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Lot 318

Tiffany & Co slim ballpoint sterling 925 pen, engine turned swirl engraving, the centre band with Tiffany & Co, Sterling, Germany, 11.5cm long in a Tiffany & Co bag

Lot 321

Mont Blanc Meisterstuck gold-coated ballpoint, pen no ViL 458676, black precious resin inlaid with Mont Blanc emblem (no cartridge), 13.5cm long

Lot 319

Tiffany & Co stainless steel ballpoint pen with gilt metal T-shaped clip and mounts, engraved 'Tiffany & Co, USA', 13cm long

Lot 2012

Artist: Francisco Toledo (Mexican, 1940-2019). Title: "Grillos ["Art Kite" (papalote) without kite framework]". Medium: Original color stencil cut with watercolor. Date: Composed c2014. Dimensions: Overall size: 26 x 20 in. (660 x 508 mm).Lot Note(s): Signed in ballpoint pen under the image; Taller Arte Papel label, verso. Edition unknown, presumed very small. Grey hand-made textured paper. The full sheet, deckle edges all four sides. Fine impression. Fine condition. Fabricated by Taller Arte Papel Vista Hermosa, San Augustin Etla, Oaxaca, Mexico, under Toledo's supervision. Please note that, unlike some other Art Kites in our auction, this example is “loose” and not affixed to a kite framework. Provenance: Private collection, Mexico City, Mexico. Comment(s): Toledo is arguably Mexico's most famous living painter/printmaker. Most of his kites are unsigned; only occasionally does Toledo sign them, and then generally on the verso. Each art kite is created from a stencil drawn and cut by Toledo in Arches paper. The stencil is then pressed into a hand made sheet of paper and hand-colored. When separated, the resulting contrast reveals the image. Some kites are hand-sprayed with dyes to create background effects before the stencil is applied. Image copyright © Francisco Toledo. [29162-5-225]

Lot 982

2 X BOXED & MINT VINTAGE PARKER BALLPOINT PENS 2 vintage Parker pens completely mint, unused and boxed with original plastic boxes and paperwork. Circa 1980s. Boxes - 16x3.5cm. One blue and one black ballpoint classic Parker 20th century design.

Lot 361

A large collection of assorted modern ballpoint pens, pencils, rulers and other stationery items

Lot 893

A Cross rolled gold ink pen with 14k gold nib and a Cross rolled gold pencil and ballpoint pen set, both boxed, both personalised

Lot 64

Artist: Francisco Toledo (Mexican, 1940-2019). Title: "Un Cocodrilo ["Art Kite" (papalote) with paper tail]". Medium: Color stencil cut. Date: Composed c2009. Lot Note(s): Signed in blue ballpoint pen, lower right. Small edition. Hand-made paper. Dimensions without the tail: 28 1/4in x 22in x 3/16in (718mm x 559mm x 4mm). The tail is approximately 30in (762mm) long. Fine impression. Fine condition. Provenance: Private collection, Oaxaca, Mexico. Comment(s): Most of Toledo's kites are unsigned; only occasionally does he sign them, and then generally on the verso. Please note that the kite was photographed with the tail folded up - it does have the original tail. These art kites are created from a stencil drawn and cut by Toledo in Arches paper. The stencil is then pressed into a hand made sheet of paper and hand colored. When separated, the resulting contrast reveals the image. Some kites are hand-sprayed with dyes to create background effects, etc. Francisco Benjamín López Toledo is arguably Mexico's most famous living artist. He studied at the Escuela de Bellas Artes de Oaxaca and the Centro Superior de Artes Aplicadas del Instituto Nacional de Bellas Artes, Mexico, where he studied graphic arts with Guillermo Silva Santamaria. [28264-13-800]

