We found 7821 price guide item(s) matching your search

(See English version below)Christian Ludwig Attersee (Wien 1940 – lebt in Wien u. St. Martin a. d. Raab/Burgenland). „WETTERLÄUTEN“. 1996Acryl und Kreide auf Papier. 62,5 × 43,7 cm ( 24 ⅝ × 17 ¼ in.). Unten links betitelt, signiert und datiert: WETTERLÄUTEN ATTERSEE 96. Rückseitig mit Kugelschreiber in Blau bezeichnet, betitelt, signiert, datiert, und mit den Maßangaben versehen: 5070 WETTERLÄUTEN Attersee 96 / MAR[?] 63 x 44 cm.[3970]Zustandsbericht: Schöner harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. Das Papier technikbedingt schwach gewellt. Unter UV-Licht sind keine Retuschen oder Restaurierungen erkennbar. Rückseitig mit leichten Atelierspuren und an den oberen Ecken jeweils mit doppelseitigem Klebeband auf den Unterlagekarton montiertWir berechnen auf den Hammerpreis 30% Aufgeld.Christian Ludwig Attersee (Vienna 1940 – lives in Vienna and St. Martin a. d. Raab/Burgenland). ”Wetterläuten”. 1996Acrylic and chalk on paper. 62,5 × 43,7 cm ( 24 ⅝ × 17 ¼ in.). Titled, signed and dated lower left: WETTERLÄUTEN ATTERSEE 96. Inscribed with title, signature, date, and dimensions on the reverse in blue ballpoint pen: 5070 WETTERLÄUTEN Attersee 96 / MAR[?] 63 x 44 cm.[3970]Condition report: Fine harmonious overall appearance. The sheet edges without tears or losses. The paper faintly warped due to the artist's technique. Ultraviolet light reveals no retouchings or repairs. Light traces from the artist's workshop on the reverse and mounted at the upper corners with double-sided adhesive tape onto cardboardWe charge 30% premium on the hammerprice.

(See English version below)Diango Hernández (Sancti Spiritus/Kuba 1970 – lebt in Düsseldorf). „Once you are on the hill nobody can take you down without a rifle on your head“. 1996-2003Aquarell, Kugelschreiber, Goldfarbe und Tusche auf Papier. 21,3 × 32,9 cm ( 8 ⅜ × 13 in.). Rückseitig signiert: Diango.[3478]Zustandsbericht: Schöner harmonischer Gesamteindruck. In der oberen rechten Ecke eine kleine Fehlstelle (0,3 x 0,4 cm). Das Blatt leicht gebräunt und mit vereinzelten kleinen Fleckchen. Insgesamt etwas gewellt und leicht knittrig. Rückseitig in den oberen Ecken mit Papierklebestreifen auf den Unterlagekarton montiertWir berechnen auf den Hammerpreis 30% Aufgeld.Diango Hernández (Sancti Spiritus/Cuba 1970 – lives in Düsseldorf). ”Once you are on the hill nobody can take you down without a rifle on your head”. 1996-2003Watercolour, ballpoint pen, gold paint and India ink on paper. 21,3 × 32,9 cm ( 8 ⅜ × 13 in.). Signed on the reverse: Diango.[3478]Condition report: Fine, harmonious overall appearance. In upper right corner, one small loss (0,3 x 0,4 cm). The sheet has pale time staining and isolated small stains. Overall slightly warped and slightly creased. On the reverse mounted on the support cardboard with paper tape in the upper cornersWe charge 30% premium on the hammerprice.

(See English version below)Jiří Kolář (Protivin 1914 – 2002 Prag). Weiblicher Akt im Spiegel. 1975Offsetcrumplage. 25,5 × 24,4 cm ( 10 × 9 ⅝ in.). Unten rechts mit Kugelschreiber in Schwarz signiert und datiert: J Kolar 79.Entstanden in Zusammenarbeit mit dem Fotografen Werner Hannappel, Berlin. [3585]Zustandsbericht: Schöner harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. Technikbedingt minimale Oberflächenabreibungen. Unter UV-Licht sind keine Retuschen oder Restaurierungen erkennbar. Rückseitig im oberen Bereich an zwei Stellen mit Papiermontierungsstreifen auf den Unterkarton montiertWir berechnen auf den Hammerpreis 30% Aufgeld.Jiří Kolář (Protivin 1914 – 2002 Prague). Female nude in the mirror. 1975Offset crumplage. 25,5 × 24,4 cm ( 10 × 9 ⅝ in.). Signed and dated in black ballpoint pen lower right: J Kolar 79.Produced in collaboration with the photographer Werner Hannappel, Berlin. [3585]Condition report: Fine harmonious overall appearance. Sheet edges without any tears or losses. Minimal surface abrasion due to the artist's technique. Ultraviolet light reveals no retouchings or repairs. Mounted on the support cardboard with paper mounting strips at two places in the upper area on the reverseWe charge 30% premium on the hammerprice.

