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Lot 159
Union Cases, 2-65, Scarce, VG, one corner flake, Littlefield, Parsons & Co, Whelk Shell in Scroll Border, late 1850s, 83mm x 95mm, Ambrotype, sixth-plate, young man in long tail coat; 2-66, Rare, VG, Samuel Peck & Co, Shell, before 1857, 95mm x 84mm, Ambrotype, sixth-plate, lady with book; 2-67, Rare, G, hinges loose, S Peck & Co, The Clam Shell, 1854-1855, 127mm x 157mm, 1/6 plate, Very early Peck rubber-stamped label
Lot 166
Union Cases, 3-19, Scarce, VG, Littlefield Parsons & Co, Floral/Geometric, late 1850s, 121mm x 97mm, Ambrotype, quarter-plate, Child & Wormald 13 Gt George Street, Leeds (from 1856-59), blue-backed portrait of young gentleman in tail coat; 3-22, Common, F-G, hinges repaired, A P Critchlow & Co, Tiny Heads in Oval, before 1858, 125mm x 105mm Daguerreotype, matte replaced, some edge oxidisation, quarter-plate, portrait of Lady Julia Price
Lot 560
A 'Golly' related lot including two different large vintage retailers signs for 'Robertsons Strawberry Jam', made of heavy duty card, and a wooden 'Goly' coat rack, all of which which we are led to understand came from an ex-employee of the Robertsons's Droylesden (Manchester) plant. Also included in this lot is a boxed Pelham Puppet of a Golly including instruction sheet and 'Plays for Pelham Puppets' booklet. (4)
Lot 1195
A scarce 1920s Britains Civilians set (Set 168). Comprising; 2x ladies in Edwardian dress (one example in red dress and one in blue), 3x Gentlemen, Policeman, Yachtsman with pipe and coat over one arm and a chauffeur carrying a lamp. In red box with grey-green Fred Whisstock picture label showing street scene, some wear/damage and splits/missing parts to lid. Figures loose in box GC-VGC, areas of chipping to most. (Inside Front Cover). £300-400
Lot 36
An Imperial German officer’s dress sword, curved, pipe backed blade 32”, double edged at point, etched and gilt for half length with elaborate floral and foliate panels, and maker’s name “M. Neumann, Hoflieferaut (Purveyor to the Court) Berlin” along the back edge, false damascus to lower half of blade, elaborate gilt hilt with crossguard and quillon, langets, knucklebow, lion’s head pommel and backstrap, with ornamental panels and foliate devices overall, and coat of arms to centre of knucklebow, wirebound fishskin grip, with its steel scabbard with 2 brass bands and rings, retaining a little original plating (light surface rust). Generally Very Good Condition, retaining most original gilt. Plate 19
Lot 213
D6151; Brown hat; green coat; yellow and red scarf.Paddy, a colloquial term for an Irishman, is derived from St. Patrick, the country's patron saint. This miniature jug is dressed in traditional green for St. Patrick's Day. Back of toothpick holder is inscribed with "Paddy". Royal Doulton backstamp. Artist: Harry FentonIssued: 1940-1941Dimensions: 2.25"HManufacturer: Royal DoultonCountry of Origin: England Condition: Good
Lot 281
Dark grey hat; maroon coat; grey-white bow with yellow spots.Character from Charles Dickens' series. Working musical jug that has a genuine Thorens Swiss Movement that plays "Come Landlord Fill the Flowing Bowl".Back of jug inscribed with "Tony Weller". Artist: Leslie Harradine/Harry FentonIssued: 1937-1939Dimensions: 6.5"HManufacturer: Royal DoultonCountry of Origin: England Condition: Good
Lot 284
Green coat and hat with cane and handkerchief handle.The Regency Beau character jug represents the styles and aesthetics associated with the Regency period. Back of jug inscribed with "Regency Beau". Royal Doulton backstamp. Artist: David B. BiggsIssued: 1962-1967Dimensions: 4.25"HManufacturer: Royal DoultonCountry of Origin: England Condition: Good
Lot 286
