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Click here to subscribeSIX ITEMS OF JEWELLERY AND A CROSS GILT METAL BALLPOINT PEN (7)The jewellery comprising; a single row necklace of graduated coral beads on an oval clasp, detailed Silver, a length of cultured pearls, two silver pendant crosses, both Chester 1897, a Victorian silver MIZPAH brooch, Birmingham 1894 and a Victorian mourning necklace
A collection of pens, including a Parker Duofold fountain pen with Carlton Ware stand decorated with pagodas, a Swan Mabie Todd 'S.F. 5', a Parker Vacumatic green lined fountain pen with 14 carat gold nib, a 14 carat gold Sheaffer's fountain pen and pencil set and assorted other Parker and other fountain pens and ballpoint pens etc. (qty.)Condition ReportAll of these pens are in used condition. We have not tested any of them and cannot guarantee if they are in working order.
SHEAFFER; a modern stainless steel cased fountain pen with 14K nib, two further fountain pens with 14K nib including a Parker example, also a sterling silver propelling pencil and a selection of ballpoint, fountain pens and propelling pencils (10).Additional InformationLight wear, denting and knocks to the propelling pencil, wear to the plating. We cannot guarantee the working order of the pens or pencils. Denting to the cap on the Sheaffer example. One of the Parker examples with the 14K nip has bending to the nib.
Zwei Kugelschreiber und kleine Geldbörse, Montblanc. Blau bzw. gebürstetes Metall (dieser mit klemmender Federung). Geldbörse aus dunkelbraunem Leder. D. ca. 7,5x 10,5 cm. Beigegeben: Montblanc Ballpoint Pen Refill in der Farbe Pacific Blue sowie ein weiterer Füllfederhalter, élysée. Weltkarte als vergoldetes Dekor.
Thin Lizzy: A Factory Sample Pressing Of The Album Remembering Part 1,1976,Decca SKL 5249, double-sided 12inch, with pink Decca Factory Sample Not For Sale labels, recording details in black ballpoint, with letter on Decca Record Company Limited stationery dated 28th June, 1976, typewritten, from Frank Rogers, Label Manager, to John Peel, ...enclosing an advance pressing of Thin Lizzy's compilation album - ''Remembering Part 1'', to be released in August. Phil Lynott was most anxious for you to have this as soon as possible, accompanied by a Decca (Home/Export) Long Playing info sheet with John's Peel's track timings in black pen, in die-cut plain inner with Peel's inventory no. 3101 and plain card coverFor further information on this lot please visit Bonhams.com
Sex Pistols: Test Pressings Of The Single Anarchy In The UK/I Wanna Be Me,1976,EMI 2566, two single-sided 7inch discs, white labels with handwritten recording details in black ballpoint, A-side label also with faint date 17th NOV in felt-tip pen, four-pronged centres, matrices EMI 2566 A-1/EMI 2566B-2, in plain white die-cut sleeve with matrix number, stamped 17 Nov 1976 and with John Peel's handwritten track timing and band nameFootnotes:'Well, I think you'll find this programme is in rather marked contrast to the programme that has preceded it, because tonight we are going to have a look at punk rock'- John Peel on the John Peel Show 'Punk Special', 10 December 1976The Sex Pistols' debut single, 'Anarchy In The UK' was played twice on the John Peel Show before it was reported to have been unceremoniously banned from UK radio. This was a reaction to the band's famously expletive-filled TV appearance on Today With Bill Grundy, but the criticism came too late to stop the record's seismic impact on British music and culture. The single was later featured on John Peel's ground-breaking 'Punk Special' broadcast. 'Anarchy In The UK' was an enduring favourite among John Peel's listenership, topping his 'Festive Fifty' playlist between 1978-1980, and again in 1981.The handwritten label for the B-side credits Chris Thomas as Producer rather than Dave Goodman, a credit error which carried over into the initial pressings of the single before being corrected.This test pressing was selected by Don Letts for his Record Box selection from the John Peel Archive:johnpeelarchive.com/sex-pistols/anarchy-in-the-ukFor further information on this lot please visit Bonhams.com
