MÄRKLIN Konvolut Werbeartikel für Sammler, darunter Lineale, Kugelschreiber, 2 Tassen, 7 Farbtonfilme wie 'Höhepunkte eines Modellbahnjahres' auf DVD und VHS, Seuthe-Dampföl, uvm. Gegenstände nicht auf Funktion geprüft, tlw. Altersspuren. | MÄRKLIN mixed lot of promotional items for collectors, including rulers, ballpoint pens, 2 cups, 7 color films like 'Highlights of a model railway year' on DVD and VHS, Seuthe steam oil, and much more. Objects not checked for function, some signs of age
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Mixed Lot: Unusual hallmarked silver pen and pencil combination, the engine turned barrel hallmarked Birmingham 1958, one end a retractable pencil, the other a ballpoint with a pull off cover, maker's mark S J Rose & Son, 13cm long, a George V silver pencil holder, Birmingham 1916, by William Vale & Sons, together with a silver cased folding fruit knife, Sheffield 1904, Joseph Rogers & Sons (3)
Three Platignum iridium fountain pens with 14 K gold nibs, together with a Parker fountain pen in 1/10 12K gold plated body with 14 K nib, a Parker 51 fountain pen with green body and stainless steel cap, 14K nib, A Parker 45 14K nib, a Parker 17, 14K nib, a Parker 45 fountain pen and ballpoint pen, a Parker propelling pencil, a Cross propelling pencil, two ladies novelty propelling pencils, 14 Esterbrook relief nibs, marked '315' and a quantity of Enrossing Professional nibs by Geo. W. Hughes, marked '407'.Qty: Qty
Montblanc Meisterstuck gold-coated pen set to include a fountain pen with 4810 14K gold nib, rollerball, ballpoint and pencil together with two Montblanc Ballpoint Pen Refills in Mystery Black and four Montblanc Rollerball Refills in Mystery Black.Condition report: The pens are all in good, used condition. There are hairline scratches and scuffs across all of the set to include the nibs and all have wear and some losses to the gold-coated decorations. There are no obvious cracks or personal engravings.
(See English version below)Theodor Werner (Jettenburg/Württemberg 1886 – 1969 München). „Nr. 16/47“. 1947Tempera und Bleistift auf grauem Papier. 33,5 × 48 cm ( 13 ¼ × 18 ⅞ in.). Unten rechts mit Kugelschreiber in Blau signiert und datiert: Theodor Werner 47. Rückseitig betitelt: Nr. 16/47.Nicht bei Lohkamp.–[3434]Zustandsbericht: Schöner harmonischer Gesamteindruck. Die Farben frisch und leuchtend. Die oberen Blattecken mit minimalen Papierverlusten, die Blattkanten sonst ohne Einrisse oder Fehlstellen. Stellenweise kleine Farbverluste und Bereibungsspuren. Die Ecken mit Montierungslöchern. Unter UV-Licht sind keine Retuschen oder Restaurierungen erkennbar. Rückseitig in den oberen Ecken Reste alter Papiermontierung, dort mit Japanpapier auf Unterlagekarton montiertWir berechnen auf den Hammerpreis 30% Aufgeld.Theodor Werner (Jettenburg/Württemberg 1886 – 1969 Munich). ”Nr. 16/47”. 1947Tempera and pencil on grey paper. 33,5 × 48 cm ( 13 ¼ × 18 ⅞ in.). Signed and dated lower right in blue ballpoint pen: Theodor Werner 47. Titled on the reverse: Nr. 16/47.Not in the catalogue raisonné by Lohkamp.–[3434]Condition report: Fine harmonious overall appearance. The colours fresh and luminous. The upper sheet corners with minimal paper loss, the sheet edges otherwise without tears or losses. In places minor paint losses and scuff marks. The corners with mounting holes. Ultraviolet light reveals no retouchings or repairs. On the reverse in the upper corners remains old paper mounting, there with Japan paper mounted on mount cardboardWe charge 30% premium on the hammerprice.