(See English version below)Jiří Kolář (Protivin 1914 – 2002 Prag). „Pozdrav Panu V.“ (Gruß Herrn Vostell). 1980Rollage und Collage auf Karton. 50,5 × 27,3 cm ( 19 ⅞ × 10 ¾ in.). Unten rechts mit Kugelschreiber in Blau monogrammiert und datiert: JK 80. Rückseitig mit Tuschfeder signiert, betitelt, datiert und bezeichnet: Jiri Kolar 80 Pozdrav Panu V. B[erlin].Beigabe: Einladungskarte für eine Vernissage mit Werken von Wolf Vostell. Diese Karten dienten als Material zu unserer Rollage von Jiri Kolar. [3585]Zustandsbericht: Schöner harmonischer Gesamteindruck. Die Kanten ohne Einrisse oder Fehlstellen. Unten rechts auf dem Karton leichter Oberflächenabrieb. Vereinzelt leicht fleckig. Rückseitig entlang der Kanten mit Papierklebestreifen in das Passepartout montiertWir berechnen auf den Hammerpreis 30% Aufgeld.Jiří Kolář (Protivin 1914 – 2002 Prague). ”Pozdrav Panu V.” (Greeting Mr. Vostell). 1980Rollage and collage on cardboard. 50,5 × 27,3 cm ( 19 ⅞ × 10 ¾ in.). Monogrammed and dated in blue ballpoint pen lower right: JK 80. Signed, titled, dated and inscribed in pen and India ink on the reverse: Jiri Kolar 80 Pozdrav Panu V. B[erlin].Supplement: invitation card to a Vernissage with works by Wolf Vostell. These cards served as the material to our Rollage of Jiri Kolar. [3585]Condition report: Fine harmonious overall appearance. No tears or losses on the edges. Minimal surface loss on the lower right on the cardboard. Isolated slightly stained. On the reverse mounted along the edges with paper tape onto the matWe charge 30% premium on the hammerprice.

(See English version below)Jiří Kolář (Protivin 1914 – 2002 Prag). „Dopis do nebe panu miróovi“ (Brief an Mr. Miró im Himmel). 1983Rollage und Collage auf Holz. 30,1 × 40 cm ( 11 ⅞ × 15 ¾ in.). Unten rechts mit Kugelschreiber in Schwarz monogrammiert und datiert: JK 83. Rückseitig mit Filzstift in Schwarz zweifach signiert, datiert und betitelt: Jiri Kolar 83 DOPIS DO NEBE PANU MIRÓOVI.[3970]Zustandsbericht: In gutem Zustand. Unter UV-Licht sind keine Retuschen oder Restaurierungen erkennbar. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.Jiří Kolář (Protivin 1914 – 2002 Prague). ”Dopis do nebe panu miróovi” (letter to Mr Miró in heaven). 1983Rollage and collage on wood. 30,1 × 40 cm ( 11 ⅞ × 15 ¾ in.). Monogrammed and dated in black ballpoint pen lower right: JK 83. On the reverse signed, dated and titled in black felt-tip pen twice: Jiri Kolar 83 DOPIS DO NEBE PANU MIRÓOVI.[3970]Condition report: In good condition. Ultraviolet light reveals no retouchings or repairs. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.

