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Lot 137

Queen Anne, of Denmark (1574-1619), Coronation, the official silver medal, 1602, probably by Charles Anthony, bust three-quarters left, wearing decorative collar, pearl necklace and earrings, pearls and other jewels in her hair, ANNA DG REGINA MAG BRIT FR ET HIM FILIA & SOROR REGV DANIÆ, rev., crowned shield of arms, ASTVTIA FALLAX TVTIOR INNOCENTIA, crowned coat-of-arms, 28.5mm (MI 192/12; Eimer 81; Woll. 33; H & P PL. 27, 8). Extremely fine, toned and rare. Anne was the second daughter of King Frederick II of Denmark and was married to James VI of Scotland (later James I of England) in 1589 at the age of 14. Provenance: Bt. T. Millett, 2001.

Lot 138

James I, the Peace or Treaty with Spain, cast silver medal, by Nicholas Hilliard, 1604, with integral decorative openwork border, bust three-quarters right wearing flamboyant plumed hat and falling lace collar over a doublet, IACOBVS DG ANG SCO FR ET HIB REX, rev., the figures of Religion, holding cross and beacon-light facing Peace supporting cornucopia and palm branch, HINC PAX COPIA CLARAQ RELIGIO, 41.5mm (MI 194/15; Eim. 84; Farquhar I, 160; vL II, 19). A good quality cast, some light tooling, good very fine and scarce. This year marks the 410th anniversary of the Treaty. There seems little dispute that the struck gold example in the British Museum is the work of that most famous painter of miniatures, Nicholas Hilliard, as discussed by Barclay. C. and Syson. L., "A Medal Die Rediscovered - A new work by Nicholas Hilliard", The Medal, no.22, Spring 1993, figs. 5 & 9. These cast examples were probably made as cap and coat badges. Provenance: Bt. R. Falkiner.

Lot 15

Edward VI, circular portrait plaquette, an electrotype copy of the "unique contemporary cast" in lead in the British Museum, bust left with plumed hat, wearing coat and doublet and Garter Collar and George and holding gloves, EDWARDVS DEI GRA AN REX, 74 x 74.5mm (cf MI 56/7, illus.; pl. IV, 1; H & P pl. 29, 4; Farquhar, 114), mid 19th century. Much as made, very fine. Provenance: Bt. eBay, September, 2007.

Lot 201

A blue military coat, naval bicorn hat, a single silver finished epaulette, brass epaulettes, braid and other military and uniform related items. There is no condition report available on this lot.

Lot 200

Pedigree Sindy Wardrobe and Clothing, includes faux fur coat and stole. G-F. (20+ clothing items)

Lot 60

Glidrose James Bond 007 11 1/2" Model Clothes, made in Hong Kong, possible unlicensed clothing set for Gilbert figure. Set includes trench coat, hat, clothes hanger, shoes, umbrella and gun and holster. E in VG box.

Lot 92

Mink 3/4 length coat. Condition report: see terms and conditions

Lot 137

Queen Anne, of Denmark (1574-1619), Coronation, the official silver medal, 1602, probably by Charles Anthony, bust three-quarters left, wearing decorative collar, pearl necklace and earrings, pearls and other jewels in her hair, ANNA DG REGINA MAG BRIT FR ET HIM FILIA & SOROR REGV DANIÆ, rev., crowned shield of arms, ASTVTIA FALLAX TVTIOR INNOCENTIA, crowned coat-of-arms, 28.5mm (MI 192/12; Eimer 81; Woll. 33; H & P PL. 27, 8). Extremely fine, toned and rare. Anne was the second daughter of King Frederick II of Denmark and was married to James VI of Scotland (later James I of England) in 1589 at the age of 14. Provenance: Bt. T. Millett, 2001.

Lot 138

James I, the Peace or Treaty with Spain, cast silver medal, by Nicholas Hilliard, 1604, with integral decorative openwork border, bust three-quarters right wearing flamboyant plumed hat and falling lace collar over a doublet, IACOBVS DG ANG SCO FR ET HIB REX, rev., the figures of Religion, holding cross and beacon-light facing Peace supporting cornucopia and palm branch, HINC PAX COPIA CLARAQ RELIGIO, 41.5mm (MI 194/15; Eim. 84; Farquhar I, 160; vL II, 19). A good quality cast, some light tooling, good very fine and scarce. This year marks the 410th anniversary of the Treaty. There seems little dispute that the struck gold example in the British Museum is the work of that most famous painter of miniatures, Nicholas Hilliard, as discussed by Barclay. C. and Syson. L., "A Medal Die Rediscovered - A new work by Nicholas Hilliard", The Medal, no.22, Spring 1993, figs. 5 & 9. These cast examples were probably made as cap and coat badges. Provenance: Bt. R. Falkiner.