(See English version below)Woty Werner (Berlin 1903 – 1971 Nürnberg). „Kleine Weberei Nr. 27“. 1954Bildwirkerei aus Seide, Wolle und Baumwolle. 15,5 × 22,5 cm ( 6 ⅛ × 8 ⅞ in.). Unten rechts monogrammiert: W. Rückseitig auf einem angenähten Etikett mit Kugelschreiber in Blau betitelt und datiert: Kl. Weberei Nr. 27 1954.[3434]Zustandsbericht: In gutem Zustand. Die Farben frisch und leuchtend. Die Arbeit liegt unmontiert auf einem Samtuntergrund. In der unteren linken und oberen rechten Ecke einzelne dunklere Fäden sichtbar. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.Woty Werner (Berlin 1903 – 1971 Nuremberg). ”Kleine Weberei Nr. 27”. 1954Tapestry made of silk, wool and cotton. 15,5 × 22,5 cm ( 6 ⅛ × 8 ⅞ in.). Monogrammed lower right: W. Titled and dated on the reverse on a sewn on label in blue ballpoint pen: Kl. Weberei no. 27 1954.[3434]Condition report: In good condition. The colours fresh and luminous. The work lies unmounted on a velvet ground. In the lower left and upper right corner single darker threads visible. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.
A BOX OF MISCELLANEOUS ITEMS, to include seven pocket watches to include a silver open faced pocket watch, white dial, Roman numerals, seconds subsidiary dial at the six o'clock position within an engine turn design case hallmarked Birmingham 1906 etc, a cased set of twelve white metal teaspoons, a cased set of twelve plastic handled fish knives and forks, a small hinged wooden box containing a variety of ballpoint, fountain pens and retractable pencils, together with a quantity of nickel silver fish knives and forks, EP, EPNS and stainless steel knives, forks, teaspoons and napkin rings, a pair of EPNS candle sticks and a white metal lidded glass jar etc
DAVID BOWIE UK MERCURY DEMOS X 2 - PRETTIEST STAR & MEMORY OF A FREE FESTIVAL PART 1. Superb pairing of Bowie demos from 1970 to include The Prettiest Star (on which Marc Bolan played guitar) and Memory of a Free Festival Part 1. Prettiest Star (MF1135) is in beautiful Ex+ condition and would be archive if not for a couple of small and wispy hairlines - a number has been written on the label in red ink. Memory of a Free Festival Part 1 is again in stunning Ex+ condition with just a couple of very minor hairlines that are only visible under strong light - the date "26-6-70" is written on the label in black ballpoint. Both are presented in their original company sleeves. Provenance: Our vendor has been a prominent figure in the music industry from 1970 to the present day presenting music shows both on the radio and TV.
Kolbenfüller, Kugelschreiber, teils Montblanc, Gold - Feder. Bis circa 15,5 cm lang. Siehe Fotos. Auch zwei "Meisterstück", Kugelschreiber. Versand dieses Objektes durch Drittanbieter möglich. Liste ausgewählter vertrauenswürdiger Versandpartner liegt jeder Rechnung bei. Das Auktionshaus versendet nicht. Piston fountain pens, ballpoint pens, some Montblanc, some gold nib. Up to about 15.5 cm long. See photos. Also two "Meisterstück" ballpoint pens. Shipping of this object by a third party possible. A list of selected trustworthy shipping partners is included with every invoice. The auction house does not ship.