(See English version below)Markus Lüpertz (Reichenberg/Böhmen 1941 – lebt in Berlin, Karlsruhe, Düsseldorf und Florenz). Skizzenbuch. 1977Skizzenbuch mit 20 Zeichnungen: Jeweils Kugelschreiber in Blau auf Papier, teilweise die Seiten beidseitig bearbeitet, teilweise aus dem Skizzenbuch herausgelöst. Skizzenbuch: 16,4 × 10,5 cm ( 6 ½ × 4 ⅛ in.). Auf dem Vorderdeckel innen mit Filzstift und Kugelschreiber signiert, gewidmet, datiert und erneut signiert: MARKUS LÜPERTZ. FÜR [...] 1977 MARKUS.[3585]Zustandsbericht: Harmonischer Gesamteindruck. Das Buch mit leichten Gebrauchsspuren. Das Buch am Rücken sowie dem Vorder-, Hinterdeckel jeweils an zwei Stellen mit Flüssigkleber auf den Unterkarton montiert. Die Buchseiten ohne Einrisse oder Fehlstellen. Einzelne Blätter in den Blattecken mit minimalen Knicken (max. 0,4 x 0,5 cm). Das Papier leicht gebräunt. Die aus dem Skizzenbuch herausgelösten Blätter rückseitig in den oberen Ecken mit Klebestreifen auf den Unterkarton montiertWir berechnen auf den Hammerpreis 30% Aufgeld.Markus Lüpertz (Liberec/Bohemia 1941 – lives in Berlin, Karlsruhe, Düsseldorf and Florence). Sketchbook. 1977Sketchbook with 20 drawings in blue ballpoint pen, partly the pages have been worked over on both sides, partly detached from the sketchbook. Sketchbook: 16,4 × 10,5 cm ( 6 ½ × 4 ⅛ in.). Signed, dedicated, dated and signed again in felt-tip pen and ballpoint pen on the inside of the front cover: MARKUS LÜPERTZ. For [...] 1977 MARKUS.[3585]Condition report: Harmonious overall appearance. The book has light handling marks. The book is mounted on the support cardboard with liquid glue on the spine, and on the front and rear cover, each at two places. Book pages without any tears or losses. Minimal creases (max. 0,4 x 0,5 cm) on some sheets in the sheet corners. The paper has pale time staining. The sheets that have been removed from the sketchbook are mounted onto the support cardboard in the upper corners on the reverse with adhesive stripWe charge 30% premium on the hammerprice.

(See English version below)Jonathan Meese (Tokio 1970 – lebt in Berlin). „Lady HOT“. 1997/98Collage, Aquarell und Kugelschreiber in Blau auf leichtem Karton. 41,7 × 30,1 cm ( 16 ⅜ × 11 ⅞ in.). Rückseitig mit Filzstift in Schwarz betitelt, signiert und datiert: Lady HOT JMeese 97/98.[3437]Zustandsbericht: Schöner harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. Die untere linke Blattecke leicht bestoßen. Entlang der rechten Blattkante Reste der Klebebindung. Stellenweise leicht angeschmutzt und schwach fingerfleckig. Das Blatt technikbedingt leicht gewellt. Unter UV-Licht sind keine Retuschen oder Restaurierungen erkennbar. Rückseitig in den oberen Ecken kaum sichtbare Reste alter Montierung.Wir berechnen auf den Hammerpreis 30% Aufgeld.Jonathan Meese (Tokyo 1970 – lives in Berlin). ”Lady HOT”. 1997/98Collage, watercolour and ballpoint pen in blue on light cardboard. 41,7 × 30,1 cm ( 16 ⅜ × 11 ⅞ in.). Titled, signed and dated in black felt-tip pen on the reverse: Lady HOT JMeese 97/98.[3437] Condition report: Fine harmonious overall appearance. The sheet edges without tears or losses. The lower left corner lightly bumped. Along the right sheet edge remains of the adhesive binding. In places slightly soiled and faintly finger stained. The sheet slightly warped due to the artist´s technique. Ultraviolet light reveals no retouchings or repairs. On the reverse in the upper corners hardly visible remains of old mount.We charge 30% premium on the hammerprice.