Sex Pistols: A Test Pressing Of The Single God Save The Queen/Did You No Wrong,1977,Virgin VS 181, double-sided, white label 7inch, Virgin VS 181 A1/B1 matrices, labels and plain white die-cut sleeve annotated with recording details in blue ballpoint, John Peel's band handwritten bands name to cornerFootnotes:'God Save The Queen is a devastating record - and this time I do mean 'devastating' '- John Peel in 1977, reprinted in Olivetti Chronicles: Three Decades of Life and Music, p. 431The band's second single attracted controversy due to the proximity of the release to the Queen's Silver Jubilee, to the extent that it was banned on the 31st May 1977 and dropped from Radio 1 playlists. John Peel is reported to have described the furore as 'a great deal of fuss about nothing' and continued to play 'God Save The Queen' on his show, even including the track in his Festive Fifty playlist for 1977, at honorary number 61.A reissue of the Virgin single (limited to 4,000 copies) has recently been announced by the Sex Pistols to mark the Queen's Platinum Jubilee in 2022. 45 years may have passed since its release, but 'God Save The Queen' remains a forceful declaration on the state of the United Kingdom.For further information on this lot please visit Bonhams.com
The Stranglers: An Acetate Recording Of The Single No More Heroes,1977,a single-sided 7inch with Trident Studios label, recording details in blue ballpoint and additionally inscribed in blue felt pen Out Next Week UA Records, die-cut plain sleeve inscribed John Walters and also with John Peel's handwritten band name in cornerFor further information on this lot please visit Bonhams.com
Eddie And The Hot Rods: A Test Pressing Of The Album Life On The Line,1977,Island ILPS 9509, double-sided 12inch disc, white labels with handwritten recording details in black ballpoint, with Island Records Limited 'Cassette Label Copy' sheet dated 19.10.77 and with John Peel's handwritten track timings in blue felt-tip pen, in plain paper sleeve similarly inscribed and with Peel's inventory number, with plain card coverFor further information on this lot please visit Bonhams.com
The Jam: An Acetate Recording Of The Double-A Side Single David Watts/'A' Bomb In Wardour Street,1978,double-sided 7inch disc, Abbey Road Studios labels with recording details in ballpoint/felt-tip pen, together with a handwritten note on Super Mailing Jacks Service Polydor stationery, Dear Ravenscroft, Herewith the Jam single. The a side is David Watts which is actually a Ray Davis song...the release date is 28th July...They play Reading on the Friday 25th August, John Peel's track timings and band name handwritten on plain die-cut paper sleeveFootnotes:The present single was released on the 28th July 1978, with the first play of 'David Watts' on the John Peel Show airing the day before. 'A Bomb In Wardour Street' was played almost a month later on the 25th August, and while uncertain, it is possible that this is the acetate used to play both tracks. Per the letter's invitation, John Peel attended Reading Festival and watched The Jam perform - the 25th August edition of the show was pre-recorded so that John could attend the festival. The single peaked in the UK charts at number 25, before featuring in their third studio album 'All Mod Cons'.For further information on this lot please visit Bonhams.com
Joy Division: An Ideal For Living, With Letters To John Peel From Drummer Stephen Morris,1978,Enigma PSS 139, four-track EP, foldout sleeve, 1,000 only produced, die-cut inner sleeve with John Peel's handwritten track timings in blue ballpoint, together with two signed, typewritten letters from the band's drummer, one dated 22nd February 1978, reading, ...We are a 4piece Manchester band called Joy Division. We have been together for about 12 months, our original name being Warsaw...We listen to your show every night Etc Etc (well I do anyway) & we all think you're a great bloke., signed in red ballpoint, the other dated 20th March 1978, reading, Thank you again for playing our record on your show. We have finally got the sleeves back from the printers, a copy of which is enclosed...Meanwhile if your (sic) ever up in this part of the world, feel free to drop in for a cup of tea and a brown ale., signed in blue ballpointFootnotes:Please see footnote to lot 120.For further information on this lot please visit Bonhams.com