Rare mini jug with brown coat and white buttons, backstamp A.Designed by acclaimed Doulton artist Harry Fenton, the Pearly Boy -and Pearly Girl, for that matter- jugs started out as 'Arry and 'Arriet, two traditionally dressed costermongers: or London's common purveyors of fresh produce in street-side carts and bazaars. A unique and rare variation of those first designs, the Pearly Boys are an adorned and re-imagined 'Arry, in his finest dress, hat and coat barnacled in iridescent pink and white buttons. Released only in 1947, it is a much desired addition to any collection of Doulton figures and jugs, and a testament to the company's passion for innovation, experimentation, and celebrating English culture. Artist: Harry FentonIssued: 1947Dimensions: 2.5"HEdition Number: Variation 4 Manufacturer: ROYAL DOULTONCountry of Origin: England Condition: Good
Lot 287
Small variation, with white buttons and type A backstamp.Designed by acclaimed Doulton artist Harry Fenton, the Pearly Boy -and Pearly Girl, for that matter- jugs started out as 'Arry and 'Arriet, two traditionally dressed costermongers: or London's common purveyors of fresh produce in street-side carts and bazaars. A unique and rare variation of those first designs, the Pearly Boys are an adorned and re-imagined 'Arry, in his finest dress, hat and coat barnacled in iridescent pink and white buttons. Released in 1947 and produced in sporadic and extremely limited numbers, it is a much desired addition to any collection of Doulton figures and jugs, and a testament to the company's passion for innovation, experimentation, and celebrating English culture. Artist: Harry FentonIssued: 1947Dimensions: 3.25"HEdition Number: Variation 1 Manufacturer: ROYAL DOULTONCountry of Origin: England Condition: Good
Lot 306
Green coat and hat with cane and handkerchief handle.The Regency Beau miniature character jug represents the styles and aesthetics associated with the Regency period. Back of jug is faintly inscribed with "Regency Beau". Royal Doulton backstamp. Artist: David B. BiggsIssued: 1962-1967Dimensions: 2.75"HManufacturer: Royal DoultonCountry of Origin: England Condition: Good
Lot 307
Smiling man wearing brown hat; green coat; yellow scarf.The miniature jug is based on a 17th century puppet show duo from England. The handle is shown as the puppet Punch, the hunchbacked boastful husband. Back is inscribed with "Punch and Judy Man." Royal Doulton backstamp. Artist: David B. BiggsIssued: 1964-1969Dimensions: 2.75"HManufacturer: Royal DoultonCountry of Origin: England Condition: Good
Lot 311
Style one jug with a crocodile and clock handle.Captain Hook is the nemesis of Peter Pan in J.M. Barrie's famous story. The miniature jug features Captain Hook wearing a blue tricorn trimmed with yellow; green coat trimmed with yellow; white ruffles at neck. Back of jug inscribed with "Capt Hook". Royal Doulton backstamp. Artist: Max Henk/David B. BiggsIssued: 1965-1971Dimensions: 2.5"HManufacturer: Royal DoultonCountry of Origin: England Condition: Good
Lot 315
Smiling man wearing brown hat; green coat; yellow scarf.This small jug is based on a 17th century puppet show duo from England. The handle is shown as the puppet Punch, the hunchbacked boastful husband. Back is inscribed with "Punch and Judy Man." Royal Doulton backstamp. Artist: David B. BiggsIssued: 1964-1969Dimensions: 2.75"HManufacturer: Royal DoultonCountry of Origin: England Condition: Good
Lot 430
Bunny dressed for Easter holding an egg with ribbon.Hand painted maroon coat, light grey trousers, blue bowtie, yellow straw hat, yellow egg with pink ribbon. Artist: Harry Sales and David LyttletonIssued: 1986Dimensions: 5"HManufacturer: Royal DoultonCountry of Origin: England Condition: Good
Lot 89
The Newsvendor HN2891 and Past Glory HN2484.Royal Doulton figure The Newsvendor HN2891 modeled as a man wearing a long orange coat selling newspaper. Past Glory HN2484 figure modeled as a man sitting on a trunk wearing a long red coat with a trumpet. Issued in 1973-1979. Royal Doulton backstamp. Artist: W.K. Harper/ M. NicollDimensions: Tallest: 8.25"HManufacturer: Royal DoultonCountry of Origin: England Condition: Good; Past Glory has a minor chip to the rim of the trumpet.