(See English version below)Hermann Nitsch (Wien 1938 – lebt in Prinzendorf). „Akustisches Abreaktionsspiel“. 1973Blut und Filzstift in Rot auf Stoff, aufgezogen auf die Original-Kartonschachtel mit Schallplatte und Schutzhülle. Schachtel: 30,7 × 31,2 × 2,6 cm ( 12 ⅛ × 12 ¼ × 1 in.). Mittig mit Filzstift in Orange bezeichnet: nasser blutfleck in der mitte eines buches. Unten rechts mit Kugelschreiber signiert: hermann nitsch.Eines von 100 nummerierten Exemplaren mit Unikatcharakter aus der Edition: Hermann Nitsch. Akustisches Abreaktionsspiel. Wien, Edition Klewan, 1973. Auf der LP die Aufnahme "Akustisches Abreaktionsspiel" des Westdeutschen Rundfunks, Köln. [3701]Zustandsbericht: Ex. 61/100. Schöner harmonischer Gesamteindruck. Die Arbeit auf Stoff in gutem Zustand. Der Karton ungleichmäßig schwach gebräunt. Das Etikett auf dem Rücken der Schachtel mit kleinen Bestoßungen und vereinzelten Einrissen. Rückseitig mit Gebrauchsspuren: Oben rechts kleiner Papierrest (ca. 3 x 0,6 cm); an der Lasche sowie der Kartonöffnung eine bzw. zwei Knickspuren vom Öffnen und jeweils minimal eingerissen; im linken und rechten Randbereich mittig jeweils eine halbkreisförmige Druckstelle und kleine Rost- und Schmutzfleckchen von den Rahmenklammern, rechts mit minimalem Verlust der obersten PapierschichtWir berechnen auf den Hammerpreis 30% Aufgeld.Hermann Nitsch (Vienna 1938 – lives in Prinzendorf). ”Akustisches Abreaktionsspiel”. 1973Blood and felt-tip pen in red on fabric, laid down on the original cardboard box, with a vinyl record in a protective cover. Box: 30,7 × 31,2 × 2,6 cm ( 12 ⅛ × 12 ¼ × 1 in.). Inscribed in felt-tip pen in orange in the centre: nasser blutfleck in der mitte eines buches. Signed in ballpoint pen lower right: hermann nitsch.One of 100 numbered copies with the character of a unique work, from the edition: Hermann Nitsch. Akustisches Abreaktionsspiel. Vienna, Edition Klewan, 1973. On the LP the photographic image "Akustisches Abreaktionsspiel" of the West German Broadcast, Cologne. [3701]Condition report: No. 61/100. Fine harmonious overall appearance. The work on the fabric is in good condition. The cardboard has minor, irregular time staining. Small nicks and isolated tears on the label on the back of the box. Handling marks on the reverse: a small paper remnant (ca. 3 x 0,6 cm) upper right; one crease on the flap, two creases on the cardboard opening caused by opening, each minimally torn; in each of the left and right margins in the centre, a semicircular pressure mark, as well as small corrosion marks and smudges due to the frame clamps, minimal loss of the uppermost paper layer on the rightWe charge 30% premium on the hammerprice.

(See English version below)Hermann Nitsch (Wien 1938 – lebt in Prinzendorf). „Akustisches Abreaktionsspiel“. 1973Blut, Heftpflaster und Filzstift in Rot auf Stoff, aufgezogen auf die Original-Kartonschachtel mit Schallplatte und Schutzhülle. Schachtel: 30,7 × 31,2 × 2,6 cm ( 12 ⅛ × 12 ¼ × 1 in.). Unten rechts mit Kugelschreiber signiert: hermann nitsch.Eines von 100 nummerierten Exemplaren mit Unikatcharakter aus der Serie. Wien, Edition Galerie Klewan, 1973. Auf der LP die Aufnahme "Akustisches Abreaktionsspiel" des Westdeutschen Rundfunks, Köln. [3701]Zustandsbericht: Ex. 78/100. Schöner harmonischer Gesamteindruck. Die Arbeit auf Stoff in gutem Zustand. Der Karton ungleichmäßig schwach gebräunt. Rückseitig mit Gebrauchsspuren: oben links Verlust der obersten Papierschicht (3,2 x 13,1 cm); die Lasche und die Kartonöffnung jeweils mit einem kurzen Einriss (bis zu 1,5 cm) und Knickspuren vom Öffnen. Im linken und rechten Randbereich mittig jeweils eine halbkreisförmige Druckstelle und kleinere Rost- und Schmutzfleckchen von den Rahmenklammern. An der Unterkante und der darunterliegenden Seitenfläche zwei kleine eingedrückte Stellen (max. 1,2 x 0,6 cm)Wir berechnen auf den Hammerpreis 30% Aufgeld.Hermann Nitsch (Vienna 1938 – lives in Prinzendorf). ”Akustisches Abreaktionsspiel”. 1973Blood, plaster and felt-tip pen in red on fabric, laid down on the original cardboard box, with a vinyl record in a protective cover. Box: 30,7 × 31,2 × 2,6 cm ( 12 ⅛ × 12 ¼ × 1 in.). Signed in ballpoint pen lower right: hermann nitsch.One of 100 numbered copies with the character of a unique work, from the series: Vienna, Edition Galerie Klewan, 1973. On the LP the photographic image "Akustisches Abreaktionsspiel" of the West German Broadcast, Cologne. [3701]Condition report: No. 78/100. Fine harmonious overall appearance. The work on the fabric is in good condition. The cardboard has minor, irregular time staining. Handling marks on the reverse: loss on the uppermost paper layer (3,2 x 13,1 cm) upper left; a short tear on the flap as well as the cardboard opening (up to 1,5 cm) and creases from opening. In each of the left and right margins in the centre, a semicircular pressure mark, as well as small corrosion marks and smudges due to the frame clamps. Two small, indented spots (max. 1,2 x 0,6 cm) at the lower edge and on the underlying side surfaceWe charge 30% premium on the hammerprice.