Lot 229

Artist: Francisco Toledo (Mexican, 1940-2019). Title: "Quatro Calaveras ["Art Kite" (papalote) with paper tail]". Medium: Color stencil cut. Date: Composed c2009. Lot Note(s): Signed in blue ballpoint pen on the recto. Small edition. Handmade paper. Dimensions without the tail: 28 1/8in x 21 13/16in x 3/16in (715mm x 555mm x 4mm). The tail is approximately 30in (762mm) long. Fine impression. Fine condition. Provenance: Private collection, Oaxaca, Mexico. Comment(s): Most of Toledo's kites are unsigned; only occasionally does he sign them, and then generally on the verso. Please note that the kite was photographed with the tail folded up - it does have the original tail. These art kites are created from a stencil drawn and cut by Toledo in Arches paper. The stencil is then pressed into a hand made sheet of paper and hand colored. When separated, the resulting contrast reveals the image. Some kites are hand-sprayed with dyes to create background effects, etc. Francisco Benjamín López Toledo is arguably Mexico's most famous living artist. He studied at the Escuela de Bellas Artes de Oaxaca and the Centro Superior de Artes Aplicadas del Instituto Nacional de Bellas Artes, Mexico, where he studied graphic arts with Guillermo Silva Santamaria. [28267-13-800]

Lot 403

Artist: Francisco Toledo (Mexican, 1940-2019). Title: "Los Murcielagos ["Art Kite" (papalote) with paper tail]". Medium: Color stencil cut. Date: Composed c2009. Lot Note(s): Signed in blue ballpoint pen on the recto. Small edition. Dimensions without the tail: 28 1/8in x 22 15/16in x 3/16in (715mm x 583mm x 4mm). The tail is approximately 30in (762mm) long. Fine impression. Fine condition. Provenance: Private collection, Oaxaca, Mexico. Comment(s): Most of Toledo's kites are unsigned; only occasionally does he sign them, and then generally on the verso. Please note that the kite was photographed with the tail folded up - it does have the original tail. These art kites are created from a stencil drawn and cut by Toledo in Arches paper. The stencil is then pressed into a hand made sheet of paper and hand colored. When separated, the resulting contrast reveals the image. Some kites are hand-sprayed with dyes to create background effects, etc. Francisco Benjamín López Toledo is arguably Mexico's most famous living artist. He studied at the Escuela de Bellas Artes de Oaxaca and the Centro Superior de Artes Aplicadas del Instituto Nacional de Bellas Artes, Mexico, where he studied graphic arts with Guillermo Silva Santamaria. [28266-13-600]

Lot 290

A Cartier Diabolo Ballpoint-Pen, Numbered 232407, with engine-turned finish, the top with a blue cabochon stone terminal; Together With: A Must de Cartier Trinity Ballpoint-Pen, Numbered 336197, engine turned and with gilt-heightened scrolls, the clip with red enamel, with two Louis Cartier/Must II Ball Point Refill cartridges in red cardboard box and a 1 Must/Vendome Ball Point refill cartridge (5) . The mechanism on each pen functions properly and the pens each currently write. There is overall scratching on each consistent with age and use. One with non-original cartridge which has leaked somewhat. There is no paperwork or box for either pen. The spare cartridges have not been tested. There is some damage to the cardboard box on each.

Lot 516

A Waterman ballpoint pen; others, Parker, Papermate, etc; pipes, 1950s British Army issue shirts; folding seat, walking cane etc

Lot 82

A PARKER 9CT GOLD PROPELLING PENCIL and a gold-plated ballpoint pen (2)

Lot 447

A gentleman's Sicura Jump Hour Digital stainless steel wristwatch, rectangular blue dial with minute, hour and date apertures and red/white centre seconds, 17 jewels, 37mm; a gentleman's Longines wristwatch, circular champagne dial, Arabic numerals and subsidiary seconds at six o'clock; stainless steel case and luminous hands; a Certina wristwatch, three further wristwatches and a Sekonda pocket watch; together with a Mont Blanc No.22 fountain pen, a Luxor Grande visible fountain pen, a Cross gold plated commemorative fountain pen for Guinness Golden Jubliee and a Sheaffer ballpoint pen.