* Bloomsbury Group. Bell (Vanessa, 1879-1961). Autograph Letter Signed, 'Vanessa Bell', Charleston, Firle, Sussex, 25 April, no year, to Miss [Monica] Young, thanking her for her letter with nice comments about the show at Agnews, hoping that her correspondent will get some painting time 'but I know how difficult it is to combine it either with marriage or any other work', saying that Dieppe is a wonderful place to paint and that her son is very pleased at her liking his book, written in blue ballpoint pen, a little spotting and some crease marks, particularly to left margin, small nick to top right corner and lower right margin, old sellotape repair to horizontal fold verso, one page, 8vo, together with: Grant (Duncan, 1885-1978). Autograph Letter Signed, 'Duncan Grant', Charleston, Firle, Sussex, 11 September, circa 1960s, to Miss [Monica] Young, in green ink, saying that he would like to meet her and her Dutch friend, but wishing to put it off as he wants to paint outdoors while 'this lovely weather lasts' before going to Paris in a week's time, some heavier spotting, a little creasing and one small split to lower blank margin, one page, 8vo, plus: Woolf (Leonard, 1880-1969). A brief typed letter signed, 'Leonard', Monk's House, Rodmell, Lewes, Sussex, 4 September 1963, to Monica [Young], thanking her for writing before concluding, 'I have never had any animal quite like Troy and naturally miss him a great deal', one page, oblong 8vo, and: Mitchison (Naomi, 1897-1999). Typed letter signed, 'Naomi Mitchison', Argyll, no date, '17th', to Miss Young, thanking her for writing, referring to her daughters and grandchildren, one page, 8vo, plus an envelope unconnected to the four letters addressed to Miss M Young, 11 Toronto Terrace, Lewes, SussexQty: (5)
* Durrell (Gerald, 1925-1995). English writer and naturalist. A sheet of drawings by Gerald Durrell, signed 'Gerald Durrell, France, [1973]', a series of felt tip drawings of approximately 50 animals, flowers, shapes and designs to one side of a large artist's sketch book sheet of thick wove paper, signed and dated in ballpoint pen to lower margin, perforations to left margin, with logo design by Durrell in blue ballpoint pen for 'The Jersey Wildlife Preservation Trust' to verso, showing a dodo within a circle and titled 'The Wildlife Park Trinity' beneath, a horse's head drawn in blue ballpoint pen by Durrell adjacent, a few minor spots to recto and verso, 37.5 x 45 cmQty: (1)NOTESAn important and unusual item of Gerald Durrell ephemera. Gerald Durrell founded the Jersey Wildlife Preservation Trust as a charitable institution in 1963 with the dodo as its symbol.
* Durrell (Gerald, 1925-1995). English writer and naturalist. Autograph Manuscript (unsigned), no place, no date, circa 1973-78, outlining ideas that were ultimately used in his book Garden of the Gods, '…Expeditions with donkey and boat... Margo staunch ally... Margo goes on trip to mainland. Returns. I return to find mother sitting... Introduced: Family. Spiro – Theo – Donald & Max – Creech – Hunting party – talk with K – the hunt – Return”, plus a list of ducks and waders, a total of approximately 200 words in blue ballpoint pen, a few minor spots and marks and a little light marginal creasing, one page, folioQty: (1)NOTESAutograph manuscripts relating to Gerald Durrell’s Corfu Trilogy are rare.
* Freud (Lucian, 1922-2011). British Painter. Lucian Freud [by] Lawrence Gowing, 1st edition, Thames & Hudson, 1982, colour and black and white illustration from photographs throughout, signed and inscribed in pencil by Freud to title, 'For Lambert from his friend' with two arrows pointing at his first and second names beneath, original decorative cloth, 4to, together with an Autograph Letter Signed 'Lucian', Monday night, 36 Holland Park, circa 1980s, to 'My dear Lambert', in blue ballpoint pen, regretting that he will not meet up, 'I hope you wont think it unfriendly of me but I want to work every night until I have finished my big painting. There is hardly any one I'd rather see than you - I simply feel all wrong, wormlike and pretencious [the 'c' corrected to 't' with green pencil] if Im not working hard', the additional word 'consitenly' (sic) written in green pencil beneath the word 'working', a few minor marks and light creases, one page, 4toQty: (2)
* Milstein (Nathan, 1903-1992). Russian-American violinist. An unpublished and undocumented autograph working sketch-leaf for two realisations of violin sonatas by Antonio Vivaldi, no place, no date, 40 bars in blue ballpoint pen and pencil, 1 page, folio (32 x 24 cm), mounted together with a head and shoulders publicity portrait of Milstein from a photograph, signed 'N Milstein' in blue ballpoint pen in blank white area beneath image, the 2 items attractively mounted together with a caption, framed and glazed, overall 48 x 53 cmQty: (1)NOTESThe 5 bars in pen relate to the fourth movement Giga (Allegro) of Vivaldi’s Sonata in D minor Op. 2 no. 3, whilst the 35 bars in pencil relate to another unidentified Sonata for Violin and Piano by Vivaldi (most likely a Grave movement or Sarabande). Although Nathan Milstein composed original works and arranged music by other composers, it is not documented that he ‘realised’ any sonatas by Antonio Vivaldi. A rare and important manuscript.