Joy Division: An Ideal For Living,1978,four-track 7inch EP, Enigma PSS 139, with foldout picture sleeve, one of just 1,000 produced, together with a note to John Peel from Rob Gretton, the band's manager, in red ballpoint on lined paper, ...We did send you a copy about six months ago and we weren't going to release it because the sound quality wasn't very good...we would be grateful if you could give it another spin and tell your listeners that it is now available in the shops..., inner sleeve with John Peel's handwritten track timings in black felt-tipFootnotes:In a BBC six-part series, 'Peeling Back The Years, first broadcast in 1987, producer John Walters interviewed John Peel about his musical history. Discussing Joy Division, Peel stated: The first of the post-punk bands did seem to be coming out of Manchester... I didn't at the time think that Joy Division were a band that I was going to prefer above any other...they were just one of a whole handful of bands whose work I was quite enjoying at that time. Walters then described Joy Division as ... the first real seminal post-punk band...they influenced so many people, to which Peel replied, Well, that's true and obviously the death of Ian Curtis sort of mythologised them to a degree...Peel championed the band throughout 1979 via the 'Peel Sessions' on his BBC Radio One show and regular airplay.For further information on this lot please visit Bonhams.com
The Smiths: A Test Pressing Of The Debut Single Hand In Glove/Handsome Devil,1979,Rough Trade RT 131, a double-sided 7inch disc, white labels with recording details in blue ink/black felt pen and catalogue number in red ballpoint, in plain die-cut sleeve with John Peel's handwritten track timing and band name in black felt-tip penFootnotes:'Those are the Smiths, and they've had one or two rather extravagant write-ups in the musical papers, and the people at Rough Trade see them as being the next big thing as well'- John Peel, John Peel's Music On BFBS, 1 May 1983John Peel first played 'Hand In Glove' on German radio, modestly describing the track as 'perfectly adequate, that, as a debut single'. After further plays on BFBS and on The John Peel Show, the single featured in the top ten of that year's Festive Fifty.For further information on this lot please visit Bonhams.com
The Damned: An Acetate Recording Of The Single Smash It Up,1979,a single-sided 7ich disc, Abbey Road label with recording details in blue ballpoint and John Peel's track timing in black felt-tip, in plain die-cut sleeve with band name also inscribed by PeelFootnotes:Released in October 1979, this is regarded as the band's unofficial anthem. It was boycotted by BBC's Radio One due to the track's perceived anarchic lyrics, with its critical references to 'blow wave hairstyles' and 'Glastonbury hippies'. However, they performed the song on BBC TV's flagship rock show, 'The Old Grey Whistle Test' and trashed the stage at the end.For further information on this lot please visit Bonhams.com
The Jam: An Acetate Recording Of The Single Eton Rifles,1979,a single-sided 7inch disc, the Strawberry Mastering (U.K.) Ltd. label with recording details in blue ballpoint and date 26/10/79, in die-cut plain sleeve with John Peel's handwritten track timing and band name, also inscribed J. Peel in unknown handFootnotes:'...The Jam should be recording a new session for us, their third - their first in a couple of years - which is very timely, because I think this is perhaps the best single they have ever made'- John Peel on Eton Rifles, John Peel Show, 29 October 1979Eton Rifles reached number 3 in the UK charts, and was included in the top 20 of John Peel's 'Festive Fifty' for 1979. In a later interview with Uncut magazine, Paul Weller recalled how the lyrics were inspired by television footage he watched in 1979 of Eton schoolboys jeering at Right To Work marchers as they passed the public school. The present acetate of Eton Rifles is considered to be an extremely rare example.For further information on this lot please visit Bonhams.com
Elvis Costello & The Attractions: An Acetate Recording Of I Can't Stand Up For Falling Down,1980,a single-sided 8inch disc, the CBS Recording Studios, London label with recording details in ballpoint, with date 11/JAN/80, in French Pyral S.A. sleeve with two Multi-Media rubber stamps and John Peel's handwritten band name, together with a copy of a memo from the then Executive Producer of BBC Radio 1, Doreen Davies, concerning the single, dated 8th January 1980 and reading, Will you please note that the above title, currently on a white label, should not be played. At 4.00pm. yesterday afternoon an injunction was issued in favour of WEA to stop the marketing of this disc on Radar or Elvis Costello's new label F/Beat, so there is no copyright hold at presentFor further information on this lot please visit Bonhams.com
