A 1950s autograph album containing a page with the signatures in blue fountain pen of Stan Laurel and in blue ballpoint pen by Oliver Hardy, signed either side of a coloured vignette depicting the duo, further dedicated below in blue fountain pen 'Hello David', other signatures include signed to one page, early 1950s players of Wolverhampton Wanderers Football Club, including Billy Wright, Burt Williams and Roy Pritchard.Provenance - The autograph book was the property of the current owner's husband. The signatures of Laurel and Hardy were apparently obtained when he went along to watch them as a boy at the Hippodrome in Wolverhampton (possibly March 1954).
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The Beatles. Autograph album featuring a page signed by Paul McCartney, George Harrison, John Lennon, and Ringo Starr. The page is inscribed 'Beatles', and each signature is in blue ballpoint pen with the exception of John Lennon, which is in brown ink. The album also features the autographs of Little Richard; Adam Faith; Dion; Del Shannon; Buzz Clifford; Brian Hyland; Roy Orbison; The Walker Brothers (separate signed press/publicity photograph)Provenance: Vendor obtained all of the signatures at the Granada in Mansfield (1962-63), with the exception of Adam Faith (Arcadia Theatre, Skegness), Roy Orbison and Walker Brothers (Sheffield City Hall)
Waterman Elegance White gold plated Ballpoint Pen in original box with full certification. Elegance is synonymous with grace and style, and the Waterman Elegance fountain pen is a name truly befitting its moniker. Introduced in 2009 and modelled after the earlier Safety line of Waterman pens from the early 1900s, the Elegance utilizes rounded lines and cylindrical shapes to achieve a sophisticated shape. With its cast brass base, ivory lacquer finish, and intricate 23k gold detail, this fountain pen is truly special. Introduced in 2009 and designed by art director Beatrice Fontana, the Waterman Elegance is the epitome of sophistication. The Elegance is a modern take on the Waterman Safety line from the early 1900s. With this contemporary interpretation, Waterman has maintained the cylindrical shape, shortened cap, and intricate metal details of the vintage classic while adding even more luxury for the 21st century. Good Condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
(See below for english version)„Is this desire?“. 2005Öl auf Leinwand. 40 × 40,2 cm ( 15 ¾ × 15 ⅞ in.). Rückseitig mit Kugelschreiber in Schwarz signiert, datiert, betitelt und mit der Werknummer versehen: M Edmondson 2005 Is this desire? 17.[3282]Zustandsbericht: In gutem Zustand. Die Leinwand ist nicht doubliert und befindet sich auf dem originalen Keilrahmen. Unter UV-Licht sind keine Retuschen erkennbar. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.„Is this desire?“. 2005Oil on canvas. 40 × 40,2 cm ( 15 ¾ × 15 ⅞ in.). In black ballpoint pen signed, dated, titled and inscribed with the work number on the reverse: M Edmondson 2005 Is this desire? 17.[3282]Condition report: In good condition. The canvas is not relined and is mounted on the original stretcher. There are no retouchings visible under ultraviolet light. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.
(See below for english version)„Talos I“. 1968Öl auf Leinwand, mit Künstlerleiste. 150 × 130 cm ( 59 × 51 ⅛ in.). Rückseitig mit Bleistift bezeichnet, signiert, datiert und betitelt: 150 x 130 cm 29 [durchgestrichen] oben [eingekreist] Ulrich Knispel, Dortmund Münsterstraße 122 1969 Talos I. Sowie einem Etikett des Deutschen Künstlerbundes. Dort mit Kugelschreiber in Blau signiert: Ulrich Knispel.[3188]Zustandsbericht: Schöner harmonischer Gesamteindruck. Die Leinwand ist nicht doubliert und befindet sich auf dem originalen Keilrahmen (originale Aufspannung). Unter UV-Licht sind kleine Retuschen erkennbar. Insgesamt etwas unfrisch und angestaubtWir berechnen auf den Hammerpreis 30% Aufgeld.„Talos I“. 1968Oil on canvas, with artist's framing. 150 × 130 cm ( 59 × 51 ⅛ in.). Inscribed, signed, dated and titled in pencil on the reverse: 150 x 130 cm 29 [crossed out] oben [circled] Ulrich Knispel, Dortmund Münsterstraße 122 1969 Talos I. As well as a label from the Deutsche Künstlerbundes. Signed there in blue ballpoint pen: Ulrich Knispel.[3188]Condition report: Fine harmonious overall appearance. The canvas is not relined. Mounted on the original stretcher (original tacking). Minor retouchings are visible under ultraviolet light. Overall somewhat lightly soiled and dustyWe charge 30% premium on the hammerprice.
(See below for english version)Weiblicher Akt im Spiegel. 1979Offsetcrumplage auf Karton montiert. 27,1 × 25,9 cm ( 10 ⅝ × 10 ¼ in.). Unten rechts mit Kugelschreiber in Schwarz signiert und datiert: J Kolar 79.Entstanden in Zusammenarbeit mit dem Fotografen Werner Hannappel, Berlin. [3412]Zustandsbericht: Schöner harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. Rückseitig in den Ecken jeweils mit Flüssigkleber auf den Unterlagekarton montiertWir berechnen auf den Hammerpreis 25% Aufgeld und auf Hammerpreis und Aufgeld die zum Auktionszeitpunkt geltende Umsatzsteuer.Female nude in the Mirror. 1979Offset crumplage. 27,1 × 25,9 cm ( 10 ⅝ × 10 ¼ in.). Signed and dated in black ballpoint pen on the lower right: J Kolar 79.Produced in collaboration with the photographer Werner Hannappel, Berlin. [3412]Condition report: Fine harmonious overall appearance. The sheet edges without tears or losses. Mounted on the reverse at each corners with liquid glue on cardboardWe charge 25% premium on the Hammerprice and VAT applies to hammerprice and premium.