* Walton (William Turner, 1902-1983). English Composer. An archive of material by, or relating to William Walton, including one brief autograph letter signed, two typed letters signed and one score signed, the letter to the writer and musicologist Donald Mitchell on a personalised correspondence card, dated at Ischia, 23 January 1973, informing his correspondent that, 'Indeed Malcolm [Arnold] is here and working hard - in fact he seems to be halfway thro' the 1st mov[ement] of a Symph[ony]. I wish I was!', the two typed letters signed to Mrs C.E. Marrett, London, 17 May & 19 August 1949, thanking her for the photographs of the house on the Island of Ischia (one of which is present), which Walton wishes to rent from her, inviting her to tea, confirming the tenancy of San Francesco for the following year, mentioning terms and assuring her that he and his wife 'look forward immensely to our stay there', minor creasing and one with small marginal tear to blank left margin, both one page, 8vo/oblong 8vo, the signed score being a printed 1st edition of Walton's Violin Concerto in B Minor, Oxford University Press, 1945, signed in blue ballpoint pen at head of first page by 'William Walton', 'Andre Previn', and [in Korean] Kyung Wha Chung', ownership signature of the music critic E.H. Greenfield (dated 20.12.45) to front wrapper verso with various ink notes about recordings, original printed wrappers, upper cover detached and spine deficient, large 8vo, plus an autograph signature of William Walton on a white card and a good series of 9 autograph letters signed from Walton's wife, Lady Susana Walton (1926-2010), and one typed letter signed, and one programme signed, La Mortella, Ischia and London, 1983-2003, 8 of the autograph letters to Walton's biographer Neil Tierney and one to Donald Mitchell, the typed letter to Kathleen Miles, all but one letters mentioning William Walton, the earliest letter written to Donald Mitchell three weeks after Walton's death, '... William and I had just arranged for the MSS to be lent to Christ Church. We were also going to Pisa on the 29th for his birthday to celebrate with Lindsay Kemp and his group doing Façade; I thought the artists should have his birthday celebration - but very sad for me', the subsequent letters discussing photographs of Walton, his mini opera The Bear, the setting up of the Walton Charitable Trust, progress on the Walton Museum at La Mortella, Tierney's biographies of Walton and Stravinsky, progress on her book about Walton and mentioning various works including Façade, Violin Concerto, Cello Concerto, Belshazzar's Feast, Violin Sonata and further mentioning Vladimir Ashkenazy, Yehudi Menuhin, Louis Kentner and John Shirley-Quirk, plus the aforementioned photograph, a copy of the programme for the premiere of Walton's Troilus and Cressida, a typed bank instruction for Walton to pay £20 each month to Mrs Marrett and an unsigned printed Italian postcard in celebration of Walton's centenaryQty: (a folder)
* Blyton (Enid, 1897-1968). Autograph letter signed, 'Enid Blyton', Green Hedges letterhead, 12 November 1957, to Mr Reinhardt, in blue ballpoint pen, thanking him for his letter and confirming that Collins have been in touch and 'that if Collins themselves agree entirely with anything you propose to arrange with Boots, I will automatically agree also, though I should, of course, like to know what is arranged, so that I may tell my Board', sayting that Easter time sounds a better time for selling than Christmas, that 10% royalty is alright and imagining Boots won't have much difficulty in selling the books and that this will clear the way for Collins' new editions, 'They are a splendid firm, one of my favourites! I'm very glad my books are going to them', 2pp., 8voQty: (1)