Lot 76
Manteau long en fourrure véritable de vison en provenance de la maison "Siberian Fur Store" à Hong-Kong, doublure en satin aux motifs brodés, boutons avec incrustation de strass, parfait état, années 70/80Long coat in real mink fur from "Siberian Fur Store" in Hong Kong, embroidered satin lining, buttons with rhinestone inlay, perfect condition, 70's/80'sLanger Mantel aus echtem Nerzpelz aus "Siberian Fur Store" in Hongkong, besticktes Satinfutter, Knöpfe mit Strass-Inlay, perfekter Zustand, 70er/80er Jahre
Lot 111
"Dont argue with me, my good woman, I'm off!", Daphne du Maurier: (1907 - 1989) British Author, T.L.S. Menabilly Par Cornwall, 4th December 1967, 'Bing', one page, to Maureen Baker-Munton, ('Dearest Maureen'), an amusing letter where Daphne regales Maureen with a tale of her grandson, comparing him to her late husband Sir Frederick Browning. Her grandson Freddie when reprimanded 'looked at her sharply, (shades of Moper) said "Coat on... Coat on..." and proceed to the hall and began to struggle into his coat to leave! Went to the sitting-room packed the toys he had brought with him, and proceeded towards the front door! Cant you imagine Moper "Dont argue with me, my good woman, I'm off!" Daphne continues 'honestly, at 2 1/2 I do think he shows initiative!! But that "Coat on... Coat onn" is the thing I love. No attempt to shout or whine, just "I'm off, and don't you stop me". How Moper would laugh'. Of Kilmarth 'it's a wrench, but I must face up to it, and it will be O.K. in time. I'm already getting very interested in its history and old days, and am working back to 1331'. (All rights are reserved by The Chichester Partnership and no written materials may be reproduced in part or in full without the express prior written permission of The Chichester Partnership c/o Curtis Brown Group Ltd)
Lot 117
"As if the Queen must be kept informed of all our doings!", Daphne du Maurier: (1907 - 1989) British Author, T.L.S. Menabilly Par Cornwall, 17th July 1966, 'Bing', two pages, to Maureen Baker-Munton, ('Dearest Maureen') a charming, fun letter detailing conversations with Queen Elizabeth II and Prince Philip: 'Just to tell you that my visit to Truro was a great success! I went in my Dalmation outfit and new hat, plus Tess's coat, and found, to my great crumb, that when I got there I had to stand amongst an elite group of 5 - Dame Barbara Hepworth the sculptress woman who had done a bronze for County Hall, Dame Helen Gardiner that old Palace person, and Sir Edward Bolitho the ex Lord Lieutenant and his lady. Everyone else, old mayors with chains, and councillors, etc even the County - were all herded like sheep behind ropes! Then the Queen, radiant in rose, and Prince Philip, after they had done their stuff unveiling a plaque, etc, and being shown round, advanced with smiles to greet us. "How nice to see you again", says the Queen as I make my bob, and "we were quite near you in the train last night, up the river by Lostwithiel (its routes, Moper sent them up there originally). How is the family, etc, etc, and how many grandchildren now?" and suddenly I couldn't think - had I four or five? "Heavens," I said, "I think its four, I suddenly cant think" (Wake up, duck, Moper in the background obviously nudging me!) Then P.P. came smiling "Hullo, how's Menabilly, still falling down?" No, I told him," it's looking more spruce than when you saw it last! He laughed, and asked what I was writing, and I said "Rather appropriately, a book about Cornwall, documentary." Oh, well, he said, it will be better written than more documentaries!' Daphne continues 'I had tea with Edward Ford, full of chat... and lovely crumb, he said (they had obviously been talking about us the night before in the train) "What is Kits doing? The Queen did not know.." (as if the Queen must be kept informed of all our doings!) so I crumbed about him doing all the photographs for my book, hoping he would repeat it, and he will get an order to do Windsor'. Daphne considers 'I longed for Philip Rashleigh to have been there and seen his despised tenant being signalled out, and also thought how Moper would have made farting noises under his breath to me if we had seen him standing amongst the hers behind the ropes!'Du Maurier's illustrious company included Dame Barbara Hepworth (1903-1975) British Artist, Dame Helen Gardner (1908-1996) Literary Critic and Colonel Edward Thomas Bolitho (1955- ) Courtier.(All rights are reserved by The Chichester Partnership and no written materials may be reproduced in part or in full without the express prior written permission of The Chichester Partnership c/o Curtis Brown Group Ltd)