Lot 15

Edward VI, circular portrait plaquette, an electrotype copy of the "unique contemporary cast" in lead in the British Museum, bust left with plumed hat, wearing coat and doublet and Garter Collar and George and holding gloves, EDWARDVS DEI GRA AN REX, 74 x 74.5mm (cf MI 56/7, illus.; pl. IV, 1; H & P pl. 29, 4; Farquhar, 114), mid 19th century. Much as made, very fine. Provenance: Bt. eBay, September, 2007.

Lot 466

English SCHOOL, LATE 19TH CENTURY PORTRAIT OF A GENTLEMAN SEATED HALF LENGTH IN A BLACK COAT, OIL ON CANVAS

Lot 429

A pair of Elizabeth II silver Royal commemorative circular trays, the fields engraved with the Royal coat of arms and inscribed 1947 - 1972, beaded borders, 20.5cm diam, ltd editions 873 and 889/1000, Birmingham 1972, 19oz gross

Lot 495

A lady's mink fur coat, satin lining, c.1940

Lot 466

English SCHOOL, LATE 19TH CENTURY PORTRAIT OF A GENTLEMAN SEATED HALF LENGTH IN A BLACK COAT, OIL ON CANVAS

Lot 1317

An unusual teak hall stand, the front elevation with small pronounced shelf beneath a rectangular mirror panel and coat hooks, flanked by a side opening door with hanging space to interior

Lot 494

A brown and lined mink coat; a white fur coat; a red mess jacket

Lot 503

Three boxes containing various blue and white ceramics, table lamp, coat hooks etc.

Lot 1069

Small oak stick stand and a mirrored hanging coat rack

Lot 14

A stained hardwood coat hanging unit with shaped top, carved supports, with pierced brass hooks, together with a stained two-tier wall hanging

Lot 1069

Small oak stick stand and a mirrored hanging coat rack

Lot 823

Portrait miniature, possibly Christian Richter (Swedish 1678-1732), of a gentleman with black fur lined coat, in yellow metal mount, 4cm high

Lot 1003

Late 18th Century ash staff, painted in black with a coat of arms, 70cm high

Lot 1075

Ten armorial glasses, to include six Sherry glasses and four beakers, all applied with fine hand painted coat of arms, to include, four with `Advance With Courage`, (10), Provenance - From the Marjoribanks Family of Northumberland

Lot 1101

Victoian stoneware brandy keg, with Brandy above a coat of arms, lions to the base, 28cm high

Lot 1075

Ten armorial glasses, to include six Sherry glasses and four beakers, all applied with fine hand painted coat of arms, to include, four with `Advance With Courage`, (10), Provenance - From the Marjoribanks Family of Northumberland

Lot 284

A 'Canada Majestic Mink' full length ladies coat, approx. size 10.

Lot 546

A Mahogany Coat Rack on carved turned columnar support on tripod base.

Lot 51

An historic 14th century relic from Ypres Cathedral Church of St Martin, being a carved wooden shield bearing the ancient coat of arms of the Ecclesiastical Court of Ypres, 24? x 16?. See opposite title page. Note: the shield is accompanied by a typewritten 12 page history by Hayter Preston, Art Critic for The London Reference entitled ?Soldiers Risk For a thing of Beauty?. The condensed story of its fascinating past is as follows: The cathedral was completed in 1370 with the shield proudly in place and it survived many wars; Richard II would have seen it as would the army of Charles VI of France and Spanish soldiers under Phillip II. During the French Revolution sympathisers were unable to disfigure it as it stood 60 feet above the ground. The Cathedral was heavily bombed during 1915 during which 130 people were killed seeking its protection.During this period the shield was spotted by a young British officer who felt that the original carving should be protected. In view of the height ladders were out of the question. With the shelling continuing by day the officer, with the help of an American volunteer in the British Army (from Detroit), decided to remove it from the ruins to a place of safety at night. The two men rigged up gun limber ropes and a ball of cord and with the aid of a rifle and a blank grenade they fired the cord over the top of the gable. Once the gun rope was secure the job was completed over two nights. It meant climbing up and chiselling in the stonework around the shield. They worked for three hours than gave up at 4.a.m. Between sessions the Germans had dropped a shell clean through the gable six feet below which gave a foothold obviating the necessity of coming down for a rest. The shelling at times was intense from the seventeen inch howitzers concentrated on the Cathedral Square. Once removed the officer took the shield to his mess and it became an item of great interest and he brought it back to England during his leave in 1916. Upon his return to France the officer received a head wound which caused memory loss which lasted ten years, but upon recovery he remembered where he had put it in store. Fortunately he was able to retrieve it. The American soldier who had helped him was sadly killed three weeks after the removal of the shield. During a visit to the British Museum he saw a Fifteenth Century guide to Ypres, printed in 1400, the coloured cover displaying the coat of arms which confirmed its date. The author of the article states that he has examined the pear wood shield embellished with thick coatings of paint and, in his long experience as a professional critic of art, declared that he had never seen a finer example of 14th century carving. With this lot is dated correspondence from the Ambassade De Belgique, the Sunday Express and the Imperial War Museum. We would like to point out that this shield was offered to the Belgian Government in 1955 for re-installing into the refurbished cathedral but they declined as a modern replacement had already been re-instated.

