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A Staffordshire Sailor toby jug, circa 1800, the smiling fellow modelled seated upon russet glazed trunk and handle, attired in green frock coat, white spotted red waistcoat and lemon breeches, holding a frothing beaker and a florally painted jug, on green and brown washed base with further manganese and turquoise striped base, (later painted frock coat) 30cm high
A Pratt type ordinary toby jug, circa 1790-1800, of collier type, the fellow seated upon a chair, holding a frothing jug of ale on his left knee, wearing black tricorn hat, with cobalt hair, olive green frock coat, brown waistcoat, yellow breeches, barley decorated handle and indented base, (a/f) 24cm high
A Ralph Wood type toby jug, early 19th century, modelled seated upon a chair with a barrel between his legs, holding a foaming jug of ale, wearing treacle glazed tricorn hat, blue sponged frock coat, white waistcoat and indigo breeches and barrel, raised on canted rectangular base (a/f) 25cm high
Three various toby jugs, to include; a drunken parson toby jug, circa 1820, modelled wearing black frock coat, breeches and tricorn hat, on brown lined circular base, 21cm high (a/f), a standing toby jug, 19th century, wearing green glazed frock coat, 23cm high and an ordinary toby modelled seated with foaming jug of ale, 18cm high (3)
A pair of early 19th century English porcelain figures of Turks. Possibly Rockingham. the man wearing a pink and green turban, orange coat and patterned waistcoat and robe, the woman in green and orange turban, wearing a pink coat with black and white trim, over a patterned dress, both on rococo scroll bases, unmarked (damages) (2). 13cm high
Sir Joshua Reynolds, P.R.A. (1723-1792) PORTRAIT OF WILSON GALE-BRADDYLL (1756-1818) OF CONISHEAD PRIORY, LANCASHIRE, HALF LENGTH, IN A BURGUNDY COAT AND WHITE STOCK Oil on canvas, 30 x 25 in. (76 x 63 cm.) in a fine 18th Century carved giltwood frame Provenance: According to Graves & Cronin, by descent in the family until its sale at Christie's: Christie's, Braddyll sale, 25th February, 1865 (lot 97), bought Cox; apparently returned to the family afterwards and recorded in the possession of E.S. Braddyll in 1881; Private collection, Cumbria; thence by descent Exhibited: Royal Academy, 1788, as 'Portrait of a Gentleman', no. 189; perhaps Liverpool, 1881, no. 136 Literature: Algernon Graves and William V.Cronin, 'Sir Joshua Reynolds', 1899, vol 1, no. 110; Ellis K.Waterhouse, 'Reynolds', 1941, p.80; David Mannings, 'Sir Joshua Reynolds - A Complete Catalogue of his Paintings', Yale University Press, 2000, no. 237, p.103 (engraving only illustrated, no. 1529, p. 566) Engraved: A.N.Sanders, 1865 The sitter was born Wilson Gale, the eldest son of John and Sarah Gale of Highhead Castle, Cumberland. In 1776 he inherited Conishead Priory, together with other properties, on the death of his cousin Thomas, and assumed the additional name and arms of the Braddyll family. In the same year he married his cousin Jane Gale, daughter and heir of Matthias Gale of Catgill Hall, Cumberland. In 1779 he was appointed Sheriff of Lancashire,and from 1780 he was a Whig MP for three different constituencies, successively Lancaster Borough, Horsham and Carlisle. He became a Groom of the Bedchamber to the Prince of Wales, who in 1788 gave him a head and shoulders portrait of himself by Reynolds, which Is now in the Tate Gallery (Mannings no. 720). As a friend of the Prince of Wales he was well known for his profligacy, and Farington wrote of him in 1796 'It is not supposed that Braddyll consumed his fortunes by gaming but by inattention to his expenses and by various profuseness of living. Though he had very expensive establishments to support, he lived much at taverns as a profuse bachelor'. In Reynolds's Pocket Book for 1788 there are several appointments with Mr Braddyll in January and February, and two for May, one of which may have been with Mrs Braddyll, whose portrait he also painted (Mannings no. 238), now in the Wallace Collection, London, along with one of their son Thomas (Mannings no, 236) and a group portrait of the family (Mannings no. 239), now in the Fitzwilliam Museum, Cambridge. A payment of 50 guineas is recorded in the artist's Ledger in July 1789. In 1803 Braddyll was made a Colonel in the 3rd Royal Lancashire Militia.
A rare presentation gilt brass and silver carriage clock, with a replaced platform lever escapement striking on a gong, half hours, with a white enamel dial having an embossed silver sleeve with thistles and soldiers and centred a coat of arms, flanked by banners 'SOUTH AFRICA 1900-1901', the base panel inscribed 'Presented to Private Alfred Gilchrist, A.& S.H, in recognition of patriotic service in The South African Campaign, Helensburgh, June 1901,' Hallmarked for Elkington & Co Ltd, London 1901, the case with laurel and oak leaf decoration with a swing handle and pointed feet, 10in (25.5cm) h; winding key
1935 F.A.CUP FINAL PROGRAMME. SHEFFIELD WEDNESDAY v. WEST BROMWICH ALBION. (CREASED AND SLIGHT TEAR TO SPINE) PLUS PRESS CUTTINGS. *The 1935 F.A Cup Final programme for the match between Sheffield Wednesday and West Bromwich Albion contained 24 pages which were housed within a blue and silvered cardboard cover. It rained on the day of this game, and so consequently many of the programmes became creased due to supporters folding them to put them in their coat pockets. Wednesday won the match 4- 2!
Circle of Charles Dixon (fl. 1748-1798) - Miniature shoulder length portrait of Charles Edward Stuart (1720-1788 - "Bonnie Prince Charlie"), as a young man wearing a blue coat and sash with the Order of the Garter, probably on ivory, oval 1.75in x 1.375in, contained in gold coloured metal frame with polished agate to back
A late Victorian silver three piece teaset comprising; teapot, twin handled sugar, and cream, the teapot having wooden handle, finial topped hinge dome cover, and of half spiral fluted and reeded squat oval form, bearing coat of arms, 26oz, maker Richard Martin & Ebenezer Hall, Sheffield 1894, teapot height 15cm

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95688 item(s)/page