(See English version below)Takako Saito & Dieter Roth (Sabae (JPN) 1929 – lebt in Düsseldorf / Hannover 1930 - 1998 Basel). „Häuschen, Feuerbohnen m. Selbstportrait von D. Roth“. 1998Holzkasten mit Korken, Feuerbohnen und Kugelschreiberzeichnung auf Papier. 20,4 × 15,6 × 5,4 cm ( 8 × 6 ⅛ × 2 ⅛ in.). Rückseitig mit Filzstift in Schwarz bezeichnet, datiert und signiert: Mit Diter Rot 98 Takako. Darunter nochmals mit Filzstift in Schwarz signiert: Takako.[3701]Ausstellung: Die Kunst zu Sammeln. Das 20./21. Jahrhundert in Düsseldorfer Privat- und Unternehmensbesitz. Düsseldorf, Museum Kunst-Palast, April - Juli 2007Literatur und Abbildung: Ausstellungskatalog: Die Kunst zu Sammeln. Das 20./21. Jahrhundert in Düsseldorfer Privat- und Unternehmensbesitz. Düsseldorf, Museum Kunst-Palast, 2007, S. 123, Pos. 61Zustandsbericht: Schöner harmonischer Gesamteindruck. Der Holzrahmen leicht angestaubt und mit vereinzelten getrockneten Flüssigkeitsflecken und Klebefilmresten. Das Holz leicht berieben und an der rechten oberen Rahmenkante eine leichte Holzabplatzung (1,1 x 0,2 cm). Der Rückkarton, durch die sich im Objektkasten befindenden losen Bohnen, leicht berieben und mit leichten Oberflächenverlusten. Das Papier der Dieter Roth Zeichnung unregelmäßig leicht gebräunt. Auf der Rahmenrückseite Klebefilmreste sowie Klebeetikett.Wir berechnen auf den Hammerpreis 30% Aufgeld.Takako Saito & Dieter Roth (Sabae (JPN) 1929 – lives in Düsseldorf / Hanover 1930 - 1998 Basle). „Häuschen, Feuerbohnen m. Selbstportrait von D. Roth“. 1998Wooden box with corks, fire beans and ballpoint pen drawing on paper. 20,4 × 15,6 × 5,4 cm ( 8 × 6 ⅛ × 2 ⅛ in.). Inscribed, dated and signed in black felt-tip pen on the reverse: Mit Diter Rot 98 Takako. Below this signed again in black felt-tip pen: Takako.[3701]Exhibition: Die Kunst zu Sammeln. Das 20./21. Jahrhundert in Düsseldorfer Privat- und Unternehmensbesitz. Düsseldorf, Museum Kunst-Palast, April - July 2007Literature and illustration: Exhibition catalogue: Die Kunst zu Sammeln. Das 20./21. Jahrhundert in Düsseldorfer Privat- und Unternehmensbesitz. Düsseldorf, Museum Kunst-Palast, 2007, S. 123, Pos. 61Condition report: Fine harmonious overall appearance. The wooden frame is slightly dusty, has isolated dried fluid spots and adhesive tape residue. The wood has slight scuff marks and a slight wood splitting (1,1 x 0,2 cm) at the right upper edge of the frame. The rear mount has slight scuff marks and light surface losses due to the loose beans found in the object case. On the Dieter Roth drawing the paper has pale time staining, occurring unevenly. On the reverse of the frame, adhesive tape residue as well as an adhesive label.We charge 30% premium on the hammerprice.

(See English version below)Herbert Zangs (1924 – Krefeld – 2003). Ohne Titel. 1979Deckweiß und Öl auf Stoff auf Karton. 27,4 × 23,5 cm ( 10 ¾ × 9 ¼ in.). Oben rechts mit Bleistift signiert und datiert: Zangs 27III79. Rückseitig mit Kugelschreiber in Blau gewidmet: Dir liebe Frau E Du bist am 27 III geboren wie ich. Da hier zum denken und Gehirnnahrung herzlich Dein Herbert Zangs.[3593]Zustandsbericht: Schöner harmonischer Gesamteindruck. Die Kanten stellenweise minimal ausgefranst. Insgesamt etwas unfrisch und leicht angestaubt. Rückseitig mit Atelierspuren und entlang der Kanten in das Passepartout montiertWir berechnen auf den Hammerpreis 30% Aufgeld.Herbert Zangs (1924 – Krefeld – 2003). Untitled. 1979Opaque white and oil on fabric on cardboard. 27,4 × 23,5 cm ( 10 ¾ × 9 ¼ in.). Signed and dated in pencil upper right: Zangs 27III79. On the reverse dedicated in blue ballpoint pen: Dir liebe Frau E Du bist am 27 III geboren wie ich. Da hier zum denken und Gehirnnahrung herzlich Dein Herbert Zangs.[3593]Condition report: Fine harmonious overall appearance. The edges minimally frayed in places. Overall somewhat lightly soiled and slightly dusty. Traces from the artist's workshop on the reverse and mounted along the edges on the mountWe charge 30% premium on the hammerprice.