Lot 153
"It must be psychological politics...", Daphne du Maurier: (1907 - 1989) British Author, A.L.S. Menabilly Par Cornwall, 7th December 1963, 'Bing', two pages, to Maureen Baker-Munton, ('Dearest Maureen'), Daphne laments on seeing her husband Sir Frederick Browning that he 'did that routes thing of not asking me anything about my trip, or what did I think of Kit's house, and just went on talking about what he had seen on the telly! It must be psychological politics'. The saga of which fur to wear to Christian Browning's wedding continues 'I must tell you I've had second thoughts about lending ermine coat for wedding as I might find I want it myself... I could always lend you the Persian lamb'. (All rights are reserved by The Chichester Partnership and no written materials may be reproduced in part or in full without the express prior written permission of The Chichester Partnership c/o Curtis Brown Group Ltd)
Lot 240
"Complete chaos, as she had her lovely white frock, but no coat", Daphne du Maurier: (1907 - 1989) British Author, A.N.S. 'Bing', 21st September 1954, to Mrs Maureen Baker-Munton, nee Luschwitz, ('Dearest Maureen') short note detailing Daphne's lack of culinary expertise. 'The loons and I had to get our own sups (Joyce was out) which was tricky as none of us knew how to open a tin, and wrenched at it with knives!' Of her daughter Tess attending the county ball, 'complete chaos, as she had her lovely white frock, but no coat, and it was pouring with rain, so finally she went off in the old blue boat cloak, and a sun hat to keep her hair dry!'. (All rights are reserved by The Chichester Partnership and no written materials may be reproduced in part or in full without the express prior written permission of The Chichester Partnership c/o Curtis Brown Group Ltd)
Lot 270
Daphne du Maurier: (1907 - 1989) British Author, A.L.S. 'Daphne', one page, to Miss Maureen Luschwitz, ('Dearest Maureen'), 'could you take into Miss Jarvis of Peter Jones my american check swagger coat. The tailor is to copy it with the lengths of green tweed left from my suit'. Miss Maureen Luschwitz would later become Mrs Maureen Baker-Munton. (All rights are reserved by The Chichester Partnership and no written materials may be reproduced in part or in full without the express prior written permission of The Chichester Partnership c/o Curtis Brown Group Ltd)
Lot 307
Daphne du Maurier: (1907 - 1989) British Author, T.L.S. 'Daphne', Menabilly par Cornwall, two page letter, to Maud Waddell ('Tod'), Daphne's governess and friend, on trying to teach her son Christian Browning to budget, 'I think Kits should do every week, is what all honks do, and when he is paid his weekly cheque he should at once cash it, and then hand over to you £3. £2 will be for his keep (though we know its actually more than that) and £1 towards the rent, which you will put in an envelope and save for me. That will leave him with £8 a week, and he must therefore cut his coat according to his cloth, and try and reckon out how he can keep going on this through the week. So much for petrol, so much for canteen lunches... When that is reckoned safely, he must see what he has over for cigarette, records, dolls, films, and so on. But the point is that a "working" boy must not expect to be able to gad about and spend money ad lib', Daphne ponders, 'I wonder how my family would have progressed if I had been they type to order mink coats, fast cars, and all the rest of it... Sometimes I think it would not be a bad idea if Labour did get in and take a great slice off everybody's Trust, and all three children realised what it meant to work and keep a family entirely on what one earns. But there it is. Its marrying and bringing up a family that takes the money. We'll see how Kits manages when he has a haggard "doll" wife in bal, nagging, and two nippers toddling, and his rent to pay, and a job coming to an end!(All rights are reserved by The Chichester Partnership and no written materials may be reproduced in part or in full without the express prior written permission of The Chichester Partnership c/o Curtis Brown Group Ltd)
Lot 310