Lot 122

Dubuffet, Jean (France, 1901-1985)"Le Verre d'Eau III"Felt tip pen drawing on paperInitialed and dated 1966 along the lower right. Inscribed "M 250 17/11 3" and "Le Monde Gallery" along the verso. Sight;Provenance: Galerie Beyeler, Basel; Le Monde Gallery, New York, New York; Private collection, MinnesotaLiterature: "Catalogue des Travaux de Jean Dubuffet," fascicule XXII, no. 192, p. 67.Jean Dubuffet was one of the most consistently innovative artists of the 20th century. His constant desire to push the boundaries of what was understood as beauty and art led to a widely varied and often provocative oeuvre. Dubuffet was born into a family of successful wine merchants in Le Havre, France. After a stint of painting in Paris, during which he briefly attended the Academie Julian and became friends with Fernand Leger, Juan Gris, and Raoul Dufy, he gave up on art. He served in the army for a short while, then settled down to sell wine and start a family, living an affluent suburban life. However, he found himself unsatisfied with his life, and in the early 1940s, he made a return to painting for good. Dubuffet found early success with his paintings of the people around him in the streets of Paris, but continued to shift and experiment throughout his career, moving sequentially through various discrete cycles and styles.Dubuffet was strongly opposed to the mainstream art establishment, describing himself as “anticultural,†and strove to move away from standard definitions of beauty and quality in his art. He founded the Art Brut movement, championing outsider art and untrained artists, and incorporating some of the rough elements of these artists’ work into his own style. He also rejected the traditional art establishment through his continuous experimentation with textures and media, using materials as unorthodox as gravel, tapioca, glass, tar, and fruit to create visceral and tactile compositions.Dubuffet found the inspiration for his Hourloupe cycle, which consumed his attention for much of his later career, while talking on the telephone. Doodling on his message pad, he found himself enthralled by the smooth, continuous lines of his ballpoint pen. He soon began to experiment with what he could do with lines of this sort, creating mesmerizing compositions in the colors of pens: red, blue, and black. The lines enfold and encircle themselves, bending in hypnotic, amoebic squiggles. The works in this series range from representational to entirely abstract. They include works in a wide variety of media, moving far past the original pen and paper and eventually evolving into the Practicables series of sculptures.Dubuffet’s Verre d’Eau series was executed in the midst of the Hourloupe cycle. Literally translating to “glass of water,†the Verre d’Eau drawings utilize the artistic vocabulary of the Hourloupe cycle to create a tongue-in-cheek take on still life, depicting glasses of water with the sort of distortions a viewer would expect when looking through a glass of water. The forms walk the line between representational and abstract, providing a graphic representation of how Dubuffet felt the object looked in the mind, something he strove for in his Hourloupe works.This drawing, Verre d’Eau III, is a striking example of work from the Verre d’Eau series. The gentle colors and parallel blue lines evoke the notebook paper that initially inspired the Hourloupe cycle, suggesting a casual doodle, although this is clearly a careful and precise piece of work. There is a clear focus on form--the silhouette is beautifully shaped, bearing a striking resemblance to the famous ancient Egyptian bust of Nefretiti. It is up to the viewer to sort through layers of meaning, attributions of loftiness and lowliness, contained in this drawing. It is part of the honored tradition of still life, but on such a pedestrian subject as a glass of water. Deceptively simple, this bold and striking image illustrates Dubuffet’s philosophies about celebrating beauty in mundane and unexpected spaces. He wrote, “Look at what lies at your feet! A crack in the ground, sparkling gravel, a tuft of grass, some crushed debris offer equally worthy subjects for your applause and admiration.†Why not, then, a glass of water or doodles on a telephone message pad?height: 19 in x width: 9 3/4 in. Framed; height: 24 1/2 in x width: 15 1/4 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.height: 19 in x width: 9 3/4 in. Framed; height: 24 1/2 in x width: 15 1/4 in.

Lot 13

A Montblanc Meisterstruck Pix ballpoint pen with box and papersLocation: Porter

Lot 209

A Parker 51 fountain pen with rolled gold cap, Parker 454 and various Parker jotter ballpoint pens.

Lot 137

A 'Must de Cartier' ballpoint pen, the brushed silver coloured barrel with gold coloured mounts, stamped 'Must de Cartier 585809', 13.1cm long, together with a Cross ballpoint pen in a black leather pouch, pen 13.4cm long, a Cartier brown leather wallet, 11cm x 8.2cm, a silver cigarette case, 9cm x 8.5cm, and a pen stand with marble base (at fault), 23.5cm high (5)

Lot 318

A collection of ballpoint and fountain pens, to include a boxed Watermans Taperite set, Sheaffer, Swan, Nova, a Ritpoint Cunard White Star Line 'Scythia' souvenir pen, Parker, Wearever, Japanese and others (29)

Lot 333

A cased Breitling 1884 ballpoint pen, complete with branded cardboard outer sleeve, along with a cased trio of Waterman 'marble' pens (4) CONDITION REPORT:The Breitling pen appears to be in good overall condition and currently writes.  There are some marks to the exterior of the cardboard sleeve.  The Waterman ballpoint pen retractor mechanism appears to work, but the pen does not currently write.  The Waterman felt tip pen does not currently write.  The waterman fountain pen knib appears to be in good condition, but the pen appears to have a fault with its filling mechanism. 