A Montblanc 227 fountain pen and 287 ballpoint pen set, circa 1970, each with black resin body, reeded gold plated cap, and white star emblem detail, the fountain pen with piston filling mechanism and nib marked 585, the ballpoint with lever action, in maker's case. Click here to view further images, condition reports, sale times & delivery costs for this lot.

Assorted pens, to include a rolled gold cased Sheffer fountain pen with nib marked 14K, other examples largely ballpoint or roller ball examples, including Cross, Paul Smith, Parker, etc., in leather case. Click here to view further images, condition reports, sale times & delivery costs for this lot.

A collection of pens and pencil comprising a Parker ballpoint, Parker propelling pencil, two Parker fountain pens (one a Slimfold with 14k nib contained in original box) and similar.

A boxed Parker Slimfold fountain pen in blue, another in black, and two ballpoint pens

The personal copy of 'The Story of Jack and the Beanstalk' formerly belonging to the young Princess Diana (when Lady Diana Spencer). The late 20th century 'Ladybird' children's book written by Muriel Levy with illustrations by Ruth Murrell, published in 1960 by Wills & Hepworth Ltd. Inscribed on the inside cover 'Diana' in blue ballpoint pen, with some of the characters penciled in and the title page inscribed 'Janes' in red pen over a rubbed out 'Sarah and Diana' pencil inscription beneath. Sold with a letter of provenance and a specially made air-tight custom box with a brass plaque inscribed, 'Formerly owned by Diana Spencer'. The book: 12xm x 17.5cm.Footnote: A very rare personal item, which reveals a charming sense of frugality and generosity between the Spencer children.According to the accompanying note, this book was given to one of the Queen's footmen (intended for his children) who was lodged in Park House, Princess Diana's former childhood home.

Stanley William Hayter (British, 1901-1988)Rue de La Villette, from 'Paysages Urbains' (Black & Moorhead 35); Untitled Engraving and drypoint printed with plate tone, 1930, on wove, signed, numbered 37/50 and inscribed 'Berges du Canal' in pencil, printed by Paul Haasen, published by Editions des Quatre Chemins, Paris, with margins, 207 x 268mm (8 1/8 x 10 1/2in)(PL); together with 'Untitled', ballpoint and felt-tip pen, 1950, on wove, signed and dated 27/12/1950 in red ink, 445 x 559mm (17 1/2 x 22in)(SH)(2)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

THE RAMONES FULLY SIGNED LP. A copy of The Ramones - It's Alive (Sire ‎– 300 504-406) signed to front of sleeve in ballpoint pen by Joey, Johnny, Dee Dee, Tommy Ramone.

A small collection of ballpoint pens including PaperMate, Elysée, Cross, Parker and Scheaffer

HORST P. HORST (GERMAN-AMERICAN 1906-1999)[Helen Bennett (ensemble by Bergdorf Goodman, jewelry by Olga Tritt)], circa 1939gelatin silver printimage: 25 x 19.5 cm (9 7/8 x 7 5/8 in.), full sheet measuring 28 x 21.8 cm (11 x 8 5/8 in.)dated and inscribed on verso: Rough print only / (NOT SPOTTED) / H. BennettLOT NOTES Peerless fashion photographer Horst P. Horst was born Horst Paul Albert Bohrmann on August 14, 1906 in Weißenfels-an-der-Saale, Germany. Before launching his prolific career Vogue magazine in 1931, Horst studied architecture with the famed master Le Corbusier in Paris. Upon his move to New York in 1927, Horst began to collaborate with Coco Chanel, developing a professional and personal relationship that would last decades. Known for his glamorous shots of fashionable women, Horst is considered a master of the medium, receiving in 1989 the Lifetime Achievement Award of The Council of Fashion Designers of America, and, in 1996, the Master of Photography Award from the International Center for Photography. CONDITION The print appears in overall very good original condition. Hinged twice at the top. Scattered crease marks at the perimeter. Minor waviness to the lower margin. In raking light, the impression of an inscription in ballpoint pen apparent at the lower left. Otherwise, no significant issues apparent to the naked eye.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