Daphne du Maurier: (1907 - 1989) British Author, T.L.S. 'Daphne', Menabilly, 4th December 1967, two page letter, to Grace her housekeeper, 'Dearest Grace', update on the family, including her errant grandchildren, 'remembering you are "off" the whiskey (or are you "on" it again?) I am wondering whether any other offering in the wine line would interest you as a Christmas token?', of her grandson Freddie 'I must say, at 2 1/2 I think it shows great savoir faire, the "Coat on... Coat on..." is the thing that makes me laugh most. Such a glorious riposte to one's hostess!'(All rights are reserved by The Chichester Partnership and no written materials may be reproduced in part or in full without the express prior written permission of The Chichester Partnership c/o Curtis Brown Group Ltd)
Lot 53A
"Not that I imagine that you do not keep "a good table" but you might be snowed up in Feburary!", Daphne du Maurier: (1907 - 1989) British Author, A.L.S. 'Daphne', plain postcard, "Not that I imagine that you do not keep "a good table" but you might be snowed up in Feburary!" along with a one page T.L. Menabilly Par Cornwall, 1/2 7th November 1963, one page (incomplete), to Maureen Baker-Munton, ('Dearest Maureen'), Daphne considers going to London to 'get myself a coat, also a number to go beneath at Harrods or some place, for this blasted wedding'.(All rights are reserved by The Chichester Partnership and no written materials may be reproduced in part or in full without the express prior written permission of The Chichester Partnership c/o Curtis Brown Group Ltd)
Lot 73
"I was expecting a bench behind a pillar...", Daphne du Maurier: (1907 - 1989) British Author, T.L.S. Kilmarth Par Cornwall, 21st November 1972, 'Bing', two pages, to Maureen Baker-Munton, ('Dearest Maureen') a good long letter wishing Maureen a happy birthday with accompanying signed card and detailing an invitation to Westminster Abbey. 'I couldn't help it, but this birthday card of the two penguins so caught my eye, I had to get it for you. Friends of Teddy's! Many happy returns of the 23rd, and I hope I've got the date right this year. Rather a shilling anti-climax, but I am sending you under a seperate post a Rule Britannia, to add to your (crumb) collection of D.du M's. I also hope you have a happy weekend, the poor Martyr not prostrating himself too much, and the Kristen, if home for half-term, doing his stuff in the garden but not making Mum break her back also'. Daphne continues; 'well, my news of any import i that I had an invite for the Westminster Abbey do yesterday. My heart sank, and then I remembered how Moper would say "Good God, duck, of course you must go." So literally for his sake I caught the train Sunday (very slow, men working on the line!) spent Sunday night with Tess and Co... Them a hired car to the Abbey (me in cast-off brown frock of Tess's, and me Derry & Tom fur coat, plus fur hat, Moper's brooch at neck, so looked O.K.) and off to Westminster. To my amazement I was shown a front seat on the nave - I was expecting a bench behind a pillar - and thanked God I had on shoes and not travelling booties! Opposite was old Edward Ford, and I think Dick Colville, and Hanriette, so obviously it was front seats in naves for ex members of Household, and I was deeply touched to think I represented Moper. On either side of me two buffers I didn't know, but I bet Moper would have said "Dont be silly, duck, its old Tootie Westmorcombe and Giles Fiddlearse", but honestly, I am no good at remembering faces... Well I expect you saw the whole thing on telly, so I need'nt describe it. She looked terrific, and the whole procession the same. I was so glad I went. And the thing that "sends" me is that fan-fare of trumpets'. 'Moper' was Daphne's pet name for her late husband Sir Frederick Browning. (All rights are reserved by The Chichester Partnership and no written materials may be reproduced in part or in full without the express prior written permission of The Chichester Partnership c/o Curtis Brown Group Ltd)
Lot 98
"White out look yet the sun is shining from cloudless sky...", Daphne du Maurier: (1907 - 1989) British Author, A.L.S. 'Bing', one page, Kilmarth Par Cornwall, 30th Nov 1969, to Mrs Baker-Munton ('Dearest Maureen'), regarding the purchase of a Fenwick house coat. 'First snowfall here, and it looks lovely, white out look yet the sun is shining from cloudless sky'. (All rights are reserved by The Chichester Partnership and no written materials may be reproduced in part or in full without the express prior written permission of The Chichester Partnership c/o Curtis Brown Group Ltd)
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95688 item(s)/page