Lot 217

A Parker Sonnet ballpoint pen, matte black lacquer finish with gold-plated trim - boxed with refill an instruction booklet.

Lot 238

Stationery box inlaid with mother-of-pearl. Missing writing flap. 14” wide x 9.5”deep x 6” high. With boxed Papermate ballpoint pen.

Lot 6

Boxed Parker fountain pen and ballpoint pen set, cased Parker fountain pen and cased Parker propelling pencil

Lot 145

BOX MIXED FOUNTAIN PENS, BALLPOINT PENS AND OTHERS TO INCLUDE PARKER

Lot 257

A Conway Stewart fountain pen with a 14ct gold nib & a Sheafer ballpoint pen

Lot 2059

A Dunhill Ballpoint Pen, Numbered 56283, reeded, the clip and top each with green enamel, with black leather covered box, the box 18.5cm wide; Together With: A Dunhill gold plated cigarette-lighter, with black leather case and a quantity of gilt metal dress-studs, tie clip and cuff-links (qty)

Lot 224

A Shaeffer gold filled ballpoint pen and other pens

Lot 34

A Waterman blue and gold trim ballpoint pen; together with a Cross ballpoint pen and mechanical pencil; and a Parker ballpoint pen

Lot 597

A Le Must de Cartier gold plated ball point pen with engine turned decoration, in original gilt tooled red leather fitted box with guarantee in outer car box together with a Parker 12k gold filled cased three pen set and Cross ballpoint pen in original box, (3)length 13.3 cm.Condition: Le must de Cartier pen in very good condition. Outer card box has some damp spots

Lot 599

A Mont Blanc Meisterstuck fountain pen, ballpoint pen and propelling pencil,the fountain pen a Meisterstuck no. 146, screw-on lid, brass clip stamped 'W-GERMANY' on ring, nib numbered 4810 and stamped 14K and 585, the pen barrel inscribed with name J L BRESIN, the ballpoint pen with push-on lid, brass clip stamped with serial number BC214678 and with 'GERMANY', the propelling pencil with brass clip stamped 'GERMANY', (3)fountain pen length 14.2cmCondition: the pens are in good condition, slightly use-worn with abrasions to the pen body, all lids close easily and firmly and mechanisms turn smoothly

Lot 596

A quantity of items, to include a silver ballpoint pen, other pens, a Britanol portable paraffin heater, a die cast war ship, etc.

Lot 1050

A collection of twelve fountain and ballpoint pens including a Swan No.4 bakelite example with 14ct nib, etc.Additional InformationAll pens have been used and are all heavily worn, the Platingum is heavily scratched and with chips to the lid. The nib of the Swan fountain pen is open at the split of the nib. The lightest green marbled fountain pen has a defective nib and the black fountain pen has heavy teeth marks to the internal section. All tired and attention will be needed.

Lot 225

black polished case with white metal fittings in a leather pochette; together with a set of fountain pen, ballpoint pen and pencil black polished cases with gilt fittings

Lot 624

A Collection of Fountain Pens, Ballpoint and Pencils including ONOTO, WATERMAN'S PAT. OCT. 9.09., NOVA (nib missing), SWAN, OSMIROID 65 and BURNHAM

Lot 149

A George V Silver Ashtray (Birmingham 1925, George Unite, small Sheffield silver presentation cup, Victorian Birmingham silver and mother of pearl paper knife (chipped), silver handled paper knife, Dupont ballpoint pen and two plated silver boxes, 98g weighable silver

Lot 1533

A group of Parker fountain ballpoint pens, Yard-O-Led pencil and a silver propelling pencil etc

Lot 352

Montblanc Meisterstuck fountain pen with a 14kt gold nib and a Montblanc Meisterstuck ballpoint pen with boxes and a bottle of Montblanc black ink (3)

Lot 883

A collection of pens and fountain pens including Parker and a boxed Sheaffer ballpoint pen

