH HOUNDS, PEN AND INK DRAWING WITH SKETCHS VERSO..SIGNED 25 x 35 cm. TOGETHER WITH A FORES LTD. GALLERY CATALOGUE OF THE ARTISTS WORKS. (2).   Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.

Woodburn: a gilt framed mixed media drawing, depicting figures in an interior - signed and dated '59 - sold with a gilt framed and slipped ink drawing of a recital and a framed coloured reprint map of Devonshire and a further print

Sven BERLIN (1911-1999) Waterfall Ink and wash, signed and dated '52, 49 x 57cm. Frame size 68 x 56cm.This drawing is on high-quality cockled paper. There are no condition issues other than a slight browning.

Oscar Wright (19thC). Maiden by the River, pen and ink drawing, signed, 24cm x 23cm and various other watercolour drawings, contents of folder.

20thC Carton. The bus guest, ink drawing, 32cm x 26.5cm and two other pictures (3).

A pen and ink drawing of Trafalgar Square together with a gilt framed watercolour of sailing boats, approx 65cm x 49cm. Shipping category D.

4 Large Hand Drawn Victorian Plans Of a Mill Steam Engines, Comprising of a large assembly drawing of a mill engine on a stone bed with a condenser (?) assembly below, drawn in pen, ink and wash, 95cm x 60cm; large assembly drawing of a mill engine on a stone bed with a condenser (?) assembly below titled 'Elevation of Condensing Engine 38" Cylinder' with the engineering company stamp of Thomas Wainwright, Stalybridge and dated May 1884 & 5, drawn in pen, ink and wash, 98cm x 62cm; large assembly drawing of a mill engine on a stone bed with a condenser (?) assembly below titled 'Elevation of StoneWork for Engines, Cylinders 13" & 5" Stroke' with the engineering company stamp of Thomas Wainwright, Stalybridge and dated 30th March 1882, drawn in pen, ink and wash, 102cm x 48cm; large assembly drawing of a condensing mill engine in plan and elevation, engine with Centrifugal governor detail on steam inlet, 98cm x 70cm (4)

World War One interest - Pen and Ink Drawing of Amiens Cathedral, France, showing soldiers by the Cathedral, initialled A.J.M for Albert Marshall 43cm x 52cm, framed and glazed

French School (18th Century)Group of players with dancing dogsInk drawing, together with a further work, likely by the same hand depicting Soldiers at the table in a town, 10cm by 16.5cm and 10cm by 17cm respectively (2)

A pen and ink abstract drawing under the ocean 41cm x 32cm

A collection of Whitefriars workshop illustrative working boards and a prepatory drawing in pen and ink on tracing paper, to include applied swag vases and designs by Geoffrey Baxter, including 9160, 9682, 9854 and 9855, various sizes. (5)

Alick Knight (1903 - 1983)Three Figuressigned, the mount inscribed To Our Friend Dorothea Sharp, because she likes this drawing, from Eva & Alick, ink and watercolour wash, 35.5cm x 34.5cm

ALFRED ELMORE (1815-1851); watercolour, study of figures, unsigned, the label verso states 'Appleby1977', 18 x 11.5cm, with pair of pencil sketches in the manner of John White Abbot (1763-1851), studies of trees, each with a label verso stating 'Fry 1977', 14 x 9cm, and an ink drawing by Peter De Wint (1784-1849), figures by ruins, 6.5 x 9.5cm, with four other pencil or ink sketches of figures, all framed and glazed (8)Condition Report: Paper with a small tear lower left.

* Aviation artwork. A group of 3 pen & ink and wash aviation cartoons by Pilot Officer Page, 1938/1943, featuring Spitfires and personnel with dated signature and pen or pencil caption to lower mounts, plus a fourth pen & ink and wash drawing of a Gloster/Supermarine X in flight by D/O Pemberton, 1930, all on white cartridge paper, a little spotting and some creasing and marginal fraying, mostly affecting blank paper, approximately 50 x 85 cm and slightly smallerQTY: (4)

HUMOROUS PEN AND INK DRAWING OF A MOTHER DOG WITH HER 6 PUPPIES, SIGNED INDISTINCTLY B??? BOOKER, 14" X 17”

P.R. Walker (19thC/20thC). Old Houses Holborn, ink drawing, signed, titled and dated 1910, 32cm x 33.5cm.

English School,Barge and boats off Portsmouth(?),watercolour, unsigned,12x18cm,another English School watercolour, low tide, Continental School, Hammerstein River, watercolour, a pen and ink drawing of fishing boats at low tide, and a watercolour landscape with figures on a path.Qty: 5

Robin Crozier (1936-2001) - The Machine, signed, dated 1951 and dedicated To Derek Carruthers, pen, ink and gouache, 38 x 56cm and three other works on paper by Derwent Wise (1933-2003), R Jewel and T Mohammed (4) Crosier drawing foxed, slightly creased / browned, the others in good condition

Arthur Keene (1930-2013) - ink and wash drawing, Georgian revellers with a masked Harlequin, 38 x 30cm