The Cure: An Acetate Recording Of The Single A Forest,1980,a single-sided 7inch disc, Strawberry Mastering (U.K.) label with recording details in black ballpoint and John Peel's track timing in black felt-tip, in plain die-cut sleeveFootnotes:The Cure were regularly featured on John Peel's radio show, with a total of six Peel Sessions between 1978 and 1985 - A Forest was performed on their third Peel Session, broadcast on the 10th March 1985. The track became so popular with John's listeners that it appeared in three consecutive 'Festive Fifty' entries (1981, 1982 and 1983).For further information on this lot please visit Bonhams.com
The Smiths: An Autographed Copy Of The Single What Difference Does It Make?/Back To The Old House/These Things Take Time,1984,12inch, Rough Trade RTT 146, the back cover of the Terence Stamp picture sleeve signed and inscribed in blue ballpoint by Morrissey, Johnny Marr, Andy Rourke and Mike Joyce, with eleven-page Rough Trade press sheet, front cover with John Peel's artist name labelFootnotes:'Charmed, I'm sure'- Johnny Marr's inscription on the back cover'What Difference Does It Make' was first heard on the Peel Sessions in May 1983, months before the track was released on the 16th January 1984. The single was featured at number 17 in the 1984 Festive Fifty. John Peel and his Peel Sessions were an important factor in the rising popularity of The Smiths - Johnny Marr reportedly wrote 'This Charming Man' especially for a session broadcast on 21st September 1983, claiming that the band didn't have enough songs to play.For further information on this lot please visit Bonhams.com
The Smiths: A Test Pressing Of The Single Girlfriend In A Coma/Work Is A 4 Letter Word/I Keep Mine Hidden,1987,12inch, Rough Trade RTT 197, white label with John Peel's handwritten recording details in black felt-tip pen and blue ballpoint, together with a handwritten letter to Peel from Rough Trade label founder, Geoff Travis, in black ink on Rough Trade Records Limited A4 stationery, and a five-page fax to John Peel from Ferret 'n Spanner Plugging Co. Ltd., including Press Release regarding Johnny Marr's departure from the band, with die-cut, black card sleeve with Peel's handwritten timings to opening and artist name labelFootnotes:'I thought since we began with you we should mark this day by letting you be the first to hear what will be, not the last but perhaps the penultimate Smiths single in its present incarnation'- Geoff Travis to John Peel, 1987As one of the earliest proponents of the Smiths, John Peel was personally informed by Geoff Travis (founder of Rough Trade) of the impending departure of Johnny Marr. The handwritten letter reveals the label's shock and disappointment at the decision and the implications for the band, with Travis hoping for 'a reconciliation, if not then to a stunning future for both Morrissey & Johnny'.For further information on this lot please visit Bonhams.com
John Peel: A Group Of Handwritten Programme Running Orders,Early 1990s,three complete lined notepads with meticulous running orders of songs, from all decades across many music genres; with programme dates, song titles, artists and song timings, as per John's stopwatch, all in his hand in blue, black and sometimes red ballpoint; occasionally with the odd note, comment or annotation, 8in x 12in (20cm x 30.5cm)Footnotes:'Hello, this is JP speaking. Tonight... starting at five past midnight, a selection of records to bring joy into your drab, unhappy lives'- John PeelFor further information on this lot please visit Bonhams.com
John Peel: A Group Of Handwritten Programme Running Orders,Late 1990s,three complete lined notepads with meticulous running orders of songs, from all decades across many music genres; with programme dates, song titles, artists and song timings, as per John's stopwatch, all in his hand in blue, black and sometimes red ballpoint; occasionally with the odd note, comment or annotation, 8in x 12in (20cm x 30.5cm)For further information on this lot please visit Bonhams.com
The Rolling Stones: An Acetate Recording Of Sympathy For The Devil,1968,a single-sided 7inch Emidisc, label with recording details in red ballpoint, marked BBC Copy and also inscribed in blue, Sock-It-To-Me-Another Philosorock Goody, in die-cut card sleeve with John Peel's handwritten band name to cornerFor further information on this lot please visit Bonhams.com
The Misunderstood: An Acetate Recording Of My Mind/Children Of The Sun,circa 1969,a double-sided 7inch Emidisc, labels with typewritten recording details and one side with ballpoint doodles in unknown hand, in plain die-cut sleeveFootnotes:Originally formed in California in the 60s in the wake of the British Invasion, the band moved to London in 1966, assisted by their manager, John Peel. John's family have provided the anecdote that their father actually gave the band his mother's address in London, without telling her. On arrival in England they turned up at her door and moved in with John's bemused mother. They recorded just a handful of tracks whilst in the UK and disbanded thereafter. Peel championed their music throughout his career. In an interview in 'Index Magazine' in the early 2000s, he declared: 'If I had to list the ten greatest performances I've seen in my life, one would be The Misunderstood at Pandora's Box, Hollywood, 1966. My god, they were a great band.'Fontana released Children Of The Sun as a single in 1969, the B-side of which was the track Unseen.For further information on this lot please visit Bonhams.com
Tyrannosaurus Rex: An Acetate Recording Of The Single Pewter Suitor,1969,a double-sided, 7inch disc, with London Disc Cutting Centre Ltd. labels, recording details in blue ballpoint including date 3.1.69, one side inscribed in red felt-tip pen by Marc Bolan played side, the other For John unplayed top gear is a grove released Jan 17th with love, in plain die-cut sleeveFootnotes:'For John, released Jan 17th with love'- Marc Bolan to John Peel, 1969One of a number of records sent to John Peel with personal handwritten messages from Marc Bolan on the label, the present example demonstrates the close relationship they had in the late 1960's.For further information on this lot please visit Bonhams.com
Tyrannosaurus Rex: An Acetate Recording Of The Single By The Light Of A Magical Moon,1969,a single-sided 7ich disc, Trident Studios label with recording details in blue felt-tip/black ballpoint pens, date 30.12.69, also inscribed in unknown hand For John, in die-cut Audiodiscs sleeve with band name and record label in John Peel's handFootnotes:A live version of the present record was performed by Tyrannosaurus Rex as part of their seventh session for John Peel, broadcast on the 22nd November 1969. Upon the release of 'By The Light Of The Magical Moon', Peel played the track several times in January and February 1970.For further information on this lot please visit Bonhams.com
The Rolling Stones: An Autographed Copy Of The Rare Promotional Album,1969,UK disc Decca RSM.1 in US cover RSD.1, the back cover signed in blue ballpoint and felt-tip pens, Mick Jagger, Keith Richards, Mick Taylor, Charlie Watts and Bill Wyman, with Decca 'The Rolling Stones Complete Catalogue' insert, a fold-out poster of the band and a Decca 'Rated Releases' newsletter regarding the record and stating that Only 200 copies of this promotional record have been produced in Britain and we very much regret that no further copies can be orderedFootnotes:In the autumn of 1969, after a gap of more than two years and with a new guitarist, the Stones were preparing to go out on the road once more, with a 17-date tour in the US beginning on the 7th November. Ahead of this, this promo record for radio play was produced and was released in the UK on 30th October to radio stations and DJs. It was a compilation of old songs, with just one new one included, Love In Vain, from the soon-to-be-released album Let It Bleed. As confirmed by the newsletter included in this lot, only 200 copies were pressed on the Decca label for the UK. In the US, copies were pressed on the London label but no precise figure of how many is available. The covers for both pressings were printed in the US, hence the mis-match in catalogue numbers between disc and cover, and there are differences in text between the US and UK covers. As the newsletter points out, ...the publishing details and timings refer to the American record and it would be appreciated if the record label itself could be referred to for copyright and programming purposes.For further information on this lot please visit Bonhams.com
John Lennon/Plastic Ono Band: A Test Pressing Of The Single Instant Karma,1970,white label, Apples 1003, one side overpasted with Apple Custom Recording label with inkstamped recording details and Produced by Phil Spector in blue ballpoint, release date of 6/2/70For further information on this lot please visit Bonhams.com
T. Rex: An Acetate Recording Of The Single Get It On/There Was A Time/Raw Ramp,1971,double-sided 7inch disc, Apple Custom Recording labels with typewritten recording details, A-side label also inscribed in blue ballpoint by Marc Bolan, to John X July 2nd, in plain die-cut card sleeve with John Peel's handwritten band name to cornerFootnotes:'Get It On' was another departure from Bolan's more acoustic, underground sound which had appealed to John in the late 1960's, but the dedication is recognition of the influence Peel had in promoting Bolan as a solo artist and with Tyrannosaurus Rex. The single topped the UK charts for four weeks, and was also a top 10 hit in the US Billboard charts.John Peel had been a long-time champion and friend of Marc Bolan, but this single was, sadly, to cause a rift between the two of them after Peel had broadcast his lack of enthusiasm for it. Apparently, they spoke only once more before Bolan's death in 1977.For further information on this lot please visit Bonhams.com
The Faces: An Acetate Recording Of The Album A Nod's As Good As A Wink To A Blind Horse,1971,a double-sided 12inch disc, labels with recording details in ballpoint and John Peel's timings in black felt-tip pen, in die-cut inner sleeve with plain die-cut card coverFootnotes:'There may have been better bands, but there was never a band to make you feel so good...And to give you an indication of how highly I esteemed the members...they were the only band who were actually invited to my wedding and their roadies, and they all came too.'John Peel, 'The John Peel Show', 18th August 1976.In 1971, John famously appeared on 'Top Of The Pops', not as a presenter, but as a performer, pretending to play the mandolin parts for The Faces' performance of Maggie May.For further information on this lot please visit Bonhams.com
Marc Bolan: An Acetate Recording Of The Unreleased Album, Hard On Love,1972,a double-sided 12inch disc, with Pye Records Ltd. Advanced Promotion Acetate labels with handwritten recording details in blue ballpoint, together with a photocopy of Marc Bolan's affidavit in the case of the injunction brought against the album's release by him, dated 15th June 1972, and a Wright and Webb, Solicitors compliments slip, in plain white card coverFootnotes:Although reissued since, the original album was withdrawn as Marc did not want this rather mixed collection of 1960s' pre-fame recordings to be released onto the market whilst he was enjoying huge success with T. Rex.By 1972 Marc Bolan's popularity had grown substantially, thanks in large part to John Peel's frequent promotion of his releases. Bolan was fiercely protective of his work and the quality of his output, as evidenced by the documents accompanying the present Lot – 'Hard On Love' was considered by Marc to be an unfinished demo tape, so its attempted release by Track Records and Polydor was formally requested to be halted by Bolan himself:'... My reputation is so considerable that the release of such work, which must inevitably disappoint my followers and damage my reputation, will inflict harm to an extent that could not possibly be compensated for by damages'-Marc Bolan on 'Hard On Love', 15 June 1972For further information on this lot please visit Bonhams.com
Queen: A Test Pressing Of The Single Bohemian Rhapsody/I'm In Love With My Car,1975,EMI EMI 2375, white labels, recording details in black ballpoint and John Peel's track time (5:50) in blue felt-tip, plain die-cut sleeve with band name written by Peel in top cornerFor further information on this lot please visit Bonhams.com
WATERMANN Schreibset. Set bestehend aus einem Füller, Drehkugelschreiber und Kugelschreiber. Marmorierter Korpus in Grün mit goldfarbenen Details. Etui anbei. Guter Erhalt.| WATERMANN writing set. Set consisting of a fountain pen, twist ballpoint pen and ballpoint pen. Marbled body in green with gold details. Case enclosed. Good condition.
PARKER VINTAGE Schreibset. Aus dem Jahr 1973. 1x Füller in Goldfarben mit Rillendekor und 14K GG Feder. 1x Kugelschreiber mit Druckmechanismus in Goldfarben mit Rillendekor. Kaufdatum 17.12.1973 mit original Garantieheft. Originales Etui anbei. Sehr guter Erhalt. | PARKER VINTAGE writing set. From 1973. 1x fountain pen in gold colors with groove decoration and 14K GG nib. 1x ballpoint pen with push mechanism in gold colors with groove decor. Purchase date 17.12.1973 with original warranty booklet. Original case attached. Very good condition.
MONTBLANC Schreibset "MEISTERSTÜCK". Set bestehend aus einem Drehbleistift, Drehkugelschreiber und einem Füller mit 14K GG/WG Feder. Korpuse aus schwarzem Edelharz mit vergoldeten Details. Etui anbei. Sehr guter Erhalt.| MONTBLANC writing set "MEISTERSTÜCK". Set consisting of a propelling pencil, propelling ballpoint pen and a fountain pen with 14K GG/WG nib. Black precious resin body with gold plated details. Case attached. Very good condition.
MONT BLANC 4810 14k white gold tipped fountain pen L585 MEISTERSTUCK in its stunning black with gold trim and its matching ballpoint pen - no case or paperwork is available with this pen set - in good condition with no scratches or damage noted at time of valuation, fountain pen measures 14cm length, the ballpoint measures 13.5cm approxApprox 2 pieces
Four quality pens to include a MONT BLANC larger black/silver-colour ball point, used but good condition, an IRIDIUM Germany black and gold-colour ballpoint and nib (unused), and a self-filler Swan fountain pen Swan by Mabie Tood & Co Ltd made in England Pat. No. 575-341 circa 1940 in a chocolate/gold colour with double rings stamped 3250Approx 4 pieces
Artists’ book belonging to Mme. Jalbert, owner of the famous Parisian brasserie "Le Sélect" in Montparnasse, frequented by intellectuals and artists from its opening in 1923.It contains 11 works of art on paper by: - Honorio García Condoy (Zaragoza, 1900 - Madrid, 1953) "Bañistas" (Women bathing) Ink drawing on paper. Signed and dated 1950. 31,8 x 24 cm. Dedicated to Mme. Jalbert. - Oscar Domínguez (La Laguna, Tenerife, 1906 - Paris, 1957) "Caballero" (Gentleman) Watercolour and ink on paper. Signed and dated 1950. 31,8 x 24 cm. Dedicated to Mme. Jalbert. - Rafael Zabaleta (Quesada, Jaén, 1907 - 1960) "Still life" Ink drawing on paper. Signed and dated 1950. 31,8 x 24 cm. - Pedro Flores (Murcia, 1897 - Paris, 1967) "Caballero" (Gentleman) Wax crayon, felt tip pen and pencil drawing on paper. Signed, dated 1950 and situated in Paris. 31,8 x 24 cm. Dedicated to Mme. Jalbert. - European School. 20th century. "Personnel" Gouache on paper. Signed. 31,8 x 24 cm. Dedicated to Mme. Jalbert. - European School. 20th century. "Mount Golgotha" Ballpoint pen drawing on paper. Signed. 31,8 x 24 cm. Dedicated to Mme. Jalbert. - Dedication from the Comédie Française actor André Falcon. May 1951. - Gabriel Khon (1910 - 1975) "Portrait" Ballpoint pen drawing on paper. Signed and dated 1951. 31,8 x 24 cm. Dedicated to Mme. Jalbert. - Jean Cortot (1925 - 2018) "Landscape" Ink drawing on paper. Signed and dated 1951. 31,8 x 24 cm. Dedicated to Mme. Jalbert. - European School. 20th century. "Portrait" Charcoal drawing on paper. Signed. 31,8 x 24 cm. - Man Ray (Philadelphia, 1890 - Paris, 1976) Ink drawing on paper. Signed and dated April 1951. 31,8 x 24 cm. Dedicated to Mme. Jalbert. - Ossip Zadkine (1890 - 1967) "Guitarist" Ink drawing on paper. Signed and dated 23rd December 1950. 31,8 x 24 cm.
A collection of fountain pens, including a gold plated Parker, boxed, a Watermans Ideal, cased, and a red marbled effect pen, possibly Conway Stewart, together with a Parker Duofold ballpoint pen, an Eversharp propelling pencil and other related items.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
McBride, Will -- "Reinhard H. mit Socke, Casoli". 1973/printed 2014. Archival pigment print on Hahnemühle rag paper. 66 x 43,5 cm (81 x 59 cm). Signed, annotated and dated by the photographer in ballpoint pen on the verso.Color photographs by Will McBride are rare on the art market. In 1973 McBride took a series of male nudes in Casoli, Italy but never made prints from the slide negatives. At the request of an enthusiastic collector high quality pigment prints were made of a selection of the images in a small edition of 5 prints in 2014. The subtle colors and fine rendition of the skin's surface are extraordinary and show an undiscovered side of Will McBride's work. – A fine tonal print with strong colors and in excellent condition.Lit.: Will McBride. Mein Italien. Munich 2003. ill. p. 161 (image of the same model).Provenance: Directly from the photographer to the present owner
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