Lot 3

δ Armfield (Maxwell Ashby) Flower study - Jules Margottin; Flower study, two works, coloured chalks on gree-coloured paper, the first mentioned with ballpoint pen and numerous inscriptions and dates '22.8.64' and '19.12.64', 170 x 245 mm (6 3/4 x 9 3/4 in) and 125 x 100 mm (4 7/8 x 4 in), respectively, hinged into mounts, unframed, [circa 1960s] (2)Provenance:The Fine Art Society, LondonFrom the collection of the late Mr. Laurence Leeδ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 416

A Stylos Cartier gold plated ballpoint pen with original box and paperwork

Lot 417

A silver Yard-o-Led propelling pencil, a Sheaffer fountain pen, a Parker fountain pen and a Pilot ballpoint pen

Lot 217

* Disney (Walt, 1901-1966). Disneyland Document Signed, circa 1958, a printed publicity flyer with vignette illustrations, titled 'See and Enjoy... Disneyland's Newest Attractions', copyright Walt Disney Productions, 1958, boldly signed 'Walt Disney' in blueball point pen to verso, some creasing and toning and one marginal split without loss away from signature, a few tiny hole near centre of flyer, remains of gummed old album leaf at head of verso, 31 x 12.5cmQty: (1)NOTESDisneyland Park, in Anaheim, California, opened on 17 July 1955 with Main Street, U.S.A., Adventureland, Frontierland, Fantasyland, and Tomorrowland. Main Street, U.S.A. is patterned after a typical Midwest town of the early 20th century, and took much inspiration from Walt Disney's hometown, Marceline, Missouri. This autograph was obtained by the current owner as a child in 1958, when her family spotted Walt Disney sitting near an ice cream soda fountain on Main Street, U.S.A. Walt Disney used his own ballpoint pen to sign this, the only piece of paper they had to hand.

Lot 329

* McCormick (Ron, 1947-). A group of 10 social documentary photographs of London, Liverpool, etc., 1970s, vintage gelatin silver prints, one mounted on card, all with photographer's wetstamp to versos, two with additional ballpoint pen titles, 'Children of the Slums, Liverpool' and 'Glodwick, Oldham, 1972', the latter dedicated to Betty and Ron [Pennell], images mostly 20 x 30 cm and similar, sheet sizes 30 x 38 cmQty: (10)

Lot 1227

Fifty-one various fountain and ballpoint pens, propelling pencils etc including Waterman, Parker, Conway Stewart 36, Platignum, Osmiroid, Sheaffer, Eversharp etc, together with a bottle of Montblanc Midnight Blue ink, some in original boxes. 

Lot 251

Concorde memorabilia, including a Cross ballpoint pen and another pen and pencil set, a pewter bottle opener, a leather wallet and a leather wallet of ephemera

Lot 180

A gentleman's travel dressing set, in brown leather case, boxed, a leather cased manicure set, in original packaging, two Parker ballpoint pens; one cased, a pen knife in leather pouch stamped Feeny & Co Buenos Aires, a Sperina stopwatch etc

Lot 305

Christian Dior. A  silver ballpoint pen, maker's marks, cased Good condition

Lot 369

A Tiffany & Co silver artillery shell novelty ballpoint pen, maker's marks and Sterling Italy, card box Slight scratches and wear consistent only with age

Lot 109

1981 Nelson Piquet and Brabham F1 team RAC International Competition Licences,comprising an RAC Motorsports Association International Racing Driver Grade A, signed by him beneath a small b&w photo and stamped 01991, MR N.PIQUET, C/O MRC, 11 GLOUCESTER ROAD, LONDON SW7; two similar Entrant International licences, one stamped 00208, PARMALAT RACING, ROEBUCK HOUSE, COX LANE, CHESSINGTON, SURREY, KT9 1DG and signed by M.A. Blash, the other 03386, MOTOR RACING DEVELOPMENTS with the same address and unsigned, each 8 by 15cm, 3 by 6in and held in a clear plastic wallet: together with Nelson Piquet's RAC International Medical Form, a folded card with the cover stamped similarly to his Racing Driver licence and bearing O+ written in ballpoint pen, his signature and medical details inside dated 4/2/81; sold with a Brabham magazine 1981 marked Nelson Piquet's first Drivers World Championship when he took the title at the Caesars Palace GP in Las Vegas. It was also Bernie Ecclestone's first championship success as the Brabham team owner.