A group of assorted curios including an inkstand and a silver bookmarkCONDITION: - Sheffield plate inkstand - now fitted with two silver mounted glass wells, one well broken through and rivetted, inkstand with what looks to be an associated glass pen holder and one unfilled recess, width 20cm- modern silver bookmark with medallion on chain monogrammed JP, 12cm - good- gilt metal compact with verdigris to the underside, 8cm- two bezique markers - good- white metal cased ballpoint pen - oxidised- small Victorian bronzed metal figure of a saint, 12in. - oxidised, some wear to the enamelled robes- pair of rectangular paste buckles - some paste discoloured, one black stone missing, 5.5cm- single white metal and paste buckle of cartouche shape, 10cm - slightly discoloured- square glass inkwell with plated mount, 5.5cm - good- sundries including small paste photograph frame - all fair condition.

A group of assorted personal accessories including compacts, a timepiece and a cut steel note albumCONDITION: - a Victorian cut steel and ivory album, 11.5cm - houses paper leaves and a small pencil, lock not working but key present- blue leather cased eight day travelling timepiece - leatherwork tatty, dial discoloured with seconds hand missing, movement not going, 11cm- blue leather cased travelling barometer, 10.5cm, case tatty, bezel rubbed- engine turned treen box made from timbers of York Minster 1829, inset with a silver plaque, 9.5cm, chips to rim- silver plated copper heart shaped box, 4cm, rubbed- Canadian sterling silver compact, presented to Lady Brabourne by Calgary Exhibition and Stampede 1967, 6cm - good- gilt metal Austrian compact decorated with a heart, 8cm, good- gilt metal square Zenette compact with HMS Liverpool crest, a little rubbed, catch not working properly- cased silver plated rattle with painted teether in blue box but lacking two additional items probably a spoon and pusher - good- pale grey leather cased travelling flask with telescopic cup lid, 10.5cm, dirty otherwise good- red cloth cased prismatic magnifier with 1935 silver jubilee crest, 6cm - good- Japanese embossed leather purse decorated with a landscape, 11.5cm - some freying- green cased engine turned silver ballpoint pen, initialled PB, the lid with label stating Lady Brabourne - good- chrome and ebonised wood stirrup shaped photograph frame, height 14.5cm, light rubbing- two small Chinese hardstone chops, largest 5cm, minor rubbing.

•ROBERT COLQUHOUN (1914-1962) A SHEET OF FIGURE STUDIES With six signatures, green ballpoint 36.5 x 47.5cm. ++ Handling creases; some fading

A Dupont gilt-metal ballpoint pen, with refill; a Sheaffer Australia fountain-pen; a chromed pencil and a Jaeger Recital travel alarm in case

A Tiffany silver ballpoint-pen, in Tiffany bag, the pen 13.5cm long

A Montblanc Starwalker Black Mystery Ballpoint Pen, the black resin body heightened with laser-engraved surface, the cap with clear resin finial enclosing the Montblanc logo, serial CT1653565, 13.5cm.Condition report: The pen is in good used condition with the expected hairline scratches and scuffs associated with light use. There is no packaging or paperwork with this pen.

Montblanc [The Art of Writing] Meisterstuck Ballpoint Pen, the cap with a gilt clip and triple cap band, with original packaging and manual.Condition report: The pen is in very good, original condition with no obvious faults to report.

MONT BLANC BALLPOINT PEN

Kunst-Postkarte mit eigenhändigen Unterschriften, zeigt ein Kunstwerk von Gilbert & George (1988), 14,5 x 10 cm, von beiden in dunkler Tinte signiert „Gilbert“ „& George“, in sehr gutem ZustandSigned art postcard, shows an artwork of Gilbert and George (1988), 5,75 x 4 inch, signed by both artists in dark ballpoint ink „Gilbert“ „and George“, in very fine condition

A Cross ballpoint pen and a pencil, a Parker pen set and a collection of other pens

A Montblanc-Meisterstuck ballpoint pen, PG1505686

A 1970's Waterman C.F. gold plated fountain pen with 18ct gold nib with matching ballpoint pen

A cased silver yard-o-led pencil, together with a collection of vintage ballpoint and fountain pens including Parker, Papermate, Sheaffer etc.