A quantity of fountain pens to include Conway Stewart 'The Universal Pen', a Montblanc 'Meisterstück' CK no.146 with 14ct gold nib, Wyvern 'Perfect Pen No.81' with 14ct gold nib, a further quantity of fountain pens, propelling pencils and ballpoint pens to include Parker examples, also a small collection of brass clips including a duck's head example with glass eyes etc.
A COLLECTION OF NINE VINTAGE FOUITAIN PENS AND A CONWAY STEWART BALLPOINT AND PENCIL SET, these consists two capless pearl pens, a clip less Dinkie in pearl blue, another Conway, a boxed Watermans in black and gold, a Swan Self Filler in blue pearl, a boxed Leverless in black and gold, a Black The Swan and a black Self Filler (unless stated all fill mechanisms need attention)
δ Terry Frost (1915-2003)Easter (Kemp 34)Lithograph printed in colours, 1966, signed, dated and inscribed 'Artist's Proof' in black ballpoint pen, one of only five artist's proofs, the edition was never realised, on wove paper, with margins, sheet 592 x 390mm (23 1/4 x 15 3/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Fleming (Ian). From Russia, With Love, 1st edition, Jonathan Cape, 1957, old partially erased ballpoint pen ownership inscription to front free endpaper, original cloth in dust jacket, a little soiled, some chipping to spine ends and short splits to corners, together with: You Only Live Twice, 1st edition, 1964, original cloth in dust jacket, a little rubbed and soiled, a little chipped at head of spine and short split at top of leading edge of upper panel, both 8vo (Qty: 2)
Rowling, J.K. Harry Potter and the Philosopher's Stone, 1st impression 1st edition, London: Bloomsbury Publishing PLC 1997, hardback ISBN 0 7475 3269 9, Clays printer's number 10-1, 'Philospher's' misprint on back cover, owner name in ballpoint on inside first page.Note - this book is one of approximately 500 copies of the first impression first edition, approx. 300 of these were given to libraries and schools, leaving a maximum 200 editions in general circulation in non ex-library condition.The actual number of survivors is unknown but thought to be very low (please see additional multiple images and condition report)Wear to all corners, generally clean inside with slight light discolouration to extremities, cover a little faded and with peeling acetate overlay in places
Artist: Andy Warhol (American, 1928 - 1987). Title: "Flowers [Leo Castelli]". Medium: Color offset lithograph. Date: Composed 1964. Dimensions: Overall size: 27 7/8 x 24 15/16 in. (708 x 633 mm). Image size: 21 7/8 x 21 15/16 in. (556 x 557 mm).Lot Note(s): Signed and dated in black ballpoint pen, lower right. Edition unknown - c300?. Heavy cream wove paper. The full sheet. Fine impression with extremely bright and vibrant colors. Good to very condition; a scuff in the lower left margin, well away from the image; image itself very good with a few unobtrusive printer's creases; verso with some glue remnants; some very pale discoloration at lower left margin edge recto, barely noticeable. Literature/catalogue raisonne: cf. Feldman/Schellmann II.6; cf. Paul Marechal, "Andy Warhol: The Complete Commissioned Posters, 1964-1987," #1. Comment(s): Scarce, rare signed, and encountered far less often than the editioned print. According to 'Gordon's Art Reference' the auction record for another example of this poster (signed) is $18,750 (on pre-sale estimates of $20,000/30,000) realized at Swann Galleries, NYC, November 14, 2013, lot #111. This "Flowers" image is different from those of the limited edition published in 1970. Based on a photograph of hibiscus flowers by Patricia Caulfield in "Modern Photography," June, 1964. For the famous Castelli exhibition of November 21 to December 28, 1964, where Warhol signed several of the posters. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28383-6-7500]
Artist: Francisco Toledo (Mexican, 1940-2019). Title: "Un Cocodrilo ["Art Kite" (papalote) with paper tail]". Medium: Color stencil cut. Date: Composed c2009. Lot Note(s): Signed in blue ballpoint pen, lower right. Small edition. Hand-made paper. Dimensions without the tail: 28 1/4in x 22in x 3/16in (718mm x 559mm x 4mm). The tail is approximately 30in (762mm) long. Fine impression. Fine condition. Provenance: Private collection, Oaxaca, Mexico. Comment(s): Most of Toledo's kites are unsigned; only occasionally does he sign them, and then generally on the verso. Please note that the kite was photographed with the tail folded up - it does have the original tail. These art kites are created from a stencil drawn and cut by Toledo in Arches paper. The stencil is then pressed into a hand made sheet of paper and hand colored. When separated, the resulting contrast reveals the image. Some kites are hand-sprayed with dyes to create background effects, etc. Francisco Benjamín López Toledo is arguably Mexico's most famous living artist. He studied at the Escuela de Bellas Artes de Oaxaca and the Centro Superior de Artes Aplicadas del Instituto Nacional de Bellas Artes, Mexico, where he studied graphic arts with Guillermo Silva Santamaria. [28264-13-800]
Various coins including 1993 silver proof five pounds, Festival of Britain crown, Bank of England Gill twenty pound note, Page ten pound note and Fforde ten shilling banknote, Australia 2007 one dollar uncirculated coin, fountain pen with '14ct Gold' nib, cased set of Parker fountain and ballpoint pens, white metal charm bracelet etc
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7770 item(s)/page