Lot 232

NINETEENTH CENTURY STAFFORDSHIRE PORCELAIN MODEL OF A BEGGING DOG, wearing a red coat, on oblong gilt lined base, 3 3/8"" (8.5cm) high, TOGETHER WITH A SIMILAR EQUESTRIAN FIGURE `Sancho Panza` with hollowed back on oval gilt lined base, 4 1/4"" (10.8cm) high (2)

Lot 746

Frontiersman Hat and Great Coat together with a pair of Riding Boots, Spurs and Gaiters + Leather Jerkin an a pair of Leather Gauntlets

Lot 18

A full length black tulle evening coat with short sleeves, circa 1940/50

Lot 53

A vintage black and light brown fur coat and two other similar fur coats (3)

Lot 54

Daniel Neals, London: A 1940`s child`s double breasted tweed coat, one other child`s Harrods tweed jacket and a baby`s coat (3)

Lot 99

Biji Boutique, Paris: A full length black velvet coat, with `Peter Pan` collar and a matching crossover skirt, both trimmed with corded fasteners

Lot 104

A vintage mink coat lined with embroidered silk, circa 1950

Lot 242

A 1960s vintage mink coat and matching hat, with original receipt of purchase

Lot 259

Braham`s Furriers: A short brown fur coat, circa 1960

Lot 279

A short black and pink kimono type house coat, and two embroidered bed jackets (3)

Lot 280

A full length gold brocade evening coat, and a full length pale blue evening dress, with gilt braid decoration (2)

Lot 284

A Chinese gold quilted full length house coat, circa 1950

Lot 285

A full length bright orange evening coat, the collar, cuffs and hemline with fur trim, circa 1920

Lot 300

A dark blue collarless day coat, the back and sleeves with detailed stitching circa 1930

Lot 331

A Dark brown fur coat circa 1940/50

Lot 332

A 1920 brown faux fur coat, with dark brown fur collar and cuffs and single front button fastener

Lot 343

A full length black evening dress, the fitted bodice falling into a full circular skirt, with cut out net flowers edged with gold Lurex threadwork circa 1930, and a cream vintage summer coat (2)

Lot 352

A vintage college blazer, straw boater, coachman`s coat and dinner suit

Lot 111

A Beswick model of a huntsman in red coat riding on a white horse with dappled patches

Lot 462

Five vintage English tweed jackets, three others and a wool winter coat

Lot 73

A group of four oriental figures including example of a man in blue coat holding a fan, a child holding a fruit, etc

Lot 2500

A JACOBETHAN WALNUT FIRE SCREEN the needlework banner worked with the Royal coat of arms, 46ins. (117cms.) high x 30ins. (76cms.) wideCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk

Lot 261

A LATE GEORGE II TWO-HANDLED CUP of campana form on a domed circular foot, engraved coat of arms on one side, by Robert Albin Cox, London 1756; 5.5" (14 cms) high; 14.1 ozCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk

Lot 329

AN ANTIQUE DISH of shaped circular outline with a gadrooned border & an engraved coat of arms, originally unmarked, but now struck with a "CJVanderLtd.", maker`s mark and a George III three-legged stand with burner, by Benjamin Laver, London 1784; the dish 11" (28 cms) diameter; 33 oz Condition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk

Lot 339

AN OLD SHEFFIELD PLATED SOUP TUREEEN of shaped & bellied oval form with ornate handles & feet and a high domed cover, engraved coat of arms & crest, c.1825; 15.5" (39.5 cms) longCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk

Lot 433

A PAIR OF GEORGE III SMALL OVAL MEAT DISHES with gadrooned borders, each engraved with a coat of arms & three crests, one inscribed on the reverse "No.3" & "25-1", the other "No.4" & "24-8", by Robert Sharp*, London 1799; 12.55" (32 cms) long; 47 oz (2) * See Grimwade No. 2436 where he points out that this mark is cut down from the combined mark of Daniel Smith & Robert Sharp.Condition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk

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