A PARKER 88 MAROON & GOLD FOUNTAIN PEN, gold plated (1988) together with two Parker Imperial Line (YL) ballpoint pens (3)

A Cartier Platinum finish ballpoint pen, of tapered form with reeded decoration and sapphire coloured cabochon to cap, marked '120248', 14.2cm long, within a fitted Cartier box

Silver handled glove stretchers, shoe horn and button hooks, silver topped jar, knife rests and salt, brass inkwell, Schaefer, Parker and other fountain pens and ballpoint, plus various collectables.

An Yves Saint Laurent Collection black lacquered ballpoint pen, and a set of Pierre Cardin Designer Collection earrings, both boxed (2)

Five penknives, various and a collection of miscellaneous items, including a cased Rexala cigarette holder, a Schuco clockwork mouse, with key, a Lehmann 'Noli' tinplate snail. No. 915, an African seed pod and beaded miniature doll, a peg doll, a 'Bowling Green' puzzle, a Cross rolled gold ballpoint pen, cased, various decorative boxes, etc.

A BOX OF ASSORTED PENS, to include a Fisher gold coloured space pen, a Parker Vector fountain pen in matt black, a Watermans fountain pen, a cased Snap On ballpoint pen, a white metal Bank Paribas complimentary ballpoint pen etc

A large selection of writing equipment including dipping pens pencils, mechanical pencils ballpoint pens. Parker Conway Stewart etc

Cross 14k Gold Ballpoint Pen. Featuring a Cross 14k yellow gold ballpoint pen in the original box. Pen tip does not open when the body is twisted. As is. Weight: 13.5 dwt. Length: 5 in.

A leather Concorde commemorative coaster, of circular form with inset silver centre; together with a pair of novelty cruets, each in the farm of an aeroplane, marked 'Pinched from Virgin Atlantic'; a Concorde ballpoint pen; and a pair of Beswick Scotch Whisky decanters (6)

An Art Nouveau brass desk stand having a single inkwell together with one other desk stand, and various boxed Parker ballpoint pensCondition report: To include two fountain pens - both very well-used.

Two Parker Duofold International ballpoint check pens, one green and, one blue date codes, T and Y.I Pens only

Three Parker Duofold International ballpoint pens, one amber check, one white pearl with black and the third grey pearl with black date codes T, IIIP and AIII respectively, Pens only

A Parker Ellipse black fountain pen with 18ct medium nib date code Q Pen only with an empty cartridge and a matching black ballpointCondition report: Ballpoint writes well, light wear to surface of gold. Fountain pen has ink residue, light wear to gold.

Two Parker Ellipse ballpoint pens, one red and the other blue, each with Q date code, each with blue medium refill. Pens only

A Parker Sonnet pearl and silver fountain pen with 18ct gold medium nib empty cartridge and matching ballpoint pen each with date code Q Pens only

A Parker Sonnet Moonbeam fountain pen with 18ct gold medium nib date code IIL empty cartridge and matching ballpoint pen date code L Pens only

A Parker Sonnet dark grey fountain pen with 18ct gold medium nib date code IIIU empty cartridge and matching ballpoint pen date code IIU Pens onlyCondition report: Light use, some ink residue but otherwise good, clean condition.

A Parker Sonnet pearl and rose gold fountain pen with 18ct gold medium nib date code IIIU empty cartridge and matching ballpoint pen date code Q Pens only

A Parker Sonnet deep blue fountain pen with gold medium nib date code IIE empty cartridge and matching ballpoint pen date code IIE, Pens only

A Parker Sonnet Indigo fountain pen with 18ct gold medium nib empty cartridge and matching ballpoint pen each with date code IIII, Pens only

A Parker 100 Honey White set the fountain pen date code L the ball pen I.111 cased and boxed with control number slip 11413Condition report: Ballpoint writes well and is in lovely condition bar a tiny brown mark near nib. See photo. Nib of fountain pen is slightly bent. Gold plating around the nib has lifted. Little brown marks to lid.

Eight Sheaffer No Nonsense fountain pens and ten No Nonsense ballpoint pens

Ten ballpoint pens, each has gold plated mounts and a variety of tubes in wood and acrylic, each clip bears the lambda symbol

Ten ballpoint pens, each has gold plated mounts and a variety of tubes in wood and acrylic, each clip bears the lambda symbol

Ten ballpoint pens, each has gold plated mounts and a variety of tubes in wood and acrylic, One is to a Sara Miller design

Five fountain pens with gold plated mounts and Minka nibs together with three ballpoint pens by the same maker

A large collection of fountain and ballpoint pens, including cloisonne