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Southern Railway 9ct gold 50 years LONG SERVICE MEDAL. Enamelled face with Southern Railway Coat of Arms and engraved on the back E. MERCER 1889-1939, hallmarked .375 and assay mark for Birmingham. The recipient spent all his working life at Ashford Carriage and Wagon Works as an upholsterer and after retirement carried on as a cobbler working from home. He passed away in 1974. In excellent condition and in original case.
A George II Silver Mazarine, Paul de Lamerie, London 1745, oval, pierced and engraved with shells and scrolls, the centre coat of arms and motto scroll, inscribed No1 and scratch weight 27=9 to underside, 44.5cm wide, 27oz 6dwt The arms are those of Duncombe impaling Campbell, probably for Octavius Duncombe (1817-1879) and his wife Lady Caroline Campbell, who were married in 1842. Provenance: Possibly Christie's, Myles Place Salisbury, 25-26 Oct 1992, Lot 589 For a cup and cover, by de Lamerie, bearing the same arms see Christie's London, Centuries of Style, 10 June 2011, Lot 293 . Marks struck to underside, all with some wear, the date letter partially obscured. Some splits between the tips of the shell design and its surround on left hand side. One further small split in the same place on the shell at the other end. Some small bruises and undulation around rim. The engraved arms are later.
A George III Silver Swing-Handled Cake Basket, William Plummer, London 1765, oval with foliate rim, the sides pierced with alternating patterns, on pierced foot with ropework borders, the centre engraved with a coat of arms for Swinton, likely for The Hon John Swinton, Lord Swinton (1723-1799) of Swinton, Berwickshire, 33cm wide, 27.8ozt. Marks all generally clear to side of basket. The handle marked with lion passant. Four large repairs/patches to the piercing on the sides of the basket as well as some further breaks and losses to the piercing. Some light knocks and scratching to centre. There is some wear which is noticeable as a softening to the decoration.
Continental large figure group with sheep: Impressive probably German centrepiece with detachable bowl, measuring 33cm high x 29.5cm wide at bowl. One hand missing, arm reglued, thumb missing, several petals damaged, section of coat missing, some petals missing to bowl also. Bears an underglaze beehive type mark to base.
Isocrates. Oratio de laudibus Helenae [translated by Joannes Petrus Lucensis] [and] Herodotus. Historiae [translated by Laurentius Valla and edited by Antonius Mancinellus], collation: A4 a4 2a-d6 dd8 e-x6, 142ff., 44 lines, Roman type, large woodcut criblé initial H at start of 'Clio', initial spaces, some with guide-letters, unidentified painted coat of arms to head of 2a1, water-stained, some worming, mostly marginal, but occasionally touching the odd letter, 18th century vellum, folio (285 x 199mm.), [Venice], [Christophorus de Pensis, de Mandello], [Between 1494 and 1498]. ⁂ A rare work at auction. The Herodotus is a reprint of De Gregoriis edition of 1494.
James II (King of England, Scotland, and Ireland, 1633-1701) Inspeximus and exemplification relating to Sir Ralph Sadler, fine engraved portrait of James II, royal coat of arms and floral decoration at head, manuscript document in Latin, on vellum, 49 lines, ruled in red, folds, slightly yellowed, lacks seal, otherwise in good condition, 645 x 890mm., Westminster, 6th June 1687.⁂ A fine and rare document drawn up in the short reign of James II. A re-issue of a document from the reign of Henry VIII by James II Issued in relation to Sir Ralph Sadler (1507-87), diplomat and administrator, drawn up at the behest of Sir Edwin Sadler (c. 1706), a descendent. Sadler had a long and varied career, from being an intimate of Thomas Cromwell to service to Henry VIII, Edward VI, he withdrew from the court of Queen Mary, but returned and served on the privy council of Elizabeth I. By the time he died, Sadler was reputed to be the richest man in England.
Ruskin (John, art critic and social critic, 1819-1900) Autograph Letter signed to his Mother, 2½p., 8vo, Winnington, [Cheshire], 22nd May [c. ?1860s], describing a dance at Winnington School in which he had been involved with his young friend Lily Armstrong, "They opened [at Winnington School] a new playroom yesterday which Miss Bell has just roofed in for them and the little ones had determined to wait for me to have the first game with them in it. So we began with a grand game of cat and mouse - and then at dropping the handkerchief - and then we had Irish quadrilles - which end with a wonderful dance in a labyrinth of rings, and as I was to have Lily for partner I put my coat on a wrong side before to look like an Irishman; Lily highly approved of this arrangement... Lily at last pulled it off me altogether and put it on herself over her frock and tied her hair up in a hard knot and then we had an Irish quadrille to purpose - till I had no more breath left", folds, slightly browned.⁂ Ruskin first met Lily Armstrong when she was a 12-year-old schoolgirl at Winnington, the girls' boarding-school in Cheshire run by the financially inept Margaret Alexis Bell with considerable interest and assistance from Ruskin himself. He was a regular visitor to the school, where he not only proceeded with his own writing but joined in games and dancing with the girls. His friendship with Lily lasted long beyond her schooldays and after her marriage, and was evidently deeply affectionate on both sides.
Colour-Printing.- Savage (William) Practical Hints on Decorative Printing, [one of 227 copies], colour-printed frontispiece, additional decorative title printed in gold with border in colours, letterpress title in red & black with decorative border, list of subscribers, dedication with coat-of-arms in colours, 6 colour-printed decorative head-pieces and 49 wood-engraved plates, most printed in colours, a few uncoloured printed on india paper and mounted, including 9 defaced plates on 5 sheets at end (4 printed on both sides), a little foxing and light water-staining, mostly marginal, contemporary calf, covers with large recessed hexagonal panel and elaborately stamped in blind, rubbed and slightly stained, upper joint split, [Abbey Life 233], 4to, for the proprietor, 1822.⁂ Important work on colour-printing with the plates "printed from wood blocks, but some in bright tints instead of the neutral shades affected by the old school of chiaroscurists. The tints are achieved by Savage's important discovery of making printing ink without any oil, and therefore more suitable for artistic purposes...The colour prints proper were produced by impressions from two up to as many as twenty-nine blocks." AbbeyThe plates include type-specimens, an ornamental letter printed in gold, 6 sheets of colour swatches, and plates of printing presses, antiquities, landscape views and natural history. Copies appear to vary slightly according to the number of plates. Although this copy has 4 plates of 'Female Street- Sweeper & Child', in 3 different colour separations and one with two colours, it lacks the plate with all three colours. Abbey also calls for 2 plates of Clymer's Columbian Press, one lettered and one unlettered; this copy does not contain the unlettered plate.
A Victorian carved oak hallstand, with central rectangular mirror, surrounded by hooks with scrolling leaf carving, having a shelf, over a drawer with two stick stands to base, height 84ins, width 41ins, depth 15insCondition Report: Knocks and scuff as expected with age and use. One coat hook missing and one shelf support loose.

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95688 item(s)/page