Essex House Press. The Poems of William Shakespeare, according to the Text of the Original Copies, including Lyrics, Songs, and Snatches found in his Dramas, printed at the Essex House Press for Edward Arnold, 1899, printed in red and black with woodcut initials throughout, contemporary ink inscription to front free endpaper with later ballpoint pen inscription beneath, all edges gilt, contemporary crushed green morocco, the covers tooled in gilt with double fillet and dot border and square corner-pieces composed of a leafy design in gilt with red flowers, enclosing a single fillet panel, spine divided into six panels with gilt compartments, lettered in the second and dated at the foot, the turn-ins tooled with gilt fillets, spine slightly darkened and a trifle rubbed, 4toQty: (1)NOTESLimited edition, 258/450 copies. An attractive Arts and Crafts-style binding by an unidentified binder.
Montblanc Meisterstück Limited Edition (Writers Edition) Alexandre Dumas. Kolbenfüller, Kugelschreiber und Bleistift in einer Buchschatulle. Diese wiederum in einem Schuber mit schwarzem Samt und einem faksimilierten, handschriftlichen Brief von A. Dumas. Leicht ber., Maße Schachtel 27 x 20 x 6 cmMontblanc Masterpiece Limited Edition (Writers Edition) Alexandre Dumas. Piston fountain pen, ballpoint pen and pencil in a book case. This in turn in a slipcase with black velvet and a facsimile handwritten letter by A. Dumas. Slightly rubbed, dimensions box 27 x 20 x 6 cm.
Montblanc Schreibset ''Meistestück'' (Kolbenfüller und Kugelschreiber) in einem dunkelbraunen Leder-Etui von Aigner, leicht ber., Maße Etui ca. 14,5 x 5 x 2 cmMontblanc writing set ''Meistestück'' (piston fountain pen and ballpoint pen) in a dark brown leather case by Aigner, slightly rubbed, dimensions case approx. 14,5 x 5 x 2 cm
Edler Kugelschreiber von Cartier, Frankreich (Paris) 2. H. 20. Jh., ovaler Querschnitt mit ornamentaler Strukturoberfläche, vergoldet. Auf dem Clip eine Namensgravur (weiblich). Leicht ber. & best., L. 13 cmNoble ballpoint pen made by Cartier, France (Paris) 2nd half of 20th century, oval cross-section with ornamental textured surface, gilded. On the clip a name engraving (female). Slightly rubbed & bumped, l. 13 cm.
A PARKER 9CT GOLD FOUNTAIN PEN, PROPELLING PENCIL AND BALLPOINT PEN, WAVY ENGINE TURNED, MAKER'S MARK LONDON 1974, THE BALL POINT PEN 1970, MAKER'S PLUS LINED TAN PIG SKIN CASE FOR TWO (3) Each with vacant cartouche, no engraved initials and no wear. Pencil mechanism apparently complete but derfective, and also a very slight dent near the hallmark. The plastic/vulcanite part of the pent cracked near nib. Pig skin case slightly scuffed
A PARKER PEN CASE CONTAINING FOUR STERLING SILVER PENS comprising of two '75' Cicele fountain pens and a fountain and ballpoint pen set (no cartridge), all stamped sterling silverThe silver pens. I can confirm there is not any personalisation on any of the pens. One of the fountain pen nibs is damaged, its slightly bent, the pens themselves are quite discoloured which is consummate with general wear and age.
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7821 item(s)/page