Lot 83

Motor racing memorabilia including signed items,Comprising: a SASOL Jordan Yamaha poster, double signed by the team drivers, Stefano Modena and Mauricio Gugehlmin, 1992, and a Koss racing poster, signed by Tommy Byrne and Peter Gethin-signed 1971 Italian Grand Prix report and Yardley B.R.M. press pack, his ink signature on the page preceding a profusely illustrated 10-page 1971 race report and circuit review within the Marlboro Grand Prix Guide, 1972 Edition Kreuzer, Zurich, soft cover 264 pages, the press pack for the launch of the P160 car, dated Wednesday 17 February 1971, the notes entitled: 21 Years On - B.R.M. In 1971, The B.R.M. Formula 1 Car, V12 Engines and Type 161 Gearbox, Yardley Team Drivers: Pedro Rodriguez, Jo Siffert, Howden Ganley, John Miles, Background to Yardley And Motor Sport, Yardley's Grand Prix Exploitation Plans For 1971, B.R.M. Theme For Yardley Motoring Safety Contest, with eight b&w photographs, three of the P160 Formula 1 car, one of each driver and one of 'The Yardley Hot Pants Girls', all held in a Yardley Team B.R.M. folder, with a Rubery Owen Director's business card; Jody Scheckter signed 1977 Christmas card, Wolf Formula 1 and McLaren memorabilia, the Christmas card bearing his ink signature and the personal dedication 'To Sailor, thank you for all your help this year', a 1977 Wolf Racing Team card signed 'pp Walter', a 3½ by 5in. colour photo of him in the 1977 Wolf F1 car, plus a photocopied three-page 1978 Autocar article mentioning 'Sailor', plus a Corgi Mettoy model of the Yardley McLaren M19A in which he made his 1972 end-of-season F1 debut, in its original box; and Stefan Bellof and Derek Bell signed 1984 Silverstone 1000 Kms programme, the two Porsche team driver signatures in ballpoint pen upon the race results page of the large format, 52-page official publication, including inserts of a twice-folded John Bartlett-Steve Kempton Lola T610 Goodmans Sound sponsor poster and similar sticker, plus some race admission tickets 1971 was a tragically turbulent year for Yardley Team B.R.M. Peter Gethin joined them following the death of Pedro Rodriguez that summer and then won his second race for them, the Italian GP, by the closest ever F1 winning margin of 0.010 seconds, a race that with his winning speed of 150.755mph is still the second fastest F1 race ever run. Jo Siffert was later killed in the last race of the season at Brands Hatch. Signed at the Peter Gethin Performance Driving School at Goodwood during the 1990s. Canadian businessman Walter Wolf purchased Frank Williams' F1 team at the end of 1976 and with his financial support the team was able to sign Jody Scheckter from Tyrrell as its driver. Surprisingly they won the first Grand Prix of 1977 and two further victories ensured second place in the World Drivers Championship. Jody Scheckter eventually became World Champion with Ferrari in 1979. Although Bellof and Bell won this event the previous year, they only finished 10th in 1984, yet Bellof still went on to become World Endurance Champion. That year the German also moved into Formula 1, but his career was then cut tragically short when he died in a huge accident during the 1985 Spa 1000 Kms.

Lot 220

VINTAGE CASED CUTLERY, napkin rings and a boxed Ben Sherman ballpoint pen

Lot 433

Two Vintage Parker Pens. A Green Fountain Pen with 14K Gold Nib and a Gold Plated Ballpoint.

Lot 242

A gold plated ballpoint pen, by Le Must de Cartier (boxed & certificate) to include two Cross ballpoint pens (boxed)

Lot 192

CHRISTIAN DIOR & CARAN D'ACHE ZIMMERLI STYLO BALLPOINT PENS in a grey suede and red leather box Christian Dior 13cm long Condition: Minor signs of wear commensurate with age and use

Lot 321

A collection of two fountain pens and two ballpoint pens to include Mont Blanc and Sheaffer examples.

Lot 1104

Four Parker Ballpoint pens, one fountain pen, Rowenta West German ballpoint pen inscribed T.C 4-4-81, etc.

Lot 269

Collection of pens and accessories to include a Swan fountain pen with 14k nib, Parker 17 fountain pen, various ballpoint pens, bottles of ink, staples, Parker 51 framed advertising print, Gold Medal Pens